Debra Prinzing

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Seasonal Spring Floral Design Workshops with Debra & Alicia

Thursday, March 27th, 2014

2 Workshops + 1 Saturday = Flower Filled Day
When: May 3, 2014
Where: The 95 Yesler Collective Studio, 3rd floor (Seattle)
Who: Debra Prinzing & Alicia Schwede

Workshop #1 – 10:00-12:00
Seasonal Flowers with Debra Prinzing

Every single element in this vintage white pitcher is from my Seattle garden. Happy Spring!

Every single element in this vintage white pitcher is from my Seattle garden. Happy Spring!

What: A seasonal, hands-on floral design workshop for gardeners, DIY designers and flower lovers alike.
When: 10-12
Who: Debra Prinzing, Slow Flowers advocate and author of The 50 Mile Bouquet and Slow Flowers. Debra is an award-winning writer, editor and speaker. She has spoken and/or led hands-on floral design workshops at major botanical gardens and for leading garden clubs including the Dallas Arboretum, Denver Botanic Garden, Chicago Botanic Garden, Los Angeles Arboretum, Pasadena Garden Club, Seattle Garden Club, the Garden Club of Santa Barbara, and more. She was the 2014 Floral Curator for the San Francisco Flower & Garden Show. Learn more about Debra at www.debraprinzing.com.

Seasonal Flowers introduces students to of-the-moment flowers for growing and arranging as each reflects her/his personal style and creative muse. Taught in a 2-hour session, the workshop is formatted as follows:

    • Introduction of seasonal flowers, foliage and other botanicals
    • Discussion of growing methods and popular cultivars
    • Discussion of harvesting/post-harvesting treatments
    • Principles of color and elements of design that relate to specific floral ingredients
    • Eco-friendly design techniques and care tips

You’ll take home a custom floral arrangement or bouquet for your home, along with a resource handout.

A la carte Price: $95 per student; or take advantage of the bring-a-friend price of $175 for two

Supply fee per student/per class: $15 (includes vase, tools and floral design supplies)

Lunch Break – 12-1pm, lunch on your own.

Workshop #2 – 1:00-4:00
The Bridal Bouquet & Pricing Workshop with Alicia Schwede 

Demystify the design and pricing of a Wedding Bouquet with Alicia Schwede.

Demystify the design and pricing of a Wedding Bouquet with Alicia Schwede.

What: A hands-on floral design workshop with a discussion and learning session about pricing designs.

When: 1:00-4:00pm
Who: Alicia Schwede, owner of Bella Fiori & editor of the Flirty Fleurs Floral Designer Blog. Alicia is the author of Bella Bouquets Book, which will be available for purchase at the workshop.

The Bridal Bouquet & Pricing Workshop is a hands-on workshop where you will learn how to design luscious hand-tied bouquets. After we design a beautiful bridal bouquet we will have a discussion and learning session about pricing our designs. All instruction and fresh flowers are included, please bring your own tools.

Investment: $195.00 

flirty fleurs floral designer workshop in Seattle

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Please note: You may choose to take one or both of the workshops. Either way, the workshops must be paid for separately.

Register for Debra’s Workshop

Register for Alicia’s Workshop

 

Questions? Send Alicia an Email
Or send Debra an Email
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SLOW FLOWERS Podcast: Marigold & Mint’s Katherine Anderson – a leading eco-floral entrepreneur (Episode 134)

Wednesday, March 26th, 2014
Katherine Anderson, leading a tour at her flower farm.

Katherine Anderson, leading a tour at her flower farm.

It is my pleasure today to introduce you to Katherine Anderson, a flower farmer who’s also an innovative floral designer. 

Katherine is the creator and owner of Marigold and Mint, a flower shop and studio in Seattle’s trendy Capitol Hill district that takes its influences from Europe, Asia and America’s maker/handcrafter movement. 

Marigold and Mint (the shop) is filled with flowers that Katherine grows on land her family has owned for three generations, ever since the 1950’s.

Although she didn’t start flower farming as a career until she was in her thirties, Katherine has been connected to soil, plants and cultivation ever since she gardened with her father as a child.

In 2008, she stepped off the corporate track as a Harvard-trained landscape architect to raise her children and return to the land as a flower farmer. 

marigold_logoKatherine began by planting rows of annual flowers and herbs. She started with the idea of selling locally grown flowers to florists and chefs. 

Katherine, surrounded by marigolds - at her growing fields, a part of Oxbow Farm, east of Seattle.

Katherine, surrounded by marigolds – at her growing fields, a part of Oxbow Farm, east of Seattle.

Much of the land her family owns is leased to Oxbow Organic Farm & Education Center, which among other programs, operates a food CSA that supplies households and restaurants. There was plenty of acreage for Katherine’s annuals, herbs, perennials, garden roses and ornamental shrubs. 

Four years ago, she opened a small shop. Marigold and Mint is located next to a popular farm-to-table Seattle restaurant, which she regularly supplies with herbs and culinary ingredients (a few summers ago, when I visited the farm, Katherine was harvesting nasturtium seeds for the chef to pickle and use in dishes, like capers). 

She has a special affinity for marigolds – she grows 15 or so varieties each season, including ‘Frances’ Choice’, ‘French Brocade’, ‘African’, the Signet series, ‘Durango Outback’, ‘Queen Sophia’, ‘Vanilla’ and ‘Tangerine Gem’ – and many more. 

flowershop_IMG_8356

A glimpse inside Marigold & Mint.

Earlier this year, Katherine and restaurateur Matthew Dillon, the same chef she’s been supplying for years, joined together to open a new venture called The London Plane. Located in historic Seattle’s Pioneer Square neighborhood, The London Plane is a shop, cafe, bakery, wine bar, and events space.  

Occupying two corners of Pioneer Square’s Occidental Mall, The London Plane’s larger space is home to a cafe, bakery, flower counter, grocery and larder shop.

Customers can be seen frequently stopping by for something to eat or drink, or shop our grocery and larder selection to prepare a meal at home.

The smaller space, called, The Little London Plane, is a wine shop, wine bar and event space. There, you can grab a glass of wine and graze on a simple selection of bar foods, or shop for wines to takeaway. 

If you’re in the Seattle area, sign up for one of the new floral design series, beginning in early April at The London Plane.  

The floral department at The London Plane - in Seattle's Pioneer Square.

The floral department at The London Plane – in Seattle’s Pioneer Square.

Follow this link to learn more about Katherine’s upcoming floral design workshops at The London Plane. Workshop fees range from $150-$200 and topics include:

Hand-tied bouquets, Wednesday, April 2nd, 2014; 6:00 p.m.-8:00 p.m.

Spring Arrangements, Wednesday, April 16th, 2014; 6:00 p.m.-8:00 p.m.

Mother’s Day Flower Arranging, Saturday, May 3rd, 2014; 3:00 p.m.-6:00 p.m.

Katherine's arms are filled with vivid orange marigolds, just harvested at the height of the season.

Katherine’s arms are filled with vivid orange marigolds, just harvested at the height of the season. 

