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My often-used hashtag #slowflowersontheroad was put to use last week when I traveled from Seattle across the state to Pullman, Washington, to collaborate with the wonderfully talented photographer Laurie Black on a story for Country Gardens magazine. It was basically a workation because the garden owners Suzanne St. Pierre and Scotty Thompson are friends I adore, owners until 2015 of a nursery called Living in the Garden.

Our mutual friend Maryann Newcomer of Gardens of the Wild Wild West (based in Boise), who will be writing the story, was along for the fun and not only did Suzanne and Scotty play the roles of generous hosts, they treated us to a terrific Palouse experience. More on that to come, but suffice it to say that the rolling hills of the Palouse Range are exquisitely beautiful in July and it fed my spirit and soul.

The return trip last Wednesday could have been a straight shot across the state, but I took a side excursion to the little town of Paterson, Washington, population 213. Paterson is due south of Pasco and the Tri-Cities region and it overlooks the Columbia River and Oregon in the distance. It is one of Washington’s hot wine country regions; thus, a very popular destination wedding hub for couples in the West.

And there in the center of it all lives Teresa Engbretson of My Garden Overfloweth. She and her daughter Katie Elliott, who lives about 30 minutes away in Pasco, are a farmer-florist team who have developed a vibrant and beautiful business centered around growing cut flowers in the same climate in which local grapevines thrive, and operating a full-service design studio that doubles as an event and workshop space, as well as a retail farm and flower shop.

I first met Teresa and Katie in Corvallis, Oregon, at a PNW Cut Flower Growers Meet-up several years ago. Since then, I’ve found a few opportunities to refer friends and florists who need wedding flowers in wine country to Katie and Teresa — and every time I hear back rave reviews.

I highlighted My Garden Overfloweth in my 2019 Floral Insights and Industry Forecast, under the heading “Experiences, not Conveniences,” praising the women for throwing two seasonal “Flower Fling” festivals each year. Their events attracts a wide range of vendors creates a sense of community for their customers. The upcoming Fall Fling takes place on Sunday, October 6th.

Here’s more about My Garden Overfloweth:

My Garden Over Floweth was established in 2012 by Teresa Engbretson. She likes to say that the farm has very happy flowers with the gorgeous view of the Columbia River. Teresa and Katie share a love for flowers and farming, growing and cultivating seasonal flowers, foliage and ornamental botanicals on more than 2-1/2 acres.

The Engbretsons also raise farm-fresh vegetables, fruit and grass-fed, grain-finished beef. The farm is located approximately 40 minutes from the Tri Cities and participates weekly at several farmers markets in the area.

The new Farm Shop is a mercantile space where customers can purchase all things grown on the farm, including flowers, fresh produce, beef, and locally-made gifts. Services include wedding and event floral design, seasonal bouquets, holiday florals and workshops.

It was so fun to spend a few hours with Teresa and Katie and their family, including Katie’s grandmother Susan and daughter Hannah, making four generations of flower-lovers under one studio roof. We shared a meal, walked the fields overlooking the Columbia River, and grabbed a quiet moment to record this interview to share with you.

Find and follow My Garden Overfloweth at these social places:

My Garden Overfloweth on Facebook

My Garden Overfloweth on Instagram

My Garden Overfloweth on Pinterest

Farm to Table Dinner at My Garden Overfloweth, Saturday, July 27th

THANK YOU for joining today’s lovely conversation. It’s one thing to visit a floral enterprise virtually and another thing altogether to visit it in person. I’m so glad I made the side trip to tour My Garden Overfloweth and I can’t wait to return during one of the flings. I hope you can do the same or do the next best thing and borrow inspiration from Teresa and Katie to nurture community and connections through flowers in your own marketplace.

Now, let’s visit Nebraska as the next stop in our #fiftystatesofslowflowers series. I’m so delighted to introduce you to Sheila Fitzgerald, the founder of A New Leaf, based in Omaha. A New Leaf focuses on capturing the organic beauty of florals and nature through floral design
and workshop offerings.

Sheila has 15 years of experience in floristry. From previously owning Blooms Flower Shop, she has turned her focus to workshops, events, and private orders under the brand A New Leaf. Sheila can often be found in the shade of Rainwood Vineyard with her trusty sidekick, Clover the dog, planning her next big design.

