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I recently spent two days with farmer-florists Adam and Jennifer O’Neal at PepperHarrow Farm in Winterset, Iowa, where I combined a photo shoot for an upcoming issue of Country Gardens magazine with the chance to interview them for this podcast — how lucky for me, right?!

If you have any curiosity about where PepperHarrow Farm is located, think about that romantic novel and the 1995 movie, “The Bridges of Madison County,” starring Meryl Streep and Clint Eastwood. Maybe I’m dating myself, but it was a classic. The story and film are set in Winterset, Iowa.

Adam is originally from south Louisiana and spent his childhood days playing in his backyard, the swamps of a nature reserve. That early exposure to the outdoors grew into a love for being outside. One day he read an article about permaculture and the rest is history.

Iowa native Jennifer is a long time gardener who also inherited her Grandmother’s love of flowers. She grew up spending long summer days on her grandparent’s farm and in their garden. Her grandmother also spent every summer instilling floral design in Jennifer, doing flower arrangements with her for the local county fair. Jennifer now gets to bring her grandma to her farm to see the flower legacy continue and often delivers floral arrangements for her grandma to enjoy.

The O’Neals are committed to sustainable farming practices that preserve and enhance the land. Their efforts to minimize the environmental impact and plan for self-sufficiency make their small farm a diverse and educational experience.

Follow these links to find Jennifer and Adam at these social places:

PepperHarrow Farm on Facebook

Jennifer on Instagram

Adam on Instagram

There’s a lot to flower your soul and spirit, not to mention your creativity, in several forthcoming design opportunities, so perhaps I’ll see you at one of these events!!

Detroit Flower Week, October 11-15: Along with numerous members of the Slow Flowers Community, I’ll be joining Lisa Waud of The Flower House and pot & box at the inspiring floral convergence of design, art, farming and storytelling. Read more about Detroit Flower Week here.
Follow this link to grab your tickets!

The Slow Flowers Creative Workshop, October 17-18 at Russian River Flower School in Sonoma County California. Spaces are still available for this excellent program. Debra Prinzing will teach “floral storytelling” and partner with Dundee Butcher to use local flowers in our expanded design process that includes each student creating a video short for her or his own use. Details and registration link here. Click here to listen to a Q&A with Debra and Dundee as they discuss the workshop.

Flowerstock, hosted by Holly Chapple, a Slow Flowers member based in Virginia. She’s a designer, educator, founder of Chapel Designers, past guest of this podcast and also a flower farmer with her husband Evan on a new project called Hope Flower Farm.

Flowerstock includes two days of demonstrations and talks by renowned floral designers, a marketplace of vendors, flower playtime, live music, food trucks, barn dancing, campfires and glamping! Slow Flowers is pleased to sponsor this special gathering of our flower friends. We’re also thrilled that Holly and participants of Flower Stock will design and produce one of our Floral Style Fashion images for American Flowers Week 2017!  Find Flowerstock Details and registration link here.

The Slow Flowers Podcast has been downloaded more than 121,000 times by listeners like you. THANK YOU to each one of you for downloading, listening, commenting and sharing. It means so much.

Thank you to our lead sponsor for 2016: Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers. To learn more visit americangrownflowers.org.

More sponsor thanks goes to Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

A big bouquet of thanks goes to Longfield Gardens… providing home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

A fond thank you Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com.

And finally, thanks to the Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.
The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew and Hannah Brenlan. Learn more about their work at shellandtree.com.

This past weekend provided a hugely rewarding experience for my friend Teresa Sabankaya of Bonny Doon Garden Co. and me. We teamed up to teach the first-ever Slow Flowers Creative Workshop at Castle House & Garden, her private, “secret garden” setting in Santa Cruz.

The idea behind our curriculum was twofold:

I wanted to share “Floral Storytelling” techniques and Teresa wanted to share her approach to “Garden-Inspired Design.”

