Leslie's Autumn-inspired piece is topped by a fabulous flame

There’s new artwork at the Los Angeles County Arboretum & Botanic Garden  and it’s as colorful as the peacocks strolling around the grounds.

Four sculptural “towers,” designed, crafted and donated by artist Leslie Codina, celebrate winter, spring, summer and fall. The installation complements a 10,000-square-foot display of ornamental and edible plants called “Garden for All Seasons.”

Codina, who lives and works in Ontario, creates whimsical stacked towers of color, pattern and form. Her hand-built earthenware “beads” are fired in vibrant glazes, eye-catching patterns, and exaggerated organic shapes that suggest thorns, leaves, flowers, tendrils and bugs. Each piece has a hole at its center so it can be slid over a metal rod in whimsical, mix-and-match designs.

“They are my crazy interpretation of what’s already in the garden,” she says.

The artist sells her $400-$650 garden sculptures at local fairs, including the Arboretum’s L.A. Garden Show each spring. She proposed donating a permanent, site-specific sculpture several years ago, but it wasn’t until after renovations on “Garden for All Seasons” started in 2007 that Tim Phillips, the Arboretum’s acting CEO, agreed and suggested the site. Codina worked with garden curator Darlene Kelly to come up with the four-season theme and determine where the pieces would be installed.

The four spires represent the garden's beauty in all four seasons

At 9 to 15 feet high, the quartet of spires has more than 50 individual “beads” and is larger than Codina’s typical work.  “The scale is huge – the base shapes are the size of a beach ball,” she says. “When we put them all together, they look hugely impressive. They complement the garden and the garden complements the sculpture.”

The sculptures follow the seasons, both in size and color. “They gain height as they ‘grow’ from winter through the rest of the year,” Codina says. Purple-and-sage designs symbolize winter; spring is a full spectrum of green colors; summer has hot pinks, oranges and greens; and fall is depicted with mustard yellow, olive green and red hues.

Unlike Codina’s smaller pieces, which often have branch-like armatures, the sculptures at the Arboretum are made of mostly cylindrical shapes. “I made them very peacock-safe,” says the artist. “I didn’t want to give the peacocks any place to perch.”

PHOTOS: courtesy Gene Sasse Photography

Just received this hand-addressed mailing from famous landscape architect Richard Haag of Seattle. I really like the title he gave me – GARDEN PUNDIT! I would now like to be addressed as “Ms. Debra Prinzing, Garden Pundit.”

Pier 1 imports in-house stylist, Aimee Beatty in her fav Papasan chair

"Crazy Weave" hanging lanterns in 2 sizes, 6-inch high and 7-inch high; ($10-$15)

Summer’s almost here and since you may not have the budget for a big vacation, why not spend just a little to turn your backyard into a spa-at-home?

Pier 1 imports, my fav post-college source for home decor and furniture, is all grown up. I recently reviewed the retailer’s playful summer collection. I’m especially drawn to their lineup of  creative ideas for decorating outdoor spaces.

To learn more about the colors, patterns and materials that inspired the season, I called Aimee Beatty, Pier 1’s in-house stylist and design maven. She works for the Ft. Worth, Texas-based home furnishings chain to coordinate photo studio vignettes, visual displays and settings for advertisements and catalogues. 

One of the things I noticed about the Summer 2009 collection is that it’s very “interiors-looking.” I wanted to ask Aimee all about it. Here’s part of our conversation:

Q. I have enjoyed many great decorating moments from Pier 1, especially when I was in my budget-conscious, recent grad phase. But now Pier 1’s mix seems more edited and less like a world market. Has this change been conscious?

A. We envision ourselves as having something for everyone. There is an element of our products all working together (mixing-and-matching). Even today, we want shopping at Pier 1 to be a treasure hunt of sorts.

