Earlier this week I had the immense pleasure of collaborating with three Slow Flowers members to present a 2-part workshop at the Desert Botanical Garden in Phoenix.

“Artisanal Flowers” invited gardeners, florists and flower enthusiasts to spend two evenings with Morgan Anderson of TheFlori.Culture, Anne J. of Anne ES Garden Fresh and Shanti Rade of Whipstone Farm.

The four of us reunited after our fantastic meet-up earlier this year when a number of Slow Flowers members visited Shanti and Corey Rade’s farm in Paulden, Arizona. You can read more about that event here and listen to my past Slow Flowers Podcast episodes with Shanti and Morgan.

Our dream for this workshop was to introduce the Slow Flowers, Arizona-grown message to students at the state’s largest public garden.

And early November is actually a good time to talk about local flowers and floral design because (as Anne explained during her portion of the presentation) fall in Arizona is basically a “second spring.”

We started off on Monday evening with a Slow Flowers overview in which I shared the story of our movement as well as my personal experience growing and arranging with flowers and foliage in all four seasons.

Shanti followed with an engaging presentation about Whipstone Farm and her journey from growing food to growing flowers for many outlets. It was exciting to watch the expressions on all nine students’ faces as it slowly dawned on them that there’s a new paradigm for what’s considered “desert florals.” From ranunculus to sweet peas to peonies and dahlias, well, Shanti not only blew people away, she raised their expectations for what is possible here in Arizona.

The following night, we returned ready to design! Morgan took the lead as design coach and instructor, discussing the art principles of floral design and sharing tips on both contemporary and garden-inspired styles. She taught everyone how to cut and use cacti as well as how to correctly wire succulents for arranging.

Anne introduced the botanicals from her farm and from two other local growers – herbs, edible flowers, purple hyacinth bean pods and other lovelies from Emily Heller at Et Tu Frute Garden and seasonal millet and lavish scarlet hibiscus pods from Anne Kerr at Black Kerr Farm.

Someone provided vibrant zinnias and no one was shortchanged on their design elements. Because Shanti had to leave for Association of Specialty Cut Flower Growers’ board meeting duties back east, I jumped in and introduced her crazy-beautiful palette of vintage-looking mums, as well as a generous array of lisianthus, scented geranium foliage and more!

Designing was a blast, aided by the chance to use American-made glass vases supplied by Syndicate Sales – and the gold and rose-gold cylinders struck a perfect seasonal note for the tawny floral palette. You can see more of the students’ and instructors arrangements here:

Karen LeDonne’s yummy design.

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UPDATE: If you want to learn more about the once-vibrant history of Arizona’s cut flower farming community, read this January 2016 article by Kathy Nakagawa that appeared in the Arizona Republic, “When Phoenix Bloomed.”

I’ve had Arizona on my mind quite a bit lately and it’s not only because Seattle, like most of the rest of the country, has been cold, wet and dreary for months. So when my travels brought me to Scottsdale, Phoenix and Mesa for family reasons, I followed through on my promise to myself to visit a flower farm.

Lucky for me, I’ve been collecting Slow Flowers friends in Arizona. We all agreed to meet at Whipstone Farm in Paulden, where Shanti and Cory Rade and theor family grow CSA food crops AND lots of flowers. The farm is a Slowflowers.com member and I was so happy to visit there on March 1st, along with a diverse and super passionate cadre for our informal Slow Flowers Arizona meet-up.

They included Terri Schuett of Happy Vine Flowers, a freelance floral designer and horticulture student-turned-flower farm intern at Whipstone Farm, and Dani Baker, Whipstone Farm’s flower manager. It was fun to reunite with all three of them having met in the past.

The drive from Scottsdale to Paulden takes you sort of in the northbound direction toward Flagstaff and then at some point you head west toward Chino Valley. It’s pretty remote and pretty beautiful. Who would think that agriculture lives here?

