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Author/photographer, lecturer and radio host Ken Druse has contributed to nearly every garden and home design magazine in America.

He is probably best known for his books, which the New York Times called “bibles for serious gardeners.”

The American Horticultural Society chose his book, The Passion for Gardening, as best book of the year; and the Wall Street Journal recommended it as one of the “five garden books to own.”

Ken has authored 20 gardening books, including recent titles PLANTHROPOLGY: The Myths, Mysteries, and Miracles of My Garden Favorites and Natural Companions: The Garden Lover’s Guide to Plant Companions, which features both Ken’s photography and that of digital artist Ellen Hoverkamp.

In 2004, the Garden Club of America awarded Ken the Sarah Chapman Francis medal for lifetime literary achievement. In 2013 Garden Writers Association awarded Ken the gold medal for photography and the silver medal for writing. In 2013, the Smithsonian Institute announced the acquisition of the Ken Druse Collection of Garden Photography, comprising 100,000 images of American gardens and plants.

I have interviewed Ken for stories about his work that appeared in the San Diego Union Tribune and the Los Angeles Times, so it is with great pleasure that I welcome him to the Slow Flowers Podcast. Ken is a pioneer of gardening podcasts, having been on the air for a decade with his national podcast and public radio show “Ken Druse Real Dirt,” which listeners can hear through their computers and iPods.

We’re here today to discuss Ken’s timely new book, The New Shade Garden: Creating a Lush Oasis in the Age of Climate Change, published in May by Stewart Tabori & Chang.

Ken reveals the low-stress environment of shade (cooler temperatures; fewer water demands) and how shade is extremely beneficial for our plants, our planet and us.

The thriving garden of the future might just exist in the understory!

I come to floral design from the residential garden and a love of plants. And the floral designers in my world are always on the lookout for uncommon, ephemeral lovelies.

Guess what? Many of those special fronds, flowers, leaves and branches can be found in the shade garden. Learning from a master like Ken Druse is a huge treat — I hope you found what he shared as inspiring as I did.

I highly recommend this comprehensive guide to “all things shade.” For gardeners and floral designers alike, “The New Shade Garden” is packed with inspiration and with ideas for having a lush, textural and fragrant garden where many colors exist!

And just for fun, to get a flavor of Ken’s wonderful and welcoming interview style (and to hear his radio-perfect voice!) here are links to the two Ken Druse Real Dirt episodes where I appeared as his guest:

May 11, 2012, “Field to Vase”

March 22, 2013, “The Local Flower Movement’s Champion”

On his web site, Ken writes:  Spending time in nature, especially nurturing plants, strengthens our connection with the natural rhythms of life. In the garden, we often experience a kind of “meditation therapy”–weeding actually becomes a time to sort through the other parts of our busy lives. 

I couldn’t agree more, and like Ken, I see the garden as a metaphor for life.

On August 15th, if you are in the Northeast, you have a chance to hear Ken Druse lecture on shade; take his hands-on garden-photography workshop; shop a rare-plant sale; and tour the garden of fellow garden writer, editor and podcaster Margaret Roach in Copake Falls, New York as part of the Garden Conservancy Open Day in her area. Here are details for purchasing tickets and to find the full day’s schedule.

Follow Ken Druse on Facebook here.

Find Ken Druse on Great Garden Speakers here.

Ken Druse’s “The New Shade Garden” floral arrangement includes:

Hydrangea arborescens ‘Annabelle’

Foliage from three different hostas

Flowers from two hosta varieties

Polygonatum odoratum ‘Variegatum’ (slightly faded to green)

Pachysandra terminalis ‘Variegata’

And “whips” (actually flower spikes) from Persicaria virginiana ‘Painter’s Palette’

Listeners like you have downloaded this podcast nearly 58,000 times. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

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This week we’re celebrating the 50,000th download of the Slow Flowers Podcast.

As of today, we’ve produced 97 episodes bringing you the leading voices in the American Grown floral community – from flower farmers to floral designers, the inspiring people working to save flowers as part of our nation’s agricultural heritage and keep our flowers local, seasonal, sustainable — and American grown.

I am grateful to my past guests, each of whom has shared his or her story with listeners. And I’m so thankful to listeners who regularly tune in, comment, share and like this endeavor.

Before we meet Abbie Zabar, this week’s guest, I wanted to share a text that I received this week from my friend Sarah Pabody of Triple Wren Farms located just north of Bellingham, Washington.

Sarah and her husband Steve Pabody are big promoters of the Slow Flowers Movement. When Sarah leads design workshops at Triple Wren she does something for which I’m so grateful.

