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As I was preparing to record this week’s episode I had a flashback to January 2014 and it reminded me of just how young Slow Flowers really was only two years ago.

Leading up to the launch of Slowflowers.com, I’d spent six months working with my designers to create the site’s framework. Having invested more than $10,000 of my own money to get the platform off the ground, I decided to turn to crowd-funding to raise another $12,000 in order to pay the web developer’s bill.

I spent considerable time and effort to set up my Kickstarter campaign, including hiring my friend Hannah Holtgeerts and her then-teenage brothers to create the Slow Flowers campaign video. For those of you who’ve been involved in these crowd funding sites, you know about all the up-front investment of time and resources that’s required prior to ever submitting your project for review.

Why Slow Flowers? from debra prinzing on Vimeo.

On December 24th 2013, less than 24 hours after I had submitted the Slow Flowers campaign to Kickstarter, I received this generic email response:

Unfortunately, this project does not meet our guidelines — resources of this nature do fall outside our scope. This isn’t a judgment on the quality of this project, just a reflection of our focus.

Not only was I devastated, I felt that Kickstarter was wrong and didn’t understand the creative nature of Slowflowers.com. If I had wanted to publish the directory of American flower farmers and florists as a tangible book rather than an easy-to-update web-based directory, I’m sure they would have accepted my proposal. It’s not like I was launching an e-commerce site either. I think it was just a matter of a lazy reviewer who didn’t take the time to thoughtfully read my proposal, but instead made the wrong conclusion and sent me their rejection.

I brushed myself off and turned to Indiegogo, where I should have started in the first place. I resubmitted the exact same campaign that Kickstarter had rejected and within 24 hours – on January 5, 2014, I received this email:

Congrats, ‘Slow Flowers: A Directory of American Flowers, Florists, Designers & Farmers’ is now live! 

My chunk of coal in the Christmas stocking turned into a beautiful diamond, thanks to Indiegogo’s acceptance of the project. What followed was nothing short of amazing, with a 45-day campaign generating more than $18,000 from 229-plus contributors— we exceeded the original funding goal by 54 percent! Look how far we’ve come in just two years!

Slowflowers.com launched in early May of 2014 with 250 listings.

Today, our membership has climbed to 640 in 48 states!

It’s always good to look in the rear-view mirror and see the distance covered. The road was bumpy, narrow and had limited visibility – but our wheels are still on the flower cart and it is my dream to help Slowflowers.com membership climb to 1,000 in 2016.

That is my New Year’s resolution – and you can help me reach that goal by referring fellow flower farmers, floral designers and wholesalers to join the site!

NEWS ITEM

I recently checked in with Slowflowers.com member Laura Beth Resnick of Baltimore-based Butterbee Farm to learn more about the Maryland Cut Flower Growers Association’s winter meetings. Laura is the current president of the Association, which will hold the second of its three winter meetings on January 12th from 10 am to 1 pm (the third meeting is scheduled for February 9th at the same time).

The Maryland Cut Flower Growers Association is a regional group that has met each winter to share information for almost twenty years. The group convenes in Annapolis and the meeting is open to flower farmers in the Chesapeake Region, which includes Maryland, northern Virginia, southern Pennsylvania, and Delaware.

Before you hear her voice, I’ll share a little bit more about Laura Beth. She is a Baltimore native who launched Butterbee Farm in 2013 after a few years apprenticing on East Coast organic farms. The farm’s first seeds were sown on a 13th of an acre in the Reservoir Hill area outside Baltimore. Midway through the summer, artist and California transplant Jascha Owens volunteered on the farm, and the two have been farming together ever since, now farming on nearly two acres thanks to increasing demand for their beautiful flowers.

The Maryland Cut Flower Growers Association meeting will be held at the Maryland Department of Agriculture Building (50 Harry S. Truman Parkway in Annapolis). For more information, you can contact Laura: butterbeefarm@gmail.com. I hope you are able to attend if you’re in the area.

OUR 2016 FORECAST

As promised, Let’s kick off 2016 with my Floral Insights and Industry Forecast. I’ve been tracking shifts and concepts that are taking hold in the American floral world.  I know some of you have already experienced these developments. In fact, my conversations with guests on the Slow Flowers Podcast have greatly influenced this list.

