Those of us who attended the September 2008 Garden Writers Association annual symposium in Portland were in for a big treat when we boarded the coach buses (seven or eight in all) and took a ride to Boring, Oregon, home of Iseli Nursery.

We were introduced to a world of ornamental conifers, in every shape and size. Even though Washington is called the “Evergreen State,” in the nursery trade, it seems, the folks in Oregon claim the title. 

Iseli Nursery grows all sorts of amazing woody plant specimens – trees, shrubs and more. They sent us home with a gift bag packed with five delightful little conifer specimens – perfect for a container planting, rock garden or tablescape. You can see the incredible variety in Iseli’s “Fanciful Gardens” collection depicted above (including some dwarf broadleaf evergreens in the front row). My photos, from left: A colorful “knot garden” of mostly dwarf conifers mixed with barberry, Iseli entrance; tiny, just-propagated woody cuttings of mugo pine.

The next day, I found myself sitting on yet another the bus ride/garden tour with with Sandy Dittmar, a horticulturist at Iseli. We talked about how many gardeners are only now discovering conifers, and how dwarf conifers are so versatile for smaller landscapes. She planted a seed of insight and got me thinking.

So when I saw my local Trader Joe’s stocked with miniature Leyland cypress and Lawson cypress (we’re talking 4-inch pots for $4.29 or so), I called Sandy and said: Remember when we talked about dwarf conifers? Are those Trader Joe’s mini-trees yours?

It turns out, the tiny live trees in shiny pots are supplied by BloomRite Nursery, a wholesale grower in Half Moon Bay, California. But Iseli’s tiny Alberta spruces, mugo pines, and blue-star junipers, and countless other dwarf conifers are showing up in specialty nurseries and retail florists around the country. Cute, they are. Versatile, too. And perfect for a scaled-back Christmas!

In this cost-conscious holiday season, it was a fitting “tiny tree story” for the Los Angeles Times’  Home section, page F2 (December 13th).

Here is the piece I wrote under the “Seen” heading, in its entirety:

A pint-sized forest at home

Looking for evergreen decor – something that can last long past Christmas? Turn tiny potted conifers into a miniature forest across a fireplace mantle, or create a tabletop landscape with dwarf pines. Tiny trees are “a cheap luxury,” says Lisa Tsui, a product manager at BloomRite, a wholesale grower in Half Moon Bay, Calif., that supplies potted pines and Leyland cypress to Trader Joe’s. “In this economic environment, people are using them to supplement decorations they already have,” she says.

Iseli Nursery in Boring, Ore., ships tens of thousands of dwarf conifers to garden centers during the holidays. Even though some customers treat the evergreens as throwaway décor, they can be transplanted in the garden or an outdoor container, Iseli sales manager Jock Demme says. The challenge is to keep the plants alive indoors. “The home setting has drier and warmer air than these plants require,” he says. “I suggest submerging the pot in a larger container of water and soaking the roots every day.” The trees at Trader Joe’s sell for $4.29 to $5.99 each; you’ll find variations for $9.95 at the Empty Vase in West Hollywood, (310) 278-1988, www.emptyvase.com. Also try Red Envelope, (877) 733-3683, www.redenvelope.com.

Here’s a little gallery of dwarf and miniature tree photographs, shared by Iseli and Nurserymen’s Exchange (which is the company behind BloomRite).

It was 74 degrees and sunny here today in Southern California, but I have wintry visions dancing in my head.

To get into the holiday spirit (even though the leftover turkey and stuffing is still packed in the fridge), I picked up the December issue of Better Homes & Gardens magazine, out on newsstands now. That’s where my pal Susan Appleget Hurst serves as the talented senior associate editor for gardens and outdoor living. She blogs as The Everyday Gardener (with colleague Eric Liskey).

When we were last together in September, Susan mentioned that she had worked on a wintry design for iced botanical containers to hold votive candles. (Photo at right: Mary Ann Newcomer aka Idahogardener.com; Susan, and me, taken while gallivanting around Portland in September).

The idea Susan described sounded gorgeous and sparkly, a creative new way to use favorite ingredients from the garden — leaves, berries, colorful branches and conifer sprays — for holiday decorations. Her twist on the traditional luminaria even found a new use for poinsettias, which are rarely successful as cut flowers.

I spoke with Susan today and congratulated her on the alluring designs, which are splashed across five pages of the magazine. She sent me a web link to a BH&G video demonstration, which makes the project easy-to-understand and replicate.

All you need are a few ingredients and space in the freezer to transform a watery concoction into frozen floral luminarias. Susan’s article begins on page 58 of BH&G. It’s titled “Icy Hot: Bright flowers, twigs, and berries suspended in sparkling ice make naturally beautiful luminarias.”

Susan has a culinary and herb-gardening background, so it didn’t come as a surprise to learn that she has used a similar technique to freeze blooms and herbs into ice rings to float in punch bowls. That handy trick, combined with the editorial challenge of showing readers new ideas for using their garden during the depths of winter, added up to the holiday-on-ice project. The frozen floral ring, best employed for a summery brunch, also taught her that distilled (rather than tap) water is preferred because it freezes clear rather than cloudy.

Susan first captured ruby red poinsettia bracts in a flexible plastic container, arranging each leaf so it’s evenly spaced (see finished project, above). Pour in a little bit of water, say 1/2-way to the top. Then insert a smaller plastic cup, sinking it with a few stones. Pop the entire vessel into the freezer until it’s frozen solid. There are tips in Susan’s article for choosing the right containers and for slightly thawing your creation in order to remove the finished product from the plastic molds.

The poinsettia votive holder was so successful that Susan experimented with colorful cut branches, arranged to stick out around the top of a luminaria like a beautiful nest for an exotic winged creature.

“How on earth did you fit that into the freezer?” I asked.

She laughed and pointed out that the water-and-branch-filled mold (actually a big plastic cake carrier) froze in the outdoor environment of her Des Moines, Iowa, backyard.

“I just needed sustained, freezing temperatures,” she added (assuring me that these conditions do not occur every winter in Des Moines, but they did last year when Susan played around with this project).

Um, okay. Well, since we don’t have an open-air freezer here in my SoCal yard, perhaps I’ll stick to Susan’s smaller projects. Like the ones that use 1-litre and 2-litre pop bottles with the tops cut off.

The Icy Hot story illustrates Susan’s gifted floral design skills. She’s got more tricks up her sleeve and you can find them in future editions of Better Homes & Gardens. Here’s what I managed to get out of her: The February 2009 issue will feature Susan’s inspired new way to design with forced branches and fresh flowers. In April 2009, look for her egg story. I don’t want to give away the details, but suffice it to say she is NOT cooking an omelet or quiche with her eggs!

Happy December. I hope it’s filled with joy and peace for everyone.

Couldn’t resist sharing this wacky invention called The Walking House, which appeared in the New York Times’ House & Home section two days ago.

Apparently, the design of this jet-black structure, which looks like a giant, six-sided building-block with “windows” on each end, was inspired by 18th and 19th century Gypsy carriages.

A Danish art collective called N55 created it during a residency at the Wysing Arts Center in Cambridge, England (The Walking House photo is from this web site).

Envisioned as a “high-tech form of nomadic living,” The Walking House measures 60-square-feet. Inside: a bed, a kitchen, a toilet, a shower, and a wood burning stove.

The computer-controlled legs were created by a M.I.T. engineer. You can watch a little video of The Walking House’s snail-like movements here:

httpv://uk.youtube.com/watch?v=CvxIB83Y0PA

There are some pretty funny comments – hundreds of them, actually – on the YouTube post. I’ll paraphrase three that caught my attention:

What happened to using good, old-fashioned wheels?

What about just walking – you could move a lot faster!

This looks like it was designed for obese people to transport themselves to McDonald’s for a Big Mac

Uh-huh. I dunno, it seems like a lot of work to get this behemoth on six legs to s-l-o-w-l-y meander at the speed of 196 feet per hour.

All I know is that the real Gypsy carriage I visited in Sun Valley this past summer seemed quite a bit more sensible – and it has four old-fashioned wheels.

Inside, there is a full-sized bed, a little cooking area, charming lace curtains, and lots of appeal! Imagine sleeping here, with the canvas roof overhead like a big canopy.

Throw open the door and watch nature’s display; or, perch on the steps with a mug o’ coffee and admire the sunrise. Glorious!

This green-and-red Basque sheep wagon was restored by a craftsman named Cotton Riley (how’s that for authentic?) for Cindy Hamlin, a passionate garden designer and friend of Mary Ann Newcomer’s. I felt very lucky that Cindy shared her hideaway-on-wheels with me!

Cindy’s abode may not be high tech, but it’s got a whole lotta character – and I bet it’s more comfy than The Walking House, too. Vive le difference!

I’m the kind of person who may be vaguely aware of a trend but I don’t have a clue what it’s actually called.

Case in point: the hip blogging term “MEME.” I kept hearing about this word, but didn’t know its meaning. I thought perhaps it was an acronym (as in multi-electronic-marketing-expression – huh?).

When I moderated the “Blogging Success Stories” panel at the Garden Writers Association annual symposium in September, Dee Nash of Red Dirt Ramblings made a comment about “meme” this and “meme” that. I just smiled and nodded, as if to say: Oh, I am in the know. I really get what you’re talking about.

Except I didn’t. That’s how non-technical I am.

Then last week, my friend Lorene Edwards Forkner sent me a “tag” challenge, one that she received from another Internet girlfriend, “Flowergardengirl” (aka Anna). I received Lorene’s nudge, but I’ve been so swamped that my follow-through has been belated for seven days.

I looked up the word MEME, which I thought might apply to Lorene’s “what are you reading right now?” tag, and discovered the following:

Meme:

(Noun) A unit of cultural information, such as a cultural practice or idea, that is transmitted verbally or by repeated action from one mind to another.

Okay, tonight is the night. I’m down to one kid (the other kid is performing in a play and has informed me he is going to the midnight opening of teen-vampire flick “Twilight” after his show – who cares about first period choir tomorrow anyway? And husband Bruce is conveniently away at a 2-day graduate school commitment), so I can finally sit down and “play” with Lorene. She understands the delay and distractions. I know she does!

The challenge is as follows: Grab the nearest book at hand (no fair looking for something intellectual, just what’s within arm’s reach of your keyboard). Turn to page 56, go to the 5th sentence and post your results – include the 2-3 sentences that follow to provide some sort of context. Then turn around and “tag” 5 or more blogging friends to do the same.

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Alerted by my British shed-pal Alex Johnson, of www.shedworking.co.uk,  to news that a village of tree houses had sprung up in Manhattan’s Madison Square Park, I was determined to see the spectacle with my own eyes. While in NYC for a brief 48 hour visit last weekend, I added a stop at this midtown Manhattan public exhibit of sheds-in-trees.

My son, Ben, and I spent 2 days in New York, en route home from a not-so-happy occasion (my mother-in-law’s funeral). The exposure to theater and art was a welcome respite. Last Sunday, before departing to take the train out to JFK Airport, we squeezed in a subway ride on the Downtown R train to 23rd Street & Fifth Avenue.

Emerging from underground into the beautiful autumn weather, we crossed the street and entered a verdant, 6.2-acre patch in the heart of urban hustle. Looking up, built around the trunks and suspended amid branches of six or seven tall shade trees, we spied the underneath sides of the Tree Huts. While quite humble, constructed with an apparent lack of precision from 2-by-4s and nails, each little hut seems perfect in its imperfection. The mere essentials of shelter are provided: roof overhead; floor beneath; walls to protect; window or doorway for access and light. All that is missing is a rope ladder or steps made by pieces of lumber nailed up the tree trunks. I was eager to scramble the heights and enter one of these engaging structures!

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Here’s how “Seeing the Light,” my story in today’s Los Angeles Times’  HOME section begins:

When Alan Smart was a kid, he discovered an old trunk in an antique store and begged his mother to buy it. She refused (after all, he was 10). So young Alan spent $45 from his allowance to purchase the trunk himself.

“I like old-timey things,” Smart says in his retro Hawaiian-print shirt and board shorts, gesturing to his living room filled with restored antique armchairs and vintage California tile tables.

This is a story that underscores my belief that we can both possess a home and be possessed by it. It’s about how Alan and his partner Michael Uhlenkott transformed a nondescript 1930s Spanish Revival bungalow in an aging Los Angeles neighborhood into a showpiece for decorative arts and their amazing collection of early California pottery, tile, furniture, paintings, figures, and lighting. It’s about how their personalities and preferences are revealed through their choices of color, textiles and artwork.

Alan and Michael are artists of the highest order. If there is a surface to embellish, they will find a way, even if it means spending endless hours standing on ladders to hand-stencil the stucco ceiling with a Moorish pattern or antiquing the walls with layers of glazing, rag-application and dry brush painting techniques.

They design with a respect for the past, an appreciation for craftsmanship and materials, and a lighthearted sense of irony. There is no halfway effort here. Everything relating to a genre, period or style is explored, honed, refined and reinterpreted. There’s such an honesty and authenticity to each decision to adorn and decorate. I love every detail! 

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I have my father to thank for my two-day trip to Modesto earlier this week. That’s because a year ago, as my folks were driving from Seattle to Phoenix, they stayed overnight at the home of Sue and Jerry Houser in Modesto, California. Like my parents, the Housers belonged to an informal bed-and-breakfast club. You pay some kind of nominal fee to join and receive a directory of hosts who will give you a room for the night, plus breakfast. My affable dad was seated in Sue Houser’s family room and he noticed all her gardening books and magazines. “My daughter writes about gardens,” he offered.

Turns out, Sue is the program chair for the Modesto Garden Club, one of the largest clubs I’ve ever encountered (it was founded 81 years ago and has more than 600 members)! How’s that for serendipity?