Q. I’m interested in the outdoor furnishings and accessories. What is the palette of the moment?

 A. We’re using punches of lime, yellows, corals and different shades of blue, including turquoise.

Reusable tropical-themed Melamine serving plates, $2-$19

 Q. How about materials – what’s new there?

 A. One of the materials I’m most excited about is a plastic rattan.

 Q. It looks like Pier 1’s distinct design themes have an exotic flavor this summer:

 A. I would describe the overall theme as “eclectic” – a look of mixing and matching and layering furniture with different finishes. Themes include:

• Bohemian:  It’s comfy, eclectic and a little romantic. Our design team has combined patchwork, embroidery and relaxed pieces for a vibe that’s in tune with today even though it might recall a hippy, happy era.
• Tropical: Oversized floral patterns. Bold color. Natural touches. Easy ideas. This collection is as budget-friendly as it is cheery.
• Global: This is the look that Pier 1 is known for. We travel the world and pick up treasures along the way.  You’ll see this in festive dinnerware, ceramic vases with an Old World look, carved mirrors – anything with rich, jeweled tones. This season, it’s the mix that makes traditional creations look bold and fresh.

Outdoor Papasan chair, approx. 46-inches in diameter, $99.95 for 2-piece frame; Scatter daisy cushion, $100; 18-inch pillow, $16.95

Q. Can you share any fun tips on making an outdoor space more personal?

A. People tend to overlook the fact that their outdoor patio can be just as important as their indoor rooms. I suggest you clear the clutter. Don’t use that space for storage! Instead, view the patio (or deck or terrace) as a useful place. No matter how small or big, have fun.

Q. Do you have an example of a favorite deck or patio design?

 A. I like to mix a sitting area with the dining area. You can have a bistro table for two but also incorporate a wicker chair or love seat. Blend the two uses rather than separate them.

 Q. Let’s talk about some of the hot styles and products for al fresco summer settings. What are some of your favorites?

Hot pink with Electric orange, an exotic, 4-by-6 foot outdoor rug, $24.95

A. First, the Papasan – for outdoors. I remember when I went off to college and that was the first thing we bought for the dorm room. It’s an iconic Pier 1 piece. This Papasan is great because it can stay outside. It’s bold and bright and has a lot of personality. It’s made out of iron and plastic rattan. The cushions are 100% polyester and water repellent. I love these (once) indoor chairs used outdoors because they offer a new and fun patio feature for you and your guests. Use them to create a cozy, casual environment.

Q. What about the outdoor rugs – they are awesome!

A. Rugs are often the last thing people think about when decorating their patio. These are bold and bright and have a lot of personality. They really warm up a space and make it room-like.

Iron wire cage lanterns 9-3/4-inch high and 10-1/2-inch high ($18 each style)

Q. And I love all the lanterns — the ones that accommodate votives and the battery-operated options. They would look great hanging from the pergola over my patio or from the trees in my garden.

 

 

 

A. Rather than just using one, you can have groupings of lanterns. Experiment with a little cluster. Or, hang a row of them above a table.

Q. Any final advice for accessorizing our summertime spaces?

A. These trends can be taken and shown by themselves or, for even more fun, mix them all up for an eclectic look that is totally your own.

Thanks, Aimee. I look forward to talking with you again.

For those of you who have known me for a l-o-n-g time, or even for ones who only occasionally stumble upon Shedstyle.com, it may be evident that I am torn between desperately missing Seattle, my home for most of the past 30 years, and embracing life in Southern California, where I’ve been living nearly 3 years now.

I’m learning that there is incredible beauty here in SoCal, especially if one gets off of the freeways and out into the raw, rugged nature. The same attributes that make me love the Pacific Northwest – the mountains, the ocean, the amazing plant life – are some of the ones that have made me begin to appreciate, value and (possibly) love my new home.

Yesterday was no exception. I slogged through 70 miles of freeway traffic on a mid-Sunday (which took 1 hour and 45 minutes, thank goodness for Prairie Home Companion or it would have been a lot worse!) to a place high above the ocean called Rancho Palos Verdes. When it comes to offering endless views of the Pacific shoreline, coastal beaches and blue ocean, it’s as breathtakingly gorgeous of a place as the more popular Malibu. Except, it seemed to me yesterday, with way less traffic and commercial development.