It all began with Marigolds: Katherine’s love for the timeless appeal of this vintage annual.

“We love to be surprised by the stunning complexity of a flower or a branch, and to that end we are always trying out new types of flowers and other plants with ornamental value,” Katherine writes on her web site. 

Rows and rows of marigolds.

Rows and rows of marigolds.

And here’s Katherine’s explanation of why she stocks only locally grown and whenever possible, organic, ingredients:

Flowers are living things and they are a commodity shipped around the world. Considering the fuel cost and chemicals used to keep lovely, fragile flowers protected and alive en route from, say, Tanzania to Tennessee, we prefer to grown and buy local. At Marigold and Mint, we strive through our organic and sustainable agricultural practices to do no harm to the environment and all the people and animals that live in it, and to balance any harm (such as some reliance on fossil fuels) with a healthy serving of good: by growing and selling natural fragrant flowers and herbs within the Northwest. We work hard to build soil fertility, create habitat, and protect genetic diversity by growing countless varieties of flowers and herbs. 

more marigolds . . .

more marigolds . . .

 

another fascinating variety . . .

another fascinating variety . . .

Now I know you’ll never look at a marigold as a flower that’s too humble or common for your floral arrangements.

Thank you, Katherine Anderson, for your inspiration today! 

Because of the support from you and others, listeners have downloaded episodes of the Slow Flowers Podcast more than 8,500  times! I thank you for taking the time to join to my conversations with flower farmers, florists and other notable floral experts.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts. Learn more about her work at hhcreates.net.  

SLOW FLOWERS Podcast: The gifted and inspirational Ariella Chezar (Episode 133)

Wednesday, March 19th, 2014

 

Meet Ariella Chezar of Ariella Chezar Design. I captured this lovely portrait of the floral genius on a recent March morning. She's standing insider Ariella Chezar New York, her new flower shop, holding a vase of her absolutely favorite grape hyacinths (Muscari).

Meet Ariella Chezar of Ariella Chezar Design. I captured this lovely portrait of the floral genius on a recent March morning. She’s standing insider Ariella Chezar New York, her new flower shop, holding a vase of her absolutely favorite grape hyacinths (Muscari).

ariella_logoToday’s guest is a floral rock star – someone whose work has appeared in every hot style magazine around – from Martha Stewart Weddings and Modern Bride to O Magazine and Town & Country and countless others.

Please meet New York & the Berkshires-based Ariella Chezar. For 20 years, this gifted daughter of nature has expressed her love of flowers, both cultivated & wild as both a floral designer and an inspiring and generous teacher.

Known for her lush, whimsical, garden style, Ariella has influenced the floral industry coast-to-coast. In her early days, she worked magic in Berkeley, responding to the untamed, native beauty of the Bay Area and Northern California, Chronicle Books tapped her to create “Flowers for the Table,” a lovely, evocative book that helped propel Ariella into the world of editorial floral design.

Later when she returned to the Berkshires in Massachusetts, Ariella settled into her childhood homestead where in the past decade she has produced weddings, events and editorial projects from her studio there.

Inside her new shop, I catch a glimpse of Ariella behind the orchids.

Inside her new shop, I catch a glimpse of Ariella behind the orchids.

Last summer, Ariella made many people happy when she opened her first retail project – Ariella Chezar New York, a floral outpost in Tudor City, one of Manhattan’s most charming secret neighborhoods, located just a stone’s throw from the United Nations.

Why is Ariella’s work so celebrated? In our podcast interview, recorded on March 11th, Ariella identifies the place (California) and the moment in time (the late 1990s and early 2000s) when she developed, almost unconsciously, her carefree, uncomplicated design aesthetic.

She was mesmerized by the abundance of carefree, unconstrained vegetation around her – and in response, her design style was and has continued to be unique and iconic.

One bride put it this way: I believed that Ariella knows what heaven looks like, and she brought it down to Earth just for our special occasion.”

For more about Ariella, I turned to her web site for biographical information. Here it is:

Ariella began creating at a young age. She grew up in the Berkshires of Massachusetts where the outdoors played an integral part of her daily life. Her mother, an artist and avid gardener, inspired seasonal art projects that combined nature and creativity.

Today, her designs evoke nature with their seasonal relevance. Her lush blend of flowers and branches, fruits and vegetables as well as gorgeous silk textiles and ribbons combine for a final product which is both sensual and evocative.

Ariella began her career in the Berkshires working with Pamela Hardcastle and Barbara Bockbrader. These brilliant floral and garden designers inspired Ariella to combine her love of art and the dramatic with her passion for the natural world. “Pamela and Barbara showed me that art and life can be intertwined.” Ariella spent a season selling wreaths to New York flower shops and to shoppers along the streets of SOHO and Greenwich Village. Then she worked with Robert Isabell before moving to the West Coast in 1998.

In 2002, Chronicle Books published Flowers for the Table, a guide to choosing seasonal flowers and a lesson in designing with the bud’s natural form. The book revolves around several seasonal occasions, from a summer wedding in the country to hot colored poppies on a cold winter’s night. Beautiful photographs bring Ariella’s ideas to life. Her personal style and enthusiasm makes Flowers for the Table an inspiration for us all.

As of December, 2003, Ariella moved back to the East Coast. 

It was a delight to visit with this inspirational and truly generous talent! My podcast interview with Ariella will update you on all her wonderful projects.

It was a delight to visit with this inspirational and truly generous talent! My podcast interview with Ariella will update you on all her wonderful projects.

I suspect you are as in love with Ariella Chezar – and her giving spirit – as I am. She has mentored and encouraged so many in our industry, not treating other designers as potential competition, but instead, viewing each as a kindred spirit, a fellow promoter of beauty and sustainability in floral design.

You can follow links on my website to Ariella’s work on Facebook, Instagram and Pinterest – and sign up for her newsletters that will keep you posted on her workshops and her forthcoming new book.

Because of the support from you and others, listeners have downloaded episodes of the Slow Flowers Podcast more than 8,000  times! I thank you for taking the time to join to my conversations with flower farmers, florists and other notable floral experts.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

 The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts. Learn more about her work at hhcreates.net. 

SLOW FLOWERS Podcast: A Visit with Gigi Meyer of Windflower Farm in Bend, Oregon (Episode 131)

Wednesday, March 5th, 2014
Gigi Meyer, on a November walk through her farm, with a few of her goats, Justyn, Daphne, and Ziggy-Zag.

Gigi Meyer, on a November walk through her farm, with a few of her goats, Justyn, Daphne, and Ziggy-Zag.

A few weeks ago, my friend Sarah Meyer invited me to have breakfast in our Seattle neighborhood with her visiting cousin Gigi Meyer.

Sarah had told me about Gigi in the past, her closest childhood cousin who owns Windflower Farm, situated on land near Bend, Oregon, is in the central part of the state. 

In April 2012, Sarah sent me an email after she had helped me create the flowers for the kick-off event of a Washington ballot initiative we were supporting. She wrote: 

“Earlier today,  I sent your NYT article to my cousin Gigi (farmer in Bend I mentioned) and she wrote back to say she had just received your book having ordered it from Amazon! 