Each student is handed one of the Slow Flowers infographics that reads “Where do your flowers come from?”

Then Sarah leads a short discussion about the frightening statistics revealing the small percentage of domestic flowers in the marketplace versus imported flowers, as well as the cost of those imported flowers, both environmentally but also economically, to local communities.

She texted me photos of last weekend’s workshop, which I have permission to share with you.

 

 

Said Sarah: “I thought you’d like to see your Infographics in action – at every workshop, I issue a challenge to each person to casually ask another person in their lives (grocery florist, family member, however they can work it into their daily conversation),”Do you know where these flowers were grown?”

If anyone listening to this story feels moved to do the same with their own customers, please follow this link to our graphics, which you are welcome to download and copy. Thanks for the inspiration, Sarah!

Okay, today’s guest is thoroughly inspiring in a completely different way. When I first read the news that the work of Abbie Zabar, a New York-based artist and longtime virtual friend in the garden-writing world, was going to be celebrated this coming weekend with the opening of an exhibit of her floral drawings, I had to share her story with you.

As you will hear in our conversation, Abbie is a close observer of nature and of flowers, especially. She captures what she observes with colored pencils on sheets of rather ordinary paper or cardboard.

For one decade of her life, from the early 1990s to the early 2000s, Abbie walked from her apartment in New York City’s upper east side to the famed Metropolitan Museum of Art on Fifth Avenue. She entered the impressive Great Hall during the early hours, found a place to sit, and proceeded to sketch the grand floral arrangements on display there each week. (I feel quite an affinity for someone who honored such a creative ritual week after week; after all, I managed to make a bouquet each week for one year and ritualized that practice, but Abbie’s ten-year observance is hugely impressive).

Abbie was enthralled by the five enormous flower-filled urns that stood in the Met’s Great Hall. At the time, the pieces were created by Chris Giftos, the Met’s former Master Floral Designer and Director of Special Events. For more than 30 years, Mr. Giftos was responsible for the beautiful arrangement in the Great Hall. And, as Abbie describes, the flowers occupied four large niches carved from the central piers, as well as the centrally located Information Desk. The weekly arrangements of fresh flowers appear, thanks to an endowment provided by the late Lila Acheson Wallace, who was one of the Museum’s largest single benefactors.

It’s no surprise to learn that Abbie and Chris became good friends. The fondness she had for this floral artist are reflected in each drawing she made in response to his work. Incredibly alluring, her diminutive floral portraits are breathtaking in both their simplicity and their complexity. Abbie’s own experience as a gardener and her innate knowledge of the flowers, fronds and leaves before her allowed her to capture the splendid bouquets with a sure and deft hand, well before the Museum opened its doors for the day.

Working in situ and in pencil—the only implement allowed in the space —her drawings showcase the vibrancy, variety and vitality of the displays, as captured in one quick sitting.

You will hear more about her process in our conversation, and please visit debraprinzing.com to see examples of the pieces that will be unveiled in this upcoming exhibition.

The show is called Abbie Zabar: Ten Years of Flowers, on view June 7 through October 4 at Wave Hill, a beautiful public garden and cultural center in The Bronx. The event is free with your admission to the grounds.

And here is a little more about Abbie’s background:

Abbie Zabar is an acclaimed artist, graphic and garden designer, and the author of five books. Her first book, The Potted Herb (1988), is now considered a gardening classic.

She has created garden and graphic designs for numerous prestigious companies and organizations, including Bergdorf Goodman, Daniel Boulud’s restaurants and PS 198.

Her landscape collages have been represented by Allan Stone and BlumHelman, and Flowers in the Great Hall of the Metropolitan Museum of Art series has been represented by Ursus Books & Prints and the Horticultural Society of New York.

Abbie’s artwork has been shown at the Museum of Modern Art, the Cooper-Hewitt Museum, the Parrish Museum, the International Paper Corporation, the Louvre, the Institute of Contemporary Arts (London) and the Vigeland Museum (Oslo), and is part of the permanent collections of the Mead Paper Corporation of America, the Brooklyn Museum, the Jewish Museum, the Hunt Institute for Botanical Documentation and the Smithsonian Museum.

Abbie’s illustrated articles have appeared in Garden Design, Horticulture, Fine Gardening, Gourmet and The New York Times, as well as in numerous esteemed British publications. She received the 2010 Award for Best Newspaper Writing from the Garden Writers Association for her piece “A Vine in the Sky,” published in The Forward.