Follow Sheila and A New Leaf at these social places:

A New Leaf on Instagram

A New Leaf on Facebook

Thank you for taking the time to join the Slow Flowers Podcast today. Thank you to our entire community of flower farmers and floral designers who together define the Slow Flowers Movement. As our cause gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column to the right.

THANK YOU TO OUR SPONSORS:

Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community.

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.  

NW Green Panels, based in Madras, Oregon, NW Green Panels designs and constructs a wide array of wood-framed greenhouses offering versatility, style and durability. Their greenhouses are 100% Oregon-made using twin-wall polycarbonate manufactured in Wisconsin, making NW Green Panel structures a great value for your backyard. The 8×8 foot Modern Slant greenhouse has become the essential hub of my cutting garden — check out photos of my greenhouse in today’s show notes or visit nwgreenpanels.com to see more.

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Visit them at seattlewholesalegrowersmarket.com.

The Slow Flowers Podcast has been downloaded more than 495,000 times by listeners like you. Thank you for listening, commenting and sharing – it means so much.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto iTunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com. 

Music Credits:
Homegrown; Betty Dear; Gaena
by Blue Dot Sessions
http://www.sessions.bluehttps://creativecommons.org/licenses/by-nc/4.0/

Lovely by Tryad
http://tryad.bandcamp.com/album/instrumentals
http://creativecommons.org/licenses/by-sa/3.0/

In The Field
Music from:
audionautix.com

My friend Alicia Schwede of the Flirty Fleurs blog recently set for herself a huge new creative challenge: To design and produce her own floral magazine. The result is simply beautiful and last night, I finally got my hands on the brand new issue of Flirty Fleurs: For the Love of Flowers, Edition One.

Alicia asked me to pen a story for her inaugural issue and she gave me the assignment of interviewing two of her favorite design studios: Botanique, owned by Kelly Sullivan of Seattle and Verbena: Flowers & Trimmings, owned by Karin Plarisan and Karly Sahr of Roseville, California.

Of course, since all three are involved in the Slow Flowers Movement and members of Slowflowers.com, it was an easy “yes” on my part.

I’m sharing a little preview of my involvement in the Flirty Fleurs magazine here. Click to order a digital or printed copy so you can read every word.

For $19.95, the printed copy is worth every penny. You’ll love the luscious look, the pearly-matte paper stock, the elegant graphic design and pages bursting with flowers. Alicia and her team pulled off something that many people dream of doing, but few can ever take from idea to reality.

The story I wrote: “Meet the Farmer-Florist,” begins this way:

Meet the farmer-florist

Marrying science and art, a new crop of floral designers are growing their own botanical ingredients

By Debra Prinzing

I first wrote about a “farmer-florist” in 2012, with the publication of The 50 Mile Bouquet (St. Lynn’s Press). In a chapter titled “The Accidental Flower Farmer,” which profiled San Francisco floral designer Baylor Chapman, owner of Lila B. Design, I documented Baylor’s decision to start growing many of her own flowers, vines, ornamental shrubs, succulents and herbs, in order to diversify the palette with which she designed.

Even two years ago, I didn’t know that the “farmer-florist” category was going to be the phenomenon it has since become. In that chapter, I wrote: “Increasingly, there are designers who, by necessity, harvest floral ingredients from their own gardens. As well, there are growers who assume the role of floral designer, satisfying a bridal customer’s request for unique, straight-from-the-farm bouquets. That these two world are happily intersecting is due to curiosity, innovation and experimentation on the part of designer and grower alike.”

Today, more than two years later, all you have to do is search the hashtag #farmerflorist and dozens of self-references appear on Instagram, Facebook and Pinterest. Designers and flower farmers alike are describing themselves as farmer florists, including two of the most recognizable names in the industry, Erin Benzakein of floret and Jennie Love of Love ‘N Fresh Flowers. No longer considered something outside the accepted scope of what a flower farmer is supposed to do (grow flowers) or what a floral designer is supposed to do (create beautiful bouquets using flowers that someone else cultivated and harvested), there is a lovely blurring of the lines between those formerly  conventional roles.

