Today – May 2nd – is the 16th annual Venice Garden and Home Tour, which is a hip, happenin’ kind of tour serving up no fewer than 30 properties. For $70-per-ticket, that averages about $2.50 per garden, so when you look at it that way, it’s well priced. Plus, who can argue with the deserving beneficiaries? Children! The tour raises funds for the Neighborhood Youth Association of Venice, which operates Las Doradas Children’s Center, a licensed childcare facility that serves working families.

Along with tour producer Barbara Baumann and co-chair Adri Butler, I previewed several of the properties a few weeks ago and wrote about four of them for today’s Los Angeles Times.  Due to s-p-a-c-e limitations (surprise!), there is only room for one mini-feature in the print edition. You have to go to the online gallery to get a peek at how the staff photographers captured the three other gardens.

Here are the four gardens we profiled, complete with my original story about each. Take a virtual tour and enjoy a slice of one of the most eclectic spots in Los Angeles.

Get the Venice vibe and borrow these easy design ideas for your interior and exterior spaces

A colorful compound on one of Venice's unusual canal streets

By Debra Prinzing

For all the glossy magazine articles and garden-makeover shows we consume, there’s nothing like a day of garden sight-seeing to inspire the inner-landscaper in all of us.

Featuring nearly 30 properties, today’s legendary Venice Garden & Home Tour is sure to ignite your imagination – and dish up dozens of adaptable ideas for your own yard.

Don’t go empty-handed, though. Bring a camera to capture a cool architectural detail or alluring bloom, a notebook and pencil for jotting down plant names or design resources, and plenty of curiosity. In many of the gardens, owners and designers will be on hand to answer questions and share tips. Consider it affordable design research. Plus, nothing’s more fun than cruising along the canals, walks and side streets of one of L.A.’s most iconic neighborhoods.

We previewed several of the tour’s vintage cottages and sleek cubes (and the gardens, decks and balconies that surround them). Here’s a look at four favorites, including design tips from each.

 Accessorize your garden with salvaged signage

A generous and genial host, Orson Bean

Orson Bean, a veteran actor and longtime resident of Venice’s canal district, has a thing for Americana, especially signage “folk art.” “It’s really just pop culture,” he says. “Advertising has always been part show biz.”

Oversized and retro, Bean’s restaurant and retail signs are well suited for the endless scale of blue sky and sunshine overhead. Their very presence in his garden brings out the storyteller in Bean.

There’s the tale of the neon billboard that’s mounted against a ficus-covered fence in the garden he shares with his wife, actress Alley Mills.

“It’s from the ‘Simple Simon’ rhyme, but it was also the logo for Howard Johnson’s restaurants,” Bean points out. “That sign was as identified as the McDonald’s arches.” Rendered in carnival-colored neon tubes, the once-ubiquitous image of a baker, a boy and his dog promised coffee and a slice of pie to drivers along the Jersey Turnpike.

Orson and Alley's vintage Howard Johnson's sign embellishes a corner of their Venice garden

The neon Ho-Jo is one of several pieces Bean has collected as garden art. He likes the way they personalize the shallow-but-wide landscape, which was created by combining three adjacent cottages and their yards over the years, beginning when he spent $113,000 for the first one in the early 1970s.

Another sign promises “Cash for Cars” and it, too lights up at night. Tucked next to a camellia shrub, a third, its faded paint beginning to chip, advertises a sheet metal shop in the hands of a cartoonish man.

There is a down side to having neon tubes so close to the lawn, where Bean’s seven grandchildren often play ball. Fortunately, he has been able to replace or repair occasional damage. “Only the chef’s hat is original,” Bean says.

Infuse the sound of bubbling water in a few square feet

Barbara Balaban's tiny fountain with broken pottery mosaic trim

There’s not a lot of room in her 20-by-20 foot front yard but Barbara Balaban has maximized every square inch. Instead of a space-gobbling fountain, she created a tiny one, wedged between the walkway and the front steps. The 18-inch water feature uses a re-circulating pump bought at a home center. “I filled the top with river rocks and surrounded the fountain with a border of broken pottery,” says the interior designer and contractor. “I just wanted the sound of water here.”

Balaban moved to her canal cottage after fleeing a traditional Sherman Oaks house destroyed by the 1994 earthquake. Her Venice garden incorporates mosaics of broken pottery salvaged from that disaster: the fountain, a freestanding barbecue-cooking counter and a “welcome mat” at the front gate. “I reconstituted my grandmothers’ and mother’s dishes – and it gives me a big smile to see each piece,” Balaban says.

Tiny and efficient, Barbara's U-shaped eating nook seats six

During a home renovation, she retained the original footprint rather than expanding. “I kept the depth of the property the same because I wanted the garden,” she says. Studio City designers Carol Plotkin and Janet Hoskins helped Balaban rethink the miniscule landscape and incorporate a slim border filled with succulents, Mediterranean plants and whimsical art.