In 2014, she was honored with the North American Rock Garden Society’s Carleton R. Worth Award, given to an author of distinguished writings about rock gardening and rock garden plants. Zabar is currently the Program Chairperson for the Manhattan Chapter of the North American Rock Garden Society and a Learning Leader at P.S. 198.

 

 

 

 

 

 

 

 

 

 

As Abbie and I discussed, not only is the exhibition at Wave Hill available for public viewing all summer long, continuing to October 4th, she has a second show in the works, which will run September 16th to October 2nd at W.M. Brady & Co., a gallery at 22 East 80th Street, just a few steps from The Metropolitan Museum of Art.

This collection of drawings includes the series of small floral studies that Abbie and I discussed at the close of our interview (and she generously shares a sneak peek of a few of those pieces here).

From the grand floral arrangements at the Met to these intimate moments of singular blooms captured in small vases, Abbie’s gifts as an illustrator of flowers are evident. And I know you’ll be as enchanted as I am. By the way, many of these pieces will be available for purchase, so please follow the links to the two institutions (Wave Hill and W.M. Brady & Co.) to inquire if you’re interested in a list of available works.

Thank you, Abbie Zabar, for showing us flowers in a new way. Not everyone is an artist or has the ability to use a pencil so masterfully as my friend Abbie. But this conversation has moved me to use my innate skills of observation more acutely, whether I’m on a walk in the park, purchasing flowers from my favorite flower farmer, or tending to plants in my own backyard.

Thanks again for joining me today for another wonderful conversation about flowers. Listeners like you have downloaded the podcast more than 50,000 times. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

Out of the blue recently, an editor for the American Alliance of Museums’ annual TrendsWatch publication contacted me for permission to reprint the Slow Flowers‘ “Where do your flowers come from?” infographic in the organization’s 2015 annual report.

I really had no idea how this illustrious association of cultural institutions planned on using the infographic, but of course, I said YES.

The publication just landed in my in-box and I have to say, it’s pretty impressive.

Each year, the TrendsWatch report highlights top trends that the Center for the Future of Museums staff and advisors believe are highly significant to museums and their communities.

The story of “Slow Flowers” appears in an article titled “Slooow: better a tortoise than a hare,” which highlights slower cultural experiences in all consumer categories.

In addition to the Slow Culture section, the TrendsWatch report cited Ethical Consumerism (which has a lot of connections to Slow Flowers, as well), Personalization, Rising Sea Levels, Wearable Technology and Open Data as subjects of importance to the Museum community.

Here’s a PDF of the article: Trendswatch 2015. You can download a PDF of the entire TrendsWatch report here after completing a short registration form.

 

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In the past year, in addition to this podcast’s primary focus on American flowers, farmers and designers, I’ve interviewed a handful of slow-flowers-minded farmers and designers based in the U.K. and Australia.

There are obvious parallels between these folks and our own renaissance and return to domestic flowers. Sadly, as we’ve experienced in our own native land, the floral industry in many industrialized nations has been outsourced and hurt by competition from countries with low labor costs and less stringent environmental practices.

I’m inspired by the creativity and kindred spirit of all flower farmers who want to rekindle the interest in homegrown flowers and the mindful florists who want to differentiate themselves in the marketplace by sourcing local, seasonal and domestic flowers. Today’s guest is a perfect voice to invite into this conversation.

Please meet Georgie Newbery, a British farmer-florist who owns Common Farm Flowers with her husband Fabrizio Boccha.

This husband-and-wife team grow British cut flowers on a beautiful plot between Bruton and Wincanton in Somerset, a few hours west of London.

The occasion for our interview is the February 15th U.S. publication of Georgie’s brand new book, “The Flower Farmer’s Year, how to grow cut flowers for pleasure and profit,” published by Green Books UK and available online at Powell’s Books and Amazon, among other places.

Common Farm Flowers is an artisan florist company, which means Georgie and Fabrizio grow nearly everything used in their floristry, expressing floral design as “a craft in which artistic flair is combined with imaginative use of the material at hand to make arrangements which are full of life and air, which dance.”

Launched in 2010, Common Farm Flowers has taken off in the past five years, despite its rural locale. As Georgie writes on the Common Flowers Farm web site: “There’s clearly a market for British grown/eco cut flowers and we’re delighted by the reception we’ve had for the flowers we grow here and the floristry we do.”

Common Farm Flowers sends British flower bouquets by post twelve months a year; it supplies and arranges lush wedding flowers throughout Somerset, the South West, in London and beyond and runs workshops on subjects ranging from Flower Farming for Beginners to Do Your Own Wedding Flowers.

