We’ve been collecting video clips to share this Valentine’s Day Season!

First up, a video featuring Maura Whalen of Casablanca Floral in Seattle, who invited me into her beautiful studio to record this pre-Valentine’s Day clip.

We filmed the segment last October (with digital genius Andrew Brenlan, whose name is familiar to Slow Flowers Podcast listeners). Our idea: To promote local and American-grown flowers that viewers around the country can order and send for V-Day.

A publicist with whom I often work shopped around the video — our target was The Today Show — but alas, producer there turned us down for an in-studio segment. Others picked it up, including Garden Design magazine, so I’m delighted and grateful that Maura donated her time and studio to help with the project.

Special thanks to our floral partners for providing beautiful product, including:

Stargazer Barn

CalCallas

Fabulous Florals

Urban Succulents

Farmgirl Flowers

and a custom arrangement by Maura Whalen of Casablanca Floral!

MORE Slow V-Day Goodness!

On Monday, February 12th, I was contacted by a producer for ABC World News Tonight who wanted to do a Feb. 14th segment on local flowers for Valentine’s Day.

Surprisingly, he asked me to round up “selfie videos” from several Slow Flowers members around the country in which they would speak directly to anchor David Muir and tell him what types of local flowers customers could find at their shops, stores and studios this Valentine’s Day.

Within 24 hours, six Slow Flowers members agreed to record clips and send them into ABC News.

The segment was slated for tonight, along with an in-person visit to Emily Thompson Flowers, a Slow Flowers member in Manhattan (and I learned that interview with Emily was actually filmed at her shop yesterday).

So we were all ready to go and then the horrifying news about the massacre at Marjory Stoneman Douglas High School in Parkland, Florida, happened this afternoon. The producer contacted all of us and said the story had to be “held.”

Of course, this is what happens when “feel-good” news stories are bumped by sad and tragic news stories. My heart and prayers go out to the victims, students, teachers, parents and families whose lives will be forever changed by this insane act. As a response to the shooting, Slow Flowers is making a donation to the Coalition to Stop Gun Violence, an organization that is challenging the National Rifle Association’s huge financial influence over our political landscape. I encourage you to join me or find a similar organization in your community to support.

We received permission from ABC World News Tonight to share the “unaired” video clips. I am doing this because I’m so impressed and grateful for the contributions of members who are committed to the Slow Flowers Mission and want to share their stories with the larger community.

See the great message from Jimmy Lohr of greenSinner in Pittsburgh above.

Here are more wonderful clips to enjoy. It would have been awesome to view these along with millions on tonight’s National News. That didn’t happen, but I’m confident we’ll have another opportunity in the future.

Thanks, Lisa Waud of pot and box — you shared a great message about your local community of makers, artists and growers!

Love the voluptuous floral scene in front of Michelle O’Brien’s Goose Hollow Flowers in Portland — and she sends an important message to viewers about her commitment to Oregon-grown and American-grown flowers.

Nichole Skalski, partner in California Sister Floral Design in Sebastopol, CA, values local flower farmers and also sources from farms across the state. She has a Valentine’s Day message for you!

Los Angeles-based Whit McClure of Whit Hazen shared her vision for sustainable and local floral design on Valentine’s Day and all year long. Love her message!

Our good friends at Field & Florist – Heidi Joynt and Molly Kobelt — are flower farmers and floral designers. Here’s how they’re keeping it local at Valentine’s Day in Chicago!

Okay, that’s it for now! Thanks to all for being spontaneous. There’s a lot of value in being a Slow Flowers member — and one of those benefits is that I might just call YOU for a press opportunity next time!

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Steven and Kee-ju Hong Elder are an Albuquerque-based husband-husband duo that love gardening, growing and arranging flowers, eco-dying and more! We love all things beautiful and natural, and hope to help you cultivate a more beautiful life. They describe their business as “Not quite a farm, but not quite a garden.”

Steven and Kee-ju are experienced growers, cultivating boutique, heirloom and unusual floral material for Table and Vase. Originally calling their studio the Hong Elder Floral Workroom, the men recently rebranded. They grow flowers for their own design work as well as to provided select florists with boutique floral material.