Floral Storytelling and Garden-Inspired Floral Design concepts are central to the idea of creating a personal brand for flower farmers, floral designers and farmer-florists who support Slow Flowers, local sourcing and sustainable design practices — and who wish to differentiate themselves in a crowded and competitive marketplace.

READ MORE…

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I want to start this episode sharing more details about the upcoming Slow Flowers Creative Workshop that I’ll be co-teaching with Teresa Sabankaya of Santa Cruz’s Bonny Doon Garden Co. on Sunday, August 21st and Monday, August 22nd.

This valuable experience is designed to help you clarify, document and communicate your personal aesthetic message as a floral professional.

In a safe, supportive and intimate setting, our small group will focus on YOU! We’ll go deep into Slow Flowers “brand building” as each participant finds his or her own voice as a floral storyteller.

If you’ve been thinking about investing in your businesses’ future, now is the time to sign up. Today’s podcast interview features my conversation with Teresa about some of the content that we plan to cover.

You’re also invited to join the Slow Flowers Meet Up from 3-6 pm on August 22nd! Check out details here.

In August 2014, a writer named Susan Langenhennig of the Times Picayune, the major daily newspaper in New Orleans, published an article, which she titled:

The farm-to-vase movement: Local flower farms sprout on urban lots around New Orleans.

Susan wrote: “The mantra of the eat-local food movement is heading into the flower fields. Decades ago, that ethos began opening eyes to agricultural practices and sparking questions of how and where food is grown. Now a nascent cut-flower farming industry in New Orleans hopes to get consumers to think as much about the provenance of the bouquets they buy as the food they eat.
Within the last year, several local flower farmers — all of them growing on small urban lots — formed the New Orleans Flower Growers Association to pool resources and share advice. The group’s farmers use sustainable practices, without the synthetic herbicides and pesticides typical in the commercial flower industry. Selling locally, they hope to reduce the average bouquet’s carbon footprint to just tiptoes.”

Susan quoted today’s guest, Denise Richter, who owns Pistil & Stamen, a flower farm with business partner Megan McHugh. She also highlighted veteran and emerging flower growers in the New Orleans Flower Growers Association, and she asked me to comment on the “trend” that’s called Slow Flowers.

“It’s a gradual awareness in where our flowers come from. Food is way ahead… It’s the same customer who will ask in a restaurant, ‘Where was this salmon caught or raised?’ What’s the food mile? What’s the flower mile?”Foodies and gardeners “get it first,” Prinzing said.

When the story was published Slowflowers.com was literally two months old and no one from Louisiana had joined as members. Through the article, I connected virtually with Denise and other New Orleans Flower Collective members and invited them to join Slowflowers.com.

They did and their involvement has helped visitors to the site — people from across the country — to find and connect with some wonderful resources for local, Louisiana-grown cut flowers and floral design. Here is their mission:

The New Orleans Flower Growers Association (NOFGA) is a small group of New Orleans based flower growers that share a love of growing and a commitment to natural and sustainable practices. Growers exchange knowledge, marketing and production resources to support a burgeoning organic and local flower production industry. NOFGA also connects buyers with the flower farmers who are producing locally and sustainable grown flowers.

Last month, I met Denise in person. As you’ll hear in this episode, she visited the Pacific Northwest recently and was warmly welcomed by the Seattle Wholesale Growers Market community of farmers and florists. We met over pizza and beer when Diane Szukovathy and Dennis Westphall invited Denise to stop by Jello Mold Farm for a community gathering after the Market’s flower farm tour.

I was jazzed to make a human connection to someone I only previously knew through social media, but I couldn’t let Denise sneak out of town without turning on the recorder to capture a conversation with her about Pistil and Stamen. I asked her to update the Slow Flowers Podcast audience on the New Orleans flower scene, two years after that original article appeared.

Here’s some background on this dynamic team:

Denise Richter left a fashion career at Calvin Klein to study food systems and community organizing at NYU, and has been working on farms and urban gardens ever since.  She came to New Orleans to start the Edible Schoolyard NOLA, an organization that aims to change the way students eat, learn and live in 5 public charter schools in the city. As a garden educator and garden manager for seven years, she spearheaded curriculum development, staff mentoring, and garden builds.  Building garden classrooms that were as aesthetically pleasing as they were functional and educational, she has always loved and cared about making beautiful spaces for community members of all ages to enjoy.   This extended to bringing the outside in, making bouquets from the garden for the cafeteria tables, front office desk and for special school events.

Megan McHugh came to New Orleans to start a garden education program at MLK Charter School in the Lower 9th ward.  With a degree in Literature and an MFA in Creative Writing, she has been always less interested in the nitty gritty science behind agriculture (soil scientist she is not!) than the utter delight and magic behind growing food and flowers.  Her passion for creating meaningful and fun experiences for students within their regimented school day led her to garden education, along with her years of community gardening experience. When her small program lost its funding, she began working with Denise at ESY NOLA, developing gardens.  She soon became the resident florist of the school, fielding bouquet requests regularly, and her plant choices became very influenced by her need for design material!  This creative, multi-functional gardening is one reason Pistil & Stamen is so adept at using edible elements in their work such as unique herbs, peppers, asparagus and more.

The women share this from the Pistil & Stamen web site:

Seven years ago, we met over coffee to chat about our mutual profession, school gardening, and realized we had even more in common than that. Both of us having designed, tended to and taught in gardens throughout the city, we found in each other a shared passion for creating the most beautiful spaces we could –  growing native plants, cut flowers and gorgeous perennials along with our veggies.  Growing food for people on its own wasn’t enough.  We wanted to grow beauty for them as well.
And now, we happily hand our clients arrangements grown in urban gardens on St. Claude Ave and Oretha Castle Haley Boulevard.  We design bouquets as we do our gardens –  with respect for natural forms and movement.  And we are quite pleased to create habitat for increasingly threatened pollinators, and that our gardens inspire many a passerby to stop and smell the roses, or the sweat peas, or the jasmine.
Community-minded and eager to share these green spaces in the heart of our city, we love having people to our gardens for workshops, parties, and volunteer days.

Follow Pistil & Stamen on Facebook

Find Pistil & Stamen on Instagram

Be Inspired by Pistil & Stamen on Pinterest

I love one point that Denise made about the New Orleans Flower Growers Association/Collective. She noted that the local media “would not have done a story about one of us – but collectively, there is a story.” I couldn’t agree more.

If you are involved in an interview or photo shoot with media in your region, be sure to add a rich layer of relevance to the narrative by telling the writer or editor to the Slowflowers.com community. We can help give your story national context and validate that you are a pioneer in bringing local and sustainable flowers to the marketplace. Put that journalist in touch with me so I can share a voice of affirmation to what you’re doing. Don’t miss the opportunity to place yourself in the national conversation about domestic and local flowers.

And please get in touch with me if you would like more statistics and sources to validate the metrics around local flowers. As always, I’m available at debra@slowflowers.com When you highlight Slow Flowers in your local press, you’re helping sisters and brothers in the Slow Flowers movement everywhere as well as yourself!

This week we also published a new piece listing the Value of your Slowflowers.com membership. It’s a membership that is so much more than helping customers find you. It is about branding, marketing, connections and community. Download a high-res version of this piece here and share it with colleagues who’ve yet to invest in themselves or their businesses by being part of this important national cause.

The Slow Flowers Podcast has been downloaded more than 110,000 times by listeners like you. THANK YOU to each one of you for downloading, listening, commenting and sharing. It means so much.

Thank you to our lead sponsor for 2016: Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

More sponsor thanks goes to Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

A big bouquet of thanks goes to Longfield Gardens… providing home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at lfgardens.com.

And finally, thank you Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew and Hannah Brenlan. Learn more about their work at shellandtree.com.

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This week’s episode delivers double the inspiration as you will hear from two guests — one quite familiar to our Slow Flowers community, Ariella Chezar, and one who is an emerging leader in floral design education, Morgan Anderson.