The farm has taken its flowers to RHS Chelsea, RHS Chelsea in Bloom, and has been featured in British Country Living, The English Garden, The Telegraph and more. Georgie frequently gives talks to horticulture societies and gardening clubs on growing cut flowers for the home, planting a cut flower border, and seminars on dahlias and sweet pea cultivation.

The Flower Farmer’s Year covers how to grow your own cut flowers to fill your house with the gorgeous colors and heavenly scents of your favorite blooms, knowing that they haven’t travelled thousands of miles. Georgie combines boundless passion with down-to-earth guidance and practical advice, drawing on her own experiences as an artisan flower farmer and florist as she takes readers through:

• how to start a cut-flower patch
• what to grow: including annuals, biennials, perennials, bulbs & corms, shrubs, roses, dahlias, sweet peas, herbs & wildflowers
• cutting, conditioning and presenting cut flowers
• starting a cut flower business
• where to sell
• marketing and social media
• an annual planner

Whether you want to grow for your own pleasure or start your own business, The Flower Farmer’s Year is the perfect guide to add to your library.

Here’s how to find Georgie at her social places:

Facebook

Instagram

Pinterest

I’ve been in San Francisco this past week, to speak at the SF Flower & Garden Show, attend the Association of Specialty Cut Flower Growers meeting in San Jose and to scout gardens and flower farms in the Santa Cruz region for future stories. In the coming weeks you’ll hear from some of the people I’ve met on this trip — and I know you’ll find their stories a source of inspiration for your own endeavors.

Thanks to listeners, this podcast has been downloaded more than 40,000 times. If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com

 

 

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Today I am delighted to introduce the women behind an innovative flower farm/floral design business in Oakland, California called The FloraCultural Society.

Anna Campbell, who owns the venture with her mother Linda Davis, has an extensive career in horticulture, agriculture, floral design, editorial and retail.

She freely admits during our conversation how no matter what she pursued professionally, flowers have continued to draw her like a bee to nectar. Many of you will understand this “flower fever,” which makes Anna’s story so compelling.

After previous forays into floral retail, Anna developed and launched the current format for The FloraCultural Society — part micro urban flower farm / part flower shop and studio space. She describes the business as “a cut flower farm and retail shop providing plant-based goods, classes and events.”

Anna connected with Stephanie Hughes through the local flower farming community in the Bay Area and last year Stephanie joined The FloraCultural Society as Director of Flora and Farm Operations.

I’m so pleased that Stephanie’s voice is included in the interview because she’s the one who introduced Anna and me last October, when I was invited to visit the new FloraCultural Society shop in downtown Oakland’s Rockridge neighborhood on College Ave., a stone’s throw from Berkeley.

Stephanie and I originally met last May when we were both part of a bearded iris design workshop taught by Sarah Ryhanen and Nicolette Owen of The Little Flower School.

At the time, Stephanie was still shadowing and apprenticing with flower farmers and floral designers, hoping to find a new career in the Bay Area after escaping from a corporate retail job. And now, she’s working closely with Anna to bring locally-grown flowers to their community!

I know you’ll enjoy the conversation, so click on the PLAY BUTTON above to listen or download this episode. And I do want to encourage you to check out the new Kickstarter Campaign that Anna and Stephanie and their team will launch on February 7th.

The campaign seeks to raise funds to so the new 2-acre flower farm is off to a good start. If you’re in the neighborhood, stop by between 11 and 3 for light refreshments, sneak previews of the campaign’s rewards and view a screening of the new “Help us Grow” video.

As I mentioned in the talk, Anna wowed me with a gift of a letterpress print that she commissioned for the opening of the new shop on College Avenue. It reads “Rewild Your Life . . . Give in to Floral Mutiny.”

Here’s a little more about the company, from The FloraCultural Society’s web site:

The FloraCultural Society was established in hopes of uniting a network of people interested in the beauty of sustainably grown flowers and plant-based goods.  In 2012, we dug into a 2,600 foot plot of land in Old Oakland and began to grow heirloom varieties in the midst of the city.  The contrast between the wild organic flowers and the industrialized structure of the city inspired  the FloraCultural Society’s tagline… ReWild Your Life.

We are now sourcing from local farms in the Bay Area and have plans of expanding our own farm to 2 acres, giving us the ability to provide you with distinct, heirloom varieties.

In joining our society, it is our hope that you may become connected with your wild side, simplifying the way you indulge.  We invite you to take a class with us, Join our CSF (our Community Supported Flowers), try out our plant based skin care lines, and rewild your home with a locally grown arrangement.

The idea of ReWilding is a lovely sentiment that we can all embrace!