They’ve been members of Slowflowers.com for more than a year and I have loved watching their Instagram feed filled with flower growing and floral design images. Visiting New Mexico again is on my list of destinations for 2018, mostly because my writing mentor Paula Panich now lives there, but also because of the burgeoning slow flower scene. You’ve heard from Emily Calhoun of Floriography Flowers, who’s shared her story in past episodes of this podcast – first about flower farming and most recently about opening a new retail venue in Santa Fe.

Emily Calhoun of Floriography Flowers on Episode 176

Emily Calhoun of Floriography Flowers on Episode 317

But now she has company, including a number of micro flower farms and farmer-florists who are helping boost interest and awareness in local and seasonal flowers. Together with Steven and Kee-ju, this community has also launched The New Mexico Flower Collective, a group of flower growers, farmer florists and other creatives who are passionate about locally grown, sustainably grown New Mexico flowers and supporting local businesses.

Steven and Kee-ju also own Desert Garden Silk Ribbon, which they sell through an Etsy store featuring natural, plant-based, hand-dyed silk ribbons and textiles.

Here’s a little more about Steven and Kee-ju:

STEVEN, THE DESIGNER, has worked for years designing flowers for weddings and high end events. Inspired by color and seasonality from the garden, Steven combines his backgrounds as a horticulturist and floral designer to grow and create arrangements that are lush, full and grand.

He recently wrote that his first garden was an absolute mess, filled with zucchini, cucumbers, three types of pumpkins, scarlet runner beans, morning glory vines and a few sad tomato plants shoved into a raised bed in his parents’ front yard.

It was from that garden that Steven’s love of growing and plants first started. He went to school for horticulture, learning about xylem and phloem and tissue culture and greenhouse propagation. He learned how to identify trees, how to propagate tulips, and about breeding new species, loving every single moment of it.

After school, Steven accepted a position with the Lauritzen Botanical Gardens in Omaha, Nebraska. He was soon in charge of the Victorian garden, the peony collection, and an English perennial border. He also maintained the historical Crookhouse gardens and worked part time for floral designer, Kyle Robino, a friend and mentor.

Steven’s journey into floral design started as a creative outlet from gardening and horticulture, but soon grew into a way of life. He studied floral design in school, then worked for several years both with talented designers, and eventually striking out on his own as a freelance designer.

KEE-JU, THE FARMER, a hobbyist gardener, has a passion for growing plants that’s expanded into becoming a flower grower. Obsessed with nature since he was a little boy, his interest in nature and biology has evolved into his passion for gardening and growing. Kee-ju ensures that the flowers are grown with love and care.

He recently wrote about meeting Steven in Omaha when he was working at Lauritzen, saying “although a dentist by trade, in my off time I had been teaching myself how to grow flowers from what I had learned on the Internet – a lot of time spent on Dave’s Garden and poring over gardening blogs. When Steven and I met, our love of plants and gardening didn’t take long to surface. Although I tend more towards xeric and full sun and Steven tends more towards high moisture and shade, we got along well! We were married and moved to New Mexico within the year.

After our first year gardening in New Mexico, we had a discussion regarding flower farming. Both of us were avid followers of Erin Benzakein since her early days, and were enthralled with her fields of blooms as well as her very insightful tips for growing flowers. What would it be like to be growing not a dozen zinnias, but hundreds? Would we be able to handle thousands of seedlings as opposed to fifty? We decided definitively that yes, we wanted to do this and yes, we were more than capable of doing so.

Suddenly, our garden beds were not large enough for all the plants we wanted, so we prepared more. We found ourselves buying seeds and dahlia tubers and drip irrigation and digging and planting. It was terrifying and hard work, yet I had never felt more alive in my life.

I had found something that lit a fire within me staying up late reading information on how to grow and harvest sunflowers, scouring the Internet for tips on succession planting and harvesting, and dreaming of rows of flowers and big bouquets.

While I really enjoyed flower farming, I also realized that I did miss gardening without the intent to cut and harvest. Sometimes you just grow it because you want to grow it, not because it will be a good seller or hold up well in the vase. Steven and I made the conscious this year to return to gardening for ourselves.”

I know you’ll enjoy hearing from Steven — we’ll have to get Kee-ju’s voice in a future interview. Enjoy these photos and follow Table and Vase at these social places.

Table and Vase on Instagram

Thanks for joining me today! What a fun conversation — and I can’t wait to return to New Mexico to meet Steven and Kee-ju in person and soak in the beauty of flower farming in Albuquerque and beyond.

The Slow Flowers Podcast has been downloaded more than 282,000 times by listeners like you. Thank you for downloading, listening, commenting and sharing — it means so much. In fact, I want to report that the month of January ended with 11,222 downloads, our all-time high month of listenership. Isn’t that awesome!

As the Slow Flowers Movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button at debraprinzing.com in the right column.

Thank you to our sponsors who have supported Slow Flowers and all of our programs including this podcast, American Flowers Week, the Slowflowers.com online directory to American grown flowers, as well as our new channels, Slow Flowers Journal and the 2018 Slow Flowers Summit.

Florists’ Review magazine. I’m delighted to serve as Contributing Editor for the new monthly Slow Flowers Journal section, which you can find in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community.

Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com.

Music Credits:

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I’ve known Christina Stembel since her early days of Farmgirl Flowers.

I used to say hers was the one business I regretted not being able to include in my 2012 book The 50 Mile Bouquet, because by the time we first met, virtually, through an email introduction, I had already finished writing and my publisher St. Lynn’s Press had already wrapped up the book’s production and sent it off to the printer.

When preparing this intro, I wanted to actually go back and figure out how Christina and I met, and as it turns out San Francisco-based food writer Sophia Markoulakis virtually introduced us by email on January 29, 2012 — about six weeks before the publication of The 50 Mile Bouquet. I knew that timing was close, but had completely forgotten about Sophia’s introduction. Sophia quoted both Christina and me in a  February 7, 2012 article for the San Francisco Chronicle, titled: “Locaflores? Eco-friendly florists think locally”. It’s just amazing to look back six years ago to the date of Sophia’s article, and consider all the strides we’ve taken to promote local, seasonal and sustainable flowers.

Christina appeared on this podcast as an early guest on Episode 108 in September 2013, and subsequently we recorded Episode 154 in July 2014 from Homer, Alaska, so longtime listeners of the Slow Flowers Podcast are familiar with her story.

As I wrote in the May 2017 profile about Farmgirl Flowers published in Florists’ Review:

“Farmgirl Flowers’ founder Christina Stembel is not a typical Silicon Valley start-up darling. She isn’t backed by venture capital firms who have ponied up millions of dollars to fund her launch; she doesn’t have slick office space where the staff get to play ping-pong or video games after grazing on catered vegan lunches. She drives a hand me down car and lives in a rental house with her husband Neil Hiltz.
If all goes to plan, fortune may follow the fame she has received (as in great media attention and hundreds of thousands of loyal customers), but for now, there’s more grit than glamour in the life of this 39-year-old CEO.”

In the Q&A that followed, Christina spoke openly about the challenges of growth, including one of the most difficult ones that she faced a little more than a year ago — that of finding enough flowers to keep her customers happy.

Download a PDF of the entire “The Business of Flowers” article here: Farm Girl Flowers

FR: Earlier this year you announced to your customers and followers that you were going to begin sourcing flowers from outside the U.S. You posted a letter on your web site called “Our Heart” that explained your decision and what it meant to you and your team. You explained that you were faced with a challenge of sourcing enough flowers from domestic farms and that Farmgirl will now “source directly from farms abroad whose values align with our own.” And you said, “We will continue to buy the majority of our flowers from US growers (at least 80% right now), and will be subsidizing with flowers we can’t get enough of here.” What has the response been to this announcement?

CS: I was really nervous. I knew I needed to write that letter to lay it all out there. I had to say, “This is the situation and this isn’t what I want to do. I’m sad about this but I’m just going to be honest and tell people why.” Then, we started getting emails and they were so positive. Everybody was so nice, so supportive, so thankful that I was honest with them. Customers who I had never met before wrote things like: “I’ve always bought from you because I love your aesthetic and I’m going to keep buying from you because I love your heart.”
We announced this on January 25th and we actually had a good transition. At Valentine’s Day, we only received between 20 and 25 percent of our confirmed domestic flowers, a lot due to the heavy winter rains in California. Had I not been able to use imported flowers, we would not have been able to fulfill our orders, which is what I feared and it proved (to me) that I made the correct decision.”

I asked Christina to join me again today to reflect on the past year of transition for her. One of the other reasons for this interview is to discuss the pain of growth and how all successful companies evolve due to unexpected market forces.

I was particularly moved to ask Christina to appear on the Podcast again after yet another round of comments that flooded Facebook groups, mostly populated by U.S. flower farmers, after a recent Forbes article about Farmgirl, which was published last December.

Here is a link to Christina’s “Our Heart” letter, which appears on the Farmgirl Flowers web site.

I have to be honest — I was confounded by the number of assumptions and accusations being made about Christina in social media forums, and the conclusions to which people in the industry jumped, standing in judgment of a woman who has done incredibly amazing things to elevate the awareness of local flowers in our popular culture. At one point, Christina weighed in and offered to return to the podcast — and others on one of the threads were in support of it.

What you are about to hear is an honest conversation between two friends. I simply can’t be impartial and I make no apologies for it. It saddens me that people are critical of Christina’s choices. She speaks honestly about how tough those choices are and reveals, in fact, that she is still spending millions of dollars annually to buy American grown and local flowers for Farmgirl. I hope you listen closely with an open mind and heart. While you may not agree with Christina’s choices, I think you’ll definitely learn from her tenacity and big heart.

Thanks for joining me today! I am grateful to Christina to opening herself to this kind of scrutiny and explanation. I respect her for even trying to set the record straight and sharing some insights into her decisions. Check out the beautiful USA-Grown Bouquet from Farmgirl Flowers, starting at $75 plus shipping.

If you have more to say, please say it to her directly rather than in a public forum like Facebook. She has offered up her email at farmgirl@farmgirlflowers.com and I know she will answer any respectfully posed questions with sincerity.

Despite my personal mission of changing the floral landscape through Slow Flowers’ outreach, promotion and content, I have also acknowledged that imports are here to stay. Yet, if we can even move the needle by a few percentage points away from the 80 percent import-20 percent domestic ratio, I will consider this movement a success.

I’m well aware of the compromises many feel they have to make sometimes to stay in business. The flower shops that have a secret stash of floral foam in the back room; the designers who don’t want to say “no” to a customer’s request for white hydrangeas from South America in January; the flower farmers who run a side gig with a farm in Baja. Don’t kid yourself. Not everyone is doing it but it happens. I was recently called out for leasing a Honda and slapping my “SlowFlo” license plate on it, or I’ve faced a crummy decision when the hard goods wholesaler where I shop runs out of USA-made glass vases and I’m forced to substitute with imported glass from China because I didn’t plan ahead. Degrees of sustainability face us all.

Let’s focus on what we’re doing that’s positive and continue to uphold, support and encourage one another to be transparent and honest in our actions. Cooperation over competition is the phrase I often hear. I’m hopeful you will receive this podcast today in that spirit.

If you’re able to attend the 2nd annual Slow Flowers Summit, coming up, June 29th in Washington, D.C., you’ll hear from Christina who will serve as our keynote speaker! Her presentation, “Scaling Your Floral Business to the Next Level,” will share great insights for floral professionals at any stage in their journey. Please visit the show notes for this podcast to find all the links and details to the Slow Flowers Summit. I’ll be featuring our speakers and more event details in the coming weeks.

The Slow Flowers Podcast has been downloaded more than 280,000 times by listeners like you. Thank you for downloading, listening, commenting and sharing — it means so much.

As the Slow Flowers Movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button at debraprinzing.com in the right column.

Thank you to our sponsors who have supported Slow Flowers and all of our programs including this podcast, American Flowers Week, the Slowflowers.com online directory to American grown flowers, as well as our new channels, Slow Flowers Journal and the 2018 Slow Flowers Summit.

Florists’ Review magazine: I’m delighted to serve as Contributing Editor for the new monthly Slow Flowers Journal section, which you can find in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market.

Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com.

Music Credits:

Podcast: Play in new window | Download

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Today’s I’m excited to visit with two Slow Flowers members who have just opened new floral retail businesses.

This pivot to retail floristry that I’ve been documenting over the past 12 months continues and I think you’ll find today’s conversations entirely fascinating and enlightening.

One year ago, when I released the 2017 Slow Flowers Floral Insights & Industry Forecast, I declared the retail embrace a phenomenon of studio florists moving toward brick and mortar channels.

For 2018, I’ve added flower farmers jumping into the retail arena.

As I reported last year, If you rely only on mainstream financial analysis or census data for your intel, then the landscape for brick-and-mortar flower shops has appeared unpromising.

