Last weekend, more than 300 members of the Garden Writers Association attended the annual symposium in Pasadena. As the past president, I was there. Two people asked whether I could involve the California Cut Flower Commission in the conference and it worked out beautifully to combine those opportunities.

Vice President and Program Chair Kirk Brown asked me to lead a floral design workshop at the Table Topics session on Saturday afternoon. That’s where hundreds of attendees move through 30 tables, speed-dating-like to engage with various experts and explore subjects of interest to the horticulture, communications, and media professions.

Local Arrangements Chair Lydia Plunk asked me to procure California-grown flowers to adorn the banquet tables at the Media Awards Ceremony Monday. Both requests were doable, made even easier because of the help of these incredibly generous companies:

Syndicate Sales

Eufloria Roses

Kitayama Brothers Farms

Resendiz Brothers Protea Growers

Stargazer Barn

I loved sharing these California blooms as a tangible example of the Slow Flowers movement.

We brought to life the conversation about local, American grown flowers and engaged my fellow garden communicators (writers, photographers, bloggers and educators) by getting them up close and personal to these fresh, beautiful botanicals.

After the workshop, the flowers were used to adorn the banquet tables at the Media Awards Banquet, held at the Pasadena Convention Center this past Monday evening.

My Slow Flowers project won a Silver Award, so it was indeed fitting to have local flowers on the tables that night. As a bonus, one lucky guest at each table “won” a bouquet to take home.

These are some of the photos that showed up on social media, which gives the local, American-grown story a very long shelf life!

As a bonus, Stargazer Barn provided guests with a 15%-off coupon on a future order. If you missed it, feel free to use this one here:

 

 

This was a red-letter week! For so many wonderful reasons, which all involve flowers, farming and gardening. Rather than write too much, I’m going to let the photos do the talking:

WHITE HOUSE KITCHEN GARDEN

On Tuesday, four of us achieved one of those “bucket list” goals!

Yes, we received permission to photograph the White House Kitchen Garden and its champion, Deb Eschmeyer, head of the First Lady’s “Let’s Move” program.

I am so grateful for the people who helped make this happen, including my friends at Certified American Grown and the First Lady’s communications and Let’s Move staff.

With James Baggett, editor of Country Gardens; Nick Crow, the magazine’s art director and photographer Bob Stefko, like me, a frequent freelance contributor to the title, I spent an amazing two hours at this very important kitchen garden. Look for my story in 2016 in the pages of Country Gardens!

FARMER-FLORIST PHOTO SHOOT WITH ANDREA GAGNON

On Wednesday, Nick Crow and Bob Stefko joined me at LynnVale Farm + Studios, a Certified American Grown flower farm where we photographed a story with farmer-florist Andrea Gagnon.

It was such a fantastic opportunity to capture Andrea’s farming and design talents. I can’t show you the beautiful bouquets she created because we’re saving them for the print story in Country Gardens, but I can share some lovely flower and farm pics with you. This will be an inspiring and instructional story – you’ll see it in a future issue of the magazine!

READ MORE…

Everybody loves the ‘Cafe au Lait’ dahlia for its showy yet ephemeral beauty, right? This week, I met Miss Cafe’s richer-toned cousin, ‘Sierra Glow’.

My new love has petals that have hints of copper, coral, melon and amber, all rolled into one yummy hue. Dan Pearson of Dan’s Dahlias describes it this way on his website: “Large orange-bronze blooms on strong stems. Very impressive in the garden.”

I picked up a plump bunch of ‘Sierra Glow’ dinner-plate dahlias grown by Jello Mold Farm this week and from there, all the pieces fell into place with the moody late-summer/not-quite-fall palette.

With our recent move and purging of “stuff,” I’ve discovered that many of my wonderful vases and containers are boxed up in the storage unit. But this cool brass planter, from Goodwill, serves the purpose perfectly.

Here’s the recipe:

Supplies: 1 brass planter, measuring and 1 vintage cage-style flower frog

Botanicals:

Smoke bush (Cotinus coggygria ‘Royal Purple”), grown by Jello Mold Farm

Milkweed (Asclepias sp.), grown by All My Thyme

Velvety coxcomb celosia in pale apricot, grown by Peterkort

Calendula in the most perfect milky-gold hue, grown by Ojeda Farms

Upright bunches of golden amaranth, grown by Jello Mold Farm

‘Sierra Glow’ dinnerplate dahlias, grown by Jello Mold Farm

True confessions: I’m overwhelmed these days. The epic move last month from a huge house to a small condo (what to do with all that stuff?), combined with an intense travel schedule and a few overly voracious consulting projects . . . and I am scrambling to catch up. I can’t quite see the end of this tunnel until 2016.