READ MORE…

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Welcome to our Special Holiday Edition of the Slow Flowers Podcast!

Today’s amazing guest, Dennis Westphall, is co-founder of Jello Mold Farm in Mt. Vernon, Washington, which he operates with his wife and partner Diane Szukovathy. Diane may be familiar to you because she’s appeared on two prior episodes of the Slow Flowers Podcast – and she is the “cover girl” of the 50 Mile Bouquet (along with floral designer Stacie Sutliff).

Dennis is an accomplished mixed media artist and an award-winning singer-songwriter who has nearly 200 original songs to his credit.

I will let you hear the story directly from Dennis, as he shares his inspiring career path, one that takes us from the era when he was a street musician at Seattle’s Pike Place Market to his success as a founding member of the band Tickle Tune Typhoon, to the past decade when he transitioning into a flower farmer, and much much more.

Interspersed between our fascinating conversation, Dennis will perform several songs for your holiday enjoyment.

Two are original compositions, both lyrics and music, and two are classic songs that have been given the whimsical Dennis Westphall “new lyric” treatment.

I know you’ll love this episode as much as I do — a gift from Dennis to the flower farming and floral design community to enjoy this holiday week.

Check out more details about Tickle Tune Typhoon’s retro vinyl albums and CDs of the foot-stamping, finger-snapping music that has delighted school children and their families for generations.

Thank you so much for joining me today for this very special episode.

I love how Dennis describes flower farming as a botanical art-supply source for the florists who purchase flowers from Jello Mold.

It’s such an appropriate metaphor for the important, interdependent relationship between flower farmers and floral designers — one that brings success to the entire Slow Flowers community.

Watch a recent segment on Seattle’s KING 5 TV (NBC affiliate) with excerpts of Dennis singing

Dennis has generously shared the lyrics to his original song called “Flowers”:

Recorded by Tickle Tune Typhoon on the CD, All Of Us Will Shine
Music and Lyrics by Dennis Westphall

[Chorus]

Flowers aha
Flowers aha
Beautiful colors bloom
Flowers aha
Flowers aha
Blossoms will dance for you

Ah the smell of summer roses
And it’s a dandy day to watch a pansy play
Gracefully they grow
Bouquet on tiptoe
Rising in the sky so blue
Sunflower shines on you

[Chorus]

Flowers grow make the world a grand bouquet
Row on row bringing color to our day
Flowers grow a pleasure to the eye
That fragrance oh it fills the air and makes you sigh
Everybody sigh
I’m so gladiola, you’re gladiola too

Flowers aha Flowers aha
Beautiful colors bloom
Flowers aha Flowers aha
Blossoms will dance
Blossoms will dance for you

Find Jello Mold Farm on Facebook

Find Jello Mold Farm on Instagram

Hear Diane Szukovathy on Slow Flowers Podcast #103 “Marketing Local Flowers the Co-op Way” and on  #215 “Cooperative Wholesaling Among Farmers”

Next week is our final episode of 2015 and as one year ends and another begins, I will be sharing with you the “2016 Slow Flowers Forecast and Insights.”

In the meantime, I  wish you a wonderful holiday season!

I thank you and others in the progressive American-grown floral community for supporting this endeavor.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

If you’re ambivalent about the traditional Christmas poinsettia, then I’m excited to help change your mind. Check out this gorgous “living” poinsettia gown. Yes, the prosaic holiday potted hostess gift has received haute couture treatment by London-based floral stylists, Okishima & Simmonds, in celebration of International Poinsettia Day, which is tomorrow, December 12th.

“We love to create unique designs that merge the floral world with the fashion world and International Poinsettia Day has given us an exciting opportunity to do that,” says Simmonds of Okishima & Simmonds, commissioned on the project by Stars for Europe, the EU-wide poinsettia campaign.

“We wanted the dress to flow so that it looked as though it was growing out of the poinsettia beds beneath, so used the traditional red poinsettia for the skirt and showcased other colors through the bodice.”

HOW THEY DID IT

After I received the gorgeous photos and Liz’s press material for International Poinsettia Day, I had more questions for her.

She explained: “Our aim was to link the poinsettia with the world of fashion and get people to look at the traditional Christmas plant in a fresh way. The dress looks like being a world first!” (yes, indeed!)