Both interviews were recorded in May and I’m combining them here for an extended episode that will delight you as a creative person and evoke some new ways of thinking about your business model, be it flower farming, floral design or a combination of both.

MEET ARIELLA CHEZAR

I am so fortunate to have gotten to know Ariella Chezar over the years. We were first introduced virtually by Berkeley-based designer Max Gill, an incredibly talented floral artist who I profiled (along with the work of photographer David Perry) in The 50 Mile Bouquet.

When I interviewed Max, I asked him to connect me with someone who had influenced his work and he named Ariella. She and I corresponded by email and she contributed a lovely quote about Max’s work for me to use in the chapter about him (and PS, a podcast interview with Max is on my bucket list for the upcoming year).

I promptly ordered my own copy of Flowers for the Table, an evocative book that Ariella created for Chronicle Books in 2002, one that helped propel her into the world of editorial floral design.

Ariella and I finally met face-to-face in spring of 2013 at Chalk Hill Clematis in Healdsburgh, California. She was there at owner Kaye Heafey’s beautiful flower farm to lead a design workshop and as it turned out, I was there with Chicago-based photographer Bob Stefko to produce a clematis story for Country Gardens magazine. The following year, I interviewed Ariella for this podcast in her former Ariella Flowers retail studio in New York City (if you haven’t heard that episode, follow this link).

That was about the time that Ariella teamed up with her favorite editor, SF-based Leslie Jonath of Connected Dots Media (with whom she had created Flowers for the Table), to begin creating The Flower Workshop, the designer’s long-anticipated second book that Ten Speed Press released earlier this year.

It took about 18 months to bring this lovely tome to life because Ariella and her creative team photographed flowers and her designs in season, on location in both the Bay Area, where Ariella worked in the early days of her career, and in her childhood home of The Berkshires, where she operates a studio and small flower farm in western Massachusetts.

The gorgeous new book expresses Ariella’s lush, whimsical garden style and her true passion for nature, both cultivated and wild.

Why is Ariella’s work so celebrated? In our 2014 podcast interview, Ariella identifies the place (California) and the moment in time (the late 1990s and early 2000s) when she developed, almost unconsciously, her carefree, uncomplicated design aesthetic. Mesmerized by the abundance of carefree, unconstrained vegetation around her, Ariella responded in kind with a loving respect for the elements. In response, her design style was and continues to be unique and iconic.

Please enjoy this short interview. It was recorded at the Seattle Wholesale Growers Market on May 25th, after Ariella had spent two full days first touring the flower farms of some of the Market’s members, then teaching a master design intensive based on the content of The Flower Workshop.

READ MORE…

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Where do remote resort communities like Sun Valley, Idaho, and Jackson Hole, Wyoming, get their flowers?

These high-desert mountain areas aren’t exactly huge agricultural regions, but today’s guests have built their successful flower farming business on serving these two luxury markets.

Please meet flower farmers Ralph Thurston and Jeriann Sabin. The talented wife-husband duo are the owners of Bindweed Farm in the southeast corner of Idaho.

I invite you to celebrate the recent publication of Deadhead~ the Bindweed Way to Grow Flowers, a new book about the joys and challenges of growing cut flowers for commercial sales.

Located about two hours from both of these upscale destination resort markets, Ralph and Jeriann have created a beautiful lifestyle that is supported by flowers.

 

Ralph is known as “il maestro”, the brain and the brawn who plans every detail, ordering all plant material, orchestrating the farm’s intricate planting schedule and irrigation scheme.

He is a genius, a green thumb wizard.  And not only that, he cuts nearly every stem, that’s thousands and thousands each season.

Jeriann is the beauty–as in aesthetics.  As an artist, color and texture are her DNA. Ralph may be responsible for the diverse varieties but Jeriann selects the colors.

Never without her trusty smart phone/camera, she photographs every flower on the farm and loves keeping the Bindweed blog.

She processes every stem–conditioning and packaging each bunch of flowers as they come in from the field.  In charge of sales and delivery, she enjoys meeting and consulting with designers each week.