The good news, however, is that flowers keep blooming and defining each season whether I clip and arrange them – or not!

Please accept this entry in the Slow Flowers Challenge, Week 31. We’ll just have to write off Week 30 as a lost cause (maybe I’ll double-up sometime soon to redeem myself)!

This past weekend I participated along with four other talented plantswomen and designers in an event called Dunnton Abbey Garden Party.

The play on words with the popular PBS series “Downton Abbey” was intentional, as the folks at one of Seattle’s most lovely private estate gardens, The E. B. Dunn Historic Garden Trust, held a lawn party inspired by the gentile fetes we’ve watched on Downton Abbey over the years.

It was all quite fitting, as Dunn Gardens date back to 1915, a contemporary period from Downtown Abbey’s first episodes.

Croquet, musicians, a vintage car show, people in period garb, a cake walk and many more activities were on hand. It was lovely and I especially enjoyed seeing everyone unplugged from modernity (although many did have their cell phones out to snap photographs, I’ll give you that).

Grace Hensley of eTilth, a Slow Flowers friend here in Seattle, coordinated the floral design demonstrations. She invited Lacey Leinbaugh of Blue Lace Design; Melissa Feveyear of Terra Bella Flowers; Jennifer Carlson of Haven Illustrated and me to present “Edwardian Floral Design.”

We each were given a generous budget to shop for locally-grown flowers at the Seattle Wholesale Growers Market. A few weeks prior, we did a walk-through of the grounds at Dunn Gardens with co-curator Charles Price, pointing out stems, leaves and flowers that caught out eyes.

Charles judiciously cut those elements for us, too, so when I arrived with my own “bucket” of items from the Growers Market, there were dozens of other buckets overflowing with the truly local, of-the-moment, garden harvest. That added hydrangeas, phlox, ninebark, sambucus, rodgersia, ferns, hostas, fuchsias, monarda, meadow rue (Thalictrum sp.), crocosmia and more to the mix!

What is Edwardian floral design, anyway?

I honestly didn’t have time to do research in advance, but by the time I started my bouquet, I had a few thoughts to share.

I told the audience that the Edwardians were the original “Slow Flowers” florists because they only used local and in-season flowers, probably clipped from their own gardens.

Whether you were a member of the “upstairs” class relying on gardeners and hothouse blooms or a member of the “downstairs” class cutting from the edge of a meadow or woodland, the flowers reflected what nature had to offer.

The other idea I shared had to do with palette, and this was inspired by my textiles background. At the time, chemical textile dyes were not yet as popular or widespread as natural, plant-based dyes. And to me, that notion reflects a softer, muted, less vivid color scheme in textiles for apparel and interiors.

The tea-stained, sepia-toned palette of my imagined Edwardian bouquet was reflected in the flowers and foliage. I began with a blush-and-faded mix of ‘Limelight’ hydrangeas taking on a slightly pink tinge; not-quite-pink lisianthus blooms; pale terracotta draping amaranthus, and strawberry-colored gomphrena.

The darker accents lent a moodiness to the arrangement: Deep maroon dahlias; dark purple sedum heads; purple sambucus foliage; and berry-black Rex Begonia foliage, variety ‘Shadow King Rothko’.

Whether it’s truly Edwardian or not, the bouquet felt like a period piece in the black-and-silver Goodwill vase!

Here is a list of the ingredients, with my thanks to each farmer who grew them:

From Diane & Dennis at Jello Mold Farm, Mt. Vernon, Washington:

• ‘Limelight’ hydrangea blooms
• Amaranthus
• Dark purple sedum

From Vivian at Everyday Flowers, Stanwood, Washington:

• Gomphrena
• Lisianthus
• Maroon dahlias

From the Dunn Garden Borders: Sambucus foliage

From Seattle Wholesale Growers Market: Rex Begonia, variety ‘Shadow King Rothko’

Enjoy these photos from my fellow designers, each of whom did a magnificent job!

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Author/photographer, lecturer and radio host Ken Druse has contributed to nearly every garden and home design magazine in America.

