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Today’s guest is Leslie Jonath, creative director of San Francisco-based Connected Dots Media.

Leslie has over 20 years’ experience in book publishing, creative services, and media business development. And for any of you who dream of producing a book of your own, you’ll want to listen closely to her process and advice!

From 1991 to 2009, Leslie was an integral part of the editorial and development team at Chronicle Books, a Bay Area-based independent publishing house known for its lively, eye-catching and trend-setting books, gifts, stationery, and other consumer products about food, art, pop culture, gardening, design, lifestyles, and more.

As a Senior Editor in the food, lifestyle, and custom publishing categories, Leslie developed acquisition strategies, launched the successful garden and craft categories; acquired, produced, edited, and project-managed over 250 books across a variety of categories, including food, pop culture, crafts, lifestyle, art, architecture, memoir, and children’s projects.

She also created a cause-related publishing model for non-profit organizations, creating books to benefit Meals on Wheels of San Francisco; P.A.W.S., Bay Area schools and Next Course (which provided job and life skills training for incarcerated women).

As a Director of Creative Development, Leslie was a founding member and co-director of Chronicle’s Custom Publishing division, creating innovative products for cultural institutions, name-brand companies and retailers. Clients included BabyGap, Starbucks, Anthropologie, and the San Francisco Ballet.

The success of her work in this division led to a position as Director for Creative Services for the company’s Business Development team. As head of Creative Services, she  and her teams conceptualized, produced and developed innovative “beyond the book” services for custom clients, including videos and other digital products.

While at Chronicle, Leslie teamed up with Ariella Chezar to create Ariella’s first book in 2002, Flowers for the Table, a guide to choosing seasonal flowers and a lesson in designing with the bud’s natural form. The book revolves around several seasonal occasions, from a summer wedding in the country to hot colored poppies on a cold winter’s night.

After leaving Chronicle Books in 2009, Jonath founded Connected Dots Media, working with clients in book packaging, video production, and concept and content development and production. And she reunited with Ariella in 2016 to create and publish Ariella’s beautiful new book, The Flower Workshop for Ten Speed Press. In addition to having produced books on floral design, Leslie is the author of Love Found, Everyone Loves Paris, and Give Yourself a Gold Star.

Leslie has also guided Erin Benzakein and Julie Chai on the award-winning Floret Farm’s Cut Flower Garden book. You’ve heard Ariella and Erin in the past on this Podcast.

So now, we’re going to hear from the woman behind those projects and so many others. I’ve invited Leslie today to talk about two personal book projects that have HER name on the cover as author.

The first, just out, is called Foraged Art, Creative Projects Using Blooms, Branches, Leaves, Stones, and other Elements Discovered in Nature (published by Bluestreak Books).

Leslie’s co-author is artist Peter Cole, an artist who works with gleaned objects he collects. From foraged rocks, shells, leaves to discarded menus, matchbooks, and miniature bears, he creates objects of wonder that reflect both natural and urban environments. He is the author of a collection of how-to environmental art books, including Snowmen and Great Pumpkins. He lives in Brooklyn with his family.

Foraged Art was photographed by Rory Earnshaw is a Bay Area-based photographer who shoots corporate annual reports, table-top, fine art, corporate/music industry portraits, product, packaging, lifestyle, editorial, music CD’s, as well as fine art landscapes.

In the spirit of land artists like Andy Goldsworthy, the book is as much about discovery as it is about creation. Leaves shaped like lips might inspire a face; an array of rocks might be become an eclectic mosaic; winter’s first snow might be carved into glowing luminaria.

Whether you love to look for heart-shaped flowers or want to make a peacock made with flower petals, readers will find great inspiration and joy in Foraged Art.

Art, meditation, and nature meet in this adult-focused activity book, with projects that take inspiration from the natural environment, using blooms, pods, branches, stones, and other natural elements. Divided into chapters by natural elements — flowers, leaves, rocks and pods, and more, the book encourages readers to forage and play outside using nature’s seasonal art box. Foraged Art is about making art from what you find and finding art in what you see.

Leslie and I also discuss Feed Your People, an ambitious book that she has been working on for several years — from conception to completion.

Feed Your People is a modern community cookbook. Leslie envisioned the need for Feed Your People after she realized that despite the popularity of dinner clubs, pop-up dinners, and holiday entertaining, there were surprisingly few cookbooks or resources that offer practical instruction on cooking for crowds.

To that she approached the community of big-hearted cooks and chefs—experts who cook for their communities — whose generosity inspires. Stories of their gatherings are accompanied by recipes with detailed  information on equipment, make ahead strategies and tips cooking for groups from eight or to forty (and even fifty!)

As Leslie explains, on a deeper level, the book is about building and feeding community, and, fittingly, she teamed up with 18 Reasons–a beloved San Francisco-based organization that provides classes to low-income residents and hosts monthly community dinners.

She wants this book to inspire cooks everywhere to bring their communities together for a meal—no matter what the occasion. From a simple soup dinner to a pasta pot, whether using paper plates and fingers or cloth napkins, there are recipes around which to create a well-considered, delicious, and memorable event. She sees Feed Your People as a celebration of community, a guide that will encourage people everywhere to feed each other both literally and spiritually.

Here’s where and how to follow Leslie at her social places:

Feed Your People on Facebook

Feed Your People on Twitter

Foraged Art on Facebook

Foraged Art on Instagram

As Leslie encourages us, creating foraged art reminds us that life is beautiful in all of its stages – and that, if we look, we can see the grace in every moment.