ANNOUNCEMENTS:

If you want to get started in or further your knowledge of specialty cut flower farming, or if you’re a designer who wants to strengthen your connections with local flowers, I want to share details of two opportunities coming up. The Association of Specialty Cut Flower Growers is hosting two regional Growers’ Intensives in March.

On March 2nd and 3rd, in Athens, Georgia, attendees will meet and learn from experienced flower farmers including Rita Anders from Cuts of Color in Weimar, Texas whose topic is: “From Seed to Market: A Few of My Most Profitable Flowers.”

Arrive early and attend the informal meet-and-greet on Sunday evening March 1st, hosted by Tanis Clifton of Happy Trails Flower Farm in Dennis, Mississippi, and Mimo Davis of Urban Buds in St. Louis, Missouri.

You’ll also get a chance to visit Three Porch Farm, owned by Steve and Mandy O’Shea in Comer, Georgia, and participate in a bouquet-making session co-led by Mandy (known for her beautiful Moonflower design studio) and Jennie Love of Love ‘n’ Fresh Flowers in Philadelphia — both of whom have been featured in the New York Times. And not to miss, also at Three Porch, a demonstration of veggie oil-powered vehicles and other equipment.

On March 23rd and 24th, a west coast Growers’ Intensive will take place in San Jose, California – and I’ll be there to meet you! You’ll hear from expert presenters, including several past guests of this podcast, including Rita Jo Shoultz of Alaska Perfect Peony, Joan Thorndike of Le Mera Gardens in Ashland, Oregon and Diana Roy of Resendiz Brothers Protea Growers in Fallbrook, California, and others. I’ll be there with my recording equipment and I hope to capture some new voices to share on future Slow Flowers episodes.

There are a few upcoming deadlines to take note of, including the Georgia hotel room block and the San Jose bus tour of local flower farms, both of which expires this Friday, February 6th, so register soon.

Thanks for joining me today.  My personal goal is to put more American grown flowers on the table, one vase at a time.

Increasingly, there are passionate people like you who are joining the Slow Flowers movement, the Floral Mutiny as Anna Campbell calls it. You are downloading and listening to the Slow Flowers Podcast more than ever before!

We have exceeded 33,000 downloads to date and every time that figure climbs, I’m encouraged to know more people are learning about the farmers and florists who keeping American-grown flowers flourishing.

I don’t know exactly how to credit our growth, but get this: The Slow Flowers Podcast ended the month of January with more than 4,000 downloads, nearly 1500 individual downloads more than any month prior.

There’s something very good going. More people are entering the flower farming profession in the U.S.; more florists are seeking fresh, seasonal and sustainable sources of American grown flowers with which to create their beautiful designs; and more flower lovers are asking: “where are my flowers grown” and expect transparent labeling of those blooms. Origin does matter when it comes to your flowers.

So I thank you!!! If you like what you hear, please consider logging onto Itunes and posting a listener review.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts.

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It is my pleasure to introduce you this week to Chet and Kristy Anderson, veteran flower farmers and owners of The Fresh Herb Co., based in Boulder, Colorado.

If you’re a member of the Association of Specialty Cut Flower Growers or if you’ve read the “Rocky Mountain Flowers” chapter in The 50 Mile Bouquet, you’re already familiar with the Anderson name — and their beautiful flowers.

The Fresh Herb Company is a specialty grower of culinary and ornamental greenhouse crops and fresh field-cut flowers, proudly serving the Rocky Mountain West local market for over 30 years.

Chet and Kristy grow fresh greenhouse and field-cut flowers May through October. They market field fresh bouquets, peonies, phlox, sunflowers, zinnias, delphinium, larkspur, and many more varieties to customers throughout the Rocky Mountain Region — including grocery chains, weddings and special events., as well as at the Boulder County Farmers Market,

Warm, intelligent, creative and engaging, this couple has been so generous over the years in sharing their home and time with me. I visited their farm in May 2011, after being part of a lecture series at the Denver Botanic Garden.

We reconnected in November 2012, when Kristy and Chet came to the ASCFG national conference that was held in Tacoma. And when it turned out that I was going to fly through Denver on my way to a conference for professional speakers this past November, well . . . I basically invited myself to Longmont, about 20 minutes from Boulder, where the Andersons live on the most picturesque flower farm.

Chet emailed me back almost immediately, saying “yes.” Hi Debra…..we would love to see you. Let’s count on seeing you here at the farm at 12:ish.  We’ll have a bite here and get you on the road in time to make it to the Springs by 4:00. Sound ok? Thanks, C.

I was eager to see Kristy and Chet and to get an update on how things had progressed in the previous 12 months.

