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It’s not yet officially winter, but orchid season is upon us. And today’s guest will tell us all about growing orchids for floral design.

Please meet Joan Bateman, who with her husband Mark Srull own Orchidaceae.

Joan and I have served together on the board of the Seattle Wholesale Growers Market for two years, and we work closely together on the market’s marketing committee.

I’ve wanted to feature an orchid episode for quite some time!

Joan and I finally sat down a few weeks ago, surrounded by the beautiful plants she and Mark grow, to record this conversation and share it with you.

Here’s a little more about Orchidacead:

Based in Walla Walla, Washington, Orchidaceae is an award-winning Northwest grower exclusively dedicated to quality orchids.

With over 30 years of experience, Mark and Joan grow and supply orchids for weddings, special events, interior plantscaping, floral arrangements and to collectors around the country in search of esoteric orchid varieties.

In 2002, the couple moved their nursery from Seattle to Walla Walla and embarked on a rural, flower farming lifestyle.

They brought with them extensive experience in graphic design and marketing, and Mark’s enthusiasm for growing orchids, originally as a hobby that’s earned him numerous awards from the American Orchid Society.

Orchidaceae has a reputation for having the most interesting new orchid hybrids. Its breeding program that includes Paphiopedilums, Zygopetalums, Angraecums, Cattleyas and a variety of unique species. The Phalaenopsis are selected to give floral stylists a distinct design edge with stunning color, interesting patterns and unique styles.

Why Walla Walla? “Even though our major markets are in Seattle and Portland, the growing conditions are very positive here, because of the light,” Joan says.  “We’re excited to be a part of the market and have such a broad variety of our orchids available to Seattle buyers.”

If you want to learn more about orchid growing and how to have success with orchids, check out the link to Orchidaceae’s answers to the most common questions for orchid care. In the Pacific Northwest you can find Joan and Mark’s beautiful plants at the Seattle Wholesale Growers Market and at the Portland Flower Market.

 

Listeners of the Slow Flowers Podcast have downloaded episodes more than 73,000 times. I thank you and others in the progressive American-grown floral community for supporting this endeavor.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

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Welcome to the first edition of the Slow Flowers’ “Best Gifts for Florists and Flower Lovers.”

The holiday season is upon us and today’s episode will accomplish several things. I created this special gift-themed segment to highlight some of my favorite artisan-made products that I’ve become familiar with in the past year or longer.

Second, I wanted to share the voices of “makers” with you. All are women this year, but that is just a happy coincidence (I’m sure we’ll find many male makers to highlight in the future). I recorded short conversations with each of these select artisans. Each is driven to create beautiful and high-quality products inspired by flowers, botany and nature.

Please enjoy these conversations and check out these artist-makers, their work, and – most importantly, links to their online stores so you can see their collections of American-made goods for gift-giving. Have an unforgettable Floral Holiday and moreover, be inspired by the creative entrepreneurs you’ll hear from today.

PHOTOGRAPHIC TAPESTRIES

First up, meet botanical photographer Ellen Hoverkamp of My Neighbor’s Garden.

I’ve written about Ellen’s work for the Los Angeles Times and for Garden Design Magazine, so over the past few years, we’ve become friends.

It was especially rewarding to have Ellen attend an all-day workshop I taught at Blithewold Mansion in Rhode Island last fall – and to see how readily this gifted artist moves from one medium to another.

A Connecticut-based artist and former art teacher, Ellen Hoverkamp first started composing images from nature using an early model flatbed photo scanner in 1997, she didn’t even own a camera. Nor did she know the names of most of the plants she used. “It was all about form and color for me.”

Fast-forward to 2005 and Hoverkamp’s evocative and artful assemblages of botanicals and edibles were profiled in The New York Times; they’ve since been exhibited in museums and graced covers of books and periodicals.

 

 

 

 

 

 

Ellen arranges flowers, pods, branches, vines, gourds and roots as vivid still-lifes against striking black backdrops.

I like to imagine that if Ellen had been born three or four centuries ago, she would have been a Dutch master painter. “I love the hyper-real details of my images,” she says.

Ellen relies on cuttings from public gardens, nurseries and private landscapes to create her pieces. She says that the mission of her work is to bring attention to the efforts of gardeners and to the beauty of nature.

At Ellen’s web site you can find a beautiful online store with her photographic products, including signed prints, note cards and my favorite– photographically printed scarves.

Ellen is a renaissance woman. Her 12-by-58-inch scarves feature seasonal floral and botanical compositions printed on silk charmeuse. The reverse side is hand-died contrasting fabric and Ellen custom sews each one.

In addition to drooling over Ellen’s botanical scarves, I know you’ll want to peruse the fine art work on her web site. You can order prints of most of the floral and veggie compositions there – and there are hundreds to choose from. Ellen posts new work each week on her Facebook page, so check out my link to find and follower her there.

Finally, you can now order her beautiful black canvas tote bags featuring a cornucopia of edibles or a just-picked-from-the-garden floral array. Click here to order.