I certainly feel that grace this week as many of you have reached out to thank me for this Podcast and how it has helped you. We have 57 five-star reviews on ITunes, which is so awesome. One fan just posted this review on iTunes, writing:

“Over the past few months, I’ve really enjoyed listening to your podcast. Insights and glimpses of what goes on with the Slow Flowers Movement is fascinating. As a 30-year veteran of the floral industry here in North America, it’s surprising that I haven’t been more aware of local growers. Thank you for encouraging the local farms to grow flowers that we can utilize so we can help spread the news of buying American grown flowers.”

I’m encouraged by the amazing participation in our many opportunities to network, connect and educate — and this is a bountiful month for doing so. With American Flowers Week coming up on June 28-July 4, with the Slow Flowers Summit — our LIVE celebration of American Flowers Week taking place on Friday, June 29th in Washington, D.C., and with the many marketing and branding tools available for your use for free, please take advantage of this opportunity and join the community.

If you’re not on our mailing list, you can find a link to the June Slow Flowers Newsletter in today’s show notes — catch up on Slow Flowers members and their fantastic activities, too.

Please make you reservation for the Slow Flowers Summit. Our second annual Slow Flowers Summit takes place in the heart of American Flowers Week – and we have an inspiring lineup of speakers, gorgeous flowers, fun and interactive design activities and of course, a chance to stretch your imagination in a thought-provoking and stimulating environment.

I am grateful to all our entire community of flower farmers and floral designers who together define the Slow Flowers Movement. As our cause gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button at debraprinzing.com in the right column.

The Slow Flowers Podcast has been downloaded more than 324,000 times by listeners like you. Thank you from the bottom of my heart for listening, commenting, liking and sharing! It means so much.

Thank you to our sponsors who have supported Slow Flowers and all of our programs.

Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special offer for a free trial issue.

Arctic Alaska Peonies, a cooperative of passionate family farms in the heart of Alaska providing bigger, better peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com.

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com.

I’m so touched that my friends at Florists’ Review magazine included an article in the upcoming June 2018 issue about the American Horticultural Society recognizing me with its Frances Jones Poetker Award in honor of achievement in the field of floral design.

The award highlights my work advocating for and promoting domestic flowers and recognizes significant contributions to floral design in publications, on the platform, and to the public.

You can read the entire article, “Slow Flowers Pioneer,” written by Jane M. Markley, here.

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We’ve been running a special promotion called the Slow Flowers Luxury Package — offering anyone who registers for the Slow Flowers Summit this coming June 29th a bit of encouragement to register early.

The promotion ended on Sunday, April 22nd — Earth Day. And I’m excited to announce our winner, chosen in a blind drawing: Marian Purviance of What Cheer Flower Farm in Providence, Rhode Island. Marian, we’re so happy to award you with the $400 gift package, which includes a full year Premium membership in Slow Flowers and one night’s stay at the Marriott Wardman Park, the Summit hotel. Marian will receive the gift package valued at $400, which includes one year Premium membership in Slow Flowers and one night’s stay at the Marriott Wardman Park, the Summit hotel. Congratulations!

There will be a new Summit promotion announced next week, so if you missed this chance, tune in for more details to enter. Please join us for what promised to be a fantastic day of networking, inspirational presentations and personal growth. I can’t wait to see you there!

Today’s guest is British floral designer Joseph Massie, a featured instructor at Tobey Nelson’s recent Whidbey Flower Workshop.

I have been so eager to interview Joseph in anticipation of my joining the other instructors at the Whidbey Flower Workshop.

Our paths crossed there and Joseph graciously agreed to let me turn on the recorder for a lovely conversation.

He may never remember our having met two years ago during Detroit Flower Week, when of course I made sure to introduce myself and congratulate him for the amazing floral installation that he and students created for the final dinner, hosted by another genius floral friend, Lisa Waud of pot & box.

I was eager to see and learn from Joseph, especially thanks to Tobey’s workshop billing that promised Joseph would “guide us through all the layers of designing and engineering large-scale, foam-free floral installations.” You can see photographs of some of the highlights of the Workshop here:

Here’s more about Joseph:

Frequently referred to by the media as ‘the floral artist of his generation,’ Joseph Massie is widely regarded as one of Europe’s top botanical artists.  Aged just fourteen, Joseph desperately wanted a weekend job, and after successfully applying to the local flower stall, he began spending his weekends working in his hometown of Liverpool, UK. Perhaps to some it was an uncommon interest for a fourteen year old boy, but Joseph quickly found his vocation amongst the buckets of blossoms and buds.

Taking steps to pursue his passion, Joseph self funded his education and began to hone his practice and develop a creative ethos, participating in intense training sessions with top international designers and artists. To further build his artistic vocabulary, Joseph began to participate firstly in regional, followed by national, floral design competitions, and aged nineteen, won his first national design competition, the BFA Young Florist of the Year 2007.

Following his national title victory, Joseph took his first steps onto the world stage at Eurofleurs (Belgium, Brussels, ‘08). European success was followed in quick succession by competing at the highly regarded 40th WorldSkills Competition (Calgary, Canada, ‘09) where he became the first and only UK Competitor to ever take home a Bronze Medal, (ranked 3rd Worldwide) in Floristry.   Joseph completed his extraordinary international run by finishing Silver Medal (ranked 2nd in Europe) at Eurofleurs, the European Youth Championships (Manchester, UK) in 2010.Whilst experiencing humbling international success, his achievements were proudly echoed on home soil, winning seventeen national & international competitions and awards, including five consecutive RHS Gold Medals – and four Best in Show awards – at the world renown RHS Chelsea Flower Show (‘09/’10/’11/’12/’13).  Joseph is the youngest person ever to achieve this feat.

Joseph’s studio has three creative divisions: the first is Joseph Massie Botanical Art, which includes major installations and commissions for public and private clients and venues; the second is Joseph Massie Flowers, his full-service wedding and events service, and the third is the UK School of Floristry.