There’s a large glass table (on wheels) that accommodates the parties Balaban and her partner, artist Yaacov Aloni frequently throw. But when they want a quiet Sunday morning brunch, the couple lounges in a U-shaped eating nook installed in a corner of the front porch. “It’s like having a little sofa outdoors,” Balaban says. “We can sit here and be a little secluded from passersby.”

Pave the indoor and outdoor spaces with the same flooring material

Lenny Steinberg's tiled, open-air terrace overlooks the Pacific Ocean

A floor covered in sultry blue-green stone leads your eyes through the soaring, loft-like space, through a 17-foot opening in a retractable glass wall and beyond the outdoor terrace, until they rest on the endless seascape.

“The stones reflect the constant color of the ocean,” say owner Lenny Steinberg of her North Carolina bluestone floor. “Although that seems to change according to the light.”

When Steinberg, a furniture and architectural designer, renovated the former duplex into a single, über-contemporary home on Ocean Front Walk, she wanted to bring the ocean indoors. She inherited a palette of irregular-shaped bluestone after a friend’s patio project fell through.

Lenny designed her chaises with distressed wood and modern lines - perfect for the rooftop garden

“It was the perfect solution for my floor, although I ended up calling all over North Carolina to get more of it,” Steinberg says. Even though the material, a hard slate, is usually installed randomly, the designer spent hours choosing the position of each stone to create a subtle pattern. “I like to think of it as a river running out to the sea,” she says.

The sea metaphor (and the bluestone) continues on the floor of the small, angled terrace that Steinberg designed to cantilever beyond the glass wall. The space serves as the intimate outdoor living room, with views of the palm trees, walkway and pier. The dark teal stone has endured intense sun and saltwater beautifully, says its owner. “If it has any nicks, I just take a little steel wool to it,” Steinberg says. “I wish everything else was as durable.”

 Practice sustainable design by recycling found objects and allowing the garden to evolve over time (rushing is not allowed here)

Tim Rudnick rings his hanging cymbal-as-doorbell

Stepping through the opening in the ivy-clad fence surrounding Tim and Robin Rudnick’s home and garden, it’s possible to lose all track of time. In fact, it seems as if Tim Rudnick, an architectural designer and artist, has turned back the clock to an earlier Venice. “I like the old, tattered hippy cottage that we lived in and raised our kids – where everyone hung out on the old porch,” he says.

Circa 1913, the summer bungalow originally faced Venice’s Aldebaran Canal (now Market Street). The Rudnicks purchased it in 1984, subsequently modernizing the interior and adding an L-shaped Arts-and-Crafts style addition. The old and new portions of the family compound now embrace an intentionally tangled and untamed landscape, also of Rudnick’s design.

“I had this beautiful photograph of a Buddhist garden in Japan and I imagined our yard by looking at it,” Rudnick says. “I loved the idea that like a Japanese garden, you feel like you’re entering another world when you go through the gate.”

Lush and semi-wild, the Venice garden of Tim and Robin Rudnick

A naturalistic pond, measuring about 25-feet across, occupies the center of the garden. Rudnick used the excavated dirt to build a mounded knoll between the pond and a wraparound deck. He landscaped the water’s edge with heirloom irises once grown by his mother, native Pacific coast irises and ferns.

Several mature trees, planted as seedlings nearly 40 years ago, now tower above the rooftops: a coral tree, an olive, and four eucalyptuses. “The leafy trees give us the feeling of real separation,” he says.

Visitors announce their arrival by striking a mallet on two bronze disks, suspended from the twining branches of the coral tree. Rudnick made one from the base of a salvaged clothing store fixture; the other is a recycled cymbal. He prefers their music to a regular doorbell: “One has a very resonant sound and it goes on for 15 minutes; the other makes a beautiful, contrasting sound.”

 

 

Garden celebrity Shirley Bovshow and I posed on a bench in Nick Williams's garden

The theme of this year’s LA Garden Show, “A Festival of Flavors,” is timely and delectable. The show is produced by the Los Angeles County Arboretum and Botanical Garden in Arcadia (just east of Pasadena), a 127-acre destination with a diverse plant collection, inspiring display gardens and natural habitat-inspired landscapes. The three-day flower show runs through Sunday, May 3rd. The event’s honorary chairs are Clara and Jacob Maarse of the famous Pasadena rose nursery and florist, and Rosalind Creasy, garden writer and pioneer in edible landscaping.

Edible gardening expert Rosalind Creasy

Most of the flower shows I’ve participated in have been indoor shows, so when I arrived last night to attend the preview gala, I was reminded of how alluring an open-air flower show can be. There’s nothing like the sky overhead, the sounds of screeching peacocks that wander the Arboretum grounds, the fragrances and textures of plants from every continent — and the conviviality of friendships — to put me in a perfect festive mood.