Passionate about small farms and farmers, Bindweed has been a member of ASCFG, the Association of Specialty Cut Flower Growers for over fifteen years.  Each of them have served on the board of directors and have contributed articles for the Cut Flower Quarterly.

Bindweed occupies five acres in the heart of potato country, the eastern edge of Idaho’s high desert plain.  Surrounded by several mountain ranges and cinder cones—extinct volcanoes—the farm enjoys spectacular 360-degree views, rich soil and a short growing season.

On clear days the tip of the Grand Teton sits up like a shark’s tooth behind the foothills in the east and the resort, Jackson, Wyoming ,is only two hours away. Equidistance to the west lays Sun Valley.  Famed for skiing and hiking, both resorts are outdoor playgrounds for many of the rich and famous. Extremely popular for conferences, think tanks and destination events, they are the perfect market for our flowers.

Here’s how to find Jeriann and Ralph on social media:

Bindweed Farm on Facebook

Bindweed Farm on Instagram

The Slow Flowers Podcast has been downloaded more than 87,000 times by listeners like you. THANK YOU to each one of you for downloading, listening, commenting and sharing. It means so much.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

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Today’s podcast guests conjured up the most amazing room installation at Lisa Waud’s Flower House last October. It was thoroughly mesmerizing and masterful in so many ways, and while I had a chance to meet and share time with Denise Fasanello and Anne Kilcullen during the days leading up to the Flower House opening on October 16th, we never had enough minutes to record a podcast interview. However, when I was in NYC a few weeks ago, the three of us got together to record today’s episode to share with you.

Denise and Anne are the co-creators of “A Floral Whirlwind,” which occupied the upstairs dining room space at The Flower House. Sculpted of foliage, vines and a few botanical surprises, the kinetic whoosh of a gravity-defying, tornado-like experience in the center of the room was pretty darned incredible for everyone who viewed it.

READ MORE…

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I’m so pleased to introduce you today to Gloria Battista-Collins, owner of gbc style, a design studio based in Montebello, New York.

I first met Gloria in 2014 when Holly Heider Chapple invited me to make a presentation about the Slow Flowers/American Grown Movement to the Chapel Designers Conference in New York.

At least 75 florists from around the country were gathered and I was grateful to have the platform for introducing them to American Grown values and the Slow Flowers approach.

To be truthful, I worried a little that my message would be received as something novel or just a “fringe” concept.

However, I was so pleased that Holly’s instincts were right – many wedding and event florists who make up the Chapel Designers’ membership were interested in learning how to rebrand themselves with a local and seasonal story.

Gloria was one of those in the room with whom I felt an instant connection. And in the two subsequent years, we’ve had some meaningful conversations about how she has successfully repositioned her studio, GBC Style, with a local sensibility.

Having trained with some of floristry’s top instructors, Gloria received all the technical and mechanical essentials as she developed her craft. But when it comes to sourcing botanicals, she has had to re-imagine the New York traditions of “just shopping in the 28th Street Flower District” especially when that does not align with her commitment to using only local flowers.

Certainly that’s easier said than done. And for a designer whose garden is located in USDA Zone 6b (with average minimum temperatures from zero to minus 5 degrees), winter months are challenges.

READ MORE…

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Well, we’ve made it through the first week of 2016 and I wonder if you’ve been seeing those social media promises like one that read: “78 days ’til spring,” or whatever the number happens to be at that countdown point.

The New Year causes us to take a deep breath and consider what is essential for our life, our purpose, our creative endeavors. At least that’s how it’s always been for me!

Whether that means taking a baby step or making a radical change, we tend to measure our future choices on or around the first of the New Year. It’s universal. Setting goals and striving to achieve them is what makes us human. I’m excited for 2016 and what it promises in our community, with so many exciting Slow Flowers-inspired gatherings, events, stories and connections on the horizon.

Before I introduce you to this week’s featured guest, I have some newsy items to share.