Follow Joseph at these social places:

Joseph Massie on Instagram

Joseph Massie Flowers on Instagram

 

Thank you so much for joining me today as we immersed ourselves in flowers as an art form in so many ways. Here are a few images from the Whidbey Flower Workshop that took place last week, including an epic, one-day installation blitz with Joseph Massie and 15 designers:

The Slow Flowers Podcast has been downloaded more than 309,000 times by listeners like you. Thank you for downloading, listening, commenting and sharing — it means so much.

As the Slow Flowers Movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the right column.

Thank you to our sponsors who have supported Slow Flowers and all of our programs including this podcast, American Flowers Week, the Slowflowers.com online directory to American grown flowers, as well as our new channels, Slow Flowers Journal and the 2018

Our lead Sponsor, Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community.

Arctic Alaska Peonies, a cooperative of passionate family farms in the heart of Alaska providing bigger, better peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com.

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com.

 

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Before I share macramé maven Emily Katz’s story with you, I want to briefly share what’s happening in the Slow Flowers Cutting Garden!

If you follow me on Instagram, you might have noticed some recent stories about the prep work taking place for my soon-to-arrive greenhouse.

I’m really jazzed because adding the structure will complete the third area of our one-year old garden! I’m focusing on this season’s cutting garden planting plans, and that means annuals and dahlias.

To see what I’m doing, follow the link to my recent story, “Spring in the Cutting Garden,” where I begin to sketch out my plans.

I’m especially excited about the cutting garden planting plan that Longfield Gardens designed for my raised beds — Check it out — and be sure to follow links to order your flower seeds and dahlia tubers. You’ll find what annuals, dahlias and companions I’m planning to grow, too.

Now, let’s turn to Emily Katz of Modern Macramé. I first met Emily at Lisa Waud’s Detroit Flower Week in 2016, where she invited Emily to present and also design a beautiful macrame curtain during the conference.

Emily and I struck up a friendship in our hotel lobby while waiting for our ride one morning and realized we were both from the Pacific Northwest. I have been so impressed and fascinated by how she has revived the 1970s art of macramé — for many reasons, not the least of which it brings back memories of a job as a teenager making macramé straps and hangers for a hippy pottery studio in 1975. Tragically, for me, that was a few years before our friend Emily Katz was born! Oh well, age is a state of mind and in my mind, I’m not much older than that 15-year-old girl who once knew all the macramé knots.

Perhaps that’s partly why I was drawn to Emily, but her story is enough to draw in anyone. As an artist, Emily has worked on numerous fashion and interiors projects, including owning two women’s fashion lines, Bonnie Heart Clyde and her eponymous collection of sustainable clothing for women. She has studied fiber and printmaking in Florence, Italy; attended the Maryland Institute College of Art, with a focus on printmaking, and is currently traveling the world teaching macrame workshops, learning about energy healing, art directing and styling photo shoots, hosting dinners and events, collaborating on interior design projects and products, and dreaming up the next adventure.

You’ll want to check out her new book — Modern Macramé : 33 Stylish Projects for Your Handmade Home, which will be released on May 15th It’s the ultimate guide to creating and styling modern macramé projects in the home.

I know I said Macramé—the fine art of knotting— dates back in my memory to the 1970s, but in fact, it is an age-old craft that’s undergoing a contemporary renaissance. At the heart of this resurgence is Emily, a lifestyle icon and artist who teaches sold-out macramé workshops around the world and creates swoon-worthy aspirational interiors with her custom hand-knotted pieces.

The book Modern Macramé is a stylish, contemporary guide to the traditional art and craft of macramé, including 33 how-to projects, from driftwood wall art and bohemian light fixtures to macramé rugs and headboards. The projects are showcased in easy to follow, well-photographed project layouts, guiding both the novice and the more experienced crafter in a highly achievable way.

The images and projects I selected to share here are particularly applicable to floral installations – and you’ll love them and want to try your own hand at making or adapting Emily’s designs for your clients and projects. Modern Macramé is published by Ten Speed Press, a division of Penguin Random House, Inc. Text and tutorial photographs (c) 2018 by Emily Katz; Interior design photographs (c) 2018 byNicole Franzen

The audio you’ll hear in today’s episode is from a December workshop I attended when Emily came to Seattle right before the holidays. I recorded (with Emily’s permission) her personal story shared at the beginning of the evening, during which tells how macramé became so important in her life.

I was gathered with a dozen or so women and one man to learn how to make a small wall-hanging using natural jute and a number of knotting techniques. As I listened to Emily, I realized how effective she is at using art as a metaphor for life. She truly wants to inspire others to be better versions of themselves.

Emily views macramé as a communal act, one that can bring people together, and you’ll hear more about that in her remarks.

Emily’s brand of macramé employs a rhythmic, repetitive, ritual of wrapping and looping rope to create a textile piece.

For those of us in the floral industry, there is a beautiful connection between fresh flowers and woven rope. The organic common language is so relevant. That’s obviously what Lisa Waud saw in Emily’s artwork — enough to invite and include macramé in Detroit Flower Week.

Here’s how to find and learn from Emily — on her social places:

Modern Macrame on Instagram

Modern Macrame on Facebook

Modern Macrame on Pinterest

Find more details about Emily’s appearances here and follow along as she crisscrosses the country all summer long, sharing her passion and expertise for Macramé.

This is the final week to enter The Slow Flowers Luxury Package promotion, which ends on Sunday, April 22nd — Earth Day. If you register for the upcoming Slow Flowers Summit conference by that date, you’ll be entered into a random drawing to receive a $400 gift package — I can’t wait to see you there!

The Slow Flowers Podcast has been downloaded more than 306,000 times by listeners like you. Thank you for downloading, listening, commenting and sharing — it means so much.