Upon entering the Arboretum, we first stopped off at the “marketplace” of plant vendors, garden artists and purveyors of cool stuff, which occupies the lower lawn adjacent to Baldwin Lake. The collection of white tents, topped with jaunty flags, put a smile on my face. I felt as if I was in Europe rather than Los Angeles. The two hours allotted to previewing the sales area was barely enough – but no worry, because I’ll be back there on Sunday to do some more damage to the checkbook (That’s after my 11 a.m. “Garden Chat” ).

Plant vendors, garden artists and more

As I strolled along the grassy pathways between each tent, poked my head inside several to check out the offerings, and chatted with fellow party-goers, I said to myself: These are my people!

I was surrounded by kindred spirits who love gardens, plants, ornamentation, vintage finds, and more.

Vintage gals, Libby and Nancie

A couple of highlights included visiting with Libby Simon of Libby’s Vintage Home & Garden and her friend Nancie Piser, fellow collectors of salvage, old linens, elderly gardening books, retro dishes and glassware, anything tin, rusted or galvanized, and more!

Oh, and Libby also specializes in unusual cactuses – I came home with a nifty specimen (Euphorbia handiensis) that I quickly re-potted in a turquoise-glazed pot for my garden.

My friend Paula Panich and I had a few acquisitive moments, inspired by all the unique finds these two women featured in their tent. I came home with an old garden spray-nozzle and some awesome vintage books, including an almost-mint 1932 edition of The Fragrant Path: A book about sweet scented flowers and leaves, By Louise Beebe Wilder (perfect for a friend’s upcoming birthday). Here’s what Miss Beebe Wilder writes in her opening lines:

A garden full of sweet odours is a garden full of charm, a most precious kind of charm not to be implanted by mere skill in horticulture or power of purse, and which is beyond explaining. It is born of sensitive and very personal preferences yet its appeal is almost universal.

Here is a map of The Arboretum and the Garden Show features:

Leslie Codina's art: A joyful explosion of color and form

Playful, fanciful, nature-inspired sculpture

Inspired, my eyes drifted over to the next tent over, which was filled with lively ceramic spires pleasing to the visual senses. Leslie Codina, a local Los Angeles area artist, creates whimsical stacked towers of color, pattern and form. The 5- to 7-foot-tall sculptural creations are formed first in Leslie’s imagination as she “interprets the shapes and colors of nature into her garden sculpture.”

Leslie renders individual elements in clay, then shapes, curves, twists, carves and rolls the medium into fantastical armitures, balls, finials and wing-like shapes.

Firing and glazing steps follow, featuring a mix-and-match palette of lime, plum, apricot, red, orange, blue, aqua and lavender.

Artist and sculptor Leslie Codina, with peacock strolling by

I first learned of Leslie from photographer pal Gene Sasse, who has done much of the photography that appears on her web site. He urged me to seek Leslie out – and boy am I glad I finally did.

Leslie has just donated a grouping of four 8- to 12-foot tall sculptures as a permanent installation at the Arboretum. The collection appears in the “Garden for All Seasons” display, which represents each phase of the year.

After shopping and browsing, several of us moved to the “Designer Lawn” area of the Arboretum, where the cocktail reception was underway.

The displays, created by talented area landscape firms and individuals, brings together the idea of “edible” and “ornamental” worlds co-existing in the garden. Here are a few of the innovative ideas showcased:

“Punctuation in the Garden: A Gallery of Edible Container Gardens,” created by the local members of the Association of Professional Landscape Designers (APLD):

I’ve admired and been privileged to write about the design work of several APLD members, both in the Washington State chapter and now in the California chapter. The group of a dozen folks who created eye-catching edible focal points has come up with some pretty fun interpretations of an “edible container.”

READ MORE…

A small fountain bubbles at the intersection of the rose garden's central walkway and side paths

Last week, I toured the 3/4-acre landscape owned by Cheryl Bode and Robin Colman, a lavish garden developed over the past 10 years in the foothills of the San Gabriel Mountains.

Tomorrow, April 26th, they are generously sharing their lush and serene property as one of six private, residential landscapes on the Altadena Garden Conservancy Tour.

My story, “Botanical bounty in Altadena,” about Cheryl and Robin’s abundant landscape, appears in today’s edition of the Los Angeles Times.

Since we had to cut the original piece due to space, I have included the full story below.

Take a virtual tour through this web gallery of photos from my visit:

Here is my original story. Enjoy a peek into the lives of two who are passionate about the place they possess:

By Debra Prinzing

Ten years ago, Cheryl Bode and Robin Colman discovered the house and garden they soon called Casa dos Mujeres (House of Two Women).

Prompted by the desire for more space as they combined their individual households, the two Pasadena residents considered buying in nearby Altadena, a village in unincorporated Los Angeles County wedged between Pasadena and the foothills of the San Gabriel Mountains.