I met up with architect Ron Radziner of Marmol-Radziner, a Venice, Calif.-based architectural firm (which also has landscape architecture, interior design, furniture design and prefabricated design in its portfolio) to tour one of his projects. The property is called Altamira Ranch and the American Society of Landscape Architects recognized it with a residential design honor award in 2008.  My interview with Ron about the project will appear in a future issue of Landscape Architecture magazine. Suffice it to say that the approximately three sweeping acres of California native plants, surrounding a contemporary residence (also designed by Marmol-Radziner) is a study in excellent design. It is lesson that Bud Merrill, my former garden design instructor, would have so loved. He preached the gospel of “environmentally responsive design” – and I tell you, this project – home and landscape – makes huge strides in that practice of only “lightly touching” the earth.  Stay tuned for the full story.

The alluring labyrinth patterns are visible from high above the beach

The stone design, made by unknown hands

After Ron and I finished the interview, Julie, the owners’ personal assistant, offered to walk the property with me.

She is a wealth of knowledge about native plants and how they perform in a residential setting – especially this tricky coastal site that is exposed to high winds, intense sun, frequent blankets of fog, and saltwater.

We paused at the edge of the bluff and looked down at the beach, which was probably 200 feet below us.

Julie pointed out the stone labyrinths that beachcombers have placed on the shore and she told me where to park so I could walk down to see them (she also suggested where I could grab some lunch; ironically, it was at the grill where golfers eat when they’re finished playing the greens at the Trump International Golf Club).

I hiked down to the beach and made my way across the uneven, rocky surface. It isn’t one of those “take off your shoes and stroll barefoot” kind of beaches. My shoes kept filling up with pebbles, but I couldn’t imagine going bare. The wind was brisk, which you’ll notice in the poor sound of the two short movies I shot. How else do you show the experience of a labyrinth without a moving picture?

At the Beach with Deb:

httpv://www.youtube.com/watch?v=BKYt9OW2iQE

Walking the Heart-shaped Labyrinth:

httpv://www.youtube.com/watch?v=HSxQm4iv_GA

Here’s my takeaway from yesterday’s unexpected hour on the beach: I was given yet another gift of California’s natural beauty. It was a vivid reminder that I am here for a reason. I am still discovering the reason(s), but isn’t having a chance to drink in this beach, collect a few of these stones and witness the creative way artistic humans have responded to them reason enough?

Lorene, visiting a waterwise garden in San Diego, 2007

I am so proud of my gal-pal Lorene Edwards Forkner and her latest book, Growing Your Own Vegetables (Sasquatch Books, 2009, $17.95).

An inspiring and essential compendium of vegetables and herbs to grow in your own backyard, GYOV is the first in Sasquatch’s series of single-topic references inspired by the late Carla Emery’s The Encyclopedia of Country Living.

If you came of age in the 1970s, you’ll remember this huge Yellow Pages-like tome. More than 600,000 copies have (and continue to be) sold over the years, even though Carla passed away in 2005.

It’s a good thing that Lorene was a back-to-the-earth gal long before modern-day foodies who are just discovering the joys and benefits of tending to their own edible plants.

She writes confidently and lovingly about all the great veggie and herb crops that have grown in her potager over the years. In GYOV‘s 180 pages, Lorene’s lively, conversational tone makes the idea of planting and tending one’s own food sources sound easy and achievable. There’s no right or wrong here, just an enthusiasm that says, “Come on, you can do it, just try!”

Lorene hints at an early obsession with urban farming in her introduction to GYOV, in which she thanks her parents “who allowed me to dig up our backyard, plant corn, and walk away.”

That curious opening prompted me to request the “back story” when Lorene and I spoke by telephone last week. Here’s her true confession:

“It was the mid 1970s, I think I was in junior high school. One day, I tore up about one-third of our backyard and planted it with corn. Then I lost interest and walked away. Oh my goodness, it turned into the biggest mess! I was in so much trouble because what I created was everything that ran against my father’s neat-and-tidy instincts. It was total chaos. And that was truly my first garden.”