“I was slightly disappointed to hear that as I had planned to buy it as a birthday present but missed my chance. She is selling cut flowers to Whole Foods and I think is increasing her flower production.”

 

image_25231My breakfast conversation with them introduced me to Gigi’s story – and I knew I wanted to share it with listeners of the Slow Flowers Podcast. Being a farmer is a choice for Gigi. She was drawn to this practice after a career in writing and fine arts. It is a love of place, of animals, of cultivating food and flowers that connects her with earliest childhood memories of riding horses on property her parents owned in Eastern Oregon.

That profound link is evident in Gigi’s thoughtful narrative of being a farmer and more. According to Gigi, Windflower Farm is dedicated to growing gourmet-quality vegetables, herbs, fruit and flowers. She uses only sustainable practices, no chemical herbicides, pesticides or fertilizers. The farm is nestled amidst ranches and the Badlands, in pastoral Alfalfa, just 15 minutes east of Bend. 

Ready for market - fresh from the fields at Windflower farm.

Ready for market – fresh from the fields at Windflower farm.

In our interview, you will hear Gigi talk about selling her herbs, vegetables, greens and flowers to the chef at Brasada Ranch. Named “Oregon’s Best Destination Resort,” Brasada is a highlight for many who travel to the Bend area. Travel writer and podcaster Peter Greenberg featured Brasada and many tourism features of Central Oregon in a 2011 podcast — including a 5-minute segment with Gigi. Here is the link – and you will hear Gigi at the 1:34 mark. Greenberg describes Windflower Farm as a “boutique farm,” which is pretty cool.  

In addition to her mixed bouquets, which can be found at Bend’s Whole Foods outlet, Gigi grows and sells the following diverse and hugely impressive floral selection to area restaurants, businesses, florists and wedding customers:

Peonies Asiatic Lilies, Astrantia, Ornamental Broom, Crocosmia, Dahlia, Delphinium, Foxglove, Gladiolus, Iris, Lilac, Sunflowers, Acidanthera, Allium, Amaranth, Amsonia, Aster , Astilbe, Berberis, Campanula, Cattail, Daylily, Echinacea, Echinops, Eupatorium, Forsythia, Kniphofia, Larkspur, Domestic Mullein, Phlox, Pink French Pussy Willow, Scabiosa, Sedum w flower, Solidago, Ornamental Millet Achillea (Yarrow), Ageratum, Agrostemma, Anemone, Asclepias, Babies Breath, Calendula, Celosia, Centranthus, Chrysanthemum, Columbine, Amethyst Coral Berry, Coreopsis, Craspedia, Daffodil, Dianthus, Erigeron, Euphorbia, Filipendula, Geum, Gomphrena, Helichrysum, Lady’s Mantle, Marigold, Nigella, Rudbeckia, Sedum foliage, Shasta Daisies, Snapdragon, Statice, Sweet Pea, Zinnia, Oxe-eye Daisies, Dill, Dusty Miller, Lavender, Chamomile, Ruby Silk Grass, Frosted Explosion Grass, Lamb’s Ear and Rye Grass with seed heads. 

Windflower Farm Flowers - feast your eyes!

Windflower Farm Flowers – feast your eyes!

 

Gigi's vivid summer floral palette.

Gigi’s vivid summer floral palette.

 

And here are bridal flowers in a softer scheme.

And here are bridal flowers in a softer scheme.

 Right after we met and recorded this interview in Seattle, I learned that Gigi was recognized for her stewardship as a certified Animal Welfare Approved producer. Here is the announcement: 

“The laying hens, dairy goats, and pigs at Windflower Farm are now certified as Animal Welfare Approved. This certification and food label lets consumers know that these animals were raised in accordance with the highest animal welfare standards in the U.S., using sustainable agriculture methods on an independent family farm. 

Like other AWA farmers across the country, Gigi Meyer recognizes the growing consumer interest in how animals are being raised. Raising animals outdoors on pasture or range has known benefits for animals, consumers and the environment. Meyer applied for AWA certification to help distinguish Windflower Farm products from other products in the market. “As I got into livestock, I felt that what separated my operation from others was my relationship with my animals. In my studies I have learned a lot about what my animals need and I can confidently say that they are happy and that I do my best to understand and provide for their needs,” says Meyer.

Windflower Farm spans 20 acres about 15 miles east of Bend, Ore. Meyer started with a few goats to manage pastures, which turned into a small-scale dairy. Meyer added a small herd of hogs to remove invasive grasses, followed by a flock of laying hens. “I just kept adding elements,” says Meyer. “I realized I wanted to grow a microcosm of nature and manage in a way that it would be a self-affirming circle.”

In the future, Meyer hopes to make the farm an educational space. “I want the farm to be a classroom that can set an example for people who visit of the potential for sustainable farming and local food in our community,” she says.

Pastured eggs from Windflower Farm’s AWA-certified laying hens are available direct from the farm and through a CSA program. Pastured pork and goat’s milk are available through a herdshare program. Contact Meyer for more information at gigimeyer@me.com or 541-318-1417.”

 

Gigi with her summer 2012 crew:  clockwise Cora (who is my main hand and still with me) and Maria, 2012 intern, and Jake, my nephew.

Gigi  (upper left) with her summer 2012 crew and to her right is Cora, her “main hand.” In front, Gigi’s nephew Jake and Maria, the 2012 intern.

It has been my pleasure to share with you today’s podcast conversations.

Because of the support from you and others, listeners have downloaded episodes of the Slow Flowers Podcast more than 7,500 times! I thank you for taking the time to join to my conversations with flower farmers, florists and other notable floral experts.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

 The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts. Learn more about her work at hhcreates.net.  

Flower Lessons from the Color Wheel – My Video & a Sunset Magazine Story

Saturday, February 22nd, 2014

Last summer I created a fun video with my awesome AV expert Hannah Holtgeerts of HHCreates. When I found out she had planned a visit to Seattle and would be staying with us for a few days, I asked if I could commission her to film and edit a floral how-to video. Lucky for me, Hannah said “yes.” 

We came up with the idea of a Floral Color Wheel and created this fun piece below. The inspiration for this video originated with Nicole Cordier Walquist of Cordier Botanical Art, an award-winning floral designer and artist whose color-themed bouquets appear in Slow Flowers. You can see her primary- and secondary-inspired bouquets in the video’s cute animated color wheel.

So we created the video last summer and then I asked Lola Honeybone of Media Workshop Nashville (the world’s best publicist) to help me promote the video.

sunset-cover-mar14-mLola and her colleague Marla  spread the word and many media outlets picked it up and posted it on their web sites.

One of the publications that noticed was Sunset magazine, where garden editor Kathleen Brenzel and associate garden editor Johanna Silver were inspired to pursue the floral color wheel as a potential article.

By November, Johanna emailed to say: “Flower wheel got bumped into its OWN story (rather than just a blurb) for March. I might need to interview you for some more tidbits!”