As the Slow Flowers Movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious.

I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities.

You can find the donate button in the right column.

Thank you to our sponsors who have supported Slow Flowers and all of our programs including this podcast, American Flowers Week, the Slowflowers.com online directory to American grown flowers, as well as our new channels, Slow Flowers Journal and the 2018 Slow Flowers Summit.

And thank you to our lead sponsor for 2018, Florists’ Review magazine. I’m delighted to serve as Contributing Editor for Slow Flowers Journal, found in the pages of Florists’ Review.

It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Click here to take advantage of the special subscription offer for members of the Slow Flowers Community.

Arctic Alaska Peonies, a cooperative of passionate family farms in the heart of Alaska providing bigger, better peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com.

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com.

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Subscribe: Apple Podcasts | Podcast Index | RSS | More

Before I introduce you to today’s featured guest, floral designer Carrie Wilcox, I want to share a short audio recording with Jenn and Adam O’Neal of PepperHarrow Farm, based in Winterset, Iowa.

They’re past guests of this podcast and we’re all excited about the new Spring issue of Country Gardens magazine, out on newsstands now, because it features a beautiful article I produced and wrote about the O’Neals — called “Bridal Botanicals.”

We are reuniting this coming September because Jenn and Adam have invited me to join their Flower Farmer Workshop on Saturday, September 8 and Sunday, September 9. Check out all the details here — and please join us for two days focused on flower farming, floral design and creative writing to share your stories.

Okay, Now, please meet Carrie Wilcox. Carrie is a longtime Slow Flowers member and supporter who I was able to spend a few days with recently at the Team Flower Conference in Orlando. We managed to grab 30 minutes for me to record a fun conversation with a very fun-loving woman. Here’s a bit more about Carrie: 

Carrie Wilcox is the owner of Carrie Wilcox Floral Design based in Fairfield, Connecticut.

Carrie has been a designer with several flower shops as well as some of the most highly regarded floral and event studios.

In 2012, she earned the European Masters Certification after studying in Bruges, Belgium, and is currently a candidate for the A.I.F.D. designation. Carrie also enjoys entering floral design competitions all over the United States. 

She writes: “For me, flowers are the most simple but expressive things in life. They share in your happiness during festive times and console you in moments of sorrow.  

Some of my most special memories are punctuated with flowers.  

Memories of my grandmother and I picking flowers from her garden to use on the dinner table and the frilly and fragrant lily of the valley from my bridal bouquet when I married the man of my dreams.

Flowers have always had a special place in my heart.  Growing up in coastal Fairfield County, Connecticut, the summer was always filled with bushes of electric blue hydrangea and the kaleidoscope of colors brought to life by the tea roses in my mother’s garden.  I’ve been designing and decorating with flowers from an early age, when I joined my mother and sister working at a local flower shop.  Now, I share my love of flowers and including them in all kinds of life events with my own teenage daughter.  I also enjoy sharing my knowledge of the floral industry including decorating with and arranging flowers through teaching and speaking engagements all over New England.” 

You can find and follow Carrie Wilcox on Instagram here.

Here is the link to Hanah Silk, a favorite source of Carrie’s for USA-made source for custom-dyed velvet ribbons.

Muddy Feet Flower Farm, one of Carrie’s favorite sources for local flowers.

Thanks so much for joining me today. The Slow Flowers Luxury Package promotion continues now through April 22nd — Earth Day. If you register for the upcoming Slow Flowers Summit conference by that date, you’ll be entered into a random drawing to receive a $400 gift package.

The Slow Flowers Podcast has been downloaded more than 303,500 times by listeners like you. Thank you for downloading, listening, commenting and sharing — it means so much. And thank you to Mayesh Wholesale for recently listing the Slow Flowers Podcast in its blog post: “The Floral Podcasts You Should be Listening to Right Now.” We’re included in some great company.

As the Slow Flowers Movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities.

Thank you to our sponsors who have supported Slow Flowers and all of our programs including this podcast, American Flowers Week, the Slowflowers.com online directory to American grown flowers, as well as our new channels, Slow Flowers Journal and the 2018 Slow Flowers Summit.

And thank you to our lead sponsor for 2018, Florists’ Review magazine. I’m delighted to serve as Contributing Editor for the new Slow Flowers Journal, found in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community.

Arctic Alaska Peonies, a cooperative of passionate family farms in the heart of Alaska providing bigger, better peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

Mayesh Wholesale Florist. Family-owned since 1978, Mayesh is the premier wedding and event supplier in the U.S. and we’re thrilled to partner with Mayesh to promote local and domestic flowers, which they source from farms large and small around the U.S. Learn more at mayesh.com.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com.

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Last spring, today’s guest invited me to be the opening speaker for her first floral design workshop — and while I’ve attended many and even taught a few floral classes, there was truly something special about the Whidbey Flower Workshop dreamed up and produced by floral and event designer Tobey Nelson.

Sometimes there is uncanny magic that takes place when everything and everyone comes together in a spirit of creativity and desire for personal growth; when all the participants are emotionally open to learning from one another and sharing as much as they receive.

That was the vibe last spring when Tobey’s first Whidbey Floral Workshop hosted instructors Susan McLeary of Passionflower Events, designer and floral/event stylist Kaleb Willis of Kaleb Norman James and me.

My role was a small one – I started out the 3-day retreat-style workshop with a short course on writing, memoir and storytelling. During those two short hours, I was blown away by the personal narratives that this floral tribe wrote and read to one another. I returned to Whidbey Island a few days later to join the workshop’s final dinner, cementing newfound relationships that continue today.