Lorene and me, visiting the famed Lotusland in Santa Barbara (2007)

Not much later Lorene went to college and married her high school sweetheart James (that’s where I met up with them in the late 70s-early 80s in Seattle). 

After a successful career in art, garden design and nursery ownership, Lorene joined the writing profession in earnest several years ago. One day last spring, Lorene met with Gary Luke, Sasquatch’s editorial director. He showed up carrying the latest edition of ECL (which was about to celebrate its 35th anniversary of the first printing).

That’s when Lorene proclaimed: “I know this book. I bought it in college. I knew who Carla was and what she was about.”

With one Sasquatch title under her belt, the hilarious and irreverent Hortus Miscellaneous, Lorene agreed to tackle editing and rewriting the first two single-subject adaptations of ECL.

She’s an amazing writer, but this project called for more than good composition skills. It required a dose of literary anthropology and journalistic archaeology to dissect the 900-page, 3.5 pound title (yes, she weighed ECL’s 10th edition to verify this fact) and turn out a very readable, user-friendly Veggie Manual.

READ MORE…

Today – May 2nd – is the 16th annual Venice Garden and Home Tour, which is a hip, happenin’ kind of tour serving up no fewer than 30 properties. For $70-per-ticket, that averages about $2.50 per garden, so when you look at it that way, it’s well priced. Plus, who can argue with the deserving beneficiaries? Children! The tour raises funds for the Neighborhood Youth Association of Venice, which operates Las Doradas Children’s Center, a licensed childcare facility that serves working families.

Along with tour producer Barbara Baumann and co-chair Adri Butler, I previewed several of the properties a few weeks ago and wrote about four of them for today’s Los Angeles Times.  Due to s-p-a-c-e limitations (surprise!), there is only room for one mini-feature in the print edition. You have to go to the online gallery to get a peek at how the staff photographers captured the three other gardens.

Here are the four gardens we profiled, complete with my original story about each. Take a virtual tour and enjoy a slice of one of the most eclectic spots in Los Angeles.

Get the Venice vibe and borrow these easy design ideas for your interior and exterior spaces

A colorful compound on one of Venice's unusual canal streets

By Debra Prinzing

For all the glossy magazine articles and garden-makeover shows we consume, there’s nothing like a day of garden sight-seeing to inspire the inner-landscaper in all of us.

Featuring nearly 30 properties, today’s legendary Venice Garden & Home Tour is sure to ignite your imagination – and dish up dozens of adaptable ideas for your own yard.

Don’t go empty-handed, though. Bring a camera to capture a cool architectural detail or alluring bloom, a notebook and pencil for jotting down plant names or design resources, and plenty of curiosity. In many of the gardens, owners and designers will be on hand to answer questions and share tips. Consider it affordable design research. Plus, nothing’s more fun than cruising along the canals, walks and side streets of one of L.A.’s most iconic neighborhoods.

We previewed several of the tour’s vintage cottages and sleek cubes (and the gardens, decks and balconies that surround them). Here’s a look at four favorites, including design tips from each.

 Accessorize your garden with salvaged signage

A generous and genial host, Orson Bean

Orson Bean, a veteran actor and longtime resident of Venice’s canal district, has a thing for Americana, especially signage “folk art.” “It’s really just pop culture,” he says. “Advertising has always been part show biz.”

Oversized and retro, Bean’s restaurant and retail signs are well suited for the endless scale of blue sky and sunshine overhead. Their very presence in his garden brings out the storyteller in Bean.

There’s the tale of the neon billboard that’s mounted against a ficus-covered fence in the garden he shares with his wife, actress Alley Mills.

“It’s from the ‘Simple Simon’ rhyme, but it was also the logo for Howard Johnson’s restaurants,” Bean points out. “That sign was as identified as the McDonald’s arches.” Rendered in carnival-colored neon tubes, the once-ubiquitous image of a baker, a boy and his dog promised coffee and a slice of pie to drivers along the Jersey Turnpike.