You see, in mid-September of 2013, we got word that an autumn storm in their area caused devastating floods from Lefthand Creek, wiping out a huge portion of The Fresh Herb Co.’s farm. Right after the disaster, Chet wrote this in an email:

” . . . pretty bad here. House is fine; greenhouse is mostly OK. Barn and coolers are still taking on water but are mostly OK. Pump house is gone. The pond is FULLY silted in (very amazing!). All roads to and from our facilities are gone and there is only one way out of here to town. Flower fields very rough….not sure what will survive, though the peonies fared the best (ya gotta love peonies, eh?). Biggest bummer may be that I have 3,000 bunches of sunflowers and nearly 500 beautiful bouquets in the cooler with no place to go! Dang! . . . “

And then he concluded with a few words that tell you volumes about Chet’s rather upbeat outlook on life:

“As we all know, things could always be worse. Very thankful that family and friends, and house are all safe. Now simply the cleanup.”

I always say that American flower farmers are tenacious and resilient. Listen to our conversation as evidence.

After a delightful lunch featuring butternut squash soup (so beautiful that I had to photograph it!), we walked the farm, saw the enlarged and repaired greenhouse, now 17,000 square feet in size, admired all the new peonies and perennials that were in the ground, ready to hunker down through winter in anticipation of spring.

Then Kristy, Chet and I sat outdoors on their stone patio. Yes, it was early November in Colorado, and yes, it snowed just a few days later at the conference where I was, at least, in Colorado Springs. But I felt the sunshine on my shoulders and was truly warmed by our conversation. Thanks for listening in . . .

I’d love you to read the entire story about Chet and Kristy, as included in The 50 Mile Bouquet.

Download the PDF of their chapter here: Rocky_Mountain_Flowers_The_50_Mile_Bouquet

And if you are lucky enough to make it to Boulder, Colorado, make sure to schedule a day at their famous Farmer’s Market and stop by to say hello to these intrepid and passionate folks!

Listeners like you are downloading and listening to the Slow Flowers Podcast more than ever before! We have exceeded 30,000 downloads and every time that figure climbs, I’m encouraged that more people are learning about the farmers and florists who are keeping American-grown flowers thriving.  So I thank you!!! If you like what you hear, please consider logging onto Itunes and posting a listener review.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts.

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Before we get started, I want to announce our new Slow Flowers Podcast Sponsor for 2015 – the California Cut Flower Commission.

The Commission is committed to making a difference as an advocate for American Grown Flowers.

I’ll be working closely with CCFC on a number of initiatives to promote domestic flowers in 2015, and I promise to keep you posted as details unfold.

 

Today on the Slow Flowers Podcast we launch the Slow Flowers Challenge, share all about a new urban flower farm in Pittsburgh, and explore the meaning of flowers on a personal level with author and gardening personality Fran Sorin.

To kick off 2015, I invite you to join in the fun and creativity of the Slow Flowers Challenge. This project was inspired by Katherine Tracy, a talented plantswoman, designer and owner of Avant Gardens Nursery in Dartmouth, Massachusetts.

Katherine blogged about taking the “Slow Flowers Challenge” after hearing my presentation at Blithewold Mansion and Gardens in Rhode Island this past fall…and she started using the hashtag #slowflowerschallenge, which in turn prompted other people to create seasonal bouquets, photograph them and share their designs on Facebook, Instagram and personal blogs.

Katherine’s artistic arrangements reveal her love of the natural world, the seasons, the plants, the gifts of the garden and wilder places. I’ve so enjoyed seeing these bouquets pop up across the web – thoroughly serendipitous and seasonal – representing pure joy for a moment in time. SO I thought, “why don’t we make the Challenge available to everyone who loves local flowers?”

I encourage you to check out these very simple rules and download a free SlowFlowersResourceGuide2015 here. Sign up to receive weekly design updates and follow a link to the Slow Flowers Pinterest Gallery, where you are welcomed and encouraged to post your seasonal arrangements.  Let’s have fun, make beauty, and change the American floral industry with new (and more seasonal) habits.

Briefly, before getting to our main guest, I also invited Jonathan Weber to share what’s going on with greenSinner, a Pittsburgh-based floral design, wedding and event studio and urban micro flower farm that he owns and runs with partner Jimmy Lohr.

Past guests of this podcast, the two have made good on their dream — to buy more land and establish a working flower farm. Jonathan and Jimmy recently purchased 4 acres of long-neglected land inside the Pittsburgh city limits. It’s called Midsummer Hill Farm.