My fabulous driving companions included Anne E., a Scottsdale micro flower farmer who specializes in garden roses, herbs and citrus, among other things at Tre Soli (who I first met, by the way, when she attended a Field to Vase Dinner in Carlsbad, CA in 2015), and Morgan Anderson of the.flori.culture, based in Scottsdale, who you heard on this podcast last year when she was finishing up her PhD in Floral Design/Floriculture at Texas A&M. Morgan and I hopped into Anne’s car and the 120 miles passed quickly while we gabbed away about all things floral.

Others who met us at Whipstone included Lindsay Statler of Green Creek Gardens in Dewey, Arizona, a Slow Flowers member whose farm is about 30 miles away from Whipstone, and Melissa & Les Saltzman, friends and flower farmers I’ve met through the Alaska Peony Growers Association because – yes – they live in Scottsdale, Arizona and own a peony farm called Alaskan Legacy Peonies, in Homer (talk about a commute!) I wanted them to meet and learn from flower farmers in their home state where the conditions are probably 180 degrees opposite from Alaska’s peony fields.

When we arrived, Shanti took us on a wonderful walking tour of Whipstone Farm before lunch. She told us the story of how the farm got started, so I’ll let you listen to the interview to hear more. With 15 acres and more than 100 varieties of vegetables and cut flowers, Shanti and Cory have made a life for themselves, their four children and countless CSA customers who buy shares each year.

As they write on the Whipstone Farm web site: “We farm with our heart and health in mind.  We do not use any synthetic fertilizer or chemical pesticides.  We enjoy growing food for our community not only as a means of providing healthy sustenance, but also as a way to bring people together. We welcome you to come out and see our farm, to learn about where your food comes from and meet the folks who grow it.”

You can find their produce and flowers every week at the Prescott, Flagstaff and Chino Valley Farmers Markets. Whipstone also has an on-farm self-serve stand where friends, customers and neighbors purchase products on the honor system.  The farm stand is open year round and customers are welcome to stop in during daylight hours – no doors, so it’s always open. Quick, self-guided farm tours often occur when people come to buy veggies and flowers.

Shanti came into farming by chance through a high school internship and after working on several different farms around the country, she returned to school for a degree in Agroecology from Prescott College. At Whipstone, she oversees crop planning, seed starting and everything to do with flowers. She also handles office management and marketing, even though it’s not always her favorite part about farming.

Cory is a self-taught farmer, learned through lots of trial and error and even more determination.  What he really loves about farming is food and how it brings people together; growing the food is the first step in making that happen. The resident repair man on the farm, Cory is busy, since something seems to break on the farm almost every day.  But, he says “getting to eat the chiles I grow makes it all worth it.”

After our wonderful farm tour, we gathered around Shanti and Cory’s kitchen table, a long, wooden trestle-style table with room for everyone, which I’m sure they need when the entire family is together. Anne served us a delicious homemade meal of lentil soup, salad, veggies, breads, spreads and Arizona-made wine. Thank you, Anne, for being our wonderful caterer!

I know you will enjoy this interview I recorded with Shanti, and you’ll also hear bonus audio, recorded when Terri Schuett took us on a quick tour of the horticulture and agribusiness program at Yavapai College in Chino Valley. She has definitely been smitten with the flower-growing bug, a path I see more and more florists taking as they become curious about the flowers they design with. Even though our conversation is brief, you’ll learn a thing or two about aquaculture and floriculture in the desert, of all places!

Here’s how to find and follow these intrepid Arizona Slow Flowers Folks!

Find Whipstone Farm on Facebook

Follow Whipstone Farm on Instagram

See Whipstone Farm on Pinterest

Discover Whipstone Farm on Twitter

Find Terri Schuett/Happy Vine Flowers on Instagram

Find Dani Baker on Instagram

Find Anne on Instagram

Find Morgan Anderson on Instagram

Find Lindsay Statler on Instagram

The Slow Flowers Podcast has been downloaded more than 168,000 times by listeners like you.

THANK YOU to each one of you for downloading, listening, commenting and sharing. It means so much.

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column.

Your contributions will help make it possible to transcribe future episodes of the Podcast.

Thank you to our lead sponsor for 2017: Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

We’re also grateful for support from Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

And welcome to our newest sponsor, the Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com.