The next thing I know, Dad’s on the phone to me, introducing me to Sue. Several phone calls and emails later, she invited me to come speak to her club. That’s the two of us pictured above, standing in the foyer of the garden club’s beautiful office in a renovated cottage (seen at right).

I began my trip on Tuesday, driving to Bakersfield, which is 120 miles northbound on Interstate 5. I parked my car at the Amtrak station there and hopped the San Joaquin line (which begins in Bakersfield and continues to Sacramento or Oakland). I passed the 3-1/2 hour train trip quite pleasantly, looking out the window at the changing scenery, much of it agricultural (mostly corn fields and pecan orchards), napping, reading, and relaxing. My cell phone was turned off, ensuring that I really could “unplug” for a little while.

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If you’re seeking creative inspiration, or need a gift idea for that crafty person in your life, look no further than Salvage Studio of Seattle.

My pals Beth Evans-Ramos, Lisa Hilderbrand and Amy Duncan share a “lust for rust” in their pursuit of sustainable design (to them, this means “reduce, reuse and recycle”) for the home, garden, and more. They teach classes at their studio in Edmonds, Washington, and frequently publish an idea-filled blog, also called Salvage Studio.

Just out, their new book, “The Salvage Studio: Sustainable Home Comforts to Organize, Entertain and Inspire” (Skipstone Books/Mountaineers, $21.95), is a compendium of the best salvage projects created and collected by these three gals over the past few years.

Imagine my delight when my review copy of The Salvage Studio arrived a few weeks ago. The attractive 8-1/4-inch x 9-1/4-inch book contains 200 gorgeous pages of great design ideas, tips for turning discarded items into decorative accents, step-by-step projects and more. I turned to the Acknowledgements page to find a thoroughly unexpected gift from the authors:

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Visting Bellingham and the Whatcom Horticultural Society

Bright and early on September 17th, I flew from Burbank, CA to Bellingham, WA (by way of Seattle and a 2-hour layover). I was pretty tired, having only four hours of sleep the night before, so I dozed a bit on the small Horizon Air jet that transported me from Seattle to B’ham in barely 25 minutes.

As the plane began to descend, I perked up and looked out the window to see – oh glory – Puget Sound, and several of its islands including Lummi Island. I was so happy (exhilarated, actually) to gaze upon the gray-blue palette of the water and islands, the scenery dotted witha few boats; the islands populated with cabins and summer cottages. What a “welcome home”!

My friend, Dawn Chaplin, garden designer and nurserywoman (seen with me above, in front of the Whatcom Museum), invited me to speak at the September meeting for the Whatcom Horticultural Society. I have a special place in my heart for this group, thanks to my friendship with the late Stephanie Feeney, who was one of the founding mothers of WHS. Stephanie, creator of the Northwest Gardener”s Resource Directory, originally started her garden touring “reference” (as a few photocopied pages stapled together at the corner), for her use and for her WHS friends. Upon her death in 2000, I inherited the editorship of her book and produced the 9th edition, still in print.

Dawn and her husband David met me at the airport and whisked me off on a whirlwind tour of Bellingham’s fantastic gardens and even a few magical “sheds” and shelters in the garden. In this misty, foggy maritime place on the map, people in Bellingham use color and art in very exciting ways. Here is a travelogue of our garden-filled afternoon:

Our tour kept gathering up friends and bringing them along. In front, from left: Dawn Chaplin, landscape designer Susann Schwiesow, and Laurie Satushek discussing plants in Susann’s glorious front border; In the back, Steve Satushek and David Chaplin.

SATUSHEK GARDEN

The wild and crazy landscape owned by Steve and Laurie Satushek

Photographer Steve Satushek and artist/teacher Laurie Satushek live and garden on about 8 acres overlooking the Nooksack River Delta and Bellingham Bay. They have transformed a nondescript ranch house and unkempt field into a colorful residence and equally brilliant landscape. Every surface of their residence is embellished with mosaics, mirrors, three-dimensional objects, and Steve’s oversize “outdoor” photographs — all rendered in a crayon box-inspired palette.

The informal but exuberant garden makes creative use of cobalt glass wine and water bottles (seen above, at left and below) and Steve’s cleverly-engineered and equally beautiful photography (he combines nature and botanical photographs with several innovative processes for weatherproofing oversize canvases). Together, the gallery-house and gallery-garden lure visitors to explore, observe, and fill their eyes with a surprising interpretation of art infused into every aspect of life.

More blue bottles: Here, they are mounted upside down on rebar posts. Staggered “rows” create a waist-high blue wall that lines the driveway. Citrus-cutouts of dancers add whimsical contrast.

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