I couldn’t be more excited to see them take this major step, but so much is needed to get seedlings and bulbs into the soil in time for flowers to bloom in 2015. Here’s a recent article featuring greenSinner, Midsummer Hill Farm and Jimmy and Jonathan’s crowd-funding campaign on Indiegogo, which runs through January 27th. I encourage you to check it out and perhaps invest in the growth of local flowers in Pittsburgh.

Today’s guest Fran Sorin is an author, gardening and creativity expert, and deep ecologist. Her book, Digging Deep: Unearthing Your Creative Roots Through Gardening, was groundbreaking when published in 2004. It was the first book to address gardening in the context of creativity, and as a tool for well-being and personal transformation. Here is a link to my blog post about “Digging Deep for Flower Lovers,” sharing favorite excerpts from Fran’s book.

Fran recently released an updated 10th Anniversary Edition of Digging Deep. The book is even more vital today, because our culture has become increasingly obsessed with technology and progressively more “nature deprived.”

From the moment Fran decided she wanted to share her passion for gardening with a large audience and approached the local Fox TV station in Philadelphia about the idea, she became a fixture on the TV circuit. She spent years as a gardening authority on Philadelphia’s Fox and NBC stations; she was the regular gardening contributor on NBC’s Weekend Today Show, and made several appearances on CNN, MSNBC, Lifetime, HGTV, DIY, and the Discovery Channel. She is one of the creators of the popular weekly dose of garden news at Gardening Gone Wild Blog.

Fran is celebrating her tenth year as a CBS Radio News correspondent. Her Digging Deep gardening features are heard several times a week on CBS Radio stations throughout the United States. She has also written dozens of articles about gardening and well-being for USA Weekend Magazine, Radius Magazine, and iVillage.

She has spent more than twenty-five years initiating and working on community projects that have served the diverse community of West Philadelphia, most recently initiating a community garden and learning center on the grounds of a church in an underprivileged neighborhood of West Philadelphia.

Even prior to becoming an ordained interfaith minister, Fran was ministering to folks whether she was taking on the role as a garden designer, a media trainer, a TV personality, or a radio host. Fran’s greatest strengths are in connecting to audiences and individuals and galvanizing them to take action. In these tumultuous and technologically obsessed times, when so many of us feel stuck, scared, and disconnected from ourselves and others, her optimistic, grounded values, and empowering message are needed more than ever.

Here is Fran’s video – she’s a woman on the street, sharing her inspiring “Give a Flower. Get a Smile” project:

Follow Fran here:

Facebook

Give a Flower Facebook Page

Twitter

If you want to participate in the drawing for a free copy of Digging Deep, post a comment about your earliest memory of gardening or experiencing nature. Your comment enters you into the drawing, which takes place at midnight Pacific Time, this Saturday, Jan. 10th. We’ll announce the winner next week.

My personal goal is to put more American grown flowers on the table, one vase at a time.  Listeners like you have downloaded the Slow Flowers Podcast more frequently than ever before.  We’re at nearly 30,000 downloads, which will be an exciting milestone to reach in the coming week. So I thank you!!! If you like what you hear, please consider logging onto Itunes and posting a listener review.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at hhcreates.net.

Merry Christmas and Happy Holidays from Seattle, Washington!

I was gifted a flat of paperwhites in bloom this week – one lonely bulb per pot – crying out for some equally lovely companions in a holiday arrangement. So yesterday, I clipped from here and there in the garden and created this trio of vases to adorn our Christmas dining table tonight.

In addition to the paperwhites, here’s what the vases contain:

• Pieris japonica (Lily-of-the-valley shrub)
• Camellia in bud
• Bay tree stems
• Daphne odora in bud
• Dusty Miller
• Viburnum x bodnantense ‘Dawn’
• Variegated Ivy
• Evergreen fern fronds
• Narcissus (Paperwhites)

 

As I prowled through my mostly dormant landscape, each one of these plants reminded me how much I have to value in the winter garden. If you plant for four seasons, with intentionality, those woody ornamental shrubs really deliver! I found myself thinking: “Make more room for Pieris!” as I only have three and they’re relatively young shrubs. But those chains of blooms, deep pink and delicate, are simply sublime dangling out of the vases.

The Daphne – only planted two years ago next to the backyard patio where I will smell its fragrance in winter – well, I gingerly snipped three stems, each with a bud – and each from a lower/back part of the shrub. I still want to enjoy Daphne outdoors, as well as indoors!

I gaze at the Viburnum ‘Dawn’ every day – it’s just outside my office window and such a welcome a note of color – intense pink! – in December and January. Even the Dusty Miller, marginally winter hardy here in Seattle, had hung on long enough to give me a silvery cluster of soft leaves for each vase.