I’m so grateful that they gave me the credit for the idea and featured me as the “floral pro” in the new article – out today in Sunset’s March 2014 issue. Sunset’s garden design assistant Lauren Dunec did a great job styling the floral elements for the story you see below.

 gld0314c_Bouquets-page-001

gld0314c_Bouquets-page-002

 

ALL ABOUT THE (FLORAL) COLOR WHEEL (adapted from Slow Flowers)

 circle_sample (1)-page-001
R-O-Y-G-B-I-V. Almost everyone remembers learning about rainbows and prisms in elementary school, right? Red-Orange-Yellow-Green-Blue-Indigo-Violet: the seven bands of the rainbow; the result of rain + sun in the sky.
These hues are represented by both the artist’s color wheel and the diversity of nature’s flora. There is an endless variety of flowers and foliage available to the gardener and the floral designer alike. But sometimes, when you’re at the flower stand or even walking through the garden, those beautiful choices can be overwhelming.
The Floral Color Wheel helps simplify and organize your design process, guiding you to create harmonious, eye-pleasing arrangements, centerpieces and bouquets, using a fun, paint-by-number approach (or shall we say “paint-by-petal”)?
 
Let’s call it the Floral Color Wheel 
I use all parts of a plant to guide my color choices: Flowers and buds, of course. But also the stems, leaves, pods and berries. And then there’s the selection of vase color, another important variable.
When I teach floral students, I tell them that the color wheel is often the most essential tool in a designer’s toolbox. Knowing the basics: Primary and Secondary colors, and how they relate to each other, is a good starting point. Tertiary colors are the connectors that bring together otherwise disharmonious colors. See the glossary of terms at the end of this post for specifics about each term. 
Yellow & Purple - a perfect complement.

Yellow & Purple – a perfect complement.

Thank You For the Complement (above)

There are so many ways to create visual poetry with flowers. You want to express dramatic or intense emotions? Go for high contrast with complementary colors. Red and Green are across each other on the color wheel, and that’s why they’re called complementary. In the floral world, that might be reinterpreted as maroon with lime – imagine how gorgeous that combo could look! Orange and blue might morph into peach and teal (a very popular wedding palette these days). Yellow and purple can be a zinger in the vase. One of my all-time favorite summer bouquets pairs fresh-cut French lavender with field-grown sunflowers – a purple and yellow bouquet that is the perfect example of complementary design.
Analogous color palette of pinks, mauves and purples!

Analogous color palette of pinks, mauves and purples!

Let’s Be Friends: Analogous (above)
Neighboring colors on the wheel share many common pigments, which gives the floral designer clues as to how well they might look together in a vase. In landscape design, you often hear the term “cool” garden or “warm” garden – and essentially these terms describe the two sides of a color wheel. Cool colors with blue undertones include blues, greens, purples and pinks. Warm colors have red undertones ranging from yellow and orange to red and those yummy coral/peach hues. The mood created by analogous floral palettes can be anything from soothing and serene to high-voltage excitement. 
 
Three types of coral flowers - a Monochromatic bouquet.

Three types of coral flowers – a Monochromatic bouquet.

Monochromatic is anything but boring
Out of flowers? Short on funds? That’s when a monochromatic bouquet of all foliage comes to the rescue. Gardeners and florists use the term “greenery” all the time – it’s nature’s neutral shade. But thanks to so many amazing textures, shapes and sizes of foliage, you can pull together a monochromatic foliage bouquet with ease — your clippers and a walk through the backyard make it easy. The result? A totally unexpected, thoroughly contemporary look. You can try this technique with any color foliage or flowers – or a combination of both. I created a small but sweet arrangement using a dark-burgundy aeonium (a succulent) and dark purple potato vine. Two completely different plants; same color. Eye-catching design.
Another way to express a singular color.

Another way to express a singular color.

I recently designed a fun, monochromatic project involving three yellow tumblers, each of which holds different varieties of black-eyed Susan flowers (Rudbeckia sp.) and textural foliage. This type of design allows you to clip bits of this and that from the garden and end up with a cohesive design – thanks to the unifying color theme.
 
A Botanical Rainbow
Nature’s stems, buds, petals and leaves make up the floral color wheel. It’s easy to incorporate these elements in your centerpieces and bouquets using complementary, analogous and monochromatic pairings. Be inspired by this timeless approach to color. But don’t feel restricted by color “rules.”They are only guidelines, worth breaking. Harold Piercy, principal of the Constance Spry Flower School in England, wrote in 1983: “…in flower arrangement, I have always found it advisable to discard any preconceptions about colours.” He added: “Keep an open mind and do not be ruled by the colour wheel. You may hit upon unexpected satisfactory results during your experiments.”
 
Glossary of color terms
Primary: These pure colors include Red, Yellow and Blue
 
Secondary: Combinations of two primary colors, including Orange (Red + Yellow), Green (Blue + Yellow) and Purple (Red + Blue)
 
Tertiary: A combination of one primary color and one secondary color
 
Complementary/Contrasting: Color “pairs” that reside opposite each other on the color wheel
 
Analogous: Adjacent colors on the color wheel, related to a dominant primary hue
 
Monochromatic: A single hue, or variations of one color, including tints, shades and tones

 

Great News: American Grown Flowers decorated last week’s White House State Dinner

Friday, February 21st, 2014
(c) Washington Post image of California irises and Florida tropical foliage.

(c) Washington Post image of California irises and Florida alocasia foliage.

The White House has had a long-standing tradition of featuring and celebrating American grown food and wine during its state dinners.  Menus and wine pairings are carefully selected months in advance to ensure that only the freshest and finest American grown ingredients are used during these important special events. 

And now, acknowledged for the first time ever, the centerpiece flowers are 100% American grown. 

This is a HUGE cause for celebration in all 50 states where flower farmers are working hard to make a decent living from their land; working hard to grow unique, high quality flowers for American consumers; working hard to keep their employees on the payroll; and working hard to stimulate the economy in their own communities. As one of my supporters of the Slowflowers.com campaign on Indiegogo wrote about supporting American Grown Flowers:  “The whole concept makes so much sense –what is there not to get???” 

According to a recent blog post by USDA Deputy Secretary Krysta Harden, the Obama White House made a deliberate effort to not only feature the diversity and bounty of American grown agriculture, but also its beauty.  Deputy Secretary Harden’s post highlighted the extra effort by the Obama Administration to feature American Grown flowers and greens that were proximately displayed during last week’s state dinner with France’s President Francois Hollande. 

“The dinner celebrated the ‘best of American cuisine’ and featured dry aged rib eye beef from Colorado, trout from Maine, cheese from Vermont, chocolate from Hawaii, and potatoes from New York, Idaho, and California.  The wines served at the dinner included excellent selections featuring California, Washington State, and Virginia offerings,” shared USDA Deputy Secretary Harden on the Department’s blog.  “However, beyond the menu itself an equally impressive feature was the visible presence of American cut flowers.”

Extending the White House’s rich tradition of featuring American Grown food and wine to include flowers is a timely sign of support for U.S. flower farmers.   Flowers from California, Mississippi, New Jersey, Virginia, and Florida were all included.   