 

First off: the HUGE news that Martha Stewart Living is featuring Slow Flowers and the slowflowers.com directory in the February 2016 issue – aka the Valentine’s Day issue!

Here’s the text:

“The benefits of choosing locally grown foods over those from all over the world extends to flowers as well. That’s why garden and features editor Melissa Ozawa likes Slowflowers.com, an online directory of more than 600 florists and flower farms across the United States. The site offers local blooms in season (for instance, winter tulips or anemones, if you’re in the Northwest). Have your heart set on classic roses? It also helps users find growers in California and Oregon that ship nationally.” 

There you have it! Short and VERY sweet!

Individually, none of us could have earned this type of media attention from a magazine with paid circulation of more than 2 million subscribers, monthly newsstand sales of 115,000 issues and total audience reach of more than 9 million. The demographics of the Martha Stewart reader are in close alignment with your own floral business. You can find the reader statistics on my show notes at Debraprinzing.com, so check them out and feel proud of what we’ve accomplished!

And here’s another mindboggling fact: If we tried to purchase a 1/6-th page advertisement for Slowflowers.com in this issue, it would cost approximately $45,000.

Simply put: those 82 words mean so much to our Slow Flowers community and also represent the incredible value to you as a member of Slowflowers.com.

We can only pursue this type of media coverage if you join the site and support it financially – so keep that in mind as you plan your own business marketing budget in the coming year. For just $200 a year, you can have a significant impact in the success of the Slow Flowers Movement.

When I hear from editors who ask for flower farming and floral design images I often send a call for submissions to members of Slowflowers.com. Recently that paid off in an article by an Associated Press features writer Sarah Wolfe, who wrote about succulents in bridal bouquets.

The work of several Slow Flowers members was featured in her AP wire story that ran in countless daily newspapers across the U.S., including Holly Chapple of Holly Heider Chapple Floral Design, Kelly Sullivan of Botanique and Erika Knowles of Botany 101.

When it came to illustrating the Slowflowers.com piece, Martha Stewart Living‘s art directors reviewed our gallery of choices, including floral images submitted by several Slow Flowers members who responded to my call for artwork.

The art directors were drawn to a beautiful, early spring bouquet from Erika’s Fresh Flowers in Warrenton, Oregon.

Erika’s is owned by Kathleen Barber, a gifted flower farmer, floral designer and photographer – all her talents came together for the image you see here.

Our podcast today features a mini-interview I recorded with Kathleen last weekend when I called to congratulate her.

Check out Kathleen’s work at these social places:

Erika’s Fresh Flowers on Facebook

Erika’s Fresh Flowers on Instagram

Kathleen Barber Fine Photography

Enjoy this lovely profile of Kathleen Barber that ran in a local publication last summer. I so appreciate her including the Slow Flowers movement in the story!

And if the image you submitted for consideration for the Martha story wasn’t chosen don’t feel disappointed. I have been asked to share images with another prominent publication for a pre-Valentine’s Day web gallery coming up soon — and you can be sure your floral submissions will be included — I’ll share details once they’re published.

Next, Amy McGee of the blog Botanical Brouhaha hosted a guest post from me last week in which I shared the Slow Flowers story.

I am so appreciative that Amy dedicated her time (and valuable online space on her popular floral blog) to share the Slowflowers.com story with her readers.

One lucky reader won our giveaway of a one-year Premium Listing to promote her floral business.

Congratulations to Eden Frei of The Garden of Eden Floral Design. I’m so pleased that visitors to Slowflowers.com will soon discover This Idaho-based floral design business that also serves the Spokane, Washington area.

Okay, it’s time to introduce you to Quill Teal-Sullivan, horticulturist, flower farmer and floral designer.

Quill is the garden manager of Meadowburn Farm, a historic garden and working farm located in the Warwick and Vernon Valley, just 90 minutes from NYC.

There, she is leading preservation efforts and saving the century-old “picking garden” and heirloom floral varieties once grown by the original owner, Helena Rutherfurd Ely (1858-1920), a pioneering figure in American horticulture at the turn of the 20th century and founding member of the Garden Club of America.