But to give credit where it is due, an entire generation of specialty cut flower farmers has been designing bridal bouquets and farmers’ market bunches for a long time. Lynn Byczynski first wrote about the business opportunities for flower farmers to design and sell their bouquets back in 1997 when her book The Flower Farmer was first published (the second, updated edition came out in 2008). But long before then, British designer-to-the-royals Constance Spry (the first celebrity florist) cut blooms, branches and foliage from her family’s land to sell in her London flower shop as early as the 1930s.

Thanks to a newfound passion for local and seasonal floral ingredients, more floral designers are putting on their gardening gloves and cultivating small and large patches of earth for cutting gardens, rose borders, raised beds and hedgerows – anywhere a few extra flowers can be planted and cared for. So we asked three Farmer-Florists to share their motivations for doing just that.

Here’s hoping that Alicia will continue her project to plan her 2nd edition of Flirty Fleurs. And here’s to farmer-florists everywhere, for bringing beauty to our lives!

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I’m so pleased to share this week’s interview with you, a conversation with mother and daughter duo — Margie Dagnal and Kate Dagnal of Goose Creek Gardens in Oakdale, Pennsylvania, a boutique specialty cut flower farm just outside Pittsburgh.

I first met Margie virtually, when she contributed to the Slow Flowers campaign on Indiegogo earlier this year.

And then, if that wasn’t enough, she gave me an incredible gift by contributing flowers that two other Slowflowers.com friends Jimmy Lohr and Jonathan Weber of Green Sinner incorporated into a lovely floral arrangement for my Pittsburgh-based publisher St. Lynn’s Press. PS, Jimmy, Jonathan and Margie refused to take a penny from me either. These people are all so generous!

When I visited Pittsburgh in August, I had arranged to spend a morning at Green Sinner, touring the very cool urban cutting garden and floral studio that Jonathan and Jimmy own (you can hear our podcast interview here).

Those two cooked up a delightful surprise and arranged for Kate and Margie to make their Goose Creek Gardens “delivery” during my visit. It was a Thursday morning and while I knew I was about to be part of a weekend conference, a little voice in my head was saying: “You can’t leave Pittsburgh without making a visit to Goose Creek Gardens.”

And lo and behold, Jonathan and Sam Rose, who tends to the Green Sinner cutting garden, offered to pick me up and drive me out to Goose Creek Gardens for a weekend visit. We toured the farm, wandered down to the bottom of the property, along the paths, into the high tunnels and more, all the while chatting constantly about this beautiful bloom and that one.

Katie and Margie are super passionate about growing flowers. Flowers were once a secondary crop to Goose Creek’s main endeavor – growing veggies and herbs. For years, while Margie and her husband Mark, a landscaper, produced salad greens and other delicacies for Penn’s Corner Farm Alliance, young Katie grew flowers.

This year, things have changed, thanks to several issues: From pressure on farmers’ market food prices to seasonal flooding that affected some of Goose Creek’s fields, not to mention Kate’s lifelong obsession with growing cut flowers . . . all these incidents gave them several signs to move into flowers 100 percent of the time.

Katie is now a grownup – a young mom who works side-by-side with her parents running Goose Creek Gardens as a cut flower farm.

Katie and Margie shared photographs of some of their “Friday Night Romance” bouquets for you to enjoy. These are part of an ongoing series of bouquets that Katie creates at the end of each week, to share with her followers and other #farmerflorist friends on Facebook and Instagram. I think they are pretty darned romantic – and beautiful!

 

I hope you learn as much as I did by hearing this interview. And here’s how you can follow Goose Creek on other social platforms:

Goose Creek Gardens on Facebook

Goose Creek Gardens on Instagram

Up next week: a conversation with the inimitable Kelly Norris, who shares his passion – and genius – about a lesser-known category of his favorite flower: The miniature tall bearded iris. Kelly is the award-winning author of A Guide to Bearded Irises and I’m so excited to introduce him to you in a very lively conversation.

Listeners like you have downloaded the Slow Flowers Podcast more than 21,000 times. If you like what you hear, please consider logging onto Itunes and posting a listener review. My personal goal is to put more American grown flowers on the table, one vase at a time. I promise that when you tune in next week, you’ll hear another insightful and educational episode of the Slow Flowers Podcast.