“We very much appreciate President Obama and his Administration’s decision to showcase American grown flowers at this recent state dinner,” said California Cut Flower Commission’s CEO/Ambassador Kasey Cronquist.  “Having the White House ensure that the flowers at the center of the table are as fresh, sustainable and local as the food during a state dinner shows great support to our family flower farms in California and across the country.  The decision by this Administration to source and feature locally grown blooms is a significant affirmation of the growing momentum among consumers for more American grown flowers.”

What’s next? Let’s get this practice codified and see even MORE American Grown Flowers on the table at White House dinners! I can only assume last week’s BIG AMERICAN FLORAL EVENT is the beginning of a White House commitment to give as much attention to the origins of its flowers as it does the origins of the food and wine it serves to guests. 

Mrs. Obama, you have single-handedly stimulated the American fashion industry by supporting our country’s creative designers. Please bring that same passion to the flower world. There are so many parallels between wearing beautiful, American-designed and American-made clothing AND filling vases with beautiful, American-grown flowers on the White House’s tables. Flowers are just as important and taking the leadership to feature them will touch just as many lives of Americans!

 WHAT CAN YOU DO TO SUPPORT THIS ENDEAVOR? Please log onto the USDA Blog Post and add your comment of support for getting more American grown flowers on the White House tables!

California Flower Farmers Share the Love With Slowflowers.com

Friday, February 14th, 2014

California Cut Flower Commission named Premiere Sponsor of Debra Prinzing’s SLOWFLOWERS.COM, a new online American flower directory

Web

SEATTLE, WA (February 14, 2014) – This Valentine’s Day, California’s flower farmers are showing their love by making the largest contribution to date to the Slowflowers.com campaign on Indiegogo. The California Cut Flower Commission (CCFC), representing all of California’s flower farmers, became Slowflowers.com’s Premiere Sponsor with their $1,500 contribution. Designed to connect flower lovers to local floral retailers that support and sell locally-grown flowers, the campaign has surpassed its goal to raise $12,000 and now has more than 200 “funders” contributing in excess of $17,000 to the cause.

“I’m very encouraged to have such support from the flower farmers of California,” shared Debra Prinzing, the Seattle-based author of Slow Flowers (St. Lynn’s Press, 2013) and leading advocate of American flower farming. “With imports representing over 80 percent of flowers sold in this country, the mission of Slowflowers.com is to help people who care about the source of their flowers easily find and identify ways to buy American-grown flowers.”

Scheduled to launch this spring, Slowflowers.com will feature easy-to-use search tools to find floral vendors in several categories, including florists, studio designers, wedding/event designers, supermarket floral departments, CSA subscriptions and farmer-direct. Members of Slowflowers.com pledge to supply their communities with local, regional and American-grown flowers.

“Debra is making a difference and creating a conversation that we support,” explained CCFC CEO/Ambassador Kasey Cronquist. “Currently, there is no other resource like Slowflowers.com that makes it easy for flower lovers to be assured of the origins of their flowers and bouquets.”

Prinzing created Slowflowers.com to fill an unmet need that she had as a consumer and lover of flowers. “Slowflowers.com is a simple solution to a problem I have continued to face over the past several years,” she said. “While writing and speaking to groups about my passion for American flower farmers and their flowers, I am continually asked how the average person is supposed to know where to buy American Grown flowers and how they can be assured that what they are getting is locally grown. I created Slowflowers.com to be my answer, a free, public and user-friendly resource that can help others, too.”

Prinzing’s grassroots Indiegogo crowd-funding campaign continues, with five days remaining for additional support for her efforts. Visit the Indiegogo Slowflowers.com campaign to watch a video and for more information about the project.

### 

About the California Cut Flower Commission 

The California Cut Flower Commission (CCFC) was created by the state legislature in 1990 with the mission to promote California cut flowers and foliage. The CCFC is overseen by the California Department of Food and Agriculture and is funded by grower assessments. The Commission represents the state’s 250 growers who collectively produce more than 75 percent of the cut flowers grown in the U.S., generating $278 million in sales (2011). For more information about California cut flowers, visit www.ccfc.org or on Facebook/CaliforniaGrownFlowers. 

About Debra Prinzing

Founder Debra Prinzing is a Seattle-based outdoor-living expert who writes and lectures on gardens and home design. She is the leading advocate for a sustainable and local approach to floral design and is credited with creating the term “Slow Flowers.”

In 2014 Debra launched www.slowflowers.com, a free online guide to florists, shops and studios who design with American-grown flowers. She is the author of seven books including Slow Flowers and The 50 Mile Bouquet (both by St. Lynn’s Press) and is the producer/host of the weekly “Slow Flowers Podcast with Debra Prinzing,” found on Itunes and www.debraprinzing.com

SLOW FLOWERS Podcast: Make my Valentine’s Flowers American-Grown, Please! Thanks, Peterkort – an Oregon Rose Farm (Episode 128)

Wednesday, February 12th, 2014
A rainbow of rose colors grown in Oregon by Peterkort Roses. Love this palette!

A rainbow of rose colors grown in Oregon by Peterkort Roses. Love this palette!   

 

Love this graphic messaging on the side of Peterkort's delivery truck.

Love this graphic messaging on the side of Peterkort’s delivery truck.

Hello again and thank you for listening to the newest episode of the Slow Flowers Podcast with Debra Prinzing

This is part 2 of my back-to-back episodes on American grown roses, in honor of Valentine’s Day, taking place later this week. In our previous episode, I introduced you to Danielle Hahn of Rose Story Farm, based in Carpinteria, California.

Today, I hope you’ll enjoy my conversation with Sandra Peterkort Laubenthal of Peterkort Roses.

Most U.S.-grown roses hail from California, which accounts for 75 percent of the nation’s overall floral production. Yet in Oregon, Peterkort Roses has raised hybrid teas for the floral trade since the 1930s. The Peterkorts, a third-generation Oregon family, currently produces 2 million roses annually, using many sustainable growing practices.

“We have this certain niche, and we really want to support the local floral industry,” says Sandra, granddaughter of Joseph and Bertha Peterkort, who came to Oregon from Germany and started flower farming in 1923, raising sweet peas, gerberas and pansies.

This photo is from a visit I made to Peterkort Roses in May 2012 when Portland TV personality Anne Jaeger produced a segment about sustainable and local flowers for The Oregonian. Sandra Laubenthal and her brother Norman Peterkort  pose at right: I'm on the left and Anne is second from left.

This photo is from a visit I made to Peterkort Roses in May 2012 when Portland TV personality Anne Jaeger produced a segment about sustainable and local flowers for The Oregonian. Sandra Laubenthal and her brother Norman Peterkort pose at right: I’m on the left and Anne is second from left.

Historically, the state had been home to several commercial cut rose growers, but during the past two decades those operations either shifted to other crops or folded altogether. “We are an anachronism, but it seems like the ‘City of Roses’ should have its own local rose grower,” Sandra points out. 

Here’s the video segment produced by Anne Jaeger for The Oregonian/Oregon Live: “Sustainable bouquets — buying local extends to flowers, too!”