We all made amazing, inspiring and deeply personal connections while also learning from great instructors, designing with local and seasonal flowers and celebrating each participant’s unique gifts and talents. There was something pretty incredible that happened, a harmonic convergence, I guess.

And since last March, I’ve visited a few of the students and interviewed many of them for articles and this podcast. Later, with beautiful photography captured by Sullivan & Sullivan, I was able to write about the Whidbey Flower Workshop for the inaugural print issue of the Slow Flowers Journal, which debuted in August 2017 in Florists’ Review. You can read that story here: SFJ_WHIDBEY FLOWER WORKSHOP

After something epic like Tobey’s 2017 workshop, it’s easy to think: Can this be replicated? And is it even worth trying — because any of us who have staged multi-day events for large groups knows what a workout that can be.

Well, I’m here to tell you that Whidbey Flower Workshop 2.0 is indeed taking place.

Set for April 22-24, yes, on Whidbey Island north of Seattle, the gathering features some of the same elements as last year’s, including instruction by Susan McLeary, Tobey Nelson and me, but there’s a new venue, and floral artist Joseph Massie is joining the workshop to bring his inventive talents all the way from the UK.

Tobey has invited Susan to lead the creation of large scale floral wearables – think headpieces, floral tattoos, and more.

And she’s asked Joseph to guide participants through all the layers of designing and engineering large-scale, foam-free floral installations.

The workshop will also feature the photography talents of Heather Saunders, who many of you remember as the visual artist who captured Flower House in 2015. I can’t wait to reunite with her! Listen to my podcast interview with Heather on the publication of Flower House, the book.

Last weekend, Tobey and I took a little road trip of our own to Vancouver, B.C. — more on that later — and so, full disclosure, I sprung this interview on her. I figured, hey, we’re in the car together for 2-plus hours and what better place and time to talk about the anatomy of a successful workshop? Tobey’s insights might just inspire you to join us on Whidbey Island and experience a creative work-cation where you will be refreshed and reenergized by the beautiful, rugged Pacific Northwest, as well as stretch your professional muscles in ways that might surprise you.

Here’s more about Tobey Nelson:

Follow Tobey on Instagram

Check out Tobey’s Pinterest Page

Listen to Slow Flowers Podcast Episode 223: Field trip to Whidbey Island

The Slow Flowers Podcast has been downloaded more than 287,000 times by listeners like you. Thank you for downloading, listening, commenting and sharing — it means so much.

Please take a moment and visit our new web site for the upcoming Slow Flowers Summit, which takes place Friday, June 29th in Washington, D.C. We’re already selling tickets, lining up sponsors and special guests — and you won’t want to miss out on what one of our past speakers called a “floral mind meld.”

As the Slow Flowers Movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the column at right.

Thank you to our sponsors who have supported Slow Flowers and all of our programs including this podcast, American Flowers Week, the Slowflowers.com online directory to American grown flowers, as well as our new channels, Slow Flowers Journal and the 2018 Slow Flowers Summit.

Florists’ Review magazine: I’m delighted to serve as Contributing Editor for the new monthly Slow Flowers Journal, found in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community.

Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

Arctic Alaska Peonies, a cooperative of passionate family farms in the heart of Alaska providing bigger, better peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com.

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Let’s dive into color — into Ultra Violet, to be specific.

When I type “Ultra Violet Pantone” in my Google Search, within seconds, no fewer than 3.2 million options pop up. There’s no denying that Pantone’s color-of-the-year campaign — one that began as a conversation about consumer sentiment at the turn of the new millennium — has become one of the most anticipated and influential announcements in the creative industries — from floral and fashion to manufacturing and media. And of course, floral design, flower farming, weddings and events.

Announced with much fanfare on December 7, 2017, here’s more about this alluring hue, according  press material:

A dramatically provocative and thoughtful purple shade, PANTONE #18-3838 Ultra Violet communicates originality, ingenuity, and visionary thinking that points us toward the future.

Complex and contemplative, Ultra Violet suggests the mysteries of the cosmos, the intrigue of what lies ahead, and the discoveries beyond where we are now. The vast and limitless night sky is symbolic of what is possible and continues to inspire the desire to pursue a world beyond our own.

Enigmatic purples have also long been symbolic of counterculture, unconventionality, and artistic brilliance. Musical icons Prince, David Bowie, and Jimi Hendrix brought shades of Ultra Violet to the forefront of western pop culture as personal expressions of individuality. Nuanced and full of emotion, the depth of PANTONE’s Ultra Violet symbolizes experimentation and non-conformity, spurring individuals to imagine their unique mark on the world, and push boundaries through creative outlets.

Historically, there has been a mystical or spiritual quality attached to Ultra Violet. The color is often associated with mindfulness practices, which offer a higher ground to those seeking refuge from today’s over-stimulated world.

I’m incredibly excited to share my exclusive interview with Leatrice Eiseman, Executive Director of the Pantone Color Institute and the spokeswoman for the annual selection that for the third consecutive year has been revealed first in The New York Times.

I first met Leatrice, or Lee, as she is often called, when I attended a color trends presentation that she gave to interior and fashion professionals here in Seattle — probably in the late 1990s. Since then, I’ve interviewed her a few times, including for a story that ran in the Los Angeles Times Home section on Turquoise, the color pick for 2010.

Last week, Lee and I met on Bainbridge Island, a short ferry ride from Seattle, and over dinner we discussed Ultra Violet — and some of the psychological and sociological reasoning behind this epic selection. You’ll want to listen closely for the way Lee describes Ultra Violet as a “now” color, especially the emotional power it imbues on our moods, settings, design palettes and more.

Lee’s newest book is The Complete Color Harmony / Pantone Edition, which we also discussed — it is a perfect handbook to inspire and inform designers and artists, with Pantone color palettes and harmonies that express a variety of moods, among them Nurturing, Transcendent, Provocative, and Delectable.