SEATTLE MADE TO CONTAIN YOUR STEMS

Next up, please meet Kristin Nelson of Kri Kri Studio, a Seattle-based ceramic artist whose vases are popular favorites of the local floral design community here and far beyond, including Barney’s stores in Japan.

I’ve selected Kristin’s vessels to present my All-American floral entries at the Northwest Flower & Garden Show for the past two years. Learn more about her story here.

It seems so fitting to combine locally-grown flowers gathered in vases of equal quality and beauty, made by a talented artisan who touches every single product that leaves her studio.

Kristin’s new VIT Collection is modern and clean, inspired by Scandinavian design and a perfect complement to any flower in any season.

I love Kristin’s color sensibility in the glazes she selects — everything from calming neutrals to joy-inducing brights.

If you’re in Seattle, you may want to check out Kristin’s upcoming studio sale in early December where you’ll meet the artist and get to choose the perfectly-imperfect hand-made vase just for yourself or perhaps as a gift for a special recipient. Kri Kri Studio’s Facebook Page will have more details – so check it out here.

Kristin also shared details and links to these upcoming Seattle events, where you can meet the artist and purchase her lovely pieces:

Clementine PoP uP, Nov- Jan

Praxis Arts, Sat. Nov 28^th  

Multi Studio Event, Dec 12th & 13th

To be on Kristin’s mailing list for her annual sale, email her at krikristudio@aol.com

HAND-LETTERED AND HAND-MADE

Next up, please meet Karen Plarisan and Karly Sahr of Verbena Flowers & Trimmings based in Roseville, California.

The mother-daughter team lives and breathes flowers. Karly Sahr has a graphic design and art degree from U.C. Davis, while mom Karen Plarisan has a landscape design and horticulture background.

They gather inspiration from being surrounded by nature, so it is only fitting that Verbena has developed into a pesticide-free farm and flower design studio.

In addition to floral design work, the two have added an online store that features Karly’s creative product designs.

I want to highlight the “Earth Laughs With Flowers” t-shirt featuring Karly’s exquisite hand-lettering.  She and Karen gifted me a very special tote bag with that same screen print last year and I can’t tell you how many people stop and ask me how they can purchase that tote. The totes aren’t available right now, but the t-shirts are. I know the design will resonate with flower farmers and florists alike.

This week you’ll find a sale going on – 30 percent off t-shirts, stickers and all graphic downloads – through November 29th. And Karen and Karly are offering a free “Life in Color” download with every purchase. It’s just the thing to add to your own inspiration board or to print and give a friend who needs a creative lift.

LUXURIATE WITH HANDMADE SOAPS & BODY PRODUCTS

Next up, please meet Holly Rutt of the Little Flower Soap Co., based in Michigan. Holly spends most of her time during the warmer months running Sweet Pea Floral Design, serving wedding clients, but when the temperatures drop, she turns her focus to a joint maker-project with her husband Justin Rutt.

The Little Flower Soap Co. is a small batch, body care company established in 2010.

Holly and Justin’s mission is to design products that become must-have, can’t live without favorites. They have developed completely natural, healing recipes that smell amazing, really work and are cutely packaged.

Please enjoy this short interview with Holly.

It’s too bad you can’t smell all these wonderful fragrances we’re talking about, but her prices are so affordable that you can easily order a few products to give as gifts, but save one yourself.

Holly’s enthusiasm for her products are contagious. There’s something for everyone cooking up in the kitchen at Little Flower Soap Co.

Check out all of the products here.

And a quick note – you’ll meet Holly wearing her floral designer hat in an upcoming segment of The Slow Flowers Podcast when I interview her about the flower-filled bathroom she designed for The Flower House in Detroit. so stay tuned.

SUSTAINABLE FLORA FASHION

My final gift selection introduces you to Mary Brewster of American Flora, a sustainable fashion company based in Connecticut. I hope you’ll enjoy the story of how we met and about Mary’s goal of sourcing textiles and manufacturing women’s fashion here in the U.S.

I’m so pleased to feature this All-American maker who’s charting new territory in women’s fitness and lifestyle apparel.

Mary’s inspiration for starting American Flora came largely from being a ballet dancer and teacher. She wanted to create pieces that would provide a comfortable feel and feminine look in the studio, and would also pair well with lifestyle wear. She was particularly focused on finding a sustainable fabric.

Mary happened upon a book with a painting she had studied while spending a semester of college in Florence. She says that “Botticelli’s Allegory of Spring had always moved me, but I realized that it also depicted so much of what I wanted for my company. Beautiful Flora, the goddess of flowers is shown scattering her seeds over the world. A symbol of renewal.”

Her collection uses a fabric called Repreve. It’s made from recycled plastic bottles. Another kind of renewal and positive look to the future.

“Flora seemed to roll off my tongue, and was so fitting for the other passion in my life, gardening. After many hours of working on a name for my company, it came to me. American manufacturing was a must in the equation. There it was. American Flora,” she says.

I’m so pleased to feature American Flora and Mary Brewster’s innovative designs. You can shop for American Flora products here.

HAPPY THANKSGIVING

And thanks for joining me today, the day before Thanksgiving. As you enter this holiday season, I wish you moments of rest and creative contemplation.

We all have been racing through a year of flower farming, floral design, events and professional commitments that are equally wonderful and exhausting. Now it’s time to pause and hopefully reflect and recharge to prepare for a new year.

It is with a spirit of gratitude that I thank each of you in the Slow Flowers community for your support. To me, it’s a confirmation that we are on this creative journey together, changing the way Americans view and value the flowers grown on our domestic farms.

Episodes of the Slow Flowers Podcast have been downloaded more than 72,000 times. I thank you and others in the progressive American-grown floral community for supporting this endeavor.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

Music credits: audionautix.com

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In the past few weeks I’ve shared with you a few interviews from floral designers involved with The Flower House in Detroit, the magical, celebrated, 3-day floral-art installation that was the brainchild of my friend Lisa Waud.

Today, we continue this miniseries with more conversations recorded with designers and flower farmers who came together just a month ago for this visionary project.

Please meet a trio of designers from three different states who came together to create the “living room” of The Flower House, the impactful first room that thousands of visitors were able to experience upon entering through the front door.

And you will hear from a floral designer-flower farmer duo about how their relationship has flourished this past season, culminating in the bountiful downstairs kitchen of The Flower House.

First off, please step into “The Living Room,” designed by Jody Costello of J. Costello Designs, Lia Colapietro of Lia Colapietro Floral Design and Kelli Galloway of Hops Petunia.

Based in Royal Oaks, Michigan, outside Detroit, Jody Costello shares this statement on The Flower House web site:

detroit is my city. my parents were born and raised here, i was born and raised here. my great grandmother had a flower shop for decades in detroit. it’s been hard to witness detroit crumble.  over the last few years, there’s been a change, an energy that gives us all hope that our hometown is making a comeback. 

flower  house to me is about recognizing detroit’s history and creating an ephemeral honor with flowers.  and, i just can’t pass up the opportunity to work with such an inspiring group of very talented, supportive designers.  for my space in flower house, i want the flowers to feel as if they just started growing; taking over.

when i was 18, i lived in west virginia and i used to hike along the new river which once was filled with mining towns.  they’ve all since disappeared but i loved the way nature began its takeover of the abandoned buildings. wildflowers and fern grew through the cracks of foundations and moss carpeted the roof.

 i love finding just the perfect thing to put into an arrangement; gorgeous fruit from the local market, hunting down some sweet little blossom in my yard or finding a lilac bush blooming by the roadside.  it’s all in the discovery and details for me.

Lia Colapietro is based in Perrysburg, Ohio, not too far from Toledo.

Here’s her statement:

what inspired me to get involved with flower house? to be honest, i just love what’s going on in detroit these days. flower house is a perfect opportunity to get involved, stretch my creativity, and work alongside gobs of talented, like minded folk.

as a hint of what i’m designing for my part, i would love play with a look that is overgrown, dreamy, and a little magical…

hands down, my favorite floral task is tromping around outside and hunting for the perfect hunk of moss, lichen-y branch, or snipping the most perfect bloom in the garden.

adding a foraged or home grown element to a project always makes a piece feel extra special. sharing that really makes my day.

 

Kelli Galloway of Hops Petunia Floral is based in Kingston, New York, about 1-1/2 hours north of New York City. Here are her observations:

i don’t exactly remember how i found out about the flower house project but i do remember the second i read of  it i knew i needed to be a part of it. i grew up near detroit and went to college there, i spent a lot of my younger years running around that city, it holds a special place in my memories.

after i left, i was always drawn to it, i have such immense pride for it, it’s the hardest working city i know. watching it grow and change over the years and finally get the recognition it deserves, makes my heart so warm. that being said, i’ve been trying to figure out a way i could be a part of it again, both to give back and create something beautiful there. This project is the most perfect way for me to do so. i’m so honored to be a part of it.

my style is very layered and organic, like the way some of houses in detroit have become, i want to build into the house, as it would want me to, to add more layers and more shape, i plan on creating a floral room that engulfs you and hugs you, from the walls to your heart.

what do i love most as a florist? color, and the way nature can shake you when you least expect it. i love finding those special gems in a bunch of roses or anemones that is just perfectly different, the petals have fallen just so or the color isn’t quite the same, i love building drama with color, makes me giddy

I recorded my  interview with Lia, Kelli and Jody on October 15th, the final installation day at The Flower House. Please enjoy this short clip!

Here’s how you can follow each of the creatives you meet here today:

Follow Jody Costello on Facebook

Follow Jody Costello on Instagram

Follow Lia Colapietro on Instagram

Follow Kelli Galloway/Hops Petunia on Facebook

Follow Kelli on Instagram

Follow Kelli on Pinterest

I captured this second interview on the same day with Susan McLeary of Passionflower Design and flower farmer Amanda Maurmann of Cornman Farms.