Longfield Gardens has returned as a 2017 sponsor, and we couldn’t be happier to share their resources with you. Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

And finally, thank you Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at KineticTreeFitness.com.

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This week’s episode delivers double the inspiration as you will hear from two guests — one quite familiar to our Slow Flowers community, Ariella Chezar, and one who is an emerging leader in floral design education, Morgan Anderson.

Both interviews were recorded in May and I’m combining them here for an extended episode that will delight you as a creative person and evoke some new ways of thinking about your business model, be it flower farming, floral design or a combination of both.

MEET ARIELLA CHEZAR

I am so fortunate to have gotten to know Ariella Chezar over the years. We were first introduced virtually by Berkeley-based designer Max Gill, an incredibly talented floral artist who I profiled (along with the work of photographer David Perry) in The 50 Mile Bouquet.

When I interviewed Max, I asked him to connect me with someone who had influenced his work and he named Ariella. She and I corresponded by email and she contributed a lovely quote about Max’s work for me to use in the chapter about him (and PS, a podcast interview with Max is on my bucket list for the upcoming year).

I promptly ordered my own copy of Flowers for the Table, an evocative book that Ariella created for Chronicle Books in 2002, one that helped propel her into the world of editorial floral design.

Ariella and I finally met face-to-face in spring of 2013 at Chalk Hill Clematis in Healdsburgh, California. She was there at owner Kaye Heafey’s beautiful flower farm to lead a design workshop and as it turned out, I was there with Chicago-based photographer Bob Stefko to produce a clematis story for Country Gardens magazine. The following year, I interviewed Ariella for this podcast in her former Ariella Flowers retail studio in New York City (if you haven’t heard that episode, follow this link).

That was about the time that Ariella teamed up with her favorite editor, SF-based Leslie Jonath of Connected Dots Media (with whom she had created Flowers for the Table), to begin creating The Flower Workshop, the designer’s long-anticipated second book that Ten Speed Press released earlier this year.

It took about 18 months to bring this lovely tome to life because Ariella and her creative team photographed flowers and her designs in season, on location in both the Bay Area, where Ariella worked in the early days of her career, and in her childhood home of The Berkshires, where she operates a studio and small flower farm in western Massachusetts.

The gorgeous new book expresses Ariella’s lush, whimsical garden style and her true passion for nature, both cultivated and wild.

Why is Ariella’s work so celebrated? In our 2014 podcast interview, Ariella identifies the place (California) and the moment in time (the late 1990s and early 2000s) when she developed, almost unconsciously, her carefree, uncomplicated design aesthetic. Mesmerized by the abundance of carefree, unconstrained vegetation around her, Ariella responded in kind with a loving respect for the elements. In response, her design style was and continues to be unique and iconic.

Please enjoy this short interview. It was recorded at the Seattle Wholesale Growers Market on May 25th, after Ariella had spent two full days first touring the flower farms of some of the Market’s members, then teaching a master design intensive based on the content of The Flower Workshop.

READ MORE…

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I first met today’s guest, Charles Little, on a sunny day in June 2010, at a gathering of about 60 growers and floral designers who came to the bucolic fields of Charles Little & Co.’s farm on Seavey Loop Road outside Eugene, Oregon.

We were there for a regional meeting of the Association of Specialty Cut Flower Growers.

The full day of farming discussions, a fabulous barbecue and connecting with friends, new and old, ended with a conversation that led to the establishment of the Seattle Wholesale Growers Market the following year. My presence there also gave me a chance to witness the character and generosity of Charles and Bethany Little, our hosts. Later, I wrote these opening lines about the Charles Little & Co. farm, in a section of The 50 Mile Bouquet called “Grower Wisdom.”

“As farmland matures and evolves, so do those who steward it. Just ask Charles Little, who has been tending to ornamental crops in the verdant Willamette Valley since 1986. He describes the 40 abundant acres at the foot of Oregon’s Mount Pisgah, where he and his wife Bethany grow 250 varieties of fresh flowers, fillers, wildflowers, herbs, ornamental grains and grasses, seasonal berries, pods and branches, as a “horticultural paradise with its own thriving ecosystem.” 