Quill has worked with the owners of Meadowburn Farm for the past six years to preserve their significant historic gardens, which are listed on the National Register of Historic Places and sit at the center of Meadowburn’s 590 acre preserved farm.

As a graduate student in the Longwood Graduate Program, she spent two years researching the garden’s history and possibilities for their preservation, which served as the topic of her master’s thesis.

Today she acts as Meadowburn’s Garden Manager, working day in and day out to bring the 130 year old gardens back to life.

Here’s a bit more about Meadowburn from the beautiful web site:

Helena Rutherfurd Ely built her gardens surrounding her country home Meadowburn over the course of a forty-year period with the help of her loyal gardener, Albert Furman.

Through trial and error she developed the practical hands-on horticultural knowledge that informed and inspired  her three widely influential books on hardy gardening.

In her day, Helena was considered one of the premier garden experts in America and her gardens at Meadowburn were recognized as among the finest in the country.

The process of rehabilitating Helena Ely’s gardens—interpreting her vision and philosophy and tending the landscape day-to-day—is a deeply rewarding and very personal journey for Quill, who has been gardening since she was a girl helping in her mother’s garden in the Pacific Northwest.

In bringing Helena’s story and the important historic gardens at Meadowburn back to life, Quill has begun to find her own voice as a horticulturalist.

Her work has been featured in Martha Stewart Living, on my friend Ken Druse’s podcast Real Dirt, and on Green Wedding Shoes.

I first met Quill two years ago. We started an email correspondence after Quill made a contribution to the Slowflowers.com Indiegogo campaign and she replied to my thank-you email with this note:

I just saw that you are based in Seattle, which is where I will be for another week and a half before making the trek back East to wake up the gardens at Meadowburn Farm.  If you have any free time in the next week, I would love to take you out to coffee and talk about my project at Meadowburn and perhaps get your advice.  

In a nut shell, I am managing the restoration of a 6 acre historic garden outside of NYC, and working with the family to set up a business which hopefully will incorporate cut flowers. For 100 years the garden had a 1 acre ‘picking garden’ which filled the house with fresh cut flowers from may until frost. We still have over 500 linear feet of heirloom peonies, and hundreds of heirloom dahlias.  I have done quite a bit of research on the possibility of selling our cuts, and have spoken with several other growers such as the folks at Jello Mold. Would you be willing to meet with me?  I would be so grateful.

That turned out to be a lovely moment in the midst of my busy Indiegogo campaign when Quill and I met at my neighborhood bakery.

She shared the fascinating story of her own journey into horticulture and tempted me with tales of a once famed but nearly forgotten American garden writer whose historic gardens were coming back to life in Quill’s hands. In retrospect, I realize what an opportunity I missed to share her story with the larger community, mainly because that was months before we launched this Podcast.

So now I’m making up for that oversight and while Quill was back in the Seattle area over the holidays we sat down to record this interview. Consider this our delayed-by-2-years “do-over” and I hope you enjoy it as much as I did.

Thank you for joining me today. I hope you’re inspired to check out the Meadowburn Farm web site to learn more about this important living artifact in America’s gardening narrative.

Home gardeners and florists alike are now able to order heirloom dahlia tubers that are the offspring of ones grown by Helena Rutherfurd Ely at Meadowburn Farm in the late 1800s and early 1900s.

Meadowburn Farm’s Sustainably grown, fresh cut flowers from the 130-year-old picking garden are available wholesale to florists and markets.

Peonies are available starting in May until July; Dahlias are available July until mid October.

Other flowers often available include: foxglove, lily of the valley, iris, cornflower, ammi, phlox, nicotiana, nigella, and an assortment of other unusual, rare, and unlikely cut flowers and foliage from the gardens, meadows, and woodlands.