He is probably best known for his books, which the New York Times called “bibles for serious gardeners.”

The American Horticultural Society chose his book, The Passion for Gardening, as best book of the year; and the Wall Street Journal recommended it as one of the “five garden books to own.”

Ken has authored 20 gardening books, including recent titles PLANTHROPOLGY: The Myths, Mysteries, and Miracles of My Garden Favorites and Natural Companions: The Garden Lover’s Guide to Plant Companions, which features both Ken’s photography and that of digital artist Ellen Hoverkamp.

In 2004, the Garden Club of America awarded Ken the Sarah Chapman Francis medal for lifetime literary achievement. In 2013 Garden Writers Association awarded Ken the gold medal for photography and the silver medal for writing. In 2013, the Smithsonian Institute announced the acquisition of the Ken Druse Collection of Garden Photography, comprising 100,000 images of American gardens and plants.

I have interviewed Ken for stories about his work that appeared in the San Diego Union Tribune and the Los Angeles Times, so it is with great pleasure that I welcome him to the Slow Flowers Podcast. Ken is a pioneer of gardening podcasts, having been on the air for a decade with his national podcast and public radio show “Ken Druse Real Dirt,” which listeners can hear through their computers and iPods.

We’re here today to discuss Ken’s timely new book, The New Shade Garden: Creating a Lush Oasis in the Age of Climate Change, published in May by Stewart Tabori & Chang.

Ken reveals the low-stress environment of shade (cooler temperatures; fewer water demands) and how shade is extremely beneficial for our plants, our planet and us.

The thriving garden of the future might just exist in the understory!

I come to floral design from the residential garden and a love of plants. And the floral designers in my world are always on the lookout for uncommon, ephemeral lovelies.

Guess what? Many of those special fronds, flowers, leaves and branches can be found in the shade garden. Learning from a master like Ken Druse is a huge treat — I hope you found what he shared as inspiring as I did.

I highly recommend this comprehensive guide to “all things shade.” For gardeners and floral designers alike, “The New Shade Garden” is packed with inspiration and with ideas for having a lush, textural and fragrant garden where many colors exist!

And just for fun, to get a flavor of Ken’s wonderful and welcoming interview style (and to hear his radio-perfect voice!) here are links to the two Ken Druse Real Dirt episodes where I appeared as his guest:

May 11, 2012, “Field to Vase”

March 22, 2013, “The Local Flower Movement’s Champion”

On his web site, Ken writes:  Spending time in nature, especially nurturing plants, strengthens our connection with the natural rhythms of life. In the garden, we often experience a kind of “meditation therapy”–weeding actually becomes a time to sort through the other parts of our busy lives. 

I couldn’t agree more, and like Ken, I see the garden as a metaphor for life.

On August 15th, if you are in the Northeast, you have a chance to hear Ken Druse lecture on shade; take his hands-on garden-photography workshop; shop a rare-plant sale; and tour the garden of fellow garden writer, editor and podcaster Margaret Roach in Copake Falls, New York as part of the Garden Conservancy Open Day in her area. Here are details for purchasing tickets and to find the full day’s schedule.

Follow Ken Druse on Facebook here.

Find Ken Druse on Great Garden Speakers here.

Ken Druse’s “The New Shade Garden” floral arrangement includes:

Hydrangea arborescens ‘Annabelle’

Foliage from three different hostas

Flowers from two hosta varieties

Polygonatum odoratum ‘Variegatum’ (slightly faded to green)

Pachysandra terminalis ‘Variegata’

And “whips” (actually flower spikes) from Persicaria virginiana ‘Painter’s Palette’

Listeners like you have downloaded this podcast nearly 58,000 times. THANK YOU to each and every one of you for downloading, listening, commenting and sharing. It means so much.

Until next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Wheatley and Hannah Holtgeerts. Learn more about their work at shellandtree.com.

What a week. Our last to enjoy the home and garden we’ve occupied for the past four years. Downsizing is wonderfully aspirational, but boy is it a lot of work. In fact, I’m rushing to post this because the Garden Lovers’ Garage Sale resumes in 1-1/2 hours!

But with only 72 hours left before closing on the sale of our nearly 3,500-square-foot home and moving into a not quite 1,200-square-foot apartment (still in Seattle), I had to take a Slow Flowers Challenge “moment” yesterday.