If you’re up for trying a poinsettia floral arrangement, take on the Poinsettia Challenge, just launched by friend Loree Bohl of the fabulous blog “Danger Garden.”

She’s just announced the design-with-poinsettia contest and the deadline is 12/24 to submit photos of your entry! Loree writes:  Send your image to spiky plants at gmail dot com. The contest will close on Christmas Eve, I’ll post the entries during the week between Christmas and New Year’s Day.

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Welcome to the first edition of the Slow Flowers’ “Best Gifts for Florists and Flower Lovers.”

The holiday season is upon us and today’s episode will accomplish several things. I created this special gift-themed segment to highlight some of my favorite artisan-made products that I’ve become familiar with in the past year or longer.

Second, I wanted to share the voices of “makers” with you. All are women this year, but that is just a happy coincidence (I’m sure we’ll find many male makers to highlight in the future). I recorded short conversations with each of these select artisans. Each is driven to create beautiful and high-quality products inspired by flowers, botany and nature.

Please enjoy these conversations and check out these artist-makers, their work, and – most importantly, links to their online stores so you can see their collections of American-made goods for gift-giving. Have an unforgettable Floral Holiday and moreover, be inspired by the creative entrepreneurs you’ll hear from today.

PHOTOGRAPHIC TAPESTRIES

First up, meet botanical photographer Ellen Hoverkamp of My Neighbor’s Garden.

I’ve written about Ellen’s work for the Los Angeles Times and for Garden Design Magazine, so over the past few years, we’ve become friends.

It was especially rewarding to have Ellen attend an all-day workshop I taught at Blithewold Mansion in Rhode Island last fall – and to see how readily this gifted artist moves from one medium to another.

A Connecticut-based artist and former art teacher, Ellen Hoverkamp first started composing images from nature using an early model flatbed photo scanner in 1997, she didn’t even own a camera. Nor did she know the names of most of the plants she used. “It was all about form and color for me.”

Fast-forward to 2005 and Hoverkamp’s evocative and artful assemblages of botanicals and edibles were profiled in The New York Times; they’ve since been exhibited in museums and graced covers of books and periodicals.

 

 

 

 

 

 

Ellen arranges flowers, pods, branches, vines, gourds and roots as vivid still-lifes against striking black backdrops.

I like to imagine that if Ellen had been born three or four centuries ago, she would have been a Dutch master painter. “I love the hyper-real details of my images,” she says.

Ellen relies on cuttings from public gardens, nurseries and private landscapes to create her pieces. She says that the mission of her work is to bring attention to the efforts of gardeners and to the beauty of nature.

At Ellen’s web site you can find a beautiful online store with her photographic products, including signed prints, note cards and my favorite– photographically printed scarves.

Ellen is a renaissance woman. Her 12-by-58-inch scarves feature seasonal floral and botanical compositions printed on silk charmeuse. The reverse side is hand-died contrasting fabric and Ellen custom sews each one.

In addition to drooling over Ellen’s botanical scarves, I know you’ll want to peruse the fine art work on her web site. You can order prints of most of the floral and veggie compositions there – and there are hundreds to choose from. Ellen posts new work each week on her Facebook page, so check out my link to find and follower her there.

Finally, you can now order her beautiful black canvas tote bags featuring a cornucopia of edibles or a just-picked-from-the-garden floral array. Click here to order.

SEATTLE MADE TO CONTAIN YOUR STEMS

Next up, please meet Kristin Nelson of Kri Kri Studio, a Seattle-based ceramic artist whose vases are popular favorites of the local floral design community here and far beyond, including Barney’s stores in Japan.

I’ve selected Kristin’s vessels to present my All-American floral entries at the Northwest Flower & Garden Show for the past two years. Learn more about her story here.

It seems so fitting to combine locally-grown flowers gathered in vases of equal quality and beauty, made by a talented artisan who touches every single product that leaves her studio.

Kristin’s new VIT Collection is modern and clean, inspired by Scandinavian design and a perfect complement to any flower in any season.

I love Kristin’s color sensibility in the glazes she selects — everything from calming neutrals to joy-inducing brights.