Orson and Alley's vintage Howard Johnson's sign embellishes a corner of their Venice garden

The neon Ho-Jo is one of several pieces Bean has collected as garden art. He likes the way they personalize the shallow-but-wide landscape, which was created by combining three adjacent cottages and their yards over the years, beginning when he spent $113,000 for the first one in the early 1970s.

Another sign promises “Cash for Cars” and it, too lights up at night. Tucked next to a camellia shrub, a third, its faded paint beginning to chip, advertises a sheet metal shop in the hands of a cartoonish man.

There is a down side to having neon tubes so close to the lawn, where Bean’s seven grandchildren often play ball. Fortunately, he has been able to replace or repair occasional damage. “Only the chef’s hat is original,” Bean says.

Infuse the sound of bubbling water in a few square feet

Barbara Balaban's tiny fountain with broken pottery mosaic trim

There’s not a lot of room in her 20-by-20 foot front yard but Barbara Balaban has maximized every square inch. Instead of a space-gobbling fountain, she created a tiny one, wedged between the walkway and the front steps. The 18-inch water feature uses a re-circulating pump bought at a home center. “I filled the top with river rocks and surrounded the fountain with a border of broken pottery,” says the interior designer and contractor. “I just wanted the sound of water here.”

Balaban moved to her canal cottage after fleeing a traditional Sherman Oaks house destroyed by the 1994 earthquake. Her Venice garden incorporates mosaics of broken pottery salvaged from that disaster: the fountain, a freestanding barbecue-cooking counter and a “welcome mat” at the front gate. “I reconstituted my grandmothers’ and mother’s dishes – and it gives me a big smile to see each piece,” Balaban says.

Tiny and efficient, Barbara's U-shaped eating nook seats six

During a home renovation, she retained the original footprint rather than expanding. “I kept the depth of the property the same because I wanted the garden,” she says. Studio City designers Carol Plotkin and Janet Hoskins helped Balaban rethink the miniscule landscape and incorporate a slim border filled with succulents, Mediterranean plants and whimsical art.

There’s a large glass table (on wheels) that accommodates the parties Balaban and her partner, artist Yaacov Aloni frequently throw. But when they want a quiet Sunday morning brunch, the couple lounges in a U-shaped eating nook installed in a corner of the front porch. “It’s like having a little sofa outdoors,” Balaban says. “We can sit here and be a little secluded from passersby.”

Pave the indoor and outdoor spaces with the same flooring material

Lenny Steinberg's tiled, open-air terrace overlooks the Pacific Ocean

A floor covered in sultry blue-green stone leads your eyes through the soaring, loft-like space, through a 17-foot opening in a retractable glass wall and beyond the outdoor terrace, until they rest on the endless seascape.

“The stones reflect the constant color of the ocean,” say owner Lenny Steinberg of her North Carolina bluestone floor. “Although that seems to change according to the light.”

When Steinberg, a furniture and architectural designer, renovated the former duplex into a single, über-contemporary home on Ocean Front Walk, she wanted to bring the ocean indoors. She inherited a palette of irregular-shaped bluestone after a friend’s patio project fell through.

Lenny designed her chaises with distressed wood and modern lines - perfect for the rooftop garden

“It was the perfect solution for my floor, although I ended up calling all over North Carolina to get more of it,” Steinberg says. Even though the material, a hard slate, is usually installed randomly, the designer spent hours choosing the position of each stone to create a subtle pattern. “I like to think of it as a river running out to the sea,” she says.

The sea metaphor (and the bluestone) continues on the floor of the small, angled terrace that Steinberg designed to cantilever beyond the glass wall. The space serves as the intimate outdoor living room, with views of the palm trees, walkway and pier. The dark teal stone has endured intense sun and saltwater beautifully, says its owner. “If it has any nicks, I just take a little steel wool to it,” Steinberg says. “I wish everything else was as durable.”