The cause for my joy? These amazing hydrangeas! I inherited numerous hydrangeas from this home and garden’s previous owners, more than a half-dozen. In one shaded corner beneath the fir and cedar trees, there is a trio clustered between the fence and the driveway. Occasional irrigation; otherwise much neglect.

Still, they are glorious come summertime. Look at these iridescent hues ranging from powder blue to French blue to rosy purple. These flowers do not disappoint – even when there are piles of garage sale junk strewn at their feet.

PS, don’t you LOVE this metal carrier? It was designed and custom fabricated by Silver Lake Farms, the urban flower farm based in Los Angeles’s Silver Lake neighborhood, owned by flower maven Tara Kolla. You can read about Tara in a chapter of my book The 50 Mile Bouquet – and at her beautiful web site here.

Tara designed these carriers so she and her crew can harvest flowers, pop them into the jars of water, and bring them to their various sales outlets. One of the most popular is Hollywood Farmers’ Market, where you can find Silver Lake Farms every Sunday, February through July. You can also join Silver Lake’s FLOWER CSA for custom-picked beauties – straight from Tara’s urban growing fields. And, you might get lucky and be able to purchase a carrier. It’s a perfect tool for gardeners and flower farmers alike!

I’ve been preoccupied with thoughts of Patriotism this week, especially with the Slow Flowers launch of American Flowers Week, which runs through today – July 4th.

Hundreds of folks have joined me in making red-white-and-blue floral arrangements and posting photos of their fields, flowers, bouquets and arrangements across the social media spectrum, all tagged with #americanflowersweek.

I’ve had a lot of fun making red-white-and-blue bouquets this week, too!

So, for a softer take on #americanflowersweek, may I present floral patriotism with pastels?

I love the distressed quality of this white cast-iron planter, recycled from a Better Homes & Gardens photo shoot from a few years back.

With a plastic liner converting it to a vase, the urn fits right into this week’s restful floral palette. P.S., I used a small flower frog, secured inside – for stabilizing the stems.

From my garden:

• Dusty Miller foliage ~ intensely white at this time of year

From Seattle Wholesale Growers Market:

• Pale peach foxgloves from Triple Wren Farms
• Astilbe from Ojeda Farms (purchased fresh last week, but preserved as a dry element)
• Globe thistle (Echinops sp.) and raspberry foliage from Jello Mold Farm
• Nigella ‘Black Cumin’ and double Shasta Daisies from Everyday Flowers

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And since it’s Father’s Day, I’m using the arrangement for tonight’s dinner we’re preparing for Bruce, my husband and the father of our two boys.

I’ve always loved pairing lime and wine colors together, in garden borders and beds, as well as in container gardens. No surprise that the deep burgundy Ninebark (Physocarpus opulifolius ‘Diabolo’) looks terrific with the acid green Lady’s Mantle ( Alchemilla mollis). Stems from those two create the textural and high-contrast foundation for this design.

By the way, this is a vintage Haeger American-made vessel, a creamy ivory piece that I brought home with me from a trip to Iowa a few years ago. I love the proportions – perfect for a centerpiece. (Here’s a similar one on Etsy  – they’re not too difficult to find.)

To create this design, I placed a large cage-style metal flower frog (also vintage) in the bottom of the bowl. The grid has 5/8-inch openings, ideal for a combination of woody and herbaceous stems as I’m using here.

It’s a busy week and I wanted to devote yesterday’s blog post to our podcast interview with Sarah Statham of Simply by Arrangement.

So here, for Thursday, June 18th, are beautiful British-grown flowers in the hands of top floral designers! The New Covent Garden Flower Market commissioned these stars of British floral design to interpret and create designs using the best domestic crops available.

Thanks to the team behind British Flowers Week for sharing these gorgeous (and inspiring) creations:

DAY THREE June 17th

Welcome to Day Three of British Flowers Week 2015, the third year of the industry-wide, nationwide campaign in support of British cut flowers, founded and organised by New Covent Garden Flower Market.

Please enjoy the work of Stephen Wicks and Mark Welford of Bloomsbury Flowers, using British alliums.

DAY FOUR June 18th

Jay Archer of Jay Archer Floral Design and the British Lupin are the fourth sweethearts of British Flowers Week. Jay has created three wonderful designs exclusively for this pro-British Flowers campaign: