Irv and Shira Cramer created a backyard destination in an otherwise unused section of their hillside property. They bought and personalized a prefabricated shed-studio from Seattle-based Modern Shed.

[All photographs by William Wright]

There’s a huge media spotlight on prefabricated sheds these days, and much of it is shining on Ryan Grey Smith and Modern Shed of Seattle. While I would prefer to have a bit of those bright rays focus on Shed Style and our book, Stylish Sheds and Elegant Hideaways, I can’t help but be pleased to have media outlets participate in the conversation we began. As more stories rave about Modern Shed’s innovative and affordable design solutions for people in search of stylish space, I think everyone in the shed world will benefit. “The Shed,” an online magazine published by Alex Johnson in the UK, ran my story about Ryan earlier this year, called “Shedquarters.”

One of Ryan’s projects is featured in our book, a chapter called “Rec Room” that profiles a young Los Angeles artist and designer named Lin Su (seen at left, in front of her Modern Shed). But originally, a second Modern Shed structure was also slated for Stylish Sheds. It’s the sad reality that books have space limitations. Ours did, and in the end, that meant we had to cut seven chapters out of the final version of Stylish Sheds. It was P-A-I-N-F-U-L to say the least!

 

So many sheds, so few pages. Now it’s time to share one of those “lost” chapters. It includes the story and photographs of a bright green structure perched on a Berkeley hillside. Designed and built by Modern Shed, the haven is owned and used by a warm, artistic and fascinating couple named Irv and Shira Cramer.

Here’s their story, illustrated by a gallery of Bill Wright’s wonderful photographs:

Hillside Hideaway

A couple descends twenty-five steps to a garden far below their home to enjoy this separate and soulful place for music, books, and conversation. 

Irv Cramer doesn’t take the gift of sanctuary lightly. While some might consider the 13-by-14 foot shed installed at the foot of their garden to be a modest, humble structure, to Irv and his wife Shira, it is an oasis, for both body and mind.

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 I’m standing with Richard Turner, editor-in-chief of Pacific Horticulture magazine. We’re volunteering at the 2008 NWFGS in Seattle, visiting with Dawn Chaplin, formerly a fellow board member of Northwest Horticultural Society and a great garden-touring pal (she’s now a Whatcom Co. Hort. Society board member).

The press release just arrived in my in-box, and it announced the 2009 Northwest Flower & Garden Show’s theme. It’s only six months away – and I’m already excited! The theme: SUSTAINABLE SPACES. BEAUTIFUL PLACES. I like it! A lot!

The Northwest Flower & Garden Show, created by my pal, the talented and visionary Duane Kelly, today announced its 2009 theme:

“. . . (the) show will place a major focus on gardening materials and techniques that are good for the environment,” said Duane Kelly, chairman and founder of the annual event, now in its twenty-first year. “Show goers can expect to come away with a number of great ideas that conserve resources such as water and soil while, at the same time, making their gardens more self-sustaining and easier to care for.

“During the past year, organic gardening and vegetable gardening have grown in popularity thanks to the public’s keen interest in doing what’s best for the environment.  The movement has also gained traction with consumers seeking homegrown fruits and vegetables that not only taste better but reduce ever increasing grocery bills.”

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Okay, this is to be filed under “self promotion 101,” but, after all, what is the point of blogging if I can’t do that?

I am sending a huge bouquet of thanks to Jenny Andrews, Sarah Kinbar and the talented team of editors and designers at GARDEN DESIGN. Earlier this year, they asked me to profile the Venice, Calif., garden of uber-architect Ron Radziner and his wife Robin Cottle.

“Simple Geometry,” my story, appears in the September-October issue of Garden Design. You can see one of photographer Jack Coyier’s gorgeous shots appearing on the cover, depicting the family’s outdoor dining room. There’s lots more to read and see inside, as GD gave us a 10-page spread for the article.

I still haven’t seen the real issue or paged through it, but thanks to my Seattle pal, Stace Crooks, for calling this morning to tell me a copy arrived in her mailbox. I guess I better race out to get my own. I’ll post the entire story on my web site soon.

And another huge thanks goes to Paula Panich, my wonderful friend and writing coach. Paula helped me unsnag some tricky elements of the story, and in the process, made it lighter and more graceful. She is awesome.

Tired of crowding his landscape architecture practice into a tiny spare bedroom of his bungalow, Joseph Marek renovated a 400-square-foot garage. He quadrupled his work space and created an attractive destination in the garden [William Wright photograph]

Not that I’m competitive or anything, but I did feel a tad victorious when I opened the current (Sept. 08) issue of Martha Stewart Living magazine, seen at right, to discover a feature story about two of my favorite shedistas, Joseph Marek and John Bernatz. Pretty cool to “scoop” MSL on a design story (it isn’t the first time gardens I’ve written about in books have later appeared in this magazine; no, it’s the third time!).

Congratulations to Joseph and John for the much-deserved recognition. And kudos to their friend, writer Susan Heeger, for her story. To be fair, I can’t take any credit for “discovering” Joseph and John. Their garden and several of Joseph’s residential designs for lucky clients have been featured in House Beautiful, Metropolitan Home, Horticulture, the Los Angeles Times, LA Magazine, Pacific Horticulture and Cottage Living, as well.

I’m tickled that the dynamic duo’s “Stucco Studio,” a converted 400-square-foot 1930s-era garage in their Santa Monica backyard, is featured as the “opening chapter” of Stylish Sheds and Elegant Hideaways (see the first two pages of their chapter, above left).

Exquisitely photographed for our book by Bill Wright, the studio — a paprika-colored structure once designed to hold a single automobile — has been transformed into a creative and joyous environment for Joseph Marek Landscape Architecture, Joseph’s landscape architecture practice.  The highly functional interiors do double-duty (by day, this is the headquarters for Joseph’s design practice and John’s at-home office for his travel agency; come weekends and evenings, it is often converted into an impromptu party house, where friends and clients may gather for informal cocktails). It is also a vibrant architectural foil for the small but intensely-planted garden.

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Graduated in size from tiny to large, a row of ornamental concrete orbs caught my eye at the edge of a path. We toured this lovely landscape on the Sawtooth Botanical Garden tour in July.

“Treat nature in terms of the cylinder, the sphere, the cone, all in perspective,” Paul Cezanne (1925)

“Everything an Indian does is in a circle, and that is because the power of the world always works in circles, and everything tries to be round. . . . “ Black Elk, an Oglala Sioux (Hehaka Sapa, 1961)

Cobblestones are embedded in a circular pattern to create a beautiful, uncomplicated lawn terrace in the Yakima, Washington garden of Kim Brewer and Rick Main

The image of a circle pleases the eye. In the garden, shapes that are rounded, organic, and sensual resonate as “good design.” They are visually satisfying, emotionally seductive, artistically whole.

A perfectly round lawn, measuring about 14 feet in diameter, provides plenty of space for children to play in a well-designed urban garden (Langstraat-Wood design)

Circles also appear tidy, if that sort of thing matters to you. They can be formal, but circular shapes are also very contemporary-looking. For a fresh statement in the landscape, think about how you can apply or incorporate a rounded feature. With all the squarish blocks of architecture that occupy one’s life, the circle is a nice, soft antidote.

The reflection of arched openings in a stone bridge creates the suggestion of repeated circles. This is the “Jade Ribbon Bridge” at The Huntington’s new Chinese Garden

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