“Cheryl went to Altadena on a lark with our real estate agent,” Robin recalls. “This house was in terrible shape, but part of it really captivated her.” Later, when Cheryl returned with her partner in tow, she couldn’t help jumping up and down with happiness when Robin pronounced: “I could live here.”

READ MORE…

The Cozy Shack, Designed by Scotty Thompson and Suzanne St. Pierre of "Living in the Garden," a cool Pullman (Wash.) garden emporium

I love it when I receive surprise “Shed-Mail” from Shedistas like Suzanne St. Pierre. Suzanne and her husband Scotty Thompson own Living in the Garden, a cool nursery/emporium in Pullman, Washington. We’ve swapped a few emails, originally prompted by Suzanne’s note saying she loves Stylish Sheds as much as I do.

Recently, while planning their own version of a spring flower show, Suzanne and Scotty recycled an old cedar outhouse from their 2-acre property and tricked it out to be a too-cute cottage for their nursery. She sent me a sweet note and some photos and gave me permission to share them with you.

Hello, inspired by your Stylish Shed book, my husband and I jazzed up an old outhouse we had on the property (to use) for a focal point in our Sweet on Spring event at Living in the Garden. It was a hit!! I wanted to thank you for the inspiration and tell you that I enjoy your blog.

I just caught up with Suzanne by phone and we had a good ol’ gab. It felt like I was talking with a long-lost friend. She described how this little structure found its way from humble to haute:

Originally, the cedar “box” was an outhouse over a pit toilet. The couple actually used it while living in their tiny “sugar shack” when they moved to the two-acre property about six years ago. After they built their residence and started running the nursery, they had a “real” indoor bathroom, so the 3-by-3 foot outhouse was no longer needed. “We filled in the pit and just moved the building around,” she says.

With shingles made from flattened tin can lids and hot pink trim, this is an outrageous outhouse!

When preparing for Living in the Garden’s “Sweet on Spring” event last month, they decided to create several indoor garden displays (it’s still pretty chilly out there on the Palouse in March). As Suzanne explains, “We wanted to create our homage to the Northwest Flower & Garden Show.”

Once she and Scotty decided to dress up the rustic outhouse, the creativity exploded. Suzanne told Scotty: “We have to use everything we already have on hand.”

Like most artist-builders (Scotty is “incredibly handy and artistic”), the couple has all sorts of project piles and cool materials had saved for future endeavors. Clearly, they love to re-purpose what others might toss into the landfill.

This detailed photo illustrates how they used flattened tin cans, layered like gingerbread shingles, to clad the upper portion of the structure. Scotty added a window and the arched doorway, plus the cool corbel-style brackets and scallop-trim fascia board around the shed roof.  It even has a skylight! I’m dying to see an indoor shot (maybe Suzanne will send it to add here!) because apparently she decoupaged the interior walls with pages from old gardening books someone had given them. I guess Suzanne broke her own rule about using on-hand materials when it came to paint. She confesses that she did actually buy the hot pink paint as a finishing detail. Fancy!

Cute Outhouse (left) outside the gorgeous conservatory, built by Scotty Thompson of Living in the Garden

I love this couple’s philosophy of truly LIVING IN THE GARDEN. Suzanne grew up in a family nursery and purchased and ran her parents’ former nursery for 12 years after graduating from college with a horticulture degree.

“But I burned out. I was never getting my hands dirty,” she confides. Several years (and a career in the wholesale plant trade) later, Suzanne realized how much she missed retail. “I just wrote on a piece of paper what the perfect job would be: Work from home. Work with Scotty. Work 4 months of the year for 4 days a week.”

Wow. How seldom do any of us have such an honest conversation with ourselves? Guess what? For the past six years, Suzanne and Scotty have been doing exactly what she wrote down on that page. “My commute to work is just 113 steps,” she jokes. “We’re working on our farm and making people come to us. It’s really wonderful.”

Living in the Garden's green roof

Living in the Garden is open from March through June (Thursdays through Sundays). Earlier in the season, beginning in February, Suzanne starts work in their production greenhouse, growing geraniums and plants for their own hanging baskets. By summer, the couple is off on trips in their camping van (complete with solar panels on the roof!) and touring around the Northwest and beyond to see other nurseries and commercial greenhouses.

They believe in “marketing with a cause,” so during the summer months Suzanne and Scotty encourage local charities to use their extensive and beautiful display gardens for fund-raisers or donor-appreciation events.

By September, just about the time Suzanne is “missing” her customers, Living in the Garden opens for one spectacular autumn weekend.

When you arrive, don’t be surprised to hear the mellow sounds of Gregorian chants drifting through the garden and conservatory. “Gardening is my religion,” Suzanne concludes.

Check out the nursery in person or read more at Suzanne’s blog, Living in the Gardens.

a morning. a mug of tea. breakfast inside a greenhouse. perfection.