 Practice sustainable design by recycling found objects and allowing the garden to evolve over time (rushing is not allowed here)

Tim Rudnick rings his hanging cymbal-as-doorbell

Stepping through the opening in the ivy-clad fence surrounding Tim and Robin Rudnick’s home and garden, it’s possible to lose all track of time. In fact, it seems as if Tim Rudnick, an architectural designer and artist, has turned back the clock to an earlier Venice. “I like the old, tattered hippy cottage that we lived in and raised our kids – where everyone hung out on the old porch,” he says.

Circa 1913, the summer bungalow originally faced Venice’s Aldebaran Canal (now Market Street). The Rudnicks purchased it in 1984, subsequently modernizing the interior and adding an L-shaped Arts-and-Crafts style addition. The old and new portions of the family compound now embrace an intentionally tangled and untamed landscape, also of Rudnick’s design.

“I had this beautiful photograph of a Buddhist garden in Japan and I imagined our yard by looking at it,” Rudnick says. “I loved the idea that like a Japanese garden, you feel like you’re entering another world when you go through the gate.”

Lush and semi-wild, the Venice garden of Tim and Robin Rudnick

A naturalistic pond, measuring about 25-feet across, occupies the center of the garden. Rudnick used the excavated dirt to build a mounded knoll between the pond and a wraparound deck. He landscaped the water’s edge with heirloom irises once grown by his mother, native Pacific coast irises and ferns.

Several mature trees, planted as seedlings nearly 40 years ago, now tower above the rooftops: a coral tree, an olive, and four eucalyptuses. “The leafy trees give us the feeling of real separation,” he says.

Visitors announce their arrival by striking a mallet on two bronze disks, suspended from the twining branches of the coral tree. Rudnick made one from the base of a salvaged clothing store fixture; the other is a recycled cymbal. He prefers their music to a regular doorbell: “One has a very resonant sound and it goes on for 15 minutes; the other makes a beautiful, contrasting sound.”

 

 

Garden celebrity Shirley Bovshow and I posed on a bench in Nick Williams's garden

The theme of this year’s LA Garden Show, “A Festival of Flavors,” is timely and delectable. The show is produced by the Los Angeles County Arboretum and Botanical Garden in Arcadia (just east of Pasadena), a 127-acre destination with a diverse plant collection, inspiring display gardens and natural habitat-inspired landscapes. The three-day flower show runs through Sunday, May 3rd. The event’s honorary chairs are Clara and Jacob Maarse of the famous Pasadena rose nursery and florist, and Rosalind Creasy, garden writer and pioneer in edible landscaping.

Edible gardening expert Rosalind Creasy

Most of the flower shows I’ve participated in have been indoor shows, so when I arrived last night to attend the preview gala, I was reminded of how alluring an open-air flower show can be. There’s nothing like the sky overhead, the sounds of screeching peacocks that wander the Arboretum grounds, the fragrances and textures of plants from every continent — and the conviviality of friendships — to put me in a perfect festive mood.

Upon entering the Arboretum, we first stopped off at the “marketplace” of plant vendors, garden artists and purveyors of cool stuff, which occupies the lower lawn adjacent to Baldwin Lake. The collection of white tents, topped with jaunty flags, put a smile on my face. I felt as if I was in Europe rather than Los Angeles. The two hours allotted to previewing the sales area was barely enough – but no worry, because I’ll be back there on Sunday to do some more damage to the checkbook (That’s after my 11 a.m. “Garden Chat” ).

Plant vendors, garden artists and more

As I strolled along the grassy pathways between each tent, poked my head inside several to check out the offerings, and chatted with fellow party-goers, I said to myself: These are my people!

I was surrounded by kindred spirits who love gardens, plants, ornamentation, vintage finds, and more.

Vintage gals, Libby and Nancie

A couple of highlights included visiting with Libby Simon of Libby’s Vintage Home & Garden and her friend Nancie Piser, fellow collectors of salvage, old linens, elderly gardening books, retro dishes and glassware, anything tin, rusted or galvanized, and more!

Oh, and Libby also specializes in unusual cactuses – I came home with a nifty specimen (Euphorbia handiensis) that I quickly re-potted in a turquoise-glazed pot for my garden.