If you’re in Seattle, you may want to check out Kristin’s upcoming studio sale in early December where you’ll meet the artist and get to choose the perfectly-imperfect hand-made vase just for yourself or perhaps as a gift for a special recipient. Kri Kri Studio’s Facebook Page will have more details – so check it out here.

Kristin also shared details and links to these upcoming Seattle events, where you can meet the artist and purchase her lovely pieces:

Clementine PoP uP, Nov- Jan

Praxis Arts, Sat. Nov 28^th  

Multi Studio Event, Dec 12th & 13th

To be on Kristin’s mailing list for her annual sale, email her at krikristudio@aol.com

HAND-LETTERED AND HAND-MADE

Next up, please meet Karen Plarisan and Karly Sahr of Verbena Flowers & Trimmings based in Roseville, California.

The mother-daughter team lives and breathes flowers. Karly Sahr has a graphic design and art degree from U.C. Davis, while mom Karen Plarisan has a landscape design and horticulture background.

They gather inspiration from being surrounded by nature, so it is only fitting that Verbena has developed into a pesticide-free farm and flower design studio.

In addition to floral design work, the two have added an online store that features Karly’s creative product designs.

I want to highlight the “Earth Laughs With Flowers” t-shirt featuring Karly’s exquisite hand-lettering.  She and Karen gifted me a very special tote bag with that same screen print last year and I can’t tell you how many people stop and ask me how they can purchase that tote. The totes aren’t available right now, but the t-shirts are. I know the design will resonate with flower farmers and florists alike.

This week you’ll find a sale going on – 30 percent off t-shirts, stickers and all graphic downloads – through November 29th. And Karen and Karly are offering a free “Life in Color” download with every purchase. It’s just the thing to add to your own inspiration board or to print and give a friend who needs a creative lift.

LUXURIATE WITH HANDMADE SOAPS & BODY PRODUCTS

Next up, please meet Holly Rutt of the Little Flower Soap Co., based in Michigan. Holly spends most of her time during the warmer months running Sweet Pea Floral Design, serving wedding clients, but when the temperatures drop, she turns her focus to a joint maker-project with her husband Justin Rutt.

The Little Flower Soap Co. is a small batch, body care company established in 2010.

Holly and Justin’s mission is to design products that become must-have, can’t live without favorites. They have developed completely natural, healing recipes that smell amazing, really work and are cutely packaged.

Please enjoy this short interview with Holly.

It’s too bad you can’t smell all these wonderful fragrances we’re talking about, but her prices are so affordable that you can easily order a few products to give as gifts, but save one yourself.

Holly’s enthusiasm for her products are contagious. There’s something for everyone cooking up in the kitchen at Little Flower Soap Co.

Check out all of the products here.

And a quick note – you’ll meet Holly wearing her floral designer hat in an upcoming segment of The Slow Flowers Podcast when I interview her about the flower-filled bathroom she designed for The Flower House in Detroit. so stay tuned.

SUSTAINABLE FLORA FASHION

My final gift selection introduces you to Mary Brewster of American Flora, a sustainable fashion company based in Connecticut. I hope you’ll enjoy the story of how we met and about Mary’s goal of sourcing textiles and manufacturing women’s fashion here in the U.S.

I’m so pleased to feature this All-American maker who’s charting new territory in women’s fitness and lifestyle apparel.

Mary’s inspiration for starting American Flora came largely from being a ballet dancer and teacher. She wanted to create pieces that would provide a comfortable feel and feminine look in the studio, and would also pair well with lifestyle wear. She was particularly focused on finding a sustainable fabric.

Mary happened upon a book with a painting she had studied while spending a semester of college in Florence. She says that “Botticelli’s Allegory of Spring had always moved me, but I realized that it also depicted so much of what I wanted for my company. Beautiful Flora, the goddess of flowers is shown scattering her seeds over the world. A symbol of renewal.”

Her collection uses a fabric called Repreve. It’s made from recycled plastic bottles. Another kind of renewal and positive look to the future.

“Flora seemed to roll off my tongue, and was so fitting for the other passion in my life, gardening. After many hours of working on a name for my company, it came to me. American manufacturing was a must in the equation. There it was. American Flora,” she says.

I’m so pleased to feature American Flora and Mary Brewster’s innovative designs. You can shop for American Flora products here.

HAPPY THANKSGIVING

And thanks for joining me today, the day before Thanksgiving. As you enter this holiday season, I wish you moments of rest and creative contemplation.