Lee will also discuss the exclusive workshops she leads at the Eiseman Center for Color Information and Training, headquartered on Bainbridge Island outside Seattle — including the 4-Day Color Design Course, coming up April 26-29.

Here’s a bit more about Leatrice Eiseman:

She is a color specialist who has been called “the international color guru.” In fact, her color expertise is recognized worldwide, especially as a prime consultant to Pantone^®. She has helped many companies, from small one person start-ups to large corporations, make the best and most educated choice of color for product development, logos and identification, brand imaging, web sites, packaging, point of purchase, interior/exterior design or any other application where color choice is critical to the success of the product or environment.

Lee is the author of countless books on color, among them:  Colors For Your Every Mood which was chosen as a Book of the Month Club selection and received an award from the Independent Publisher’s Association, the Pantone^® Guide to Communicating With Color, Color Answer Book, More Alive With Color, and Color: Messages and Meanings a Pantone^® Color Resource which won the Create Awards’ Best of Industry award. Her most recent book, Pantone^® the 20th Century in Color, was co-authored with Keith Recker. She has also written chapters in one of web page flash guru Hillman Curtis’ works as well as in a book published in Japan titled the Power of Color, written by Kaori Mukawa.

Lee was included in the group of 50 top style makers for the fifth year in a row by Home Furnishings Now, the leading home furnishings trade publication. This year HFN divided the top 50 into four categories and Lee was 5th of 10 in the “Outside Influencers” category, ahead of both Steve Jobs and Rachel Ray.

In 2006 Fortune Magazine named Lee as one of the ten “Top Decision Makers” for her work in color and in 2009 Fortune again featured her in an article titled “The Color Committee Goes to Work” where it discussed her international leadership role in color forecasting.

She conducts many color seminars and is widely quoted in publications such as Elle Decor, Home Magazine, House and Garden, Home Accents Today, HFN, Harper’s Bazaar, Allure, WWD, Glamour, Vogue, People Magazine, Self, Communication Arts, Graphic Design USA, Consumers Digest, US Magazine, Wall Street Journal, New York Times, Los Angeles Times, USA Today and Ad Age, as well as numerous other trade and consumer publications. Lee has made appearances on all major TV networks and cable channels in the U.S. as well as some abroad and has been interviewed by radio stations worldwide.

The Pantone Color Institute is a consulting service within Pantone that forecasts global color trends and advises companies on color in brand identity and product development, for the application and integration of color as a strategic asset. Recognized around the world as a leading source of color information through seasonal trend forecasts, custom color development, and palette recommendations for product and corporate identity, Pantone Color Institute partners with global brands to leverage the power, psychology and emotion of color in their design strategy.

Subscribe to Lee’s COLOR BLOG Here.

Find Lee Eiseman on Facebook

Follow Lee Eiseman on Instagram

Thanks for joining me today! I invite you to take the challenge that Lee and I discussed. In the coming few weeks, please send me images of your floral designs featuring Ultra Violet botanicals so I can share them with Lee Eiseman. She’s eager to include a few of your images on her social media channels – and of course you’ll be credited and tagged. You can send images to me at debra@slowflowers.com.

A bit of NEWS to Share: I want to let folks in the Seattle area know about an upcoming opportunity to meet and participate in a fun event I’m co-hosting as part of the We Fleurish Team, on Tuesday, January 30th in Bellevue.

It’s called Galentine’s Party and the focus is on you and your personal and business branding as a creative. You’ll experience an art-filled, nurturing and stimulating pre-Valentine’s Day party as We Fleurish handles all the details.

We’ll take away the stress of planning and provide you with all the ingredients for relevant, eye-catching, personalized content – images and words – that reflect your brand and connect with your audience in the lead up to Valentine’s Day. In addition to a delicious meal provided by our venue Fogo de Chao, we’ll make sure you have resources, materials, tools and other supplies to make a romantic floral arrangement, style a flat-lay vignette, photograph a number of visual stories and write the best captions to wow your followers. More than half the tickets have been sold, so if you want to get in on the fun, follow this link to the Galentine’s Party!

The Slow Flowers Podcast has been downloaded more than 271,000 by listeners like you. Thank you for downloading, listening, commenting and sharing — it means so much.

As the Slow Flowers Movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button at debraprinzing.com in the right column.

Thank you to our sponsors who have supported Slow Flowers and all of our programs including this podcast, American Flowers Week, the Slowflowers.com online directory to American grown flowers, as well as our new channels, Slow Flowers Journal and the 2018 Slow Flowers Summit.

 

Thank you to our lead sponsor for 2018, Florists’ Review magazine. I’m delighted to serve as Contributing Editor for the new monthly Slow Flowers Journal section, which you can find in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community.

Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at  kinetictreefitness.com.

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Welcome to the final Slow Flowers Podcast Episode of 2017.

The Slow Flowers Community and listenership of this program have grown to be larger than ever, with more than 265,000 total downloads since launching in July 2013. That’s amazing news and I’m thrilled to share it with you.

Every single week this year; in fact, every single week for the past 230 weeks, it has been my privilege to feature the voices of our Slow Flowers community with you. Unlike any other internet radio show in existence, the Slow Flowers Podcast is tailored to you and your interests, making its “must-listen” programming a habit among flower farmers and floral designers alike.

In producing and hosting the Slow Flowers Podcast, I seek out pioneers and personalities, style-makers and influencers — as well as unsung or little known heroes — who together are changing the floral landscape, disrupting the status quo, and bringing flower sourcing and growing practices, not to mention eco-conscious design methods, to the center of the conversation.