Amanda’s Michigan-grown flowers and produce were featured in “Fruits of Labor,” the downstairs kitchen designed by Susan, Francoise Weeks and several other talented designers. Hear my recent podcast interview with Susan and Francoise here.

This interview introduces Amanda’s story and reinforces the interdependence between floral designers and flower farmers. Susan and Amanda discuss this during our conversation.

I found it especially fun because we were all seated on the ground as Sue and Amanda stripped foliage to prep stems for the beautiful Michigan-grown floral centerpieces that would decorate the Field to Vase Dinner tables that evening.

 

Susan and Jody both mentioned their excitement about a new dahlia farmer named Michael Genovese of Summer Dreams Flower Farm in Oxford, Michigan.

Like Amanda of Cornman Farms, Michael and his beautiful Michigan blooms adorned The Flower House and the Field to Vase Dinner that amazing evening.

I want to give a special shout-out to Michael, who jumped in and helped the F2V staff and volunteers far beyond the call of duty. He lent muscle and equipment to prepare the yard where the giant dinner tent was erected – and boy do I have a ton of respect for this young man.

I hope to return to Michigan next growing season to visit Cornman Farm and Summer Dreams and share more about these flower farms with you.  You can follow Michael and Summer Dreams here.

Episodes of the Slow Flowers Podcast have been downloaded more than 71,000 times. I thank you and others in the progressive American-grown floral community for supporting this endeavor.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

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I have another great conversation to share with you this week, one that is both unique to this guest’s personal story while also thoroughly symbolic of so many who have embraced the Slow Flowers Movement.

Andrea K. Grist is a wedding and event florist and owner of Lee Summit, Missouri, based studio, Andrea K. Grist Floral Art, which serves the Kansas City metro area. Andrea and I met through a Facebook conversation, which is similar to many of our social media/floral connections.

Earlier this year, Andrea reached out and told me she had been listening to the Slow Flowers Podcast and that she also had been reading my books.

That was a flattering connection, of course, but what impressed me since then, over the course of the past six or eight months, is that Andrea shared with me links to one of her blog posts discussing her visits to Missouri flower farms and featuring her designs and styled photo shoots using locally grown and American grown flowers.

Eventually we set up a phone date to talk further and I asked Andrea to share her story on this podcast.

Andrea has had a successful career for more than 20 years, but in recent years, she wanted to stretch herself as a designer and as a small business owner.

She started seeking out what was going on in her profession and landed on the Slow Flowers Movement.

Even though most florists in her area weren’t asking for local flowers, Andrea began to do so.

One vase, one bouquet at a time, her work is changing the conversation in her community and for her customers.

Andrea is also a member of the Chapel Designers, and she recently self-published Gatherings in Bloom-Table Art for All Occasions with images by Freeland Photography.

The book is filled with beautiful images of table decor, floral design, and hometown stories about her inspirations and floral passions.

Meet and follow Andrea K. Grist here:

Read Andrea’s Blog Here

Andrea on Facebook 

Andrea on Twitter

Preview and order Gatherings in Bloom here

Before we sign off, I have an announcement to share.

There is an abundance of holiday floral design and wreathmaking workshops going on right now, but one scheduled for next week promises to be unlike any other workshop I’ve heard about.

On November 17th, New York-based Slow Flowers member Elena Seegers of Le Fleuriste will be teaching a fall centerpiece how-to with branches fruits and berries.

Here’s the fun twist: The workshop will be held at Fluent City and include French conversation and vocabulary.

As Elena explained it to me Fluent City is a cool language start up where you learn and converse in different languages through social gatherings and workshops.

“Students will learn how to choose and use branches and berries for their table designs, taught in a mixture of French and English.” I don’t know about you, but I would simply love to be part of this evening, which is affordably priced. [note: in the Podcast introduction I inaccurately stated a workshop price of $65. The actual price is $80 per student]

Thanks to the Slow Flowers Tribe, this podcast has been downloaded more than 71,000 times. Whether you’ve just discovered this Podcast or whether you’re a longtime listener, don’t forget that we’ve archived all of the past episodes at Debraprinzing.com – more than two years of conversations with American flower farmers and floral designers – leading voices in the progressive, American-grown community.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

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It is a pleasure today to share my recent conversation with Susan Kelly of Three Sisters Custom Flowers & Events, recorded at her studio in East Palo Alto, California on October 22nd.

Susan is a member of Slowflowers.com.

I featured this gifted floral artist in a short interview a few weeks ago to discuss her installation at The Flower House in Detroit, as part of a round-up podcast conversation with several of the designers involved in The Flower House a few weeks ago.

You can listen to that interview here.

When I realized that I would be in her area the following week, for a lecture and workshop I was scheduled to give at Filoli, the historic estate, I invited myself to Three Sisters Flowers for a tour and interview to share with you.

 

 

Here’s more about Susan:

As owner, lead floral designer and certified wedding coordinator, Susan really knows her flowers and celebrates abundance and natural beauty through her designs. She is constantly doing research to find the newest trends but she also enjoys creating classics.