We all have been racing through a year of flower farming, floral design, events and professional commitments that are equally wonderful and exhausting. Now it’s time to pause and hopefully reflect and recharge to prepare for a new year.

It is with a spirit of gratitude that I thank each of you in the Slow Flowers community for your support. To me, it’s a confirmation that we are on this creative journey together, changing the way Americans view and value the flowers grown on our domestic farms.

Episodes of the Slow Flowers Podcast have been downloaded more than 72,000 times. I thank you and others in the progressive American-grown floral community for supporting this endeavor.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

Music credits: audionautix.com

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This week’s episode is dedicated to my friend Lisa Waud and to the flower farmers and florists who created The Flower House. Here’s a recap, by the numbers:

1 Elderly home, circa early 1900s

15 rooms, closets, hallways and porches

30-plus floral designers

3 days

2,000-plus visitors

25,000 to 40,000 individual stems of flowers and foliage; the count keeps climbing and changing!

hundred of potted plants

dozens of American flower farms and farmers

180 Field to Vase Dinner Guests

And now that the Flower House event is over? There will be one glorious Detroit flower farm called Flower House Farm.

Last week I had the honor and privilege of returning to The Flower House, a project I visited the first weekend in May when creator Lisa Waud and her fellow designers decorated two rooms of an adjacent building, now called “the little house,” for a press preview to introduce the ultimate exhibition to come in October.

That event took place last weekend, a three-day, flower-themed wonderland that has garnered international attention, including a huge story last Thursday in the New York Times.

This podcast has the distinction of being the first media outlet to share the story of The Flower House when we aired the original interview with Lisa Waud this past February.

I now feel like the fairy godmother who granted a tiny wish to help Lisa get the word out — and look what a fantastic and beautiful dream it blossomed into!

Officially, I was at The Flower House in Hamtramck, Michigan, a hamlet just outside downtown Detroit, to co-host the final of 10 Field to Vase Dinners for 2015.

What a perfect way to go out with a huge bang — a floral fireworks show that sold out days in advance (for tour tickets and dinner tickets), making this the most successful Field to Vase Dinner of all.

I arrived at The Flower House late last Wednesday, having grabbed a lift from the airport with my Seattle flower gal-pal Bev Burrows. Bev is a Detroit native who works in the floral, events and visual display world here in Seattle and she simply could not stay away from the lure of The Flower House in her hometown.

We jumped out of her brother’s car and started hyperventilating as we saw florist friends new and old (a few of our friends from the PNW had flown in just to volunteer for a few days, Slow Flowers members Adria Sparkhawk of Thicket in Portland and Erica Knowles of Botany 101 in Seattle). Then I found Lisa and greeted her with hugs, smiles and a few tears of happiness.

There was much going on with the opening less than 36 hours away. Lisa was busily installing her 2-story display on the home’s upstairs and downstairs porches (see that portion above).

And 14 other spaces were in various stages of installation, too. Buckets of American grown flowers were stacked everywhere and the orderly chaos promised something huge was about to be unveiled.

Over the next several weeks I’ll be sharing clips from interviews with as many of the Flower House designers as have been able to record.

Today you will hear from designers of four of the rooms; I grabbed these conversations as the designers introduced me to the specific space they embellished with flowers, and as they described the inspiration, vision and design process.

There is one unifying thread that weaves together these stories. Each designer cares deeply about sourcing American grown botanical ingredients from local flower farms and from farms in other parts of the U.S.

They want to showcase the bounty and beauty of the season and help tell the floral industry and the floral consumer that it’s important to make a conscious choice when buying flowers.

First up, you will meet SALLY VANDER WYST of the MILWAUKEE FLOWER CO., a Slowflowers.com member who created a Wisconsin-filled kitchen called “Nature Takes Back.”

Then you’ll hear from SUSAN STUDER KING of BUCKEYE BLOOMS, Slowflowers.com member and a past guest of this podcast, and her collaborator, fellow Ohioan CAROLINE WALKER of PASSIFLORA STUDIO as they introduce us to the child’s bedroom entitled “Foraged Foliage.”