And thanks for joining in. Whether you’ve just discovered this podcast or are a longtime fan, I encourage you to take advantage of the immense body of knowledge that can be found in the archives here. We’ve updated the “play” and “download” buttons at the show notes that accompany each episode, making it simpler than ever to listen.

Today we have a year-end listener giveaway, so listen to the end of this episode for details! We have two copies of floral activist and artist Mud Baron’s 2018 “Flowers on Your Head” calendar that he produced as a fundraiser for LA-based nonprofit 4 Women Ovary Where.

As I have done since the beginning of 2014, I would like to devote today to the Slow Flowers Highlights of this past year. Next week, on January 3th, I will present the much anticipated 2018 Slow Flowers’ Floral Insights and Industry Forecast with you.

Covering the Slow Flowers Community has put me in a lot of airplane seats this year. I’ve been able to meet with, interview and gather together with florists and flower farmers in thirteen states and one Canadian Province. That’s amazing and I thank friends and colleagues who hosted Slow Flowers workshops, potluck dinners, cocktail parties, events and meet-ups Alaska, Arizona, California, Connecticut, Iowa, Florida, Massachusetts, Montana, New York, Oregon, Pennsylvania, Virginia, Washington, and Ontario, Canada, for amazing and inspiring experiences. And so far, 2018 promises to bring me more travel as I’ve already confirmed Slow Flowers appearances in Texas, Washington, D.C., Colorado, North Carolina, Iowa, Illinois, and of course, the Pacific Northwest, so get in touch if you’re interested in booking something in your community.

This #slowflowers hashtag is the floral industry’s most widely used brand intended to convey seasonal, local and sustainable floriculture — and I am humbled by the impact and reach of a term that originated with a tiny, 144-page book measuring 7-1/2 inches square — as it has exploded far beyond my imagination in the five years since.

Thank you for being a part of this movement and If you haven’t, I hope you’ll make the next step by investing in the continued relevance and success of this brand and join Slow Flowers as a member.  Follow this link to learn more about the benefits and values of joining the Slow Flowers Movement.

So, let’s get started with my month-by-month recap of 2017!

January brought Slow Flowers to Tampa, Florida, and the Gulf Coast, including a lecture for the garden club of Boca Grande, one of the most beautiful beach spots on the planet. I loved connecting with Slow Flowers members while in the state and took great pleasure in touring a few botanical gardens to admire the diversity of the region’s flora. Later in the month, travel brought me to the other corner of the U.S. — to Fairbanks, Alaska, where I spent a few days attending and speaking at the Alaska Peony Growers Association winter conference. Two geographic and climactic extremes and two equally vital regions for local flowers and passionate growers.

Something else took place in January, an event that foreshadowed a major new collaboration for me — Florists’ Review published my article about a year-long creative project by Kelly Shore of Petals by the Shore. Called “Four Seasons of Floral Design,” the 11-page spread documented Kelly’s creative partnership with Maryland flower farmers Leon and Carol Carrier of PlantMasters. It was exciting to write the piece for a major floral industry trade magazine — one read regularly by mainstream and conventional audiences. For Kelly and her collaborators, as well as for the Slow Flowers community, the story illuminated often unheard voices of domestic agriculture and sustainable design in floristry. You can read more about that story here.

I found it pretty remarkable to see seasonal and local flowers designed so artistically, portrayed against the backdrop of a flower farm. I want to acknowledge and thank Travis Rigby, Florists’ Review‘s owner and publisher, for adding my storyteller’s voice and point of view to the magazine’s pages.

That first article led to my stories appearing in subsequent months’ issues, each of which continued the Slow Flowers narrative. And then . . . Travis invited me to join Florists’ Review on a permanent basis as a contributing editor. After much dialogue and consideration, the new collaboration launched in August with a dedicated editorial section called the “Slow Flowers Journal.”

Since the first issue, I’m delighted to say that we’ve featured dozens of floral designers, farmer-florists, retail flower shops, makers and artists inside the magazine, under the Slow Flowers Journal banner, and with the mission and message presented as inspiring small business success stories.

A footnote: I argued passionately to continue the Slow Flowers Journal name for this section. That’s because in January 2017, slowflowersjournal.com launched as an online magazine, designed to highlight and share this community’s members and their stories. Expanding to print has taken Slow Flowers Journal from a few thousand online readers to tens of thousands of print readers each month. That’s a big achievement for our brand!

Moving into 2018, these stories will continue — I’d love your input and ideas, so be sure to follow links at the show notes for more ways to engage and become involved. If you haven’t started reading the Slow Flowers Journal, I encourage you to contact Florists’ Review for a free sample copy or take advantage of the generous discounted subscription rate offered to my listeners. You can subscribe to Florists’ Review and read our bonus Slow Flowers Journal content at the special rate of $21 for 12 issues — 62 percent off the cover price! Click here or call 1-800-367-4708.

February was a busy month, personally, as my family and I finally ended our 18-month urban condo experiment and moved into a new home with a completely blank backyard – home to the new Slow Flowers Cutting Garden.

Over the remainder of 2017, I began building the cutting garden as a place to trial cut flowers and other botanicals, stage and produce DIY photo shoots, and create stories for gardening audiences and more. The support of sponsors who have shared everything from seeds (thanks Johnny’s Seeds) to bulbs (thanks Longfield Gardens) to my greater Garden Writers community, which supplied perennial and woody plants to trial, has been awesome. I promise that the garden’s evolution in the coming year will supply you with even more inspiration.

Also in February, we produced the Valentine’s Day LOOK BOOK, sharing it across PR Web, a news distribution service. The gallery of sustainable floral design ideas from Slow Flowers member farms and florists was picked up by online news sites, and posted to the web, at slowflowersjournal.com and in a public Flickr gallery. Stories like these help to put you in the news and if you’re a Slow Flowers member, you’ve received (and I hope read and taken advantage of) ongoing “calls” for submissions that allow you to participate in similar opportunities to be published. Currently, for example, we’re collecting your submissions for an upcoming American-grown wedding floral story ~ so if you’re not a part of these opportunities and you’d like to be ~ get in touch!