Stunning pink rose blooms - perfect for your sweetheart.

Stunning pink rose blooms – perfect for your sweetheart.

Peterkort’s elegant blooms look vastly different from those softball-sized imported ones that are offered by supermarkets, wire services and conventional flower shops every February 14th.

Instead, Peterkort’s 60-plus rose varieties are closer to what you might find gracing a mixed perennial border in the garden. Specialties include the hybrid tea rose, with upright, spiraled petals; a German-bred hybrid tea that features multi-petal characteristics of an old garden rose; and dainty spray roses with many small blooms on a single stem. Today, Peterkort’s 16 hoop houses produce thousands of rose stems, as well as gorgeous Oriental and Asiatic lilies, maiden fern, orchids and new crops like ranunculus and anemone.

More Peterkort pretties!

More Peterkort pretties!

Designers count on Peterkort as an important local source for bridal bouquets, boutonnieres, flower girl wreaths and tabletop arrangements. The versatile color palette begins with pure white roses and ends with ones covered in dark, velvety black-red petals. Unlike unscented imported roses, these have a light, pleasing fragrance. Because Peterkort harvests its flowers one day and sells them the next, their roses are super fresh and, as a result, are long-lasting in the vase.

Fresh roses on the grading table at Peterkort's greenhouses.

Fresh roses on the grading table at Peterkort’s greenhouses.

“I’ve been ordering roses from Peterkort for years,” says designer Melissa Feveyear, owner of Seattle-based Terra Bella Floral Design, who specializes in local and organic flowers. With varieties like ‘Piano Freiland’, a red, peony-shaped rose, and spray roses that last several weeks in an arrangement, Peterkort’s blooms make up in quality what they don’t have in size, she says.

“Because the stems are thinner than (those of) imported roses, they’re very easy to use in hand-tied bouquets. You can group a bunch together for really stunning impact without making the stem feel too bulky for a bride to hold.”

A detail from a Valentine's Day bouquet featuring Peterkort Roses.

A detail from a Valentine’s Day bouquet featuring Peterkort Roses.

Indeed Peterkort is the last Oregon rose grower, but in fact, customers around the country have begun to discover these boutique blooms. A message on the company’s web site helps to explain their popularity: “What can we say about a bunch of people who are still dedicated to growing cut flower roses in the U.S.? . . . We continue because we are obsessed.” 

Peterkort’s sustainable practices produce greener blooms:

  • During the winter months, Peterkort increases the amount of artificial greenhouse light, thereby producing more roses in less space for the same amount of energy. Energy curtains provide additional insulation as outside temperatures drop. The panels are made of Mylar and are suspended from cables across the greenhouse ceiling, containing heat within when closed.
  • Peterkort uses an Integrated Pest Management (IPM) system of biological controls to curb aphids, spider mites and other predator pests.
  • Peterkort selects disease-resistant rose varieties and suppresses the spread of fungal diseases by maintaining ideal temperature, humidity and air circulation levels inside the greenhouses and keeping the ground clear of dead leaves and debris.
  • All packaging is recycled and roses are wrapped for market in newspaper purchased from a local charity. 

Here are some of my arrangements from Slow Flowers, featuring roses and lilies grown by Peterkort Roses: 

Peterkort lilies with winter greenery. The variety is Lilium 'Rio Negro', a hybrid Oriental lily.

Peterkort lilies with winter greenery. The variety is Lilium ‘Rio Negro’, a hybrid Oriental lily.

 

Peterkort's lovely red garden rose 'Piano Freidland', makes this autumn arrangement sparkle!

Peterkort’s lovely red garden rose ‘Piano Freidland’, makes this autumn arrangement sparkle!

 

"Supergreen' is a hybrid tea rose grown by Peterkort - a sublime pale green rose.

“Supergreen’ is a hybrid tea rose grown by Peterkort – a sublime pale green rose.

 

A springtime bouquet featuring 'Supergreen' with a  pastel combination.

A springtime bouquet featuring ‘Supergreen’ with a pastel combination. 

For many sweethearts, Valentine’s Day is filled with expectations and anticipation. Yet for followers of the Slow Flowers movement, the romantic holiday is not complete unless the flowers we give and receive come from local farmers who use sustainable practices. Peterkort is one such source. Please ask your local florist to order these domestic roses rather than the steroidal giants that must be shipped from afar, a continent or two from here.

In fact, here is my list of American rose farms. If your local florist says, “I can’t find American-grown roses,” then give him/her my recommendations and ask them to do their homework. You have to care enough to do the right thing.

It has been my pleasure to share with you today’s podcast conversation with Sandra Laubenthal. All photos are (c) Debra Prinzing.

Because of the support from you and others, listeners have downloaded episodes of the Slow Flowers Podcast more than 6,500 times! I thank you for taking the time to join to my conversations with flower farmers, florists and other notable floral experts.

If you like what you hear, please consider logging onto Itunes and posting a listener review.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. 

 The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts. Learn more about her work at hhcreates.net.  

Make my Roses “Whole American,” Please

Tuesday, February 11th, 2014
A beautiful American rose, grown in Oregon by the Peterkort family.

A beautiful American rose, grown in Oregon by the Peterkort family.

In the grand scheme of things, Whole Foods is supposed to be one of the “good guys,” right? From the point of view of the American flower farming community, I know that many of my farmer-friends sell beautiful, seasonal and local blooms from their fields to Whole Foods stores in their specific regions. This “local sourcing” is done on a region-by-region basis with kudos going to passionate store and floral department managers who develop strong ties to their local farmers.

But at the corporate level, and especially during Valentine’s Day, something else is going on altogether. And I’m not alone in being bothered by it.

Labeled “Whole Trade,” which is the proprietary corporate branding that Whole Foods puts on imported roses, these blooms are as far from local as you can find. They’re shockingly similar in appearance to the bunches of roses being marketed by all the wire services, 1-800 marketers and big boxes.

So the local, sustainable and seasonal banner that the Whole Foods brand is waving above its front doors has some serious flaws when it comes to the flowers they are selling. 

Somehow, Whole Foods has decided to market its practice of importing South American roses as a kind of missionary endeavor. Personally, I find it so disingenuous. Last year, the company posted a pro-rose Valentine’s Day story on its blog, featuring a video of children at an afterschool program for the workers at a Colombian rose plantation. The post generated 100 responses, many from frustrated customers and American flower farmers who wondered why Whole Foods had skipped doing business with rose farms here and devoted 100% of their Valentine’s Day marketing budget to feature and promote imports from Colombia and Ecuador?

In response to the customer outcry, Whole Foods’ “Global Floral Buyer” Amanda Rainey made a statement and offered this explanation: Americans bought more than $189 million stems last year! – domestic rose production is very limited and they’re frequently shipped from overseas.” 

So does that makes it right Amanda? 

Is it the $189 million you’re interested in or are you justifying importing your roses because everyone else is doing it?  Is that right, Whole Foods?