The third space I visited was entitled “Sweet Mossy Dreams,” a closet and tiny hallway decorated in a most fantastical way by Slowflowers.com member SUSAN KELLY of THREE SISTERS FLOWERS, based in East Palo Alto, California.

And finally, you’ll meet past podcast guests and Slowflowers.com members JENNIFER HAF and LARISSA FLYNN of BLOOM FLORAL DESIGN, based in Petosky, Michigan, as they describe the vivid and electrifying upstairs bedroom, “Wild, Floral Graffiti.”

I’ll introduce these Flower House designers individually at the beginning of each clip, so follow along and enjoy this first installment and virtual tour of the rooms within The Flower House.

I think it’s so exciting that you’ll be hearing from designers who hail from Wisconsin, Ohio, California and Michigan – they’re just a few of the many talents whose voices will appear here in the coming weeks.

I especially love the contagious passion and urge to create that exudes from this project. Whimsy, joy, wonderment, sentiment, poignancy, surprise — all combine in this dream of a project.

My hat is off to all of the designers and especially to Lisa Waud. Once the dust settles and Lisa has transitioned from her role as Flower House creator to urban flower farmer for her successful design business Pot and Box, we’ll invite her back for a recap of the project.

In the meantime, I leave you with this impression that Jen and Larissa shared. It has stuck with me as a perfect description of their room and many of the other rooms within the four walls of The Flower House: In designing their room, the women said they experienced a WILD CRAZY FREEDOM.

And I wish that sentiment for you to experience as well. It can happen when you connect with nature and with flowers that have been grown by the hardworking hands of American flower farmers.

Episodes of the Slow Flowers Podcast have been downloaded 68,000 times. I thank you and others in the progressive American-grown floral community for supporting this endeavor.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

This was a red-letter week! For so many wonderful reasons, which all involve flowers, farming and gardening. Rather than write too much, I’m going to let the photos do the talking:

WHITE HOUSE KITCHEN GARDEN

On Tuesday, four of us achieved one of those “bucket list” goals!

Yes, we received permission to photograph the White House Kitchen Garden and its champion, Deb Eschmeyer, head of the First Lady’s “Let’s Move” program.

I am so grateful for the people who helped make this happen, including my friends at Certified American Grown and the First Lady’s communications and Let’s Move staff.

With James Baggett, editor of Country Gardens; Nick Crow, the magazine’s art director and photographer Bob Stefko, like me, a frequent freelance contributor to the title, I spent an amazing two hours at this very important kitchen garden. Look for my story in 2016 in the pages of Country Gardens!

FARMER-FLORIST PHOTO SHOOT WITH ANDREA GAGNON

On Wednesday, Nick Crow and Bob Stefko joined me at LynnVale Farm + Studios, a Certified American Grown flower farm where we photographed a story with farmer-florist Andrea Gagnon.

It was such a fantastic opportunity to capture Andrea’s farming and design talents. I can’t show you the beautiful bouquets she created because we’re saving them for the print story in Country Gardens, but I can share some lovely flower and farm pics with you. This will be an inspiring and instructional story – you’ll see it in a future issue of the magazine!

READ MORE…

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Before I introduce you to Elizabeth Artis of Espe Floral + Foliage of Portland, I want to share a few words of gratitude that came my way this week.

One of the special benefits enjoyed when you or your businesss is part of the Slow Flowers community is the sense of sharing and support among like-minded folks all over the country.

Case in point, a florist in the Midwest recently emailed to ask me for help with a bid she was developing for a restaurant in her town that wanted locally-inspired floral arrangements. She felt she couldn’t ask another florist in her market, but she suspected that a Slow Flowers designer outside her market might have the answer.

As it turns out, when she reached out to me, I had just talked about restaurant “weeklies” with a local Seattle florist. Both of these women have their businesses listed on Slowflowers.com.

It was a cinch to connect them by email and they later chatted by phone. Florist two shared her strategies with Florist one. And I love that they both experienced instant camaraderie!

 

The email came recently from the Midwest florist. Subject line: “It worked! Thank You!”

Thank you, Debra, for connecting me with Tess to chat about restaurant floral work…and Tess, thank you for generously offering your time and insight. After a bit of back and forth (this was new on my end and theirs!), we have come to an agreement, and I’ll be starting next week!​ I love having the support and expertise of the whole slow flowers “family.”