And I can’t end my February highlights without mentioning how gratifying it was to be an invited speaker at the third annual Pacific Northwest Cut Flower Growers meetup that month, held in Corvallis, Oregon. I shared the 2017 Floral Insights & Industry Forecast as part of my SLOW FLOWERS, AMERICAN STYLE presentation. I was thrilled to discuss what’s happening at all levels of the American-grown floral pipeline — from field to checkout counter, and to give the gathering of growers and farmer-florists insights into the opportunities they could can leverage for their businesses.

READ MORE…

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For the past two years, I’ve shared special Holiday Music episodes, which seems festive and fitting for this season when we all need a break from work and responsibilities.

In 2015, musician-songwriter-flower farmer Dennis Westphall of Jello Mold Farm in Mt. Vernon, Washington, was my guest for Episode 225.

And in 2016, Ellen Zachos, vocalist, author, former Broadway singer-dancer, and foraged cocktails expert, sang botanical broadway show tunes for us on Episode 276.

Today, I’m delighted to present the third annual Slow Flowers’ Holiday Music Special, with EarthShine, the duo featuring Scott Prinzing and Kristen Rickels Prinzing, my brother and sister-in-law, who are based in Billings, Montana.

Scott and Kris and I met up this past September at the Rocky Mountain Gardening Live Conference, produced by Dan and Andra Spurr at Chico Hot Springs in Pray, Montana. It was so much fun for me to spend an extended bit of time with Scott and Kris, and I planned ahead and asked them to record this podcast in anticipation of our holiday special.

Here’s a little more about this dynamic couple:

Kris is a songwriter and player of acoustic guitar and flute! She grew up spending every summer in the Beartooth Mountains of south central Montana and spent school years in Minnesota. She has roots connecting her to Montana that date back to her great uncle Kent Moats’ 1913 homestead. In the early 50’s, her then very young father purchased property in the mountains of southeastern Montana, and as a result Kris has spent every summer of her life at this special place. In 1990 she and Scott were married there, and a few years later they relocated to Montana permanently, joining Kris’s parents and other family. Montana’s wild and beautiful landscape is responsible for her intense passion for the environment, which has led her to professional, academic and volunteer work in conservation.
Kris has also nurtured a lifelong interest in music and the arts. During college, after several years of flute, voice, classical dance and some piano, Kris made an effort to pursue singing as a career. She recorded a demo tape and sang lead on some sessions for a local jazz producer. In 1990 Kris married Scott Prinzing, who is also a musician, though it was not until 1997 that they began to collaborate and pursue music together. In 1999 Kris began playing the guitar seriously, and soon after began to write songs.

Scott Prinzing sings and plays bass, mandolin and more. He was born in Connecticut, moving a number of times during his childhood, ending up in Portland, Oregon at age 11. Scott took up the acoustic guitar in 5th grade and then the bass guitar in 7th grade. He formed his first band in the 8th grade. At church, in school singing groups and in the bands he sang and played in, Scott developed a strong baritone voice. In 1982 and 1988 he played and sang on studio recordings with his band Glacier. Throughout high school and college, Scott played in a total of six different bands (some concurrently.) Over the years Scott has learned to play several other instruments competently but continues to concentrate on the bass guitar. During college Scott became involved peace and justice issues, multicultural student activities and political campaigns. Scott majored in Sociology/Cross-cultural Studies in the small private college where he began his education and had the opportunity to travel and study in Israel, the Philippines, Rome, Mexico and elsewhere. His interest in politics and social justice also gave new depth to his life-long interest in the environment.

After marrying Kris Rickels in 1990, Scott transferred to the University of Minnesota to complete his college education and there chose to major in American Indian Studies – another life-long interest. In 1997, Scott and Kris finally began to work on music together, culminating in the collaborative efforts that have created the music they now perform together.

In 2003, Scott and Kris formed the MusEco Media and Education Project, an educational non-profit. They perform all around Billings and elsewhere in Montana with their duo, EarthShine, and they have produced three CDs featuring some of the music you’ll hear today.

I wish you a wonderful holiday, happy Solstice, Merry Christmas and Seasons Greetings — please enjoy my musical gift to you! Here are more ways you can listen and follow Scott and Kris:

See more GREEN MAN and MuseEco Videos here.

MusEco Media and Education Project:  www.MusEco.org

Earthshine   www.EarthshineMontana.com

Green Man’s site  www.GreenManTV.org

Listen & Buy more of EarthShine’s Music:

SoundCloud 

CD Baby

Follow Earthshine on Facebook

Thanks so much for joining us today! The Slow Flowers Podcast has been downloaded more than 264,000 times by listeners like you. Thank you to each one of you for downloading, listening, commenting and sharing. It means so much.

Next week, during the final episode of 2017, I will share our Year in Review. The Slow Flowers Movement and you, the community, have achieved and accomplished so much goodness this year and it’s time to celebrate our successes. Please Join me on Wednesday, December 27th for this special tribute to 2017.

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column. Your contributions will help make it possible to transcribe future episodes of the Podcast.

Thank you to family of sponsors:

And thank you to our lead sponsor for 2017: Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com.

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com.

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.
The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at KineticTreeFitness.com.

Music Credits:

EarthShine:
(c) Season’s Greetings 2000

(c) Kubota Garden 2002

(c) Blooms of Clover 2007

(c) Whirling Earth 2014

(c) Jack in the Green 2015

Lovely, by Tryad