I have a backlog of cool ideas and discoveries that I want to write about. Too many inspiring thoughts and insights swirling around my head. Too little time.

Since returning from my crazy Jan-Feb-March travel (seven out-of-town lecture trips in something like 10 weeks) I have been trying to carve out time to return to Shedstyle.com. It is the writing forum I love the most, but family demands, and the need to actually make some money, have distracted me. But I’m back on track, friends. I promise.

One of the places I visited on my many journeys is Terrain at Styer’s.

I recently wrote about my early March trip to lecture on stylish sheds and other small abodes in a talk called “Your Personal Escape” at the Philadelphia Flower Show. But my side trip to Terrain was great fun and I don’t want any more time to pass before writing about it.

Terrain is the darling of the home and garden media. As a hot, design-oriented gardening emporium outside Philadelphia, Terrain appears in shelter magazines as often as its west coast “kindred spirit,” Flora Grubb’s. How cool that I visited both plant- and style-savvy destinations within a few weeks of one another.

You all probably know the back-story about Terrain. If not, I’ll give you the short version here, beginning with Terrain’s own words:

“Lifestyle merchandising is our business and our passion. The goal for our brands is to build a strong emotional bond with the customer. To do this we must build lifestyle environments that appeal emotionally, and offer fashion correct products on a timely basis. Our customers are the reason and the inspiration for everything we do.”

Founded in 2008, Terrain transforms the local garden center into a celebration of nature. Our flagship location . . . was inspired by the idea of merging house and garden to create an experience for the senses, catering to our customer with a curated assortment of plants for all seasons, as well as inspired items for the home and garden. Situated in a luxurious indoor-outdoor environment, our on-site nursery is flanked by a cafe and garden terrace, providing the ideal environment to host events and workshops. [from the Urban Outfitters corporate web site]

READ MORE…

March 30 to April 3, 2009 

Los Angeles to Seattle to Yakima. Back to Los Angeles, via Seattle. Two snowstorms and lots of rain. Heavy doses of friendship.

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The perky roofline of Michelle and Rob Wyles's hedge-enclosed gardenhouse is seen in relief against an expansive eastern Washington sky, photographed by William Wright

Spring may have arrived on March 20th, but it still feels like winter in the Pacific Northwest and there I was, loving it! But to the person, my gardening pals on both sides of the (Washington State) Cascades are sick of this unfriendly weather (unfriendly, at least, to gardens, plants and gardeners).

I flew out of LAX on Monday, arriving in Seattle around 3 p.m. Not wanting to bug any of my hardworking friends, I hopped an express Metro bus from the airport to downtown’s new transit center. That $2.50 bus pass, which even included a transfer to the Number 14 city bus, got me all the way to Mt. Baker neighborhood, where I walked a few short blocks to my friend Jan’s.

She graciously lent me a bed and use of a car – not for the first time – and it felt like coming home to a place I know so well. I walked these sidewalks with my newborn son Benjamin during the summer of 1992. I feel like I have every front yard, every border, memorized. I love the perspective of the often cloud-streaked sky looming above Lake Washington. I love the tall Douglas firs and the western red cedars, the old, overgrown rhododendrons, the Craftsman architecture. This place holds good remembrances.

But it is cold here this week, colder than when my sons and I visited for the Northwest Flower & Garden Show in February. That week – Presidents’ Week – was sunny and blue-skied, with temperature in the mid 40s. Picture perfect and perfect for one’s mood.

httpv://www.youtube.com/watch?v=OSy75jcIgFA

On Tuesday morning, Lorene Edwards Forkner arrived in her trusty All-Wheel Drive Subaru and we began our 3-hour drive east to Yakima – over the Snoqualmie Pass and into Eastern Washington.

It was raining lightly; the air was cold and damp, for what is supposed to be springtime already. As we passed through North Bend and started climbing up toward the summit, the scene on either side of the freeway was cloaked in white. Beautiful, if you like a Christmas card image of dark blue-green conifers frosted with dollops of snow. But brutal for the driver. We slowed down to a snail’s pace at the peak- where truckers literally stopped in the middle of a lane to put on their chains and the little people (the cars, and their drivers, that is), skulked over to a single lane and crept through the pass at single-digit speeds.

 A DIFFERENT LANDSCAPE ALTOGETHER

Linda Knutson and Ron Sell's magnificent Yakima landscape, photographed on our October 2005 tour

With the snow behind us, our arrival in Yakima was cause for celebration. We stopped at Linda Knutson’s and Ron Sell’s, fellow Northwest Horticultural Society members who have always generously shared their four-acre, arboretum-like landscape with visitors. They participate each year in the Northwest Perennial Alliance Open Garden schedule (if you really want a treat, plan a day’s trip to Yakima to see it!)

Linda and Ron focus on texture, color, form using mostly conifers, ornamental grasses, woody ornamental shrubs, stone and artwork. Lorene and I remember with fondness our visit there in October 2005 when I led the NHS weekend tour to Yakima.

A delicious autumn scene at Linda and Ron's, which to me perfectly illustrates an analagous color scheme in plants and art

The weather was pretty unforgiving (brisk and very windy), but after a delicious spanakopita lunch, we bundled up and took a spin around the place. We stayed mostly on the pathways, but we stooped down to observe new crocuses, species tulips, galanthus, chionodoxa and (possibly) pushkinia bulbs poking their heads out of the soil. “These plants are a month behind my Seattle garden,” Lorene observed. “And my Seattle garden is a month behind its usual bloom time.” That tells you a lot about the vagaries of the Pacific Northwest winter of 2008-2009, but Linda and Ron insist that Yakima has been spared much of the snow-dump that hit Spokane and other parts of Eastern Washington (even still, we woke up to snowfall Wednesday morning, April 1^st!).

Later, we met up with shedista Michelle Wyles at Garden Dance, her adorable “fashion and frou-frou” clothing emporium in downtown Yakima. She has one of the best pair of eyes for spotting innovative apparel and interior styling I’ve ever seen.

All you have to do is see how Michelle has created and adorned her charming “shed,” photographed by William Wright for our book, Stylish Sheds and Elegant Hideaways, to know what I mean.

Michelle has had a wide and varied career, including raising alpacas (Right now, the attention-getting creatures at Michelle and Rob’s home/farm are the Guinea hens. What funny poultry!)

Bill Wright's photo of Rob and Michelle Wyles, with Chester (July 2006)

Her garden antiques and retail business has morphed into fashion: Garden Dance is housed in Yakima’s turn-of-the-last-century train station. For about an hour, Lorene and I browsed and oohed and aahed to our heart’s content, while Michelle and her girlfriend/sales associate Stephanie helped guests and handled customers. For some delicious (virtual) retail therapy, read Michelle’s lighthearted blog, linked to her web site.

After they closed shop, we walked across the street to Gilbert Cellars, a cool wine-and-cheese bar that you might expect to find in Seattle’s Belltown district or in Santa Monica. A sampling of artisan cheeses and a sip of wine fortified us for delaying dinner until after my 7 p.m. lecture finished!

My lecture, “the Ultimate Garden Hideaway,” was the final of a four-part lecture series hosted by the Yakima Co. Master Gardeners. Held at the beautiful Yakima Area Arboretum, the lecture series was the brainchild of several incredible volunteers and MG staff, including our fellow GWA member Jim Black. The “Outdoor Room”-themed lecture series included Michelle Wyles and Linda Knutson as prior speakers.

We had a great, sell-out gathering of enthusiastic folks, from shed owners who treated me to stories of their own backyard hideaways, to shed wanna-be’s who had big dreams for their future PODs (Personal Outdoor Dwelling).

As always, I feel so at home with these “peeps,” the Master Gardeners of the world who are truly citizen-volunteers, generous, pay-it-forward folks concerned with educating and inspiring everyone to embrace the traditions and skills of growing edible and ornamental plants.

Mastern Gardener Bill Woolman snapped this photo during my talk, "The Ultimate Garden Hideaway."

Thank you to the Yakima Master Gardeners and the Yakima Area Arboretum for hosting me, and to Michelle and Rob Wyles for housing (and feeding) Lorene and me on Tuesday night. By the way, we woke up to more snow and had fun watching the Wyles poultry population racing around in the cold weather. What a hoot! (Sorry, Lorene, about locking you out of the guesthouse while I was showering away to my heart’s content. I’m glad you’ve thawed out!)

Lorene and I made it back to Seattle pretty quickly. Well, that is AFTER we spent close to an hour searching for a hard-to-find address of a Yakima trailer park (North Acres) to track down the good Samaritan (?) who called me on my cell phone with news that he had found my camera in the parking lot of Gasperetti’s Restaurant in the wee hours of April 1st. I will let Lorene have the honor of blogging about THAT experience. I just checked her terrific blog, Plantedathome.com, and I’m surprised (and a bit relieved) that to date, the photos of that “doo dad” decorated residential trailer have not been posted. Given the blackmail potential, that may be good news. I’ll await Lorene’s decision!

Debra, pontificating about Stylish Sheds (photographed by Bill Woolman)

All in all, this was a good trip. I felt like the Energizer Bunny, squeezing in more friends and networking encounters than anyone could imagine. I had a wonderful evening with the Woodinville Garden Club (thank you to Susan Latter for the invitation to speak), and several excellent encounters with creative people (the subject of future blog posts).

I’ve been home in Southern California for about 36 hours and I can’t wait to stay here for a while. I can’t imagine leaving my family or my garden for one more moment. It’s hard to believe, but I have traveled on seven adventures since I went to Orlando in mid-January. As inspiring and exciting and stimulating as these lecture venues, flower shows, press junkets and garden tours can be, I know they just delay me from sinking my roots deeper in the patch of earth for which I’m responsible. So it’s time to stay put for a while.

It’s Palm Sunday and time to celebrate the gift of life, the gift of love and the gift of nature.

Duane Kelly, owner of the popular Northwest Flower & Garden Show and the San Francisco Flower & Garden Show, dropped a big surprise gift into our laps last night at the SF Flower Show’s garden media reception in San Mateo, Calif.

While making remarks about the show’s history he announced that a deal was reached on Tuesday, March 17th with an investor group that will purchase the San Francisco Flower & Garden Show.

That means the show will go on! At least here in Northern California.

The 2010 San Francisco Flower & Garden Show will be staged by the new owners, a group of horticultural enthusiasts who recently joined forces to acquire and continue the wonderful spring event.  SF Garden Show LLC will be led by a new steering committee comprised of well-known landscape gardeners and growers including Davis Dalbok of Living Green, Mike Boss of Rock & Rose Landscapes, Robin Stockwell of Succulent Gardens, and led by Chairman Tim O’Shea of Greenworks Design.

The new team wants to ensure that the show will celebrate its 25th anniversary next year.

Congratulations to Duane Kelly and his awesome team of garden creators – the magical people who bring springtime to our gray, wet, cold days. Their legacy will continue in an exciting new way!

More details to follow. I filmed videotaped the announcement and remarks made by two of the new owners but I won’t be able to post my video clip until this weekend.

San Francisco's hottest garden and plant emporium, Flora Grubb

A great gathering of Shed-Fanatics joined me at Flora's

After my exhausting trip to the wintry Philadelphia Flower Show, I returned to LA for a quick overnight to recharge my batteries with my family.

Then, last Thursday, I returned to Burbank to fly north to Oakland.

My friends at the Garden Conservancy invited me to share my fascination with sheds and hideaways at an evening benefit lecture.

Hosted by horticultural celebrity Flora Grubb at her eponymous urban emporium, the after-hours event included cocktails and hors d’oeuvres among Flora’s awesome collection of palms, succulents, Mediterranean and drought-tolerant plants – and more.

Flora and Debra, smiling in this great garden setting

She curates this environment with an eye for design, style and presentation. Furniture selections, displayed among plant groupings really “pop” – from avant-garde concrete chaises to retro-salvaged circle lawn chairs (see below for specifics).

The playfulness with which Flora and her staff have created this plant-centric lifestyle just puts a smile on my face. I’ve heard and read about this cool SF destination nursery for a few years and am thrilled to have been given a great excuse to travel and speak there.

Thanks for the experience begins with my friend Margo Sheffner, who is Flora Grubb’s book buyer extraordinaire. Margo, who is also the business manager for the Pacific Horticultural Foundation (a nonprofit of which I am board member), was an early fan and supporter of Stylish Sheds and Elegant Hideaways. She brought it to Flora Grubb’s and continues to update me about how Flora’s customers “get” the notion of backyard sanctuary, habitat and haven. And that translates into book sales (which is so reassuring in this non-print phase we’re in). Yeah! It makes me happy to see our book in this cool environment.

Here’s a little gallery of Flora Grubb’s Garden. You will love every image:

Credit for my lecture title, “A POD in the Garden,” goes to Garden Conservancy west coast program manager and all-around horticultural go-to gal, Betsy Flack. She came up with the idea of using the acronym P-O-D (as a personal-outdoor-dwelling). I love it! This is my new buzzword. Stylish Sheds includes a chapter about Loretta Fisher’s “Mod Pod” in Austin, so Betsy’s title is apropos. Betsy and her assistant Maria Martinez (along with several Garden Conservancy staff, friends and volunteers) put on a lovely evening. I felt welcomed among so many kindred spirits.

The following morning, I stopped by Dwell's editorial offices to say hello to Miyoko

Before I started my talk, Betsy invited Miyoko Ohtake, associate editor at Dwell magazine, to share a few words. Miyoko is a talented young architect-journalist who joined Dwell last summer after impressive gigs at Wired and Business Week.

She contacted me in August to ask if I could serve as Dwell’s guest expert for a review of prefabricated sheds (February 2009 issue). It was great to finally meet her in person and to also have the audience meet Miyoko and hear her enthusiasm for modern outdoor design. Dwell supported the event and Miyoko blogged about my talk in advance of the evening.

Then, Flora invited her architect-friend Seth Boor, AIA, of SF’s Boor Bridges Architecture, to comment on the city’s zoning issues relating to shed construction.

It was a stroke of brilliance to include Seth on the program. He and Flora (and her partner Kevin Smith) recently collaborated on a very cool planted-wall installation at a hip, new Napa Valley hotel called Bardessono. The project was recently documented by Stephen Orr in the New York Times. So we were in excellent company (oh, and how cool is this? Stephen was in the audience – what a sweet guy to come hear my talk).