I’m launching a new project next week, appropriately called “The Slow Flowers Challenge” – and so making this holiday trio of arrangements has been my warm-up exercise.

If you’re ready to join me, start collecting your vases, eyeing botanicals in your landscape or neighborhood, and dreaming about a year of flowers in your life.

Happy Day, dear friends.

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Emily Thompson is an iconoclast, an anything-but-predictable designer and artist – and owner of the NYC studio and shop that bears her name, Emily Thompson Flowers.

Three years ago at this time, the flower world was celebrating the fact that Emily and her team helped Michelle Obama achieve her dream of bringing the outdoors inside the White House at Christmas.

This year, Emily is settled into her charming new emporium in lower Manhattan, a huge space compared to her former flower-closet in Brooklyn’s DUMBO neighborhood.

I arrived to meet her early one October morning, a totally spontaneous visit prompted by the designer’s invitation when I took her class the evening before at Flower School New York.

As I wrote on my blog at the time, it was so gratifying to be introduced to Emily at her workshop and realize she’d been wanting to meet me, too.

That two-hour workshop was thoroughly inspiring. Every single word that Emily uttered was like listening to a Master instructor in a MFA program. I jotted down these lovely Emilyisms:

“I want to make things that are impractical. That are surprising to me.”

“The proportions I design with are more akin to the natural garden or landscape. I’m looking for powerful contrast, for things that resist one another. That draw the eye in and push it away.”

“I love to work with seasonal flowers, with things of our landscape. And then I’ll add bits of the exotic.”

“So much of design is done in selection of materials. I want a flower arrangement to feel like you’ve dug through the wilderness to find a treasure.”

As I mentioned, Emily invited me to visit her brand new shop on Beekman Street, so the following morning we squeezed in a shared cup of tea/coffee and a tour of the new digs. I asked permission to turn on the recorder (natch) and Emily agreed.

Here’s a bit more about Emily:

Raised in Vermont, in a place she calls “the Northeast Kingdom – a place of uncompromising beauty,” Emily was deeply influenced by that sense of place, of the natural wildness of her childhood.

She was educated at the Pennsylvania Academy for the Arts, the University of Pennsylvania and UCLA, where she earned her Masters of Fine Arts in sculpture.

Emily is fascinated with the decorative arts and their history as she continues to collaborate with the rough hand of nature. Her flowers and banquet decor balance the uncultivated organic world with the delicacy of classical ornamental design. These pieces burst with unconventional materials like wild smilax, peaches and real butterflies, and always maintain sculptural grace. And most importantly, they are built in harmony with the space where they are displayed – as if they grew there.

Emily likes to cite William Gilpin, 18th century theorist of the picturesque, who directed builders of follies and artificial ruins, “to do so as if these ruins were not designed but naturally chosen.” What’s more, writes Gilpin, “they must be in magnificent style.” Emily’s work, like her ideal faux ruin, evokes nature in magnificent style.

Emily Thompson Flowers provides custom designs for special events and for all occasions. Using the freshest seasonal flowers, fruit, and foliage as well as unconventional and wild materials, each project or arrangement is individually conceived to suit the architecture and palette of its setting or to transform a room entirely.

At Emily Thompson Flowers in the Historic Seaport district of Manhattan, you can find flower arrangements and bouquets, artist-designed decorative objects, and all kinds of wildly beautiful things. The new shop is on a sunny corner in a building erected in 1865 by George B. Post (architect of the Stock Exchange), which is adorned with cast iron starfish and terra cotta sea monsters.

If you’re lucky enough to live in the New York area, you can order arrangements for delivery, but if you’re not a resident, visit Emily Thompson’s web shop to peruse the art, objects, tools and gifts that can be ordered online.

Emily Thompson designs powerful and poetic florals. She loves the peculiar, the quirky and the wondrous. To me, she gives us permission to redefine beauty in our own personal way, to ignore dictates that the vast floral industrial complex tries to force on us. On her blog, when Emily wrote in early 2014 about moving from a tiny Brooklyn studio to a full-fledged Manhattan flower shop, she wrote “We promise to do everything in our power to bring alchemy to all who need it on this island.”

There is one more episode left for 2014 – and that’s my very special episode that will air on December 31st. I plan on sharing my insights for the New Floral Year, so plan to join me!

My personal goal is to put more American grown flowers on the table, one vase at a time.  Listeners like you have downloaded the Slow Flowers Podcast more than 28,000 times. If you like what you hear, please consider logging onto Itunes and posting a listener review.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at hhcreates.net.