I was one of those 100 people who left a comment last year, urging Whole Foods to reconsider their strategy with the flowers they are buying.  I truly expected more from this market leader this year.  I can tell you if a company like Whole Foods made a commitment to nurturing relationships with American rose farms, things would change. Sure, Whole Foods might have to take a little less profit, but if Whole Trade is designed to give 1% back from every purchase, apparently they have some margin to work with.

More importantly, so many good, healthy and sustainable benefits would come from that endeavor.  In my opinion, there is no good reason more than 97% of the roses sold on Valentine’s Day should be flown in from Colombia and Ecuador.  I also don’t believe a company like Whole Foods should be party to it.

So, I ask that if you’re a Whole Foods customer, please join me in letting Whole Foods know that we want a “Whole American” campaign that supports and cultivates relationships with our American flower farmers.  With the millions they’ve spent developing the Whole Trade program, I don’t expect it to go away. But if Whole Foods can give 1% back to Colombia, they can also give 1% here at home.  If they can give more money to Ecuadorian producers, they can certainly give more money to our American flower farmers.  If they can work to ensure better wages and working conditions on Colombian plantations, then they can support flower farming communities’ schools and non-profits here at home. If Whole Food really cares about the environment, then they can limit their need to source flowers that have to be flown into the United States.    

So, Please make a comment here on Whole Foods’ current blog post about their Whole Trade roses.  Let’s encourage them to do the right thing here and support “Whole American” flowers! 

I see quite a profound parallel between the Whole Trade campaign and a brand new Whole American campaign for flowers. I don’t believe that America’s flower farmers expect imports to go away. But they do want a level playing field. They do want a chance to sell more of their irises, sunflowers, lilies and roses to the largest “green” branded supermarket in the U.S.

So to help them get started, here is a list I’ve compiled of the top domestic U.S. rose farms that I’m aware of. It’s simply not fair to say the American flower supply is limited. The supply is only limited by our vision to see the opportunity.  Whole Foods should launch a campaign that guarantees that they will source from American rose farms by next Valentine’s Day. That promise will give the flower farmers the ability to increase their production and invest in expanding their volume of beautiful, homegrown American roses.

“Whole American” is a beautiful concept that should be a reality. Wouldn’t be amazing if consumer demand could help Whole Foods do the right thing? Wouldn’t it be amazing to see Whole American roses offered when Valentine’s Day 2015 rolls around? 

CALIFORNIA

California Pajarosa – www.pajarosa.com

Dramm & Echter – www.drammechter.com

Eufloria Flowers – www.eufloriaflowers.com

Green Valley Floral – www.greenvalleyfloral.com

Koch California – Koch California 

Myriad Flowers – www.myriadflowers.com

Neve Brothers – www.nevebros.net

Rose Story Farm – www.rosestoryfarm.com

MINNESOTA

Len Busch Roses – www.lenbuschroses.com 

OREGON

Peterkort Roses – www.peterkortroses.com

 

SLOW FLOWERS Podcast: Floral design with living plants & Baylor Chapman of Lila B. Design (Episode 125)

Wednesday, January 22nd, 2014

 

(c) Paige Green

(c) Paige Green

I’m so pleased to introduce listeners to Baylor Chapman, creator and owner of Lila B. Design, a San Francisco-based floral and plant studio. Baylor’s story is well documented in The 50 Mile Bouquet and in many newspaper, magazine and blog articles.

I first met Baylor in the fall of 2010, on a trip to SF where I was scheduled to give a lecture for the Garden Conservancy.

Serendipitously, Susan Morrison, a friend who I’d known through the Garden Writers Association, learned I was coming to her backyard and called to say, “You need to meet my friend Baylor when you’re in town. She’s into locally-grown flowers just like you are.”

That led to a wonderful visit to tour Baylor’s former “loading dock” studio in San Francisco’s Mission District. Susan and Rebecca Sweet, another fellow garden designer and blogger, met me at Baylor’s. The three of us had lots of fun drooling over Baylor’s floral creations and learning more about her design philosophy based on seasonal and locally-grown floral elements. Here’s a blog post about that adventure. 

How cool is this? Coffee, brunch or lunch at Stable Cafe, amidst the lovely living garden created by Lila B. Design.

How cool is this? Coffee, brunch or lunch at Stable Cafe, amidst the lovely living garden created by Lila B. Design. (c) Sophie de Lignerolles photo

Today you can find Baylor and her team working in the welcoming open-air courtyard that’s part of Stable Cafe, the community-minded restaurant owned by her friend Thomas Lackey.

Thomas and Baylor have both been operating businesses on Folsom Street, and when Baylor lost her loading-dock studio this past June, it was Thomas who said: “Move over to our courtyard.”

He “gets” the idea of creating connections with neighbors, artists, fellow small-business owners and others who want to keep jobs and culture alive and well in San Francisco’s vibrant neighborhoods.

Plus, Stable Cafe’s kitchen makes delicious, healthy, seasonal & organic food! Now if you’re in SF, you can visit Lila B. Design, shop for flowers, plants and beautiful garden products, while also eating scrumptious food at the Stable Cafe! What’s not to love?

Baylor graciously shared these photos of her recent work for you to enjoy. Please notice the specific photo credit with each.

The new Lila B. Design studio at Stable Cafe, a plant-centric place for garden and flower lovers alike.

The new Lila B. Design studio at Stable Cafe, a plant-centric place for garden and flower lovers alike. (c) Sophie de Lignerolles photo 

 

One of the event, classroom and workshop spaces at Stable Cafe, featuring a wood-burning pizza oven, a massive trestle table, and Lila B.'s garland of local flowers.

One of the event, classroom and workshop spaces at Stable Cafe, featuring a wood-burning pizza oven, a massive trestle table, and Lila B.’s garland of local flowers. (c) Sophie de Lignerolles photo

 

Pitcher plants (Sarracenia sp.) in a glass vessel.

Pitcher plants (Sarracenia sp.) in a glass vessel.  (c) Holly Stewart photo 

 

A Lila B. Design tablescape, featuring living plants.

A Lila B. Design tablescape, featuring living plants. (c) Milou + Olin photo 

 

One of Baylor's lovely arrangements that combines locally-grown flowers with the foliage from houseplants.

One of Baylor’s lovely arrangements that combines locally-grown flowers, including Cafe au Lait dahlias, from Lila B.’s garden. (c) Page Bertelson photo 

 

Another arrangement with begonia foliage, clipped from a living plant.

Another arrangement with begonia foliage, clipped from a living plant. (c) Page Bertelson photo 

 

Stunning!

Stunning! (c) Page Bertelson photo 

 

Lila B. Design's new plant hanger - a SF-designed and fabricated product.

Lila B. Design’s new plant hanger – a SF-designed and fabricated product. (c) Sophie de Lignerolles photo 

 

Details, details. . . boutonnieres in the making.

Details, details. . . a garland in the making. (c) Sophie de Lignerolles photo 

 

A stunning centerpiece featuring living plants, created by Lila B. Design

A stunning centerpiece featuring living plants in a date palm frond, created by Lila B. Design. (c) Milou + Olin photo 

 

The Plant Recipe Book, out in April 2014.

The Plant Recipe Book, out in April 2014.