Among other remarks, Seth touched on the permit and installation parameters for anyone wanting to add a backyard shed in San Francisco:

• No permit is required if you build an outdoor structure under 100 square feet in size and no taller than 8 feet high.
• The configurations can vary. For example, the structure can be 10-by-10 feet or 8-by-12 feet in size.
• As for height, as Seth pointed out, “Eight-feet-tall is a little short” but you can work with it.
• Working without a permit “frees you up to do anything within that size,” he says
• Also, if the structure isn’t permitted, the typical setback rules do not apply. However, there is the “good neighbor” rule and Seth recommended that shed-builders think about how a 100-sf structure will appear to a neighboring property.

Debra’s note: Creative shed-owners are already aware of this issue. I’ve seen shedistas carefully paint, embellish and artfully adorn the side of their structure that faces a neighbor’s lot. Good shed policy!

Shoes for a flower fairy with twigs, moss and petals

I spent a few days last week at the spectacular Philadelphia Flower Show. It was my second time traveling to this Grand Dame of indoor flower shows to give a garden talk. When I first presented there in 2006, I was blown away by the over-the-top displays and ambitious floral designs. This year’s theme, “Bella Italia,” inspired show designers to highlight Italian- and Mediterranean-themed gardens.

Debra (left) and Mary-Kate Mackey (right). We posed in front of a lavish rose-filled urn at the entrance to the Philadelphia Flower Show.

With my roommate, Mary-Kate Mackey, I managed to squeeze in lots of adventures in my 36 hours on Pennsylvania soil (I spent more time trying to fly there and back than I was actually on the ground, due to a doozy of an East Coast snow storm that stranded me in Dallas overnight and then marooned me for five hours in Milwaukee). Unfortunately, I missed seeing all of my fellow Garden Writer members because I was sitting in the Milwaukee Airport at the exact time the regional meeting took place. Oh well.

But – finally – when down to my last option of continuing eastward or returning home to LA, I grabbed a seat on the only flight to Philly that day. I arrived late last Monday and met up with Mary-Kate, who was in town to teach a one-day writing class for Garden Writers, and to see the show.

After my lecture on Tuesday afternoon, we strolled out to the show. With M-K as my tour guide (all-knowing, she had been there for several days, including hours spent behind-the-scenes during show set-up). We meandered through “Bella Italia” – kind of like taking a cross-country floral tour – all in a single day.

With gardens devoted to Italy’s major tourist regions, there was lots to admire. But the most surprising and artistic of them all celebrated Milan. Milan is the fashion capital of Italy. The American Institute of Floral Designers (AFID) created a floral fashion show of sorts. Spectacular stuff!

Foliage as soft as velvet creates the bodice of this nature-inspired creation

Against a stark white backdrop of mannequins and props, the designers displyaed imaginative shoes, handbags, hats, jewelry and garments . . . made out of petals, leaves, pods, buds, stems, needles and more. In every hue and texture of flower and foliage. Oh, so beautiful. M-K likened the technique of layering and gluing individual petals and plant parts (to create fields of color) to a small-scale version of Pasadena Rose Bowl Parade’s float production. It is a good explanation of the way these inventive designers rendered fashion “in bloom.”

Bows, buds and pods adorn this pair of stylish heels

More inspiring than the dresses, though, was the footwear. People were standing three- and four-bodies deep to gaze at and try to capture photographs of these dainty delicacies for the toes.

What is it about shoes? We asked each other this question as we, too, tried to get close and peer at the high heels, strappy sandals, little ballet flats, avant-garde boots, and more.

Are shoes magical, like Cinderella’s glass slippers? Or do they just seduce us with those sensual shapes? I know from experience that a gorgeous pair of shoes (comfortable ones would be nice, too) gives many women a feeling of power and confidence.

A whimsical pair of boots (made from chicken wire and moss), spotted in Holland in 2005

Shoes in the garden never fail to charm and delight. Think of those people who love to plant hen-and-chicks in old work boots.

A steel "spring" adorns the toe of this shoe-planter

I love my wacky garden shoes, also known as “Steel Heels.” I discovered them when I lectured at the Boise Flower Show in 2006.

Cut from steel and welded with fanciful heels and swirly toes, these artful shoes were made by Micki Shampang-Voorhies and her husband Gary Voorhies. I love that these perfect Size 8’s are weathered over time to reveal a rusty patina.

These shoes make me smile every time I see them in the garden.

The artists, whose Blue River, Oregon, studio is called Custom Copper & Iron, turn everyday scrap metal and rusted tools into fashionista-worthy shoes.

Castoff springs, drill bits, bolts and even a handle of a garden faucet create the heels of each artistic stiletto. Tuck a few sedums into the toe or heel and I’ve started my own shoe wardrobe in the garden:

"Steel Heels," planted with succulents

 Enjoy this garden gallery of shoes and other fashions for your visual delight: