Debra Prinzing

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Archive for the ‘Writing’ Category

Episode 322: Garden Media Group’s annual Garden Trends Report with Suzi McCoy and Katie Dubow

Wednesday, November 8th, 2017

Suzi McCoy (left) and Katie Dubow (right) of the Garden Media Group, which releases the Garden Trends Report on an annual basis.

As many of you know, my journalistic background includes working as a home and garden writer for the past two decades.

During that journey, I invested many years — the past 15 in fact — in the Garden Writers Association, including two years serving as its president. Many of my closest professional and personal friendships come from time spent serving on committees, as regional and national director and then, as an officer and member of GWA’s leadership.

And even though writing about flower farming and floral design has occupied my professional energy during the past nearly 10 years, I still consider myself a Garden Writer. After all, flowers are certainly an extension of the garden, right?

Today I am delighted to introduce two longtime professional friends who I originally met through GWA. They are Suzi McCoy and Katie Dubow of Garden Media Group.

Based outside Philadelphia, Garden Media Group was one of the very first marketing and communications firms to position itself in the “green” category. For many years, Garden Media Group has released an annual Garden Trends Report, which has become a must-have reference for writers, practitioners and companies in the gardening industry.

A snapshot of the 2018 Trends recently released by Garden Media Group

I love reading this report and to be honest, it has served as a template for my much younger Slow Flowers Floral Insights and Industry Forecast, which I started compiling annually four years ago.

Suzie and Katie agreed to talk with me about the Garden Trends Report for 2018 and share their graphics. Click the link to download your own PDF copy of the report.

Here are a few slides of the “trends” we discuss on today’s episode:

Find Garden Media Group on Facebook

Follow Garden Media Group on Twitter

See Garden Media Group on Pinterest

Watch Garden Media Group on Instagram

READ MORE…

Episode 321: My lovely conversation with Robbie Honey + Holly Chapple’s Flowerstock recap and Syndicate Sales’ product launch

Wednesday, November 1st, 2017

Robbie Honey at Flowerstock (c) Sarah Collier, Taken by Sarah

We all have our flower crushes and those we admire from afar, never expecting to actually meet. So the chance to not only meet and spend time with Robbie Honey, world floral traveler, proud son of Zimbabwe, curious accidental botanist and amazing designer . . . well, it was a certainly a highlight of 2017!

The artist at work ~

Robbie and I met at Holly Chapple’s Flowerstock, the two-day design and creativity fest held for the second year at Hope Flower Farm, the historic compound she owns with husband Evan Chapple – in Waterford, Virginia, not to far from the nation’s capitol.

Holly and Robbie have collaborated on many occasions as instructors, but this was my first experience seeing Robbie up close and personal. Prior to this, my knowledge of him has been mostly by watching his Instagram feed.

Robbie is the creative director at the design company bearing his name Robbie Honey, based in London.

Now and Then, Robbie Honey today and as a young boy in the flower fields of Zimbabwe

Robbie Honey has been immersed in botanical pursuits since he was a young boy roaming the wild grasslands of Zimbabwe. These adventures developed his already keen visual and olfactory senses and instilled in him a lifelong fascination with flowers and their scents.

By the age of seventeen, he was studying horticulture and went on to work in the floriculture trade in Holland and Kenya. Honing his creative sensibilities further, he studied interior design and photography at art school in Cape Town. Moving to London he trained with floral designer Ming Veevers Carter and gained a thorough grounding in event floristry. Incidentally, we posted a story about Ming’s RHS Chelsea Flower Show’s Gold Medal design for New Covent Garden Flower Market earlier this year. Check it out here.

Robbie’s floral installation for Christian Dior Parfum, London

One of Robbie’s installtions for Hermes, London

17,000 Carnations in an ombre pattern for Mary Katrantzou’s London Fashion Week runway show, designed by Robbie Honey

Setting out on his own at twenty-five, Hermès was his first fashion client, followed by Dior and Armani, establishing Robbie Honey as an in-demand florist within the fashion industry.

With this rare combination of expertise: in botany, floristry and the visual arts, he started lecturing around the world on floristry and writing for the Wall Street Journal.

I love this tablescape with all four of the Robbie Honey candles and the fragrant white flowers that evoke their scents.

Candle fragrances in the Robbie Honey candle collection — lily of the valley, Casablanca lily, jasmine and tuberose.

Robbie Honey’s first range of scented candles is inspired by individual white flowers, the scents of which have long beguiled him.

Robbie at Flowerstock (c) Sarah Collier, Taken by Sarah

It was a delight to not only learn more about what inspires and motivates this talented human as an artist, but a joy to watch him design with American-grown flowers, including many grown at Hope Farm and donated by others, including Harmony Harvest Farm, both Slowflowers.com members — as well as to play with branches and blooms that Robbie foraged with fellow instructors Ariella Chezar and Holly herself.

READ MORE…

Slow Flowers Summit Recap and Review

Tuesday, August 1st, 2017

It’s hard to believe that one month ago, nearly 100 of us gathered together in Seattle for the first Slow Flowers Summit. Before too much time passes, I want to personally thank you everyone who attended and invested their time and presence in sharing this incredible experience with me and others in the Slow Flowers Movement!

Here are a few of the Raves we’ve received to date:

The Slow Flowers Summit was a great platform for discussing important issues, the most important for me being diversity and inclusivity in the business. . . a fantastic event with something for everyone that didn’t shrink from the more challenging issues facing us.

The Slow Flowers Summit was hugely inspiring to me as a grower and an entrepreneur. It was a wonderful opportunity to meet other like-minded people who are successfully uniting their passion for flowers with a vision for a better world.

The Summit offered a day of inspiration and conversations. Being in the presence of other men and women who are passionate about their craft and the world behind the flowers was inspiring and uplifting. The value of the people that I met, the conversations that we united around, and the ideas that I left with made the day invaluable. I hope to be back year after year.

My participation in the Summit has sparked new ideas regarding how I grow my business. I’m inspired to think bigger and connect with a larger audience of like-minded flower people.

Thank you to our presenters for their intelligence, ideas and wisdom:

Above, from left: James Baggett, Riz Reyes, Nicole Cordier Wahlquist, Chantal Aida Gordon, Emily Ellen Anderson, Teresa Sabankaya, Amy Stewart, Debra Prinzing, Lisa Waud and Leslie Bennett

Who attended? Here’s a breakdown of how attendees identified themselves* in our post-Summit survey:
Florist/Floral Designer: 50 percent
Flower Farmer/Farmer-Florist: 27 percent
Educator: 14 percent
Media: 10 percent
Flower Gardener/Floral Enthusiast: 10 percent
Other categories: Wholesale floral managers, horticulturists, online floral retailer
*respondents were allowed to choose more than one category

We asked: “Was the Summit content relevant to you and your business?” Attendees ranked this answer 4.22 out of 5.0 
We asked: “What elements of the Summit were valuable to you? Attendees ranked these choices as follows:
1. Connecting with other Attendees
2. Connecting with Speakers
3. Learning about new Resources & Skills
4. Playing with Flowers (Flower Wall and Flowers on Your Head)

Panelists, from left: Chantal Aida Gordon of thehorticult.com blog; Leslie Bennett of Pine House Edible Gardens; Riz Reyes of RHR Horticulture; and Nicole Cordier Wahlquist of Grace Flowers Hawaii

Our Master of Ceremonies, James Baggett of Better Homes & Gardens magazine.

Emily Ellen Anderson of Lola Creative

Keynote speaker Amy Stewart, author of Flower Confidential and many other bestselling titles.

Lisa Waud of pot & box, Flower House Detroit and Detroit Flower Week

Enjoy our PICTURES!! Summit photos are here for your enjoyment and use. Follow this link to see/download.
Please credit (c) Hannah Brenlan and Luke Holtgeerts and use these hashtags: #slowflowersummit #americanflowersweek when you use any of these images. Thank you!

READ THIS. #SlowFlowerSummit 2017 is a HIT!
I loved reading one attendee’s thoughtful response with her takeaways from the Summit. Kit Wertz of Los Angeles-based Flower Duet wrote an extensive review in her July newsletter. You’ll want to subscribe to her newsletter! Thanks, Kit!

I can’t close without thanking all of our Sponsors and Volunteers.

I especially want to thank Stephanie Downes of Vanita Floral, @vanitafloral, our Event Manager Extraordinaire, and Niesha Blancas @nieshamonay, our Social Media Maven, from Poppy Social Media.

Seriously. Could. Not. Have. Done. The. Summit. Without. Them. xoxo

Our Audio/Visual Team was the best! Thank you to Hannah and Andrew Brenlan and the Brothers Holtgeerts (Henry and Luke).

A few of the many flowered and beautiful heads, thanks to Mud Baron for Flowers on Your Head

Thanks to Mud Baron of Muir Ranch for adding a festive, Instagram-worthy “flowers on your head” element to the day!

I’ve received personal notes from so many of you — and I promise to write back as time allows. I hope to announce a save-the-date for our 2018 Summit — on the East Coast — very soon.

Until then, continue to Inquire, Inform, Include, Instigate and Inspire!

Episode 307: Slow Flowers Podcast Celebrates our 4th Anniversary with Travis Rigby of Florists’ Review

Wednesday, July 26th, 2017

I’m celebrating the 4th anniversary of the Slow Flowers Podcast with a special guest and big announcement!

On July 23, 2014, I said this at the top of the Slow Flowers Podcast:

During the past year, I produced and hosted weekly episodes of this podcast — with news and insights of the American Grown flower movement.

The people who have been guests on this series have generously and passionately  shared their time and knowledge.

Our inspiring and straight-forward dialogue has prompted thousands of listeners to return, week after week, downloading the audio files to their various devices, to listen in the design studio, in the flower fields and wherever else they spend their days.

The Slow Flowers Podcast is now a must-hear medium connecting  listeners across our country with creative and influential voices and exciting points of view.

Thank you for joining me and please get ready for the next 52 weeks of great conversations.

We’re in full bloom, so to speak, and there’s an abundance of great information I’m eager to bring you!

That’s how I pronounced the news of this Podcast’s one-year anniversary, with 15,000 downloads and, as I said, 52 episodes to show for it.

Here we are, today, celebrating the 4th anniversary of the Slow Flowers Podcast, and by numbers alone, we’ve made some amazing strides. We have enjoyed 215,000 listener downloads, and have produced 208 episodes.

Behind the numbers are authentic relationships that have been formed, a community of like-minded kindred spirits who are truly trying to improve our floral landscape.

We are making empowered decisions about how flowers are grown, brought to market and incorporated into our designs, decisions that affect our branding and businesses in a positive way.

Your participation in and support of all Slow Flowers projects is at an all-time high. With more than 715 members of Slowflowers.com, with ever-increasing support and collaboration with many of our sponsors, with the explosion of involvement in American Flowers Week — at more than 5 million impressions on social media during this year’s campaign, with the media attention not just about our program but about flower farmers across the country creating wholesale supply hubs and elevating the discussion about local flowers, and with this year’s amazing Slow Flowers Summit just occurring . . . well, we have so much to celebrate.

Let’s pop the cork and congratulate one another. Like a true community, your success equals my success; when the light is shined on one member, it benefits all members; when together we value interdependence over competition . . . that’s what inspires me and I hope it inspires you.

Four years ago, I started this tiny podcast wondering how I would ever “fill” the lineup with enough guests and stories to tell, imagining that eventually, I would be scrambling to find people to interview week after week. Well, that has proven NOT to be the case and it is pretty beautiful to acknowledge this accomplishment. My instinct for news tells me that the pool of voices to bring to you — as we inquire, inform, include, inspire and instigate new thinking — will not disappear. That’s a promise.

Travis Rigby, president and publisher of Florists’ Review

There’s one more big accomplishment to share and it is happening thanks to today’s special guest.

Please meet Travis Rigby, president and publisher of Wildflower Media, the parent company of Florists’ Review, Super Floral and an extensive bookstore and publishing operation.

Travis also is president of two companies both based in Portland — PosterGarden.com, a portable display company founded in 1995, and FlowerBox (formerly Blumebox), an innovative flower vase company specializing in recyclable vases.

Travis purchased Florists’ Review Enterprises and its suite of businesses in early 2016, with the sale closing on April 1 last year, so he has less than 18 months as a magazine publisher under his belt.

He acquired the Topeka, Kansas-based business from Frances Dudley, the previous owner of 29 years, but I was amazed to learn that Florists’ Review is a venerable, 120-year-old trade magazine.

Florists’ Review has been serving the floral industry for nearly 120 years. Established by Gilbert Leonard Grant in 1897 as The Weekly Florists’ Review, it was the first floral magazine to use photography rather than sketches, giving florists a true picture of what was happening in their industry.

Even during his short period of ownership, Travis has made some exciting changes, including redesigning Florists’ Review, with a larger-size format, higher quality paper and fresh graphics. With David Coake as editor and Kathleen Dillinger as new art director, together the cover and inside content of Florists’ Review are catching people’s attention.

“Four Seasons of Floral Design” featured designs from Kelly Shore of Petals by the Shore in Olney, Maryland, and flowers from Plant Masters flower farm.

I began contributing articles to the magazine this past January, auspicious timing for me because it coincided with the magazine’s beautiful new format. As you’ll hear in our conversation, Travis and I met through a mutual friend, the uber networker Heidi Berkman of The Bloom Project in Portland (who incidentally you’ll hear on this podcast in the not-so-distant future).

Being the magazine junkie that I am, I was immediately fascinated to meet Travis and talk about the future of print media. The magazine world has undergone a huge shakeup in the past decade, as has all print, especially newspapers, but Travis and I found ourselves agreeing that there is a sweet spot for micro-niche publications that really drill down on a focused topic or serve a distinct audience — and that Florists’ Review had the potential to become the publication of choice for the mainstream floral industry. Of course, I’m not really in the mainstream, preaching local and seasonal flowers, but Travis saw something of relevance in the Slow Flowers platform, and he continued to say “yes” when I brought story ideas to the table.

Here’s a sneak peek of our opening pages of the Slow Flowers Journal — launching inside the August issue of Florists’ Review.


Now, thanks to a new partnership, more than 13k subscribers of Florists Review will read regular coverage about the Slow Flowers Movement and the people who grow and design with local, seasonal and domestic flowers. Beginning in August, next week, I am joining Florists’ Review as a Contributing Editor and, you will find our dedicated editorial section called Slow Flowers Journal inside the pages of Florists’ Review magazine, the highest-circulation floral industry trade magazine on the market.

In the coming issues, we’ll feature:

  • Design-driven feature articles, beautifully photographed, of course
  • Farmer-florist profiles
  • Products and resources sourced locally
  • “How I do it” (Q&As with florists on their sourcing practices)
  • Hero Worship — inspirational voices of “slow” pioneers

Isn’t that cool? Now even more readers will learn about the #slowflowersmovement and how they can adapt and adopt a more sustainable lifestyle in the floral industry.

Want to see what it’s all about?
Subscribe to Florists’ Review and read our bonus Slow Flowers Journal content at the special rate of $21 for 12 issues — 62 percent off the cover price! Take advantage of the special subscription offer from Florists’ Review. Click on this link or call 1-800-367-4708.  I promise you that you’ll find inside each Slow Flowers Journal, our mini-magazine, the stories, news and resources important to you.

Thanks again for joining me and for helping me celebrate all the good Slow Flowers news of this Podcast’s significant fourth anniversary. If you want to get more involved, please reach out — I’d love to hear from you!

Join the Slow Flowers Community on Facebook, and share your story of this ever-changing ethos to source domestic, American grown flowers and support flower farmers, as well as adopt a more mindful, sustainable lifestyle for you and your business.

As I mentioned, the Slow Flowers Podcast has been downloaded nearly 215,000 times by listeners like you. Thank you to each one of you for downloading, listening, commenting and sharing. It means so much.

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column. Your contributions will help make it possible to transcribe future episodes of the Podcast.

Thank you to family of sponsors:

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and services to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. Its mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at KineticTreeFitness.com.

Music Credits:
Additional music from:

audionautix.com

Episode 306: All about Clematis with Linda Beutler, curator of the Rogerson Clematis Collection and author of The Plant Lover’s Guide to Clematis

Wednesday, July 19th, 2017

Linda Beutler, clematis expert, floral designer and author. (c) Loma Smith photograph

Linda is the author of The Plant Lover’s Guide to Clematis.

Last week, we heard from Rebecca Reed, U.S. Sales Executive for David Austin Garden Roses.

I learned so much from Rebecca about these beloved and increasingly popular roses for both the landscape and floral arranging and if you haven’t listened yet, head on over to Episode 305. It’s the perfect lead-in for today’s equally fabulous topic: Clematis.

Because so many of my friends are involved in the Pacific Northwest horticulture community and because I once was deeply embedded in it, serving as the Northwest Horticultural Society’s “Garden Notes” newsletter editor for several years, I have been vaguely aware of the existence of a rare clematis collection taking root outside Portland, Oregon. But I’d never visited the garden where it was housed.

Then last year, I met Phyllis McCanna while speaking to the Portland Garden Club, and she asked me to visit — more than once. Phyllis was gently persuasive with her warm invitations and about a month ago when I found myself driving to Portland for a series of scouting appointments, I arranged to meet Phyllis and see the clematis I’d been hearing about. As it turns out, Phyllis is the board president of the Friends of the Rogerson Clematis Collection, which is located at the historic Luscher Farm, part of Lake Oswego’s Park and Recreation system, outside Portland.

The modern clematis collection at the Rogerson Clematis Collection. I love the way it’s organized like a vineyard!

The display gardens are arranged around the historic Lescher Farmhouse and feature clematis paired with ornamental landscape plants.

Clematis with conifers and ornamental shrubs.

The Friends group was formed in 2005 to ensure that Brewster Rogerson’s amazing collection of clematis would be maintained and nurtured over time. Since then, the collection has grown from a group of beautiful plants in pots to an assemblage of beautiful plants in a delightful garden, now North America’s foremost collection of the genus Clematis.

Clematis, with lavender!

Linda led me on a tour of the modern clematis display.

Its mission is to preserve and foster the Rogerson Clematis Collection in a permanent home, observing its longtime objectives of assembling and maintaining as comprehensive a collection of the genus Clematis as possible, for the advancement of botanical and horticultural research and education and pleasure of all who visit.

I was delighted to reconnect with Phyllis and with my guest today Linda Beutler. Linda is a fifth generation Oregonian and lifelong gardener, who left floral design in 2007 when she signed on as the curator of the Rogerson Clematis Garden.

She is the author of several books, including Garden to Vase, Growing and Using your own Cut Flowers, which Timber Press published in 2007, now out of print but available used on Amazon and at Powell’s Books online. She also wrote Gardening with Clematis in 2004 and The Plant Lover’s Guide to Clematis, which Timber Books published last year.

Clematis with cotinus.

Clematis with barberry.

Clematis with witch hazel.

Linda’s love of gardening began with harvesting strawberries with her grandfather at the age of three, and being given her own plot for radishes and string beans at age five. Her home garden in the Sellwood neighborhood of Portland, Oregon reflects her garden passions, including old garden roses, herbaceous perennials and shrubs for cutting, and her 200 favorite clematis. Linda has been an adjunct instructor of horticulture at Clackamas Community College in Oregon City, OR since 1996. She is the current President of the International Clematis Society and has also been known to dabble in Jane Austen fan-fiction!

Please enjoy this conversation — and stay tuned for a bonus tip from Linda at the end of the interview. Does she or doesn’t she use rubbing alcohol to extend the vase life of her cut clematis?

Enjoy my gallery of photos from my recent visit to the Rogerson Clematis Garden. Find more clematis at these social places:

Rogerson Clematis Garden on Facebook

Download the Clematis for Beginners list from International Clematis Society

The Slow Flowers Podcast has been downloaded more than 212,000 times by listeners like you.

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column. Your contributions will help make it possible to transcribe future episodes of the Podcast.

Thank you to family of sponsors

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at KineticTreeFitness.com.

Music Credits:

LaBranche
by Blue Dot Sessions
 
Clap Along
by Dave Depper
Additional music from:

audionautix.com

Episode 301: Slow Flowers Summit Preview #2 — meet Chantal Aida Gordon of TheHorticult.com

Wednesday, June 14th, 2017

Get out your crayons: Our American Flowers Week Map of State Flowers!

American Flowers Week and the Slow Flowers Summit are just around the corner — our week-long celebration of American-grown flowers and design begins on June 28th and continues through July 4th — check out americanflowersweek.com for all the cool details, including our just-released Coloring Map of the USA with every state flower designed by Jenny Diaz.

This is free for you to download, print and share with clients and customers this month. Feel free to add your own logo to the PDFs and get promoting! And I’d love to see your finished pages — when you post use #americanflowersweek. See All 50 State Flowers and download pages here.

We’re especially excited around here for the Slow Flowers Summit, which takes place on Sunday, July 2nd in Seattle during the heart of American Flowers Week. You’re invited to participate — and you can find all the details here. Tickets are selling at a brisk pace and it’s time to grab yours!

Learn how to make and dye beautiful ribbons using safe and natural plant dyes.

Susanna Luck, textile artist and floral designer

I’ve heard from many of you heading to Seattle to attend the Summit interested in knowing what else is going on when you’re here.

We’re sponsoring a fabulous one-day workshop held 11 am to 3 pm on Saturday, July 1st the day before the Summit at the Seattle Wholesale Growers Market.

I want to introduce you to Susanna Luck of Nettle Textiles, who’s calling the class The Art of Plant Dyeing.

A Portland textile artist and floral designer Susanna has been making and incorporating hand-dyed ribbons and linens into her design repertoire.

If you’re interested in learning more about naturally-dyed silks, cottons and linens to use in your work, you’ll want to sign up! Find the details here.

As you may know, I’ve invited many of my flower friends and floral crushes who I greatly admire to speak at the Slow Flowers Summit, including today’s guest, Chantal Aida Gordon.

We met virtually several years ago through our mutual friend Jennifer Asher of Terra Sculpture, when Jennifer asked me to share my insights with Chantal about the ins and outs of speaking gigs.

Country Gardens feature on Chantal & Ryan’s TheHorticult.com

When we finally met in person a few years later, I felt like a kindred spirit came into my life. Chantal and Ryan Benoit, her collaborator in the popular blog thehorticult.com, attended one of the Field to Vase Dinners that that I co-hosted in the San Diego area — at the Flower Fields. They endeared themselves further by posting a lovely review of the evening, which included Chantal’s engaging storytelling and Ryan’s beautiful photography.

Stylemakers in Better Homes & Gardens

I very much wanted to bring Chantal for Seattle to moderate a panel on inclusion and diversity in our green worlds of horticulture and floriculture. And she is coming – I’m so jazzed for our attendees to meet her. I was in Southern Cali last month to teach and I met up with Chantal in Los Angeles to record today’s interview.

A self-described plant nerd, Chantal puts a fresh twist on horticulture in her posts and writing.

Chantal Aida Gordon is coming to Seattle to speak at the Slow Flowers SUMMIT

Here’s a little more about her:

Born in Brooklyn and now a resident of LA, Chantal Aida Gordon is the cofounder of The Horticult, a site that covers where gardening intersects with culture—from horticulture and design to cocktails and art. (Bona fides include a spread in The New York Times and “Gardening Blog of the Year” from Better Homes & Gardens.)

Together with Ryan Benoit, they’ve written about community gardens, floral care, and DIY plant habitats.

Outside The Horticult, Chantal’s writing has appeared in The New York Times, Zagat Guide, and American Short Fiction.

Her favorite flowers to grow are epipyllums and her favorite cut flower is the dahlia.

Chantal is wrapping up work with Ryan on their first book How to Window Box, forthcoming from Clarkson Potter in Spring of 2018.

This book will show you how to build and plant window boxes in colorful, fun and inventive ways.

They’re putting a fresh spin on windowsill gardening with plant combinations both classic and unexpected. You can even pre-order How to Window Box on Amazon now!

Follow Chantal at these social places:

@chantalaida_garden

@thehorticult

The Horticult on Facebook

The Horticult on Pinterest

The Horticult on Twitter

 

It’s time to sign up for the Summit and you can find the registration link and more details at debraprinzing.com. The Summit’s mission is summed up in 5 simple but impactful words: We want to Inquire, Inform, Include, Instigate and Inspire!

The information you will gain in a single day at the Summit is an incredible value for just $175 — and members of slow flowers receive a great thank-you rate  of $135.

Your registration includes all lectures and coffee & alight breakfast, lunch and a cocktail reception with speakers — plus a flower lovers’ swag bag and chance to network with the doers and thinkers in our botanical universe.

Oh, and did I mention our signature cocktail? It’s The Herbarium, a concoction featured in our keynote speaker Amy Stewart’s NYT bestselling book The Drunken Botanist!

READ MORE…

Episode 298: Slow Flowers Summit Preview #1 — meet James Baggett of BH&G and Emily Ellen Anderson of Lola Creative

Wednesday, May 24th, 2017

The countdown for American Flowers Week and the Slow Flowers Summit has begun — we’re only five weeks away from the June 28th kickoff of American Flowers Week 2017 and just shy of six weeks from the Slow Flowers Summit, which will take place on Sunday, July 2nd in Seattle.

You’re invited to participate in both — and you can find all the details and links here in this post.

I’ll be previewing as many of our Slow Flowers Summit speakers as possible over the coming weeks. First of all, please meet James Baggett, science and horticulture writer, garden editor at Better Homes & Gardens and a true pioneer in garden media.

I captured this photo of James Baggett in his “happy place” — in a garden. It was the White House Kitchen Garden, which made the moment all the more special! Our colleague, photographer Bob Stefko, can be seen working in the background.

On the road with JAB

James Baggett, showing off the many titles he creates with coworker Nick Crow, his art director. It simply mind-boggling to grasp their huge productivity – and it’s an honor to be one of their writer-producers.

I’ve written and produced stories for this incredibly generous and talented man for years and I count him as a friend. In fact, as I mention often, if given a choice, I’d rather be his friend for life than ever write a single story for him in the future.

James is definitely demonstrating his friendship and support for my passion by agreeing to be our master of ceremonies during the Slow Flowers Summit.

He’s flying to Seattle from his home town, Des Moines, Iowa, where BH&G and its parent company Meredith Corp. are based. As luck would have it, my travels took me to Des Moines last month when Meredith sponsored my lecture at the Wonder of Words festival on Earth Day. While there, I grabbed a short interview with James to share with you.

James A. Baggett has been a garden editor and writer for more than 20 years. In addition to his new role as BH&G’s garden editor, he shaped content at Country Gardens® magazine as its editor in chief for nine years after serving previously as editor of PerennialsTM and as the founding editor of Nature’s GardenTM magazines, both Better Homes and Gardens Special Interest Publications.

Early in his writing career, James wrote Martha Stewart’s “Arranging Flowers” book, which was released in 1999.

James also is the former executive editor of Country Living Gardener and Rebecca’s Garden magazines. He is the author of Flower Arranging, a Best of Martha Stewart Living Book (Oxmoor House) and the former garden editor of American Homestyle & Gardening.

James formerly gardened in New York City — where he tended a 10-x-20-foot garden behind an 1850 brownstone — and he now gardens in Des Moines, where all the available land surrounding his Arts & Crafts bungalow has been given over to flowerbeds, specimen trees and shrubs, and containers.

James has a Bachelor of Journalism degree, from the University of Missouri-Columbia’s famed School of Journalism. In 2015, the American Horticultural Society honored James with the B. Y. Morrison Communication Award, which recognizes effective and inspirational communication – through print, radio, television, and/or online media — advancing public interest and participation in horticulture.

“Garden writing is science writing with Jazz Hands” — James Baggett

Click here to download the James Baggett Profile, “Charming, Disarming and Engaging,” written by Maryann Newcomer for to the GWA Association of Garden Communicators newsletter. His curiosity and passion about everything in the natural world comes through in all aspects of his work and his life, and I’m thrilled that he’ll be joining us as the emcee for the Summit.

Emily Ellen Anderson of Seattle’s Lola Creative.

Next up, past guest of this podcast, Emily Ellen Anderson of Seattle-based Lola Creative. If you missed my interview with Emily (episode 168) you’ll want to go back and hear her entire journey of arriving at a floral career drawing from a background in landscape architecture.

It’s inspiring and it’s one of the reasons I asked Emily to speak at the Slow Flowers Summit on the topic of “Reinvention: Professionally, Artistically + Sustainably.” She will share her story and talk about how creatives are morphing with the changing cultural scene, changing aesthetic tastes and changing values.

And a huge bonus of having Emily involved in the Summit will be her “live” demonstration of building a foam-free floral wall.

It was during our recent walk-through of the Surf Incubator Event Space where our Summit will be held, that I recorded our short audio conversation. Our mutual friend Liz Browning of Laughing Girl Flowers was with us and we were all so excited to see the environment that will house the Summit gathering. We also discussed logistics of building a mini version of the massive floral wall that Emily and her team created for the 2016 Seattle Art Fair.

Her business, Lola Creative, is comprised of a team of art-minded, world-wandering, endlessly curious event and visual art professionals and ready to get obsessed with their clients’ projects. They specialize in design and production of bold events with a focus on brand enhancement and generating a meaningful connection between guests and a host organization, styled photoshoots and creative direction for online content and marketing campaigns, exceptional weddings for excellent couples. Lola Creative includes craftspeople, architects, project managers, marketers, writers, painters, organizational master-minds, and bold thinkers. Lola operates out of a light- filled studio in Edmonds, Washington, serving the entire state and Northwest region.

Lola promotes sustainable flower growing, low waste events, and low-impact practices of all kinds, including composting plant waste, reusing materials, and sourcing locally and responsibly. Lola Creative has ceased the use of floral foam for its toxicity and non-biodegradability. A portion of profits benefit scientific research, creatures, and kids’ education in entrepreneurship, art, and technology.

Check out Curious Lola, Emily’s blog where she shares tips, stories and videos about building, running and designing an event design and floral business.

Find/follow Emily at these social places:

Lola Creative on Facebook

Lola Creative on Instagram

Lola Creative on Pinterest

Thanks for joining us today. The Slow Flowers Podcast has been downloaded more than 191,000 times by listeners like you. THANK YOU to each one of you for downloading, listening, commenting and sharing. It means so much.

It’s time to sign up for the Summit and you can find the registration link and more details right here.

The information you will gain in a single day at the Summit is an incredible value for just $175 — and members of Slow Flowers receive a great thank-you rate  of $135/ Your registration includes all lectures and coffee/light breakfast, lunch and a cocktail reception with speakers — plus a flower lovers’ swag bag and chance to network with the doers and thinkers in our botanical universe.

I can’t wait for you to join us in Seattle on July 2 in the heart of American Flowers Week!

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column. Your contributions will help make it possible to transcribe future episodes of the Podcast.

Thank you to family of sponsors:

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at KineticTreeFitness.com.

Music credits:
The Zeppelin; Dirtbike Lovers
by Blue Dot Sessions
http://www.sessions.blue
https://creativecommons.org/licenses/by-nc/4.0/
Additional music from:

audionautix.com

Episode 289: Redefining “Harvest” with designers and authors Stefani Bittner and Alethea Harampolis of Homestead Design Collective

Wednesday, March 22nd, 2017

Alethea Harampolis (L), Stefani Bittner (R) – photo by David Fenton

One of the best things about being a veteran garden writer are the friendships I’ve forged over the years with my peers.

Today’s guests are definitely in that category of favorite professional friends who have become so much more than mere acquantances.

I really value my time with them, although sadly, it’s rare. Stefani Bittner and Alethea Harampolis are partners in Homestead Design Collective, a Bay Area-based landscape design firm.

Stefani is the coauthor with Leslie Bennett of The Beautiful Edible Garden and Alethea is cofounder of Studio Choo, with Jill Rizzo, her coauthor for The Flower Recipe Book and The Wreath Recipe Book. Alethea and Jill are past guests of this podcast, and you can find that episode here.

Since these creatives teamed up to form Homestead Design Collective, they have focused their business on landscapes that are useful and most important, can be harvested year round.

The title of their new book, HARVEST, says it all. I’m so honored that they asked me to write the foreword. In those few hundred words that appear in the opening pages of Harvest, I wrote this:

I once believed that clipping branches and blooms to bring indoors was akin to denuding my garden. But about ten years ago, I began to interview America’s flower farmers and their customers: floral designers devoted to and creatively fueled by domestic and local botanicals.  Mesmerized by their uncommon floral crops, I began to regard the incredible beauty of my own backyard for all of its potential. That meant enjoying not just the small quantity of food (berries, herbs and vegetables) that my kitchen garden produced, but appreciating its abundance by displaying garden greenery and flowers in my vases.

This new-old philosophy of living with my garden’s generous harvest is best learned from true practitioners, such as Stefani Bittner and Alethea Harampolis of Homestead Design Collective. These women are also proponents of good design, and they adhere to the guiding philosophy of choosing plants at once both ornamental and useful. Although not farms by any means, our urban and suburban backyards should be used in their entirety, say Stefani and Alethea. The culinary world has its own “nose to tail” way of eating; HARVEST, the book you hold in your hands, introduces the gardener’s version of that idea: call it a “fruit-to-root” way of growing, with an appreciation for all parts of the plant, from the first tender shoots in spring to the pods and hips of late fall.

I’ve learned so much from these two pioneers. Stefani is a role model for landscape designers, inspiring her harvest-minded clients to turn their once-unproductive yards into prolific (and lovely) sources of edible bounty. Alethea is a role model among the farmer-florist crowd, blending edibles with ornamentals; aromatics with the wild-foraged; house plants with weeds — all to create dramatic, moody, seasonal florals for everyday decor and magnificent occasions.

In HARVEST, they celebrate the Slow Food movement on a highly personal scale, integrated with a Slow Flowers ethos. When edibles meet botanicals, we live intentionally with plants throughout the seasons. And when you embrace this practice, you will be richly reward by your garden.

Lilac Flower Cream

LILAC FLOWER CREAM

An ancient French technique, enfleurage is the process of extracting a flower’s perfume into odorless animal or vegetable fat. The process used here is a simple method that will capture the fragrance of spring in a jar. The cream can be used directly on your skin or to flavor favorite sweet dishes. It is best to use the lilac’s tiny blooms straight from the shrub, picking them in the morning when they are the most fragrant.

MAKES TWO 16-OUNCE JARS

32 ounces extra-virgin coconut oil

10 cups lilac blooms picked from the heads in 2 cup increments as needed

Pick 2 cups of lilac blooms. Place the coconut oil in a small saucepan and melt over low heat until it is completely liquefied. Pour the liquid into a 10 by 10-inch (25 by 25-cm) casserole dish and allow it to harden. After the oil has hardened, score it with a butter knife. This will help the scent of the flowers penetrate it more deeply. Layer the tiny lilac blooms onto the oil, covering it with 2 inches (5 cm) of blooms. Place a second 10 by 10-inch (25 by 25-cm) casserole dish upside down atop of the first one. Use electrical tape to seal the two dish edges tightly, and place the dishes in a dark area.

After 48 hours, remove the tape seal and discard the spent blooms. Pick another 2 cups of lilacs, add another 2 inches (5 cm) of flower blooms to the oil, and seal again for another 48 hours. Repeat this process three more times, for a total of five cycles with fresh blooms each time.

Scrape up the oil from the casserole dish, place it into two 16-ounce jars, and seal the lids. Store in a cool, dark place; the flower cream will keep for up to 3 years.

Midseason Herb Salad, from HARVEST

Stef and Alethea maintain that every garden—not just vegetable plots—can produce a bountiful harvest. In their beautifully photographed guide to growing, harvesting, and utilizing 47 unexpected plants, readers will discover the surprising usefulness of petals and leaves, roots, seeds, and fruit.

Learn how to turn tumeric root into a natural dye and calamintha into lip balm.

Make anise hyssop into a refreshing iced tea and turn apricots into a facial mask.

Crabapple branches can be used to create stunning floral arrangements, oregano flowers to infuse vinegar, and edible chrysanthemum to liven up a salad.

This practical, inspirational, and seasonal guide will help make any garden more productive and enjoyable with a variety of projects–organic pantry staples, fragrances, floral arrangements, beverages, cocktails, beauty products, and more–using unexpected and often common garden plants, some of which may already be growing in the backyard.

With the remarkable, multi-purpose plants in Harvest, there is always something for gardeners to harvest from one growing season to the next.

Please enjoy this conversation with my two friends as we discuss their design philosophy and their collaboration on Harvest.

Stefani and Aleathea were recently featured speakers at the Northwest Flower & Garden Show in Seattle and I was able to corner them in a hotel lobby to record this interview.

You can also enter to win the book — thanks to the generosity of Ten Speed Press, publisher of Harvest, we have two copies to give away in a drawing.

To enter, you must post a comment about your most useful garden plant in the comment section below. We’ll draw the winners on March 29th and announce them the following week.

Artichoke arrangement from Harvest

Instructions for the Artichoke Arrangement:

Artichokes are a favorite edible, but few know that their layers of prickly leaves can also be used to create a beautiful focal point in a mixed garden bouquet. Bring inside in a few cuttings from the garden to make a stylish and simple composition.

2 large artichoke heads, stems and leaves attached

1 or 2 stems with several small artichokes attached

5 to 8 stems wild carrot flowers (Daucus carota), 12 to 18 inches (30 to 46 cm) long

2 nasturtium vines with flowers, each 12 to 18 inches (30 to 46 cm) long

Fill a large crock or vase with clean, cold water. Remove any damaged leaves from the stems or leaves that would fall below the water line. Add the large artichoke heads in the front of the crock, with one head resting slightly higher than the other. This creates a focal point and showcases the gorgeous multilayered leaves.

Add in the smaller artichoke stems to the back and left sides of the crock. These heads should sit taller than the larger heads. They add height to the arrangement and create an asymmetrical look. Add in some of the wild carrot stems to fill in the space between the larger and smaller artichokes. These stems should be slightly taller than the small artichoke stems. Place the remaining carrot stems on the back right side of the crock to complement the wild carrot on the left and provide an airy backdrop to the arrangement.

Add the longest nasturtium vine to the front side of the crock, to the left of the large artichokes, so that it drapes over the side of the crock. This creates movement and softens the edge of the vessel. Use the other nasturtium vine to fill any gaps. Make sure that the flower heads are turned to be visible from the front of the arrangement.

Lemongrass Salt Scrub

Instructions for LEMONGRASS SALT SCRUB

Lemongrass has antibacterial, antioxidant, and other therapeutic properties. After a hard day working in the garden, we appreciate lemongrass as a remedy for our aches and pains. Use this salt scrub on your hands daily or on sore muscles once a week while taking a deep soak in the tub. If you have very sensitive skin, you may want to use the salt scrub only on your hands or substitute brown sugar for the salt as a milder alternative.

MAKES ABOUT 1½ CUPS

1 or 2 fresh stalks lemongrass

1 cup sea salt

½ cup almond or olive oil

Finely chop the lemongrass by hand or in a food processor. Combine the chopped lemongrass, salt, and oil in a bowl and mix with a wooden spoon—or even better, use your hands. The texture should be moist enough to hold together but not overly oily. (If it does get too oily, add a pinch more salt.) Scoop the scrub into a 12-to 16-ounce jar and seal with a lid. Use within 2 weeks.

To use, simply spoon a small amount into your hands, gently rub it in, and then rinse your hands with warm water.

Marigold Bitters

Instructions for Marigold Bitters (AMARO)

Amaro is an Italian herb-infused bitter liqueur, originally used as an after-dinner digestif, chilled or over ice. Recently, however, there’s been a bitters revival, with cocktail enthusiasts mixing the bittersweet digestif into beverages beyond just classic cocktails such as the Manhattan and the old fashioned.

Gem marigolds are a perfect component because of their distinct bitter flavor and for the lovely amber hue that results. For amaro’s signature tartness, we’ve added some chinotto orange rind, the key ingredient in Campari, the popular Italian herbal aperitif.

MAKES 1 QUART

Enough herbs and edible flowers to fill a 1-quart jar, for example:

  • 1 cup gem marigold flowers and leaves
  • 1 to 3 sage leaves
  • 2 to 6 anise hyssop flowers and leaves
  • 1 sprig rosemary
  • 1 to 6 lavender blooms
  • Small bunch of thyme (such as French, English, or lemon)
  • 1 to 6 calendula flowers
  • 1 to 6 bee balm flowers and leaves
  • Small handful of rose petals
  • 1 to 8 viola petals

5 to 10 alpine strawberries or other berries

Rind of 2 chinotto oranges

2 (750-ml) bottles Hangar One Vodka or a similar good-quality, unflavored vodka

SIMPLE SYRUP

MAKES ABOUT 1-1⁄4 CUPS

1 cup water

1 cup organic sugar

Gently rinse the herbs and flowers, leaving the blooms intact to capture the bitter attributes of their centers. Add them all, along with the berries and citrus rind, to a 1-quart jar. Fill the jar with vodka to just below the rim (you might not need it all) and seal with a tight-fitting lid. Store it in a cool, dark place.

Check the amaro daily or every couple of days, and give it a good shake to ensure that there are no floating leaves or flowers. After 4 weeks, taste the amaro. If you prefer it stronger, allow it to infuse for another week or so. Once you’ve achieved the flavor you like, strain out the herbs, edible flowers, berries, and rind.

Next, make the simple syrup. Combine the sugar and water in a nonreactive pan. Place over medium-high heat and bring to a simmer, stirring to prevent sticking. Once the sugar has dissolved (about 5 minutes), remove the mixture from the heat and let it cool slightly.

Add 1 cup of the simple syrup to the strained amaro liquid and let infuse for an additional 2 weeks, then taste. If you find the amaro more bitter than you’d like, add more simple syrup but remember the sweetener is meant to take the edge off of the bitter taste rather than mask it. Once the bitters are to your liking, store indefinitely.

The Slow Flowers Podcast has been downloaded more than 170,000 times by listeners like you.

THANK YOU to each one of you for downloading, listening, commenting and sharing. It means so much.

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column.

Your contributions will help make it possible to transcribe future episodes of the Podcast.

Thank you to our lead sponsor for 2017: Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

We’re also grateful for support from Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

And welcome to our newest sponsor, the Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com.

Longfield Gardens has returned as a 2017 sponsor, and we couldn’t be happier to share their resources with you. Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

And finally, thank you Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at KineticTreeFitness.com.

Music credits:
Blue Jay; Cottonwoods
by Blue Dot Sessions
Additional music from:

audionautix.com

Episode 287: Putting succulents on the floral map, with nurseryman and author Robin Stockwell, The Succulent Guy

Wednesday, March 8th, 2017

Today’s guest Robin Stockwell is the author of SUCCULENTS (left), which features the design work (right) of Slow Flowers member Marialuisa Kaprielian of Urban Succulents in San Diego.

Windmill Floral Studio recently launched as the in-house, full-service florist inside a popular independent garden center — with a Slow Flowers philosophy.

Before I share my interview with succulent expert Robin Stockwell, I want to share a quick introduction of Windmill Gardens, an independent garden center based in Sumner, Washington.

Windmill founders John and Ansje DeGoede began their farm in 1968 by raising fresh cut flower crops such as iris, tulips, and daffodils. In the early 1970s, their product line was expanded to include fuchsia baskets, primroses, and more.

Today, nearly 50 years later, their son Ben DeGoede continues the growing tradition at Windmill Gardens, with seasonal assortments and baskets, as well as poinsettias.

The Floral Studio team (left, with Wendy Pedersen in the middle) and the shop’s welcome sign.

Windmill recently brought floral design in-house for the first time since 2001, taking over space previously occupied by a tenant, redesigning it into a beautiful, full-service shop, and making a commitment to provide only locally-grown and American-grown flowers to their everyday and wedding clients.

The grand opening took place this week and I grabbed some time with owner Ben DeGoede and general manager Wendy Pedersen to hear more.

As you recall, I cited “return of brick and mortar flower shops” as an emerging 2017 floral industry theme. The launch of Windmill Floral Studio reflects this insight, but also hints at a possible shift for traditional garden centers adding floral as a facet of their business.

Find Windmill Gardens/Floral Studio on Facebook

Follow Windmill Gardens/Floral Studio on Twitter

Follow Windmill Floral Studio on Instagram

The Succulent Guy, Robin Stockwell, author of a beautiful new title: “Succulents.”

Here a photo of the presentation Robin and I gave nearly five years ago — fun memories!

A detail from a design I made for the Garden Conservancy workshop with Robin Stockwell.

Now let’s talk succulents. In July 2012, I co-presented a lecture and floral design workshop with Robin Stockwell, (now former) owner of Succulent Gardens Nursery in Castroville, California (Monterey Bay).

We were part of “All in Good Time,” a Garden Conservancy program hosted by the Ruth Bancroft Garden at Heather Farm in Walnut Creek, California.

I didn’t know Robin well, but I did know his amazing reputation for growing and popularizing succulents. My takeaway from time spent with Robin is that when you think about a succulent plant as a floral design ingredient, it’s important to use both its “leaves” and its “flowers.” Robin and I focused our presentation  on using wonderful, versatile, irresistible succulents from our gardens and pots in floral design.

By way of background, in 2010, while working on The 50 Mile Bouquet, I was introduced to the succulents-as-cut-ingredients technique. Several of the designers we featured in that book use echeverias, aeoniums, kalanchoes and other succulent cuttings as deftly as they use dahlias and roses.

“Lush and Leafy,” a succulent wreath designed by Slow Flowers member Baylor Chapman of Lila B. Design — for Robin’s book SUCCULENTS

Susie Nadler created a scrumptious local bouquet using ingredients from her own backyard, from local flower growers and – of course – from succulents at Flora Grubb Gardens.

Susie Nadler and Flora Grubb, of The Cutting Garden at Flora Grubb Nursery, and Baylor Chapman of Lila B. Flowers, are rock stars when it comes to pairing succulents from the garden with flowers from the farm. Together these women inspired Sunset’s former senior garden editor Julie Chai to use her succulent cuttings for the bridal party bouquets and centerpieces at her July 2011 wedding, also featured in our the pages of The 50 Mile Bouquet.

Robin, though, was way ahead of all of us! A true pioneer, he was making bouquets of succulent flowers back in the 1980s. He sent me a black-and-white photo from a 1981 Sunset magazine article in which his then-young son was pictured with a vase of tall echeveria blooms. Let’s just call Robin an early-early-adopter of the succulent craze. He was so far ahead of his time that it has taken the rest of us 30-plus years to catch up!

“Succulents are the conservationists of the plant world” — Robin Stockwell

A photograph from a 1981 Sunset magazine article about Robin Stockwell’s use of succulents in floral design.

At the Garden Conservancy workshop, Robin wowed the audience with insights about how to harvest and work with a variety of succulents. He explained that the rosette-looking succulents are actually leaves; many of the plants do produce long, slender stems bearing tiny flowers that dangle from them — also quite enticing.

The San Francisco Chronicle featured Robin’s amazing succulent globe when he created it for the SF Flower & Garden Show a few years ago. A-MAZ-ING!!! Click here to read more about this project and watch a video of its construction!

I came prepared to carefully wire the rosettes and wrap their “faux stems” with green florist tape, but Robin demonstrated how you can cut the stem long enough to practically eliminate the wire. Play around with it and you’ll see what I mean. If the stem of the echeveria is 3-4 inches long, that might be enough to anchor it into a flower arrangement;  it certainly doesn’t need water to look dazzling (in fact, it will last far longer than any of the perennials or annuals in that vase).

Marialuisa designed this charming “cake garland” for Robin Stockwell’s book, SUCCULENTS

We had a great day, all around. What struck me later was a gracious note Robin sent by email:

I’ve not thought a lot about the floral side of what I do over the past few years and even when I have, it was in bits and pieces. the presentation with you brought back a much more comprehensive memory of my past experiences and gave me quite a few new insights as well.

A table setting designed by Caitlin Atkinson, featured in SUCCULENTS

Reuniting with Robin was such a delight because it allowed us to have an extended conversation about his favorite topic AND the topic of his beautiful, brand new book called SUCCULENTS: THE ULTIMATE GUIDE TO CHOOSING, DESIGNING AND GROWING 200 EASY CARE PLANTS.

Published by Oxmoor House, a Time Inc Book imprint, Succulents was shepherded by Kathy Brenzel, who edited and closely collaborated with Robin.

As the former longtime garden editor for Sunset Magazine, Kathy is the ideal partner for Robin. She wrote a wonderful intro to the book titled “Sunset, the Surfer and Succulents,” looking back to the magazine’s long relationship with Robin Stockwell and his early influence on the gardening world’s love affair with succulents. Robin’s new website The Succulent Guy, tells us that

Robin Stockwell has been growing succulents professionally since 1972 and through the years developed an expertise in their functional use. When the waves were good he took advantage of their waterwise, low maintenance qualities, knowing they would not miss him as he dropped everything to surf. He has dedicated his life to encouraging the use of these plants and worked with plant professionals and the general public to better understand them. As a grower he created small “living pictures” in the early 1970’s and later huge vertical gardens. He is famous for his succulent Globe, using upwards of 20,000 to 30,000 plants. As an innovator, writer, and speaker, he has inspired audiences in the joy of gardening with succulent plants.

Find Robin Stockwell, The Succulent Guy, on Facebook

Follow Robin Stockwell, The Succulent Guy, on Instagram

To enter our drawing for a giveaway of Robin’s new book — SUCCULENTS — you are invited to post a photo of one of your succulent arrangements at the Slow Flowers Community page on Facebook. We’ll draw the winner on March 15th.

A Hanging Cone project from SUCCULENTS, designed by Jodi Shaw of Flourish. The design incorporates moss cones.

Robin Stockwell’s Succulent Tips for Floral Designers

  1. Cut the “heads” off of plants using a clean, sharp florist’s knife or clippers. Robin sterilizes his tools in Lysol.
  2. While succulents do not need much water, the aeoniums benefit from being in a little water when cut. Other succulent rosettes will be okay on a wire stem out of water. Obviously, after seven days or so in a vase, the succulent will be the last attractive element left. You’ll be able to re-use it in the next arrangement or let it produce some roots and replant it in a pot or the garden.
  3. Soil mix. When replanting your succulent, use a soil mix formulated for cactus and succulent plants. Succulents appreciate soil that is well aerated and drains well. Coarse bark or crushed lava work well for this, sand does not.

Here’s some fun bonus content featuring my how-to for the floral arrangements I created using Robin’s succulent plants when we taught together nearly five years ago.