That’s so cool to hear, right?! And you do not have to go through me to get this information. You should feel free to connect any fellow Slow Flowers member for help. It’s part of that “paying it forward” philosophy, conducted with mutual respect for people’s time, talents and ideas.

I don’t always know who’s listening to these weekly podcasts but every now and then I get a glimpse of how these interviews may connect with a listener. then this past weekend, a small note appeared in my Instagram feed, from a gifted flower farmer. She wrote: “Your podcast pulled me through a tough week. Thank you for all your efforts and hard work!” I can’t tell you how much it meant to me to hear these words from an American flower farmer.

As I mentioned, today’s episode features Portland-based floral designer Elizabeth Artis.

I met Elizabeth in a totally spontaneous way back in 2010 while working on The 5o Mile Bouquet. It was in December and with photographer David Perry I was scouting in Portland for possible subjects for the book. We knew we wanted to stop at the Oregon Flower Growers market but the rest of the trip was relatively unscheduled.

And then we ran into Elizabeth, who was there with another florist for whom she was freelancing.

The invitation was extended and soon David and I found ourselves at Jennie Greene’s flower shop to document the winter-themed arrangements she and Elizabeth were designing, of course with a decidedly local provenance.

Our friendship began there after Elizabeth and I realized we had a few mutual San Francisco florist frienesand it has been a joy to watch Elizabeth’s design journey move on from there.

Elizabeth branched out on her own a few years ago and she runs Espe Floral + Foliage from Northwest Portland with two different channels:

First, she manages the floral department at Food Front Co-Op Grocery on NW Thurman St. in Portland, a shop-within-a-shop with everything from single stems and bunches to voluptuous bouquets, available seven days-a-week during store hours (8 a.m. to 10 p.m.).

Second, she operates a design studio just around the corner, an approximately 500-square-foot space ideal for meeting with wedding clients and for producing lush, wild and amazing creations.

We recorded our interview there when I visited in late June.

Espe is committed to using local and sustainably grown flowers from small farms in the Pacific Northwest and down the coast into California.

As Elizabeth writes on her web site: “Our many friendships with these small operations guarantee quality from season to season. The selection, like the weather, changes from week to week so watch closely and see the next season on its way.”

Elizabeth is one to watch – and I love how articulate she shares her philosophy and her love of flowers.

You can connect with and follow Elizabeth at these social places:

Espe Floral + Foliage on Facebook

Espe Floral + Foliage on Instagram

Thanks for joining me today. Everything we care about in the Slow Flowers community begins when a seed is planted into the soil. When the elements of water and sunshine enrich it and stimulate roots and stem. When the flower farmer nurtures a tiny plant into a stunning, fragrant bloom. If we remember the amazing origins of the flowers we love, we can’t go wrong.

I tried to convey this sentiment in an essay that I was asked to write for the “slow fashion” company called Zady.com. Published earlier this week, I entitled the piece “Honest Flowers.”

Here are a few of the sentences that I wrote. I’m so pleased that the team at Zady understands how essential it is to think about the ethical choices we make as both consumers of fashion and flowers:

What I wrote may sound familiar to those in our community, but I will share one excerpt nonetheless:

Getting to share the cause for American grown flowers offered me a chance to reach 100,000 Zady customers, people who may never have considered the way a flower travels from its origins to their vase. So I’m grateful for the opportunity.

Listeners like you have downloaded this podcast nearly 60,000 times. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

True confessions: I’m overwhelmed these days. The epic move last month from a huge house to a small condo (what to do with all that stuff?), combined with an intense travel schedule and a few overly voracious consulting projects . . . and I am scrambling to catch up. I can’t quite see the end of this tunnel until 2016.

The good news, however, is that flowers keep blooming and defining each season whether I clip and arrange them – or not!

Please accept this entry in the Slow Flowers Challenge, Week 31. We’ll just have to write off Week 30 as a lost cause (maybe I’ll double-up sometime soon to redeem myself)!

This past weekend I participated along with four other talented plantswomen and designers in an event called Dunnton Abbey Garden Party.

The play on words with the popular PBS series “Downton Abbey” was intentional, as the folks at one of Seattle’s most lovely private estate gardens, The E. B. Dunn Historic Garden Trust, held a lawn party inspired by the gentile fetes we’ve watched on Downton Abbey over the years.

It was all quite fitting, as Dunn Gardens date back to 1915, a contemporary period from Downtown Abbey’s first episodes.

Croquet, musicians, a vintage car show, people in period garb, a cake walk and many more activities were on hand. It was lovely and I especially enjoyed seeing everyone unplugged from modernity (although many did have their cell phones out to snap photographs, I’ll give you that).

Grace Hensley of eTilth, a Slow Flowers friend here in Seattle, coordinated the floral design demonstrations. She invited Lacey Leinbaugh of Blue Lace Design; Melissa Feveyear of Terra Bella Flowers; Jennifer Carlson of Haven Illustrated and me to present “Edwardian Floral Design.”

We each were given a generous budget to shop for locally-grown flowers at the Seattle Wholesale Growers Market. A few weeks prior, we did a walk-through of the grounds at Dunn Gardens with co-curator Charles Price, pointing out stems, leaves and flowers that caught out eyes.

Charles judiciously cut those elements for us, too, so when I arrived with my own “bucket” of items from the Growers Market, there were dozens of other buckets overflowing with the truly local, of-the-moment, garden harvest. That added hydrangeas, phlox, ninebark, sambucus, rodgersia, ferns, hostas, fuchsias, monarda, meadow rue (Thalictrum sp.), crocosmia and more to the mix!

What is Edwardian floral design, anyway?

I honestly didn’t have time to do research in advance, but by the time I started my bouquet, I had a few thoughts to share.

I told the audience that the Edwardians were the original “Slow Flowers” florists because they only used local and in-season flowers, probably clipped from their own gardens.

Whether you were a member of the “upstairs” class relying on gardeners and hothouse blooms or a member of the “downstairs” class cutting from the edge of a meadow or woodland, the flowers reflected what nature had to offer.

The other idea I shared had to do with palette, and this was inspired by my textiles background. At the time, chemical textile dyes were not yet as popular or widespread as natural, plant-based dyes. And to me, that notion reflects a softer, muted, less vivid color scheme in textiles for apparel and interiors.

The tea-stained, sepia-toned palette of my imagined Edwardian bouquet was reflected in the flowers and foliage. I began with a blush-and-faded mix of ‘Limelight’ hydrangeas taking on a slightly pink tinge; not-quite-pink lisianthus blooms; pale terracotta draping amaranthus, and strawberry-colored gomphrena.

The darker accents lent a moodiness to the arrangement: Deep maroon dahlias; dark purple sedum heads; purple sambucus foliage; and berry-black Rex Begonia foliage, variety ‘Shadow King Rothko’.

Whether it’s truly Edwardian or not, the bouquet felt like a period piece in the black-and-silver Goodwill vase!

Here is a list of the ingredients, with my thanks to each farmer who grew them:

From Diane & Dennis at Jello Mold Farm, Mt. Vernon, Washington:

• ‘Limelight’ hydrangea blooms
• Amaranthus
• Dark purple sedum

From Vivian at Everyday Flowers, Stanwood, Washington:

• Gomphrena
• Lisianthus
• Maroon dahlias

From the Dunn Garden Borders: Sambucus foliage

From Seattle Wholesale Growers Market: Rex Begonia, variety ‘Shadow King Rothko’

Enjoy these photos from my fellow designers, each of whom did a magnificent job!

And since it’s Father’s Day, I’m using the arrangement for tonight’s dinner we’re preparing for Bruce, my husband and the father of our two boys.

I’ve always loved pairing lime and wine colors together, in garden borders and beds, as well as in container gardens. No surprise that the deep burgundy Ninebark (Physocarpus opulifolius ‘Diabolo’) looks terrific with the acid green Lady’s Mantle ( Alchemilla mollis). Stems from those two create the textural and high-contrast foundation for this design.

By the way, this is a vintage Haeger American-made vessel, a creamy ivory piece that I brought home with me from a trip to Iowa a few years ago. I love the proportions – perfect for a centerpiece. (Here’s a similar one on Etsy  – they’re not too difficult to find.)

To create this design, I placed a large cage-style metal flower frog (also vintage) in the bottom of the bowl. The grid has 5/8-inch openings, ideal for a combination of woody and herbaceous stems as I’m using here.