A Susan Kelly garden-inspired bouquet.

And a lovely floral crown by Susan Kelly.

Susan’s signature design style is simple, natural and elegant, mirroring nature’s effortless beauty.

Susan’s passion for floral design began when she was young. She was immersed in the world of floral design through her first job in high school at the local florist and went on to major in Ornamental Horticulture in college.

It later led her to work as a floral designer for Walt Disney World in Orlando, Florida, (one of the busiest florists in the world) and, more recently, as a freelance designer for nationally acclaimed Mark’s Garden in Los Angeles.

Susan has also worked a wedding coordinator for the gorgeous and very busy Stanford Memorial Church on the Stanford University campus.

I caught this image of Susan consulting with a bridal client who stopped by to see a sneak preview of her bouquets and centerpieices.

During a hectic wedding season a few years ago, mothers of her bridal clients discovered that Susan was willing and able to step up to more than just delivering the flowers.

As a result, Three Sisters add wedding planning, coordination and consulting to their services.

Susan became certified as a Wedding and Event Consultant through WPI.

She is a member of the Board of Directors for the Silicon Valley chapter of the National Association for Catering and Events and is very active in the event and wedding industry.

 

Breathtaking chandelier!

Three Sisters Custom Flowers & Events cares about the environment and Susan considers herself a “green florist,” employing the following practices:

• Composting all our plant and organic waste

• Recycling all packaging materials

• Organic flowers by request

• Locally grown flowers when possible

• Re-using containers and supplies

  

  Apples! Seasonal and local!

Follow Susan and Three Sisters:

Three Sisters on Facebook

Three Sisters on Pinterest

Three Sisters on Instagram

Here are details about next week’s three-day Chapel Designers California conference, which Susan will host at the studio of Three Sisters Custom Floral & Events on November 9, 10 and 11.

After spending 30 minutes with Susan, I hope you feel her incredible passion for what she does.

To me, her passion is inspiring and contagious.

Susan puts her whole heart into each event and it’s no surprise that she’s has formed lasting friendships with many of the clients and professionals she has worked with.

That’s the epitome of a leader in the Slow Flowers community.

Thanks to the Slow Flowers Tribe, this podcast has been downloaded more than 70,000 times.

Whether you’ve just discovered this Podcast or whether you’re a longtime listener, don’t forget that we’ve archived all of the past episodes at Debraprinzing.com – more than two years of conversations with American flower farmers and floral designers – leading voices in the progressive, American-grown community.

Until next week please join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

Podcast: Play in new window | Download

Subscribe: Apple Podcasts | Podcast Index | RSS | More

I’ve had today’s first guest on my “wish list” for a couple years and due to both of our travel schedules, it has taken nearly two years for us to connect in the same time and place with a quiet moment to record today’s interview.

Our paths finally crossed when Françoise Weeks and I were in Detroit at the same time for The Flower House festivities. Françoise traveled to Detroit earlier in the week to teach a two-day workshop hosted by our second podcast guest Susan McLeary of Passionflower Events.  And I was in town to co-host the final Field to Vase Dinner of 2015.

The Flower House, subject of last week’s podcast, prompted Susan to ask Françoise to collaborate with her on the first floor kitchen, called “Fruits of Labor.”

The three of us sat down for this recording on the morning after the hugely successful Field to Vase Dinner.

They were staying in a restored loft apartment in an historic Detroit neighborhood and suggested I come over to record the interview.

When I arrived, Susan and Françoise were concentrating on assembling a bridal bouquet, boutonniere and floral crown for a last-minute elopement that was to occur at The Flower House the following day. It was a lovely moment to talk with both Françoise and Susan as their hands shaped and formed tiny botanical elements into the most delicate, textural creations.

Françoise hails from Belgium, and you can hear the gentle traces of her Flemish accent when she speaks. She has been living in Portland for many years, which is where she developed her studio design business, created flowers for hundreds of weddings and shaped her distinct brand of European-inspired floral design.

Françoise and I have known one another for several years as residents of neighboring states; in fact I first met her in 2010 while on a scouting trip to Portland for The 50 Mile Bouquet.

Since that time, it has been so inspiring to watch Françoise’s career explode as an in-demand floral educator whose workshop series and classes are often sold-out with waiting lists.

Here’s a little more about Françoise:

Françoise was born in Belgium in an area romanticized by the flower arrangements of the Dutch and Flemish painters of the 17th and 18th centuries.

Honing her talents through training with the florists of Antwerp, Françoise discovered her signature—a unique lush and textural style, heavily imprinted by her love of nature and art. Since 1996 she has translated her passion into creations of flowers, herbs, fruits, vegetables and foliage in a way that the masters could only paint.

Her portfolio runs the gamut from elegant natural simplicity to the abundant and bountiful; she consistently delivers the unexpected. Françoise’s first priority is to realize the ideas and needs of her clients and bring to the process her attention to detail and unique creativity.