The Slow Flowers Podcast is engineered and edited by Hannah Holtgeerts and Andrew Wheatley. Learn more about their work at hhcreates.net.

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This iconic photo is showing up everywhere and I am so lucky it’s mine! So symbolic of American Grown. Design and truck: Tara Kolla, Silver Lake Farms (Los Angeles) (c) Debra Prinzing 

It’s summertime and the Slow Flowers Podcast is on the road. And it’s no surprise to learn there’s at least one awesome American flower farmer everywhere I seem to go.

There are passionate floral designers to be discovered right alongside and that means more beautiful Slow Flowers experiences for the nation’s consumers, coast to coast.

This week I’m sharing a fabulous conversation with a farmer-florist team from Portland, Oregon – Elizabeth Bryant, owner of Rose Hill Flower Farm, and Kailla Platt, owner of Kailla Platt Flowers.

But first, a bonus conversation that I recorded on July 16^th at Sunny Meadows Flower Farm in Columbus, Ohio.

Owned by Steve and Gretel Adams, previous guests on this podcast, Sunny Meadows is leading the way in changing how flowers get to market in several Ohio cities. The reason for my return to Sunny Meadows was to work with James Baggett, editor-in-chief of Country Gardens magazine, and Kritsada, an uber-talented photographer, to produce a feature story about Gretel and Steve – and their farm, flowers and floral design.

 

You can keep an eye out for that nothing-but-gorgeous story in the summer of 2015 – and of course, I’ll remind you here when the magazine hits the newsstands.

I recorded a short interview with Gretel and two of her summer design interns, Katie Vontz and Danica Jones. They all agreed to chat briefly about what is becoming a popular way for would-be flower farmers and new floral designers to gain training: via internships, apprenticeships or seasonal work-study-style programs. I think you’ll be intrigued and inspired to hear how Gretel filled her need via social media, too.

 

Next up: A dynamic conversation with collaborators Elizabeth Bryant and Kailla Platt. 

Kailla was trained in fine art and landscape architecture and logged a decade designing gardens. But she traces her primary training in floral design to time spent in the lush green of Oregon’s Willamette Valley, where she fell under the floral spell cast by her grandmother Jane K. Platt. 

As Kailla puts it: “she filled my young heart with a love of gardens, plants and flowers.  She would generously send me out into her amazing garden with a basket and clippers, telling me I could pick anywhere.  Then, as we selected frogs and filled vases, she would tell me the names and the stories of all these beautiful flowers.  Her garden was a fairy land to me as a child and it continues to inspire me and influence my work today.”

Kailla Platt Flowers is a young floral studio inspired by Kailla’s lifelong relationship with flowers. On her website, Kailla writes: “I care about where my flowers come from. I want to know the farmer who grew them.  When possible, I want to gather and forage botanical material myself.  The flowers we give to others, wear in our hair and lift to our faces and smell, should be free of pesticides and harmful chemicals.  Farm to table, garden to vase, me to you.” 

Kailla works collaboratively on wedding and event design with another amazing force, Elizabeth Bryant, a flower farmer, floral designer, and founder of Rose Hill Flower Farm, a small, sustainable urban flower farm and design studio in Portland. 

Elizabeth and her wife Jill grow flowers on three acres of family land in West Linn, Oregon, about 15 miles southeast of Portland. 

She says: “Our farming and land-care practices are organic and ecologically grounded, with the utmost care given to creating a healthy soil ecology and rich pollinator habitat.  We grow a range of both common and unique specialty cut flowers for use in weddings and events, through our CSA, and direct to florists.”  Rose Hill also provides lush, locally grown arrangements weekly for restaurants, businesses and individuals, or for any special occasion.  

What you’ll enjoy about this interview is hearing how two creatives – Elizabeth Bryant and Kailla Platt – have distinct points of view and floral businesses that are different from one another, but that they also are collaborative in a way that benefits both of their work – and their clients.

 

Kailla and Elizabeth share studio space with Portland photographer Katie Prentiss. In a charming little cottage in Southeast Portland, the three us a combined design and meeting/event space for floral projects.  Together they enjoy great artistic synergy and often partner on projects, including weddings and large events requiring florals.

Thank you for joining me today to hear some of the exciting voices in American flower farming and floral design. Even after a year of producing and hosting the Slow Flowers Podcast, I can guarantee that the list of future guests is very long and I don’t imagine running out of names we need to hear from – inspiring people who are changing the way Americans gather and enjoy flowers in all aspects of life.

Next week Slow Flowers comes to you from Homer, Alaska, where I’ve happily returned after my 2012 peony-hunting excursion. After that, the road tripping continues, and you can anticipate Slow Flowers interviews with flower farmers and floral designers in Pittsburgh and Philadelphia. 

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Before introducing you to this week’s guest, I must share with you a heartwarming letter I received recently from Emily Calhoun, a farmer-florist who owns Floriography in Corrales, New Mexico. She gave me permission to read her letter to you:  

Hi Debra, I wanted to let you know what a HUGE difference your podcast has made in my life and my businesses.  

In January we expanded our farming and design operation to the Albuquerque-Santa Fe area. This means I am traveling that long, lonely (300 mile) desert corridor between the northern and southern part of New Mexico. This drive can be draining and depressing, especially after working huge hours at either location.

Each trip I plug in my phone, queue up the SlowFlowers podcast and get lost in your interviews. The drive disappears and I find myself at my destination refreshed, inspired and motivated to forge ahead – -spreading the good word of local flowers to our clients and educating the state about its potential as a producer.  

In fact, last month I mentioned your books, podcast and phenomenal website in my presentations at the NM Agrifuture conference.  I was presenting on creating successful agricultural businesses in small and urban areas. Naturally, I pushed flowers. Having your resources really helped add legitimacy to what we were doing and showed that this whole flower thing for real! As a result I have been able to recruit farmers, young and old, to grow for us (a la Ellen Frost’s model). WE even piqued the interest of the NM Secretary of Agriculture! 

Right now we are the only commercial cut flower farm in the state and are working diligently on growing that number! Hopefully soon we will be covering the state and the region with locally grown flowers. 

From the bottom of my flower pickin’ heart, Thank you! Emily

Okay, pretty amazing, right? Thank you, Emily – your voice and vision will now be heard by everyone listening to this podcast and I encourage them to check out your great web site, Floriographynm.com, to see what she’s up to in promoting the Slow Flowers Movement on her corner of the planet. Send her a little floral note so she knows we applaud her tenacity in changing New Mexico’s relationship with their flowers — we’re rooting for your success, Emily.  

Next, my interview this week comes to you from the Garden Stage at Sunset magazine’s Celebration Weekend at the Sunset HQ in Menlo Park, CA.

I spoke twice this past weekend, sharing the Slow Flowers’ eco-conscious floral design approach – and I combined my exhibit with my friends at the California Cut Flower Commission.

We gave away thousands of lily bulbs for people to take home and plant in their own gardens and took photos of thousands of people who wanted to stand in front of a flower field.

 

Those photos were posted all over social media, getting the word out about supporting local flowers. It was a blast! 

I also persuaded Robert Kitayama of Kitayama Brothers Farms in Watsonville, Calif., to sit down with me for an interview. You will be fascinated to hear his family’s story as it spans the generations, several areas in the west and numerous changes in flower crops – as this company has continued to evolve with the times.

Kitayama Brothers has been growing and shipping beautiful cut flowers from Northern California since 1948. Located on majestic Monterey Bay, the company’s greenhouses in Watsonville enjoy perfect flower growing conditions.

The Monterey Bay’s cool evenings along with sunny days create an ideal environment for growing more than 20 different flowers and cut greens. Today, the farm’s top crops oriental and Asiatic lilies, lisianthus, gerbera daisies, snapdragons, mini callas, iris, gardenias and stephanotis, making their product selection a top choice for wedding and event professionals from around the country.

 

I have gotten to know Robert and his family’s floral enterprise in the past few years, including spending a weekend at the farm in Watsonville last year where I arranged centerpieces for the field-to-vase dinner held inside one of Kitayama’s greenhouses the night before the Monterey Bay Greenhouse Tour.

This year’s tour is coming up on June 21^st and you can get more details here. And check out Kitayama Brothers’ free gerbera plant promotion here.