Please contact Quill directly for bulk and wholesale orders and to join her weekly wholesale availability list. You can incorporate a bit of American gardening history into your arrangements and support the restoration of an amazing garden while you are at it!.  Send your name and e-mail address confirming your interest in cut flower availability to quill@meadowburnfarm.com.

NYC florists can often find our flowers at 28th St Wholesale Flowers in Manhattan.

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If you are in the NYC area, you are invited to hear from Quill next Wednesday evening in a lecture she’s giving entitled “Finding my Way.” It takes place from 6 to 7:30 pm on Wednesday, January 20th.

This is the first in Wave Hill’s 2016 Horticultural Lectures, a winter series hosted by the Friends of Horticulture Committee and devoted to the subject of garden making and garden design and the meaning of our interactions with plants and the natural world.

The series of three lectures continues February 17 with  garden writer Marta McDowell; and on March 16th with Katherine Tracey, co-owner of Avant Gardens, a nationally known mail-order nursery and garden design/build firm in Massachusetts (and as you all may remember, the instigator of the Slow Flowers Challenge).

All three talks are  held at the New York School of Interior Design in Manhattan. and you can purchase the series ticket for $60/$50 Wave Hill Member or student. Individual lecture tickets are: $25/$20 Wave Hill Member or student. Seating is limited, and advanced reservations are recommended, online or by calling 718.549.3200 x216.

And one more piece of last-minute news: If you haven’t yet heard, next week on January 18th, Ohio flower farmers are gathering in Cinncinati for their second annual “Meet Up.”

You can find all the details on Buckeye Blooms’ event page, where Susan Studer King and others have created a info-packed and inspiring program.

The meeting will take place at Sunny Meadows Flower Farm outside Columbus, thanks to hosts Steve and Gretel Adams. I’ll be there in spirit, via a Slow Flowers surprise package we’re donating for a door prize. When I checked in with Susan earlier this week, she said that the registration is nearing capacity – but if you’re interested in attending, they may be able to squeeze in a couple late entrants.

The Slow Flowers Podcast has been downloaded more than 78,000 times by listeners like you. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

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Welcome to the final Slow Flowers Podcast episode of 2015.

Every single week this year; in fact, every single week for 2-1/2 years, I’ve had the immense privilege of hosting dynamic and inspiring dialogues with a leading voice in the American floral industry.

You’ve heard from flower farmers and floral designers who are changing the marketplace and how we view and consume the flowers in our lives.

As 2015 comes to a close, I would like to dedicate today’s episode to the Slow Flowers Highlights we’ve witnessed this year.

Next week, on January 6th, I will share my Floral Insights and Forecast for 2016 with you.

The past twelve months have built on the successes and shifts that began in previous years. Each time we turn the pages of the calendar to a New Year, we can applaud the strides made in the Slow Flowers movement.

I can date my own awareness to the American grown floral landscape to 2006 — that’s nearly a decade ago — when I met a very young mom named Erin Benzakein while I was scouting gardens in Mount Vernon, Washington.  She was growing sweet peas and had big ambitions.

Something about our conversation resonated with me. I was an established features writer with a huge home and garden portfolio. I’d written countless floral design stories for regional and national publications and yet it had never occurred to me that there was a great imbalance in the way flowers are grown and sourced in this country.

At the same time, my writer-pal Amy Stewart was working on a book about the global floral industry’s dark side, which was published the following year called Flower Confidential. She delved deep into the stories behind the status quo, and opened mine and countless others’ eyes to the extraordinary reasons nearly 80 percent of cut flowers sold in the U.S. were being imported.

Curious to learn more, I subscribed to Growing for Market, Lynn Byczynski’s newsletter for market farmers. I joined the Association of Specialty Cut Flower Growers and attended my first regional meeting in 2010, held at Charles Little & Co. in Eugene, Oregon, and later that year I went to the national meeting in Tulsa, Oklahoma.

I began connecting with flower farmers wherever I could, both in California where I was living at the time, and in Oregon and Washington. I met people virtually, as well, thanks to the ASCFG list-serves where I learned much about the issues facing small farms and American growers.

READ MORE…