“I was one of those young men who wanted to create a hippy commune and be a farmer,” Charles says of his early years. “I’ve always wanted to live and make my living on the land.” More than 25 years after planting his first flower crops, he maintains that “farming is a lifestyle, a stewardship and commitment to the land and a generous consideration of all life around you, from the beneficial microorganisms and insects, to the birds and snakes.”

The farm at Charles Little & Co. consists of acres of the very best river-bottom soil along the Coast Fork of the Willamette River in Oregon.

Crops raised here include flowers and foliages of all kinds; ornamental herbs, grasses and grains, and unique sticks, pods and berries. In-season floral materials are available year round to wholesalers throughout the U.S. And they are in a word, excellent!

Charles and Bethany prefer to work in tandem with the seasons, rather than using heated greenhouses or hoop houses to jump-start or extend their harvest. “The southern Willamette Valley has a growing climate that’s hard to beat, so I cooperate with mother nature,” Charles says.

I visited Eugene on two occasions this summer, and I stopped at Charles Little & Co. farm both times. In late June, I joined a small farm tour and lunch hosted by Bethany.

She invited some floral customers and two employees who market Charles Little’s crops at the Portland Flower Market.

Bethany generously allowed a few of us to clip annuals, herbs, perennials and foliage to make a bouquet while there. It was days before I planned on launching American Flowers Week, so I was excited to create a red-white-and -blue-themed arrangement. Bethany is a gifted floral designer, so with her help, it turned out beautifull.

Charles wasn’t at the farm; he was off on an extended, once-in-a-lifetime fishing excursion. Bethany wanted me to get Charles in on the podcast interview. So I promised to record them when I knew I was going to come back through Eugene on my way to a photo shoot in Southern Oregon. But that time, Bethany was away, at a summer music festival on the Oregon coast. So I convinced Charles to let me turn on the recorder for what is a fantastic and longer-than-usual conversation.

What I realized, and what Charles and Bethany later confirmed, is that for farming couples, it’s almost impossible for both to travel or take a break from the farm TOGETHER. Someone has to feel the sheep and chickens; someone has to make sure the crops are harvested, processed, bunched or made into bouquets, loaded into buckets and delivered to the customer, right?

That’s what I witnessed during both of my visits. So today, you will hear from Charles. And I promise that sometime in the future, hopefully before the end of this year, we’ll bring Bethany on as a follow-up guest.

I know you will enjoy our conversation. It took place at the cozy kitchen table inside the hand-crafted farmhouse that’s just steps from the magnificent barn we discuss in our interview.

The flowers harvested from Charles Little & Co.’s fields satisfy demand for nearly every color, form and type of plant ingredient used by wedding, floral and event designers.

There’s always an eye-popping, seasonal assortment to choose from: flowering shrubs, colorful tree branches, evergreen boughs, and yes, a small percentage of dried flowers.

Since not all of you can visit the farm in person, as a special bonus, I’ve added a downloadable about them that appears in The 50 Mile Bouquet. Click here for the file: Grower Wisdom.

 

Before I close, I wanted to give a shout-out and thank you to the fabulous students of Austin Community College’s floral design program who asked me to be a guest speaker (virtually- through the power of Skype) this week.

Their topic: Slow Flowers! The seminar was developed by instructor Morgan Anderson, a PhD candidate in floral design at Texas A&M University (yes, you heard me right) and the owner of The Flori.Culture, a design studio and Slowflowers.com member.

In addition to the Q&A with me, the students have been learning about sourcing local ingredients, specifically focusing on and using botanicals from Texas Specialty Cut Flowers, Pamela and Frank Arnosky’s famous flower farm. They are also evaluating Floral Soil and they promised to send photos of their designs for me to post in the future.

I applaud Morgan because she is leading the way to educate the next generation of floral designers in an entirely different model than most conventional floristry education programs. The enthusiasm I felt from this amazing group of students was so encouraging – and I wish them all great success in their career paths.

 

 

This week was a highlight in another way, too. We broke the record with our 60,000th podcast download. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.