My friend Paula Panich and I had a few acquisitive moments, inspired by all the unique finds these two women featured in their tent. I came home with an old garden spray-nozzle and some awesome vintage books, including an almost-mint 1932 edition of The Fragrant Path: A book about sweet scented flowers and leaves, By Louise Beebe Wilder (perfect for a friend’s upcoming birthday). Here’s what Miss Beebe Wilder writes in her opening lines:

A garden full of sweet odours is a garden full of charm, a most precious kind of charm not to be implanted by mere skill in horticulture or power of purse, and which is beyond explaining. It is born of sensitive and very personal preferences yet its appeal is almost universal.

Here is a map of The Arboretum and the Garden Show features:

Leslie Codina's art: A joyful explosion of color and form

Playful, fanciful, nature-inspired sculpture

Inspired, my eyes drifted over to the next tent over, which was filled with lively ceramic spires pleasing to the visual senses. Leslie Codina, a local Los Angeles area artist, creates whimsical stacked towers of color, pattern and form. The 5- to 7-foot-tall sculptural creations are formed first in Leslie’s imagination as she “interprets the shapes and colors of nature into her garden sculpture.”

Leslie renders individual elements in clay, then shapes, curves, twists, carves and rolls the medium into fantastical armitures, balls, finials and wing-like shapes.

Firing and glazing steps follow, featuring a mix-and-match palette of lime, plum, apricot, red, orange, blue, aqua and lavender.

Artist and sculptor Leslie Codina, with peacock strolling by

I first learned of Leslie from photographer pal Gene Sasse, who has done much of the photography that appears on her web site. He urged me to seek Leslie out – and boy am I glad I finally did.

Leslie has just donated a grouping of four 8- to 12-foot tall sculptures as a permanent installation at the Arboretum. The collection appears in the “Garden for All Seasons” display, which represents each phase of the year.

After shopping and browsing, several of us moved to the “Designer Lawn” area of the Arboretum, where the cocktail reception was underway.

The displays, created by talented area landscape firms and individuals, brings together the idea of “edible” and “ornamental” worlds co-existing in the garden. Here are a few of the innovative ideas showcased:

“Punctuation in the Garden: A Gallery of Edible Container Gardens,” created by the local members of the Association of Professional Landscape Designers (APLD):

I’ve admired and been privileged to write about the design work of several APLD members, both in the Washington State chapter and now in the California chapter. The group of a dozen folks who created eye-catching edible focal points has come up with some pretty fun interpretations of an “edible container.”

READ MORE…

The Cozy Shack, Designed by Scotty Thompson and Suzanne St. Pierre of "Living in the Garden," a cool Pullman (Wash.) garden emporium

I love it when I receive surprise “Shed-Mail” from Shedistas like Suzanne St. Pierre. Suzanne and her husband Scotty Thompson own Living in the Garden, a cool nursery/emporium in Pullman, Washington. We’ve swapped a few emails, originally prompted by Suzanne’s note saying she loves Stylish Sheds as much as I do.

Recently, while planning their own version of a spring flower show, Suzanne and Scotty recycled an old cedar outhouse from their 2-acre property and tricked it out to be a too-cute cottage for their nursery. She sent me a sweet note and some photos and gave me permission to share them with you.

Hello, inspired by your Stylish Shed book, my husband and I jazzed up an old outhouse we had on the property (to use) for a focal point in our Sweet on Spring event at Living in the Garden. It was a hit!! I wanted to thank you for the inspiration and tell you that I enjoy your blog.

I just caught up with Suzanne by phone and we had a good ol’ gab. It felt like I was talking with a long-lost friend. She described how this little structure found its way from humble to haute:

Originally, the cedar “box” was an outhouse over a pit toilet. The couple actually used it while living in their tiny “sugar shack” when they moved to the two-acre property about six years ago. After they built their residence and started running the nursery, they had a “real” indoor bathroom, so the 3-by-3 foot outhouse was no longer needed. “We filled in the pit and just moved the building around,” she says.