 

Thank you for joining today’s conversation with Robert Kitayama, just one of the many passionate flower farmers I encounter on my journeys through the fields and greenhouses where beautiful, fresh and local flowers are produced.

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It is my pleasure today to introduce you to Katherine Anderson, a flower farmer who’s also an innovative floral designer. 

Katherine is the creator and owner of Marigold and Mint, a flower shop and studio in Seattle’s trendy Capitol Hill district that takes its influences from Europe, Asia and America’s maker/handcrafter movement. 

Marigold and Mint (the shop) is filled with flowers that Katherine grows on land her family has owned for three generations, ever since the 1950’s.

Although she didn’t start flower farming as a career until she was in her thirties, Katherine has been connected to soil, plants and cultivation ever since she gardened with her father as a child.

In 2008, she stepped off the corporate track as a Harvard-trained landscape architect to raise her children and return to the land as a flower farmer. 

Katherine began by planting rows of annual flowers and herbs. She started with the idea of selling locally grown flowers to florists and chefs. 

Much of the land her family owns is leased to Oxbow Organic Farm & Education Center, which among other programs, operates a food CSA that supplies households and restaurants. There was plenty of acreage for Katherine’s annuals, herbs, perennials, garden roses and ornamental shrubs. 

Four years ago, she opened a small shop. Marigold and Mint is located next to a popular farm-to-table Seattle restaurant, which she regularly supplies with herbs and culinary ingredients (a few summers ago, when I visited the farm, Katherine was harvesting nasturtium seeds for the chef to pickle and use in dishes, like capers). 

She has a special affinity for marigolds – she grows 15 or so varieties each season, including ‘Frances’ Choice’, ‘French Brocade’, ‘African’, the Signet series, ‘Durango Outback’, ‘Queen Sophia’, ‘Vanilla’ and ‘Tangerine Gem’ – and many more. 

Earlier this year, Katherine and restaurateur Matthew Dillon, the same chef she’s been supplying for years, joined together to open a new venture called The London Plane. Located in historic Seattle’s Pioneer Square neighborhood, The London Plane is a shop, cafe, bakery, wine bar, and events space.  

Occupying two corners of Pioneer Square’s Occidental Mall, The London Plane’s larger space is home to a cafe, bakery, flower counter, grocery and larder shop.

Customers can be seen frequently stopping by for something to eat or drink, or shop our grocery and larder selection to prepare a meal at home.

The smaller space, called, The Little London Plane, is a wine shop, wine bar and event space. There, you can grab a glass of wine and graze on a simple selection of bar foods, or shop for wines to takeaway. 

If you’re in the Seattle area, sign up for one of the new floral design series, beginning in early April at The London Plane.  

Follow this link to learn more about Katherine’s upcoming floral design workshops at The London Plane. Workshop fees range from $150-$200 and topics include:

Hand-tied bouquets, Wednesday, April 2nd, 2014; 6:00 p.m.-8:00 p.m.

Spring Arrangements, Wednesday, April 16th, 2014; 6:00 p.m.-8:00 p.m.

Mother’s Day Flower Arranging, Saturday, May 3rd, 2014; 3:00 p.m.-6:00 p.m.

It all began with Marigolds: Katherine’s love for the timeless appeal of this vintage annual.

“We love to be surprised by the stunning complexity of a flower or a branch, and to that end we are always trying out new types of flowers and other plants with ornamental value,” Katherine writes on her web site. 

And here’s Katherine’s explanation of why she stocks only locally grown and whenever possible, organic, ingredients:

Flowers are living things and they are a commodity shipped around the world. Considering the fuel cost and chemicals used to keep lovely, fragile flowers protected and alive en route from, say, Tanzania to Tennessee, we prefer to grown and buy local. At Marigold and Mint, we strive through our organic and sustainable agricultural practices to do no harm to the environment and all the people and animals that live in it, and to balance any harm (such as some reliance on fossil fuels) with a healthy serving of good: by growing and selling natural fragrant flowers and herbs within the Northwest. We work hard to build soil fertility, create habitat, and protect genetic diversity by growing countless varieties of flowers and herbs. 

 

Now I know you’ll never look at a marigold as a flower that’s too humble or common for your floral arrangements.

Thank you, Katherine Anderson, for your inspiration today!