 Baylor has so many good things going on in her career, but the newest is The Plant Recipe Book: 100 Living Arrangements for Any Home in Any Season (Artisan Books, 2014), which will be published on April 8, 2014. This idea-filled book was photographed by Paige Green

It contains detailed planting instructions for centerpieces and arrangements that give living plants a “starring role” in all sorts of creative vessels. A follow up to last year’s title by Jill Rizzo and Alethea Harampolis, “The Flower Recpie Book,” this new inspiring book offers more than 100 projects will blow your mind and prompt you to bring more living plants into your own design work. 

If you live in or will be visiting the Bay Area, you can get a sneak peek and first dibs on a signed copy of this lovely tome. Come and hear Baylor speak at the San Francisco Flower & Garden Show, where she will demonstrate some of the book’s fun projects using living plants as floral design elements. Details here.

As I mentioned above, as soon as we met, I knew that Baylor needed to be featured in The 50 Mile Bouquet. Please enjoy the entire story:

The Accidental Flower Farmer
A patch of urban asphalt surrounded by chain link fencing and loops of barbed wire may seem unwelcoming. That is, until you peer inside to discover a designer’s bountiful cutting garden in San Francisco’s Dog Patch District.
 
Increasingly, there are designers who, by necessity, harvest floral ingredients from their own gardens. As well, there are growers who assume the role of floral designer, satisfying a bridal customer’s request for unique, straight-from-the-farm bouquets. That these two worlds are happily intersecting is due to curiosity, innovation and experimentation on the part of designer and grower alike. 
 
San Francisco-based Baylor Chapman, owner of Lila B. Design, is both designer and flower farmer. She is 
also a Certified San Francisco Green Business owner who bases her studio philosophy on local and sustainable design practices. 
Baylor’s fashionable, 500-square-foot workshop occupies a loading dock in San Francisco’s Mission District, where she and her 
assistants turn out dazzling, flower-filled vases, bowls and urns. Local and seasonal blooms are used here with abandon. How did 
all of this come to be?
 
 
 
 
 
 
 
Early on, Baylor saw that many of her botanical design ideas couldn’t be realized because it wasn’t always easy to source ingredients locally. For her, the obvious answer was: “Why not grow those blooms myself?”
 
Urban Farm Scene
She first tried raising flowers on the roof of the warehouse where her street-level studio is housed. The plants took root in soil-filled milk crates lined with screening. “We had to walk up 75 steps to tend to the flowers,” Baylor recalls. Stair-climbing wasn’t the worst of it, though. All the soil and water had to be hand-carried to the roof just to keep the flowers alive.
 
It didn’t take long for Baylor and her staff to yearn for a ground-level gardening space. “We found an old parking lot about 1½ miles away in a neighborhood called ‘Dog Patch’ and arranged to rent part of it.” Today, the blacktop setting has a thriving crop of city-grown flowers. Perennials, annuals and vines grow in more than 100 recycled 15-gallon nursery pots, the type typically used to grow landscaping trees.
 
The Lila B. Lot Garden flourishes on this industrial street behind a barbed wiretopped fence. The garden’s presence beautifies the neighborhood and has attracted the interest of nearby auto body shop workers who peer admiringly through the chain link when out on their lunch breaks. “Now you see hummingbirds and bees flying around,” says the designer, her friendly face breaking into a warm smile. “The car repair guys come out and enjoy it here for lunch. It’s sort of a sanctuary.”
 
Her pop-up urban flower farm has helped Baylor gain credibility with clients. Now she can say: “We grew these flowers for you.” It allows her to incorporate all sorts of uncommon blooms, berries, foliage and tendrils into her designs and even custom-grow to a bride’s specifications.
 
Among the crops here at Lila B., you’ll find salvia, rudbeckia, gaillardia, oat grass, asters, scented geraniums, roses, lamb’s ear, sweet peas, veronica, nigella, passionflower,sea holly, cosmos, scabiosa, sunflowers, cerinthe and zinnias – as well as plants grown for their fruit and foliage. It is a mind-boggling selection of design ingredients you’d be hard pressed to find in most conventional flower shops. Sophie de Lignerolles, an artist who works for Lila B. as a designer, maintains meticulous spread sheets of the flowers they grow, including varieties grown from seeds and unusual offerings from Annie’s Annuals, a specialty and mail-order nursery in the East Bay area, a favorite with the women. “Sophie is propagating from seed now, which I think is pretty fabulous,” Baylor says. That means an even greater variety of floral bounty for Lila B.’s customers.
 
A Greener Approach
Baylor is well equipped to grow her own unique floral choices, thanks to her landscape design studies. After earning a garden design certificate from University of California at Berkeley Extension, she spent time on the crew of a Bay Area estate garden whose owners valued organic practices and requested that flowers from the grounds would be used for interior bouquets. Baylor soon found herself creating these arrangements. Her interest in floral design lured her into more creative gigs, including freelancing for other studios and shops. 
 
In 2007, Baylor opened Lila B., named after her grandmother. At first, she worked out of the loft where she lives. After one year of literally living with her flowers, she moved her studio across the street to another warehouse. Formerly a commercial laundry, it now houses 60 art studios in an environment that fosters creativity and experimentation. Baylor’s tiny workshop was once a warehouse loading dock, so it faces the street and has a huge, roll-up door that brings light and fresh air inside. While not a retail store, the street-front presence wows pedestrians with glimpses of huge arrangements inside – and high above the roll-up door at the front: a trio of frames planted with a living tapestry of succulents.
 
Thanks to Northern California’s temperate environment, Baylor enjoys an excellent, almost year-round source of flowers from her suppliers. Besides her own Lila B. homegrown flowers, she takes advantage of San Francisco’s wholesale flower market where many California growers bring their crops to sell. A few “weird and wonderful” suppliers are favorites, including two sisters who run a company called Florist at Large. They stock foraged goodies such as fruit, branches and wild ingredients coveted by designers who want a natural look. “I want people to be curious,” says Baylor. “I want my bouquets to be beautiful to the eye, but they should also prompt the question: ‘What is that? Where does it grow? Can you eat it?’”
 
We visited Baylor at the peak of summer when she and Anna Hoffmann, a designer who occasionally freelances for her, were creating flowers for a peach-and-ivory-themed wedding – using a combination of tawny ‘Cafe au Lait’ dahlias, blush-pink garden roses, the silvery foliage of Dusty Miller and lamb’s ears, fluffy ornamental grasses, flowering sprigs from a mock orange tree and honeysuckle vines. 
 
As Baylor assembled the groomsmen’s boutonnieres with scented geranium foliage and seed heads from the pincushion flowers growing in her Lot Garden, she paused to admire her creation: “Even though flowers are ephemeral, I treat floral design like I do garden design. I think of each arrangement as a mini garden, with its own texture, scale and color palette. They’re little masterpieces.”
 
Baylor’s bouquets embody both her artistic sensibility and her profound admiration for the plant world’s infinite variety of color, form and texture. “I hope that people are drawn to me because of what I’m doing and what I’m interested in doing,” she says, “because I feel very blessed.”