My go-to vase for stunning arrangements is a 7-inch tall white ceramic pedestal dish. It’s square and probably originally intended for serving some kind of yummy dessert. It’s also the type of vessel that a conventional florist would fill with Oasis by shoving a cube of the toxic green foam into the base and then poking in stems to create a “full” arrangement. But instead, I used a mound of chicken wire, anchored with a reusable floral clay. Here are the steps:

  1. Level one of the arrangement is to fill the entire surface of chicken wire with foliage, allowing it to drape over the edge of the vase and also create a soft dome of texture. I had brought some foliage along with me on the plane from Seattle to Oakland ~Jello Mold Farm’s Physocarpus, called ‘Coppertina’ – which has a tawny hue that plays off the brighter dahlias and succulents.
  2. Level two: Add dahlias in a grid of one at the center and five surrounding flowers. I cut the dahlia stems relatively short so that the flowers nestled low into the foliage. Thank you to Kevin Larkin of Corralitos Dahlias for supplying the gorgeous blooms!
  3. Next, add 4-5 medium-sized aeoniums or echeverias between the dahlia blooms. The ones Robin gave me had 6-inch stems, but I still inserted a short piece of 12-gauge wire into the base of each to “extend” it for anchoring into the chicken wire. Susie Nadler cuts her succulent stems pretty short – about 1/2-inch – and then inserts wire and wraps the entire “stem” with floral tape, but I skipped this step here.
  4. Final step: We needed some height! Imagine my reaction when Robin showed up with dozens of cut flowering stems from his hybrid echeverias. Dusky pink, dark coral, pale turquoise. . . the palette was dreamy! Robin’s hybrid echeverias produce mega-rosettes measuring up to 12-inches across, so no surprise that their flowers are also overly robust. The ones he brought me were 10-12 inches long. I inserted several into the bouquet, through the top and down between the other ingredients to be supported by the hidden chicken wire. The hover above the rest of the flowers to finish off the design with a wow-factor!

Thanks so much for listening today. The Slow Flowers Podcast has been downloaded more than 165,000 times by listeners like you. We ended the month of February with 9,647 downloads — an all-time high, which is pretty cool for the shortest month of the year! THANK YOU to each one of you for downloading, listening, commenting and sharing. It means so much.

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column. Your contributions will help make it possible to transcribe future episodes of the Podcast.

Thank you to our lead sponsor for 2017: Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

We’re also grateful for support from Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

And welcome to our newest sponsor, the Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens has returned as a 2017 sponsor, and we couldn’t be happier to share their resources with you. Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

And finally, thank you Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at KineticTreeFitness.com.

Music credits:
Dirtbike Lovers
by Blue Dot Sessions
 
Happiness
by Bensound
http://www.bensound.com/royalty-free-music/track/happiness
Additional music from:

audionautix.com

Episode 285 Dandelion House Farm’s Debbie Bosworth and the New England Farmer-Florist Connection

Wednesday, February 22nd, 2017
Today's guest is Debbie Bosworth, owner of Dandelion House Flower Farm in Plymouth, Massachusetts

Today’s guest is Debbie Bosworth, owner of Dandelion House Flower Farm in Plymouth, Massachusetts. She worked with a graphic designer to create her logo, inspired by vintage flower seed packet art.

slide15When I compiled the Floral Industry Insights for 2017, a forecast of the most exciting shifts taking place in the progressive Slow Flowers Movement, I highlighted micro-regionalism as a continuing occurrence gaining more momentum.

As I record today’s introduction, I’m getting ready to drive to Corvallis, Oregon, to join the Pacific Northwest Cut Flower Growers’ 3rd annual meet-up.

And the Ohio Flower Farmers are meeting this weekend, too — I should know because Susan Studer King of Buckeye Blooms asked me to donate books and send material to share with the attendees.

 

Debbie's brand and labeling come together to communicate local flowers.

Debbie’s brand and labeling come together to communicate local flowers.

Designer-backyard flower farm, Debbie Bosworth

Designer-backyard flower farm, Debbie Bosworth

Increasingly, flower farmers, farmer-florists and floral designers eager to make local and regional connections are finding each other.

Debbie Bosworth, today's guest, is a backyard flower farmer based in New England.

Debbie Bosworth, today’s guest, is a backyard flower farmer based in New England.

And today’s guest is behind this taking place in New England. Please meet Debbie Bosworth of Dandelion House Flower Farm, based in Plymouth, Massachusetts.

Like many of us, she and I met through social media. We corresponded and even planned a phone call last year, as Debbie was pursuing her business brand, “Backyard Flower Farming.”

Debbie grew up in Northern Nevada and Texas, and she migrated to New England 10 years ago with her Yankee husband of 20 years.

She went from career gal to being a creative homeschooling mom of two. She and her family are now firmly planted in the historic coastal town of Plymouth and they spend part of each summer in a tiny, off–grid beach cottage named “The Sea Horse.”

Debbie says her passions include growing and designing with seasonal flowers cut flowers, WRITING, ORGANIC  gardening, PAINTING and repurposing VINTAGE  furniture,
PHOTOGRAPHY, wholesome COOKING and tending to her flock of backyard CHICKENS.

She is an active blogger, and regular contributing writer for: the print edition of MaryJanesFarm Magazine; MaryJanesFarm Beach farmgirl blog, Community Chickens, a blog for Mother Earth News and Grit, and edible South Shore and South Coast Magazine, online and print editions. And she has contributed in the past to the Field to Vase blog.

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communitychickensessHeaderWP2

She says: “I’m passionate about the domestic Slow Flowers Movement.  In March of 2012 we removed a large area of sod in our backyard and planted 600 square feet of classic heirloom cut flowers, herbs and fillers. We are dedicated to using fresh, local sustainably grown flowers from our farm or nearby farms for design work. We sells flowers at the Plymouth Farmers Market in July, August and September and we provide flowers for small local weddings and events.”

Untitled
As you will hear, last year, Debbie created the New England Farmer-Florist Connection, which now has 240-plus members across the entire region.

On March 25th she and others will host the first regional “meet and greet” at Salted Root Farm in Marshfield, Massachusetts. I know you’ll be warmly welcomed if you’re in the area and want to connect with like-minded Slow Flowers folks. Jill Landry of Beach Plum Flora, Monica O’Malley-Tavares of Prince Snow Farm are co-hosts and Anna Jane Kocon of Little State Flower Co. will be the special guest speaker. Debbie reports that there will be donations from Slow Flowers, Neptune’s Harvest, Floret, Kraft Paper Company and other supporters. I hope you can check it out if you’re in the area.

A gallery of images from Dandelion House Flower Farm.

A gallery of images from Dandelion House Flower Farm.

After our interview concluded, Debbie sent me a lovely email and she asked me to share it in our show notes here. She wrote:

“One of the things I wanted to say was how your books, The 50 Mile Bouquet and Slow Flowers have ( and continue to ) inspire me. The first Flower Farming book I read before I ever planted my first seed was The Flower Farmer, by Lynn Byczynski, directly followed by your two books. I loved Lynn’s book but your books really spoke to the sustainable gardener/farmer in me and really helped to solidify me on my new path as a farmer/florist and the larger commitment to being a part of the slow flowers movement!”

Follow Debbie Bosworth at these social places:

Dandelion House Flower Farm on Facebook

Dandelion House Flower Farm on Pinterest

Dandelion House Flower Farm on Instagram

Thanks, Debbie! So much of what I am compelled to do as a storyteller is driven by passion, not by financial compensation. It’s gratifying to have that feedback from you. The Slow Flowers Podcast has been downloaded more than 160,000 times by listeners like you.

THANK YOU to each one of you for downloading, listening, commenting and sharing. It means so much.

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column. Your contributions will help make it possible to transcribe future episodes of the Podcast.

2017SponsorBlock
Thank you to our lead sponsor for 2017: Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

We’re also grateful for support from Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

And welcome to our newest sponsor, the Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens has returned as a 2017 sponsor, and we couldn’t be happier to share their resources with you. Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

More sponsor thanks goes to Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

And finally, thank you Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at KineticTreeFitness.com.

Music credits:
That Old Harpoon; Bending the Reed by Gillicuddy
Licensed under Attribution-NonCommercial 3.0 International License.
Additional music from:

audionautix.com