Recently her work has emerged into two distinctive styles: URBAN WOODLANDS—contemporary stylings of mosses, lichens, bark and forest floor gatherings and FLORAL FORWARD—exquisite botanical haute couture creations of purses, headpieces and shoes.

She shares her knowledge of floral design and mechanics with professionals and students from around the world in intimate studio classes and workshop settings. Françoise has been the subject of numerous magazine articles throughout the United States and Europe.

My conversation with Françoise naturally transitioned to Susan McLeary, once her student; now a good friend and fellow floral educator.

Susan and I met in 2014 when I spoke to the Chapel Designers in New York City at the invitation of Holly Chapple.

She later joined the Slowflowers.com web site (as has Françoise), which is fitting because both designers are known for working with local and seasonal blooms as a preference.

I’ve recently spent more time with Susan who was the featured designer for the Field to Vase Dinner Tour at The Flower House.

I credit Susan for nudging me to schedule this interview with Françoise.

Susan couldn’t avoid me asking her to be part of this episode, as well.

 

Here’s more about Susan McLeary:

Like most of the florists in our Slow Flowers community, Susan is such a collaborative individual as an artist, designer and educator.  Based in Ann Arbor, Michigan, she is known for her unusual, boundary-pushing floral art including elaborate headpieces, flower crowns, and her signature succulent jewelry. Her soulful, seasonally-inspired creations and floral wearables have been described as exquisite living artwork.  

Susan has trained with some of the country’s leading floral designers, including Françoise Weeks, Holly Chapple and Erin Benzakein of floret. Yet, she has developed her own distinctive style of floral design.

Considered one of the country’s top designers of floral wearables and living jewelry, Susan received one gold and three silver medals and placed second overall in the 2014 Fusion Flowers International Designer of the Year competition. 

Her studio Passionflower was the only finalist in the floral category of Martha Stewart’s 2015 American Made contest! 

A passionate teacher, Susan offers private design instruction for new and professional florists in her studio and through destination workshops.

Her teaching experience also includes a sold-out two-day workshop on living jewelry design in Scotland; numerous other creative collaborations workshops are planned for the coming year.  

Susan’s work has been featured on the cover of Fusion Flowers Magazine and in leading industry publications and websites including Modern Wedding Flowers, Style Me Pretty and The Knot. Susan is a member of Chapel Designers, Slow Flowers and Style Me Pretty’s “Little Black Book.”  A frequent featured designer on Etsy, her designs and living jewelry has been praised for its originality, sustainability and style.  

Susan calls Françoise a kindred spirit, which is such a lovely way to view how the Slow Flowers Movement is bringing together many like-minded flower farmers and florists. We are kindred spirits and the more we share and give, the more we can stimulate a new normal in this profession. I’m so grateful that these two women shared their stories with you today.

Here’s how to follow Françoise Weeks:

Françoise on Facebook

Françoise on Instagram

Françoise on Twitter

Françoise on Pinterest

Susan on Facebook

Susan on Instagram

Susan on Twitter

Susan on Pinterest

Susan on Vimeo

Episodes of the Slow Flowers Podcast have been downloaded nearly 69,000 times. I thank you and others in the progressive American-grown floral community for supporting this endeavor.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

Podcast: Play in new window | Download

Subscribe: Apple Podcasts | Podcast Index | RSS | More

This week’s episode is dedicated to my friend Lisa Waud and to the flower farmers and florists who created The Flower House. Here’s a recap, by the numbers:

1 Elderly home, circa early 1900s

15 rooms, closets, hallways and porches

30-plus floral designers

3 days

2,000-plus visitors

25,000 to 40,000 individual stems of flowers and foliage; the count keeps climbing and changing!

hundred of potted plants

dozens of American flower farms and farmers

180 Field to Vase Dinner Guests

And now that the Flower House event is over? There will be one glorious Detroit flower farm called Flower House Farm.

Last week I had the honor and privilege of returning to The Flower House, a project I visited the first weekend in May when creator Lisa Waud and her fellow designers decorated two rooms of an adjacent building, now called “the little house,” for a press preview to introduce the ultimate exhibition to come in October.

That event took place last weekend, a three-day, flower-themed wonderland that has garnered international attention, including a huge story last Thursday in the New York Times.

This podcast has the distinction of being the first media outlet to share the story of The Flower House when we aired the original interview with Lisa Waud this past February.

I now feel like the fairy godmother who granted a tiny wish to help Lisa get the word out — and look what a fantastic and beautiful dream it blossomed into!

Officially, I was at The Flower House in Hamtramck, Michigan, a hamlet just outside downtown Detroit, to co-host the final of 10 Field to Vase Dinners for 2015.

What a perfect way to go out with a huge bang — a floral fireworks show that sold out days in advance (for tour tickets and dinner tickets), making this the most successful Field to Vase Dinner of all.

I arrived at The Flower House late last Wednesday, having grabbed a lift from the airport with my Seattle flower gal-pal Bev Burrows. Bev is a Detroit native who works in the floral, events and visual display world here in Seattle and she simply could not stay away from the lure of The Flower House in her hometown.

We jumped out of her brother’s car and started hyperventilating as we saw florist friends new and old (a few of our friends from the PNW had flown in just to volunteer for a few days, Slow Flowers members Adria Sparkhawk of Thicket in Portland and Erica Knowles of Botany 101 in Seattle). Then I found Lisa and greeted her with hugs, smiles and a few tears of happiness.

There was much going on with the opening less than 36 hours away. Lisa was busily installing her 2-story display on the home’s upstairs and downstairs porches (see that portion above).

And 14 other spaces were in various stages of installation, too. Buckets of American grown flowers were stacked everywhere and the orderly chaos promised something huge was about to be unveiled.

Over the next several weeks I’ll be sharing clips from interviews with as many of the Flower House designers as have been able to record.

Today you will hear from designers of four of the rooms; I grabbed these conversations as the designers introduced me to the specific space they embellished with flowers, and as they described the inspiration, vision and design process.

There is one unifying thread that weaves together these stories. Each designer cares deeply about sourcing American grown botanical ingredients from local flower farms and from farms in other parts of the U.S.

They want to showcase the bounty and beauty of the season and help tell the floral industry and the floral consumer that it’s important to make a conscious choice when buying flowers.

First up, you will meet SALLY VANDER WYST of the MILWAUKEE FLOWER CO., a Slowflowers.com member who created a Wisconsin-filled kitchen called “Nature Takes Back.”

Then you’ll hear from SUSAN STUDER KING of BUCKEYE BLOOMS, Slowflowers.com member and a past guest of this podcast, and her collaborator, fellow Ohioan CAROLINE WALKER of PASSIFLORA STUDIO as they introduce us to the child’s bedroom entitled “Foraged Foliage.”

The third space I visited was entitled “Sweet Mossy Dreams,” a closet and tiny hallway decorated in a most fantastical way by Slowflowers.com member SUSAN KELLY of THREE SISTERS FLOWERS, based in East Palo Alto, California.

And finally, you’ll meet past podcast guests and Slowflowers.com members JENNIFER HAF and LARISSA FLYNN of BLOOM FLORAL DESIGN, based in Petosky, Michigan, as they describe the vivid and electrifying upstairs bedroom, “Wild, Floral Graffiti.”

I’ll introduce these Flower House designers individually at the beginning of each clip, so follow along and enjoy this first installment and virtual tour of the rooms within The Flower House.

I think it’s so exciting that you’ll be hearing from designers who hail from Wisconsin, Ohio, California and Michigan – they’re just a few of the many talents whose voices will appear here in the coming weeks.

I especially love the contagious passion and urge to create that exudes from this project. Whimsy, joy, wonderment, sentiment, poignancy, surprise — all combine in this dream of a project.

My hat is off to all of the designers and especially to Lisa Waud. Once the dust settles and Lisa has transitioned from her role as Flower House creator to urban flower farmer for her successful design business Pot and Box, we’ll invite her back for a recap of the project.

In the meantime, I leave you with this impression that Jen and Larissa shared. It has stuck with me as a perfect description of their room and many of the other rooms within the four walls of The Flower House: In designing their room, the women said they experienced a WILD CRAZY FREEDOM.

And I wish that sentiment for you to experience as well. It can happen when you connect with nature and with flowers that have been grown by the hardworking hands of American flower farmers.

Episodes of the Slow Flowers Podcast have been downloaded 68,000 times. I thank you and others in the progressive American-grown floral community for supporting this endeavor.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

Podcast: Play in new window | Download

Subscribe: Apple Podcasts | Podcast Index | RSS | More

How do flower farmers band together to take control of their distribution channels? This week’s podcast features a recording pulled from the 2014 audio vault, a fantastic presentation that I know will answer this and many questions about selling American grown flowers. I hope you find it inspiring.

The panel, “Cooperative Wholesaling Among Farmers,” features the history and experiences of three farmers’ co-ops in the Madison, Wisconsin area; in the Pacific Northwest; and in the nation’s Capitol.

Anecdotally, I’ve heard quite a bit of of interest in farmer-owned flower cooperatives around the country. There are probably as many potential farmer-to-florist models as there are individual floral marketplaces.

For example, I have personally heard from groups in Oregon; Sacramento, California; New York-Hudson Valley area; and in Ohio, all of whom are exploring the possibilities of a collective selling effort to reach a hungry customer base of florists, event and wedding designers, and other wholesale buyers. So clearly, the potential has yet to be tapped.

This panel was presented last fall at the Association of Specialty Cut Flower Growers annual conference in Wilmington, Delaware. Slow Flowers was a sponsor of that conference and I’ve aired several other panels in the past.

Today, you’ll hear from Barbara Lamborne of Greenstone Fields, a Northern Virginia organic flower grower and co-founder of Capitol Flower Growers; Joe Schmitt of Fair Field Flowers; and Diane Szukovathy of Jello Mold Farm and the Seattle Wholesale Growers Market. The three generously share their experience as leaders of successful regional co-ops around the country and how they made it happen.

The presentation starts with Diane Szukovathy, co-founder of Jello Mold Farm in Mt. Vernon, Washington, and founding chair of the Seattle Wholesale Growers Market. Diane was one of this podcast’s first guests, appearing in Episode 103 when she discussed the co-op model in depth.

Be sure to visit debraprinzing.com to find links to several articles that I and others have written about the Seattle co-op model. Full-disclosure: I’m not totally objective here. As one of two non-farmer board members who volunteer for this endeavor, I care deeply about the co-op model. It is so rewarding to work closely with flower farmers like Diane and I know that her insights will help point you to resources for possible collaborations in your own farming community.

The next speaker is Joe Schmitt, who I and many consider the elder statesman of the American cut flower movement. Long before the flower farming craze burst onto the mainstream scene, Joe was growing flowers on his Madison, Wisconsin farm. He is a founder of Fair Field Flowers, a Slow Flowers member that serves as a wholesale farmer-to-florist cooperative selling to florists in Madison, Milwaukee and beyond.

Approximately eight farms combine their resources to supply floral customers from spring through fall. Where the Seattle Wholesale Growers Market is a central hub that sells direct to florists five days a week, Fair Field Flowers is a delivery truck (like a wholesaler on wheels) that delivers flowers to its customers in key markets.

The panel continues with a presentation from Barbara Lamborne of Greenstone Fields, one of the founders of Capitol Growers, which until recently served the Washington, D.C. market. At the time of the presentation, Capitol Growers had lost one of its three founding members. And as of 2015, the cooperative has sadly disbanded. There are lessons to learn here, from failures as well as successes.

Some of the best information comes at the end of the panel presentations during the Q&A portion. Hang in there to listen to the amazing wisdom from farmers with years of experience growing quality American flowers.

Episodes of the Slow Flowers Podcast have been downloaded more than 67,000 times. I thank you and others in the progressive American-grown floral community for supporting this endeavor.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

Podcast: Play in new window | Download

Subscribe: Apple Podcasts | Podcast Index | RSS | More

Please meet Riz Reyes, horticultural wunderkind, floral designer extraordinaire and all-around positive influence in the gardening and botanical community here in Seattle and beyond – across North America and internationally thanks to his active presence on social media.

Riz credits an early curiosity about fruits and flowers for turning a young boy from the Philippines into an award-winning garden and floral designer in the Pacific Northwest.

His true interest in gardening began as a seven-year-old watching public television to learn English and gaining an appreciation for the natural world where the art and science of growing plants captivated him.

Riz turned a childhood hobby into a career by earning a BS in environmental horticulture and urban forestry from the University of Washington. Riz gardens in an environment that unveils an overwhelming diversity of plants each season, thanks to the Pacific Northwest typically moderate climate and cultural conditions.

After graduation, Riz logged several years working for the University of Washington Botanic Garden’s Center for Urban Horticulture, as well as running RHR Horticulture, his own horticultural enterprise, where he designs, consults, and maintains gardens he helped create.

Just a few months ago, Riz joined the McMenamin’s Hospitality group as the Gardens Manager at the about-to-open McMenamin’s Anderson School, a hotel, brewery and pub in Bothell, north of Seattle, where I predict the gardens will wow guests and those plants to which Riz tends will very soon make their way into vases of his own creation.

Riz supports and collaborates with local cut flower growers and designers to create unique floral installations for venues and special events. He is a regular speaker and writer for various local and national organizations and publications.

In 2013, Riz was highlighted in Ken Druse’s Organic Gardening article “The New Generation,”  which captured the stories of six notable young horticulturists. Ken described Riz as:  a rising star in the firmament of plant explorers and innovative nurserymen.”

If that wasn’t enough, Michael Tortorello last year interviewed Riz for a New York Times’ story about plant selection, not bad, huh?

Riz earned a Gold Medal and the popular People’s Choice award at the 2013 Northwest Flower & Garden Show with his amazing display garden and the following year, with his collaborator Nicole Cordier Wahlquist, he won People’s Choice Award for a floral display.

Just a few weeks ago, Riz presented at the national Garden Writers’ Association symposium in Pasadena on the topic, “Floral as a Gateway to Horticulture.”

I sat in the front row of that presentation, a huge grin on my face, following along on Riz’s personal journey that has brought him — full circle — back to flowers.

As I say during our interview, I’ve wanted to record an episode of the Slow Flowers Podcast with Riz forever. Listening to his presentation at Garden Writers was the incentive to schedule time together to do just that after we both returned to Seattle from Pasadena.

More places to connect with Riz:

Riz’s web site, RHR Horticulture. You can subscribe to Riz’s newsletter here.

Riz/RHR Horticulture on Facebook

Riz on Twitter

Riz on YouTube

Riz on Instagram

Details on the October 22nd Farm Dinner at University of Washington Farm

Episodes of the Slow Flowers Podcast have been downloaded more than 66,000 times. I thank you and others in the progressive American-grown floral community for supporting this endeavor.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.