With shingles made from flattened tin can lids and hot pink trim, this is an outrageous outhouse!

When preparing for Living in the Garden’s “Sweet on Spring” event last month, they decided to create several indoor garden displays (it’s still pretty chilly out there on the Palouse in March). As Suzanne explains, “We wanted to create our homage to the Northwest Flower & Garden Show.”

Once she and Scotty decided to dress up the rustic outhouse, the creativity exploded. Suzanne told Scotty: “We have to use everything we already have on hand.”

Like most artist-builders (Scotty is “incredibly handy and artistic”), the couple has all sorts of project piles and cool materials had saved for future endeavors. Clearly, they love to re-purpose what others might toss into the landfill.

This detailed photo illustrates how they used flattened tin cans, layered like gingerbread shingles, to clad the upper portion of the structure. Scotty added a window and the arched doorway, plus the cool corbel-style brackets and scallop-trim fascia board around the shed roof.  It even has a skylight! I’m dying to see an indoor shot (maybe Suzanne will send it to add here!) because apparently she decoupaged the interior walls with pages from old gardening books someone had given them. I guess Suzanne broke her own rule about using on-hand materials when it came to paint. She confesses that she did actually buy the hot pink paint as a finishing detail. Fancy!

Cute Outhouse (left) outside the gorgeous conservatory, built by Scotty Thompson of Living in the Garden

I love this couple’s philosophy of truly LIVING IN THE GARDEN. Suzanne grew up in a family nursery and purchased and ran her parents’ former nursery for 12 years after graduating from college with a horticulture degree.

“But I burned out. I was never getting my hands dirty,” she confides. Several years (and a career in the wholesale plant trade) later, Suzanne realized how much she missed retail. “I just wrote on a piece of paper what the perfect job would be: Work from home. Work with Scotty. Work 4 months of the year for 4 days a week.”

Wow. How seldom do any of us have such an honest conversation with ourselves? Guess what? For the past six years, Suzanne and Scotty have been doing exactly what she wrote down on that page. “My commute to work is just 113 steps,” she jokes. “We’re working on our farm and making people come to us. It’s really wonderful.”

Living in the Garden's green roof

Living in the Garden is open from March through June (Thursdays through Sundays). Earlier in the season, beginning in February, Suzanne starts work in their production greenhouse, growing geraniums and plants for their own hanging baskets. By summer, the couple is off on trips in their camping van (complete with solar panels on the roof!) and touring around the Northwest and beyond to see other nurseries and commercial greenhouses.

They believe in “marketing with a cause,” so during the summer months Suzanne and Scotty encourage local charities to use their extensive and beautiful display gardens for fund-raisers or donor-appreciation events.

By September, just about the time Suzanne is “missing” her customers, Living in the Garden opens for one spectacular autumn weekend.

When you arrive, don’t be surprised to hear the mellow sounds of Gregorian chants drifting through the garden and conservatory. “Gardening is my religion,” Suzanne concludes.

Check out the nursery in person or read more at Suzanne’s blog, Living in the Gardens.

The filming and editing are finished and we’ve posted a short excerpt from “Peace by Design,” my new outdoor lifestyle television show produced by Robert Schauf and Tisha Fein of Branch BR3.  

We developed “Peace by Design” to bring a new level of inspiring and informative garden and home stories to the consumer. With the theme of “creating your own peaceful place – indoors and outdoors,” the show will feature my visits to and interviews with top celebrities in film, television, music and sports. We will single out stars who are passionate about their own environmental activities, sustainable practices and related themes such as living in harmony with the natural world. Each program will be supported by ideas, tips and other takeaways for the viewer who yearns to turn their own backyard into a harmonious and serene environment.

Click here for Peace by Design’s web site and to view an excerpt of the show. Now the fun begins, as we share the show with potential presenting sponsors who view Peace by Design as a multi-platform marketing opportunity. I think the visuals, the celebrity component and the varied topics come together to create an exciting new show. I welcome your response and reaction to this project. I hope you love it as much as I do!