According to the November 2016 Dunn & Bradstreet industry report, the U.S. has about 14,000 floral establishments (single-location companies and units of multi-location companies) with combined annual revenue of about $5.5 billion. Flower shops had declined by about 40% since 2000. Dunn and Bradstreet cited a Society of American Florists prediction that the number of retail florists in the US is expected to continue to drop, although the pace is slowing gradually.

Yet we’re tracking Slow Flowers members who are opening brick-and-mortar flowers shops across North America. Today’s guests will add their personal journeys to the compendium of stories about independent and progressive florists (and flower farmers) who are signing leases and opening retail spaces in the same markets that have witnessed mainstream mom-and-pop floral storefronts being shuttered.

First, you’ll hear from Lisa Waud of pot + box who has just opened a new retail space in a historic building in downtown Detroit.  Then you’ll hear from Melissa Brown of Flying Bear Farm on Whidbey Island, north of Seattle, who just opened a retail shop in nearby Langley, Washington, with her partner and husband Benjamin Corteau.

Be ready to take notes and get inspired. Retail isn’t for everyone, of course. But if you’re looking for inspiration, insights and straight talk about making retail work for you and your business, I think you’ll find it here.

Here’s more about Lisa Waud:

pot & box founder Lisa Waud has been enthusiastically steering the company’s horticultural goings-on since its founding more than ten years ago. She’s been arranging flowers in the soil and in the vase for 21 years now—from the volcanic slopes of Hawaii, the clay garden beds of the Pacific Northwest and across the great [lakes] state of Michigan.

In Lisa’s words: “I love to work with flowers blooming now and nearby, celebrating the richest hues, most fragrant blooms, the abundance of seasonality. I thrive on the uncommon and unexpected, applauding a determined weed growing out of a brick wall, the unusual variegation pattern on a peony’s petal, a tattooed bride’s arms cradling a delicate bouquet. I excel when tasked with realizing the visions of my clients, arranging stems to suit the celebration, bringing event decor ideas to life,  striving for the breathtaking gasp of elation.”

Lisa lives in Detroit, and when she’s not playing with flowers, you can find her scheming up field trips with her dogs or planning explorations in other inspirational cities. As listeners may recall from past episodes of this podcast, Lisa is also the creator of Flower House, a floral art installation in 2015, and the producer of the 2016 Detroit Flower Week.

Find pot + box at these social places:

pot + box on Facebook

pot + box on Instagram

pot + box on Twitter

pot + box’s VLNTNSDYMRKT event on February 10th.

Michigan Flower Growers Cooperative

Listen to Lisa’s first interview on the Slow Flowers Podcast, February 2015

Listen to Lisa’s Flower House Detroit preview interview on the Slow Flowers Podcast, September 2015

Melissa Brown, also a past guest of this podcast, and her husband Ben are farmer florists who often draw on the talents of Melissa’s parents Molly & David Brown.

After several very successful seasons growing flowers and designing for wedding clients, the time came this past fall to enter retail. Flower farmers listening will want to hear what led to this decision and how Melissa hopes to strike a good balance between growing, designing and selling Flying Bear Farm’s flowers.

Find Flying Bear Farm at these social places:

Flying Bear Farm on Facebook

Flying Bear Farm on Instagram

Flying Bear Farm on Pinterest

Flying Bear Farm on Twitter

Listen to Melissa’s first interview on the Slow Flowers Podcast, December 2015

The Slow Flowers Podcast has been downloaded more than 277,000 times by listeners like you. Thank you for downloading, listening, commenting and sharing — it means so much.

As the Slow Flowers Movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button at debraprinzing.com in the right column.

Thank you to our sponsors who have supported Slow Flowers and all of our programs including this podcast, American Flowers Week, the Slowflowers.com online directory to American grown flowers, as well as our new channels, Slow Flowers Journal and the 2018 Slow Flowers Summit.

And thank you to our lead sponsor for 2018, Florists’ Review magazine. I’m delighted to serve as Contributing Editor for the new monthly Slow Flowers Journal section, which you can find in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community.

Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers. To learn more visit americangrownflowers.org.

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at soundbodymovement.com.

Podcast: Play in new window | Download

Subscribe: Apple Podcasts | Podcast Index | RSS | More

Let’s dive into color — into Ultra Violet, to be specific.

When I type “Ultra Violet Pantone” in my Google Search, within seconds, no fewer than 3.2 million options pop up. There’s no denying that Pantone’s color-of-the-year campaign — one that began as a conversation about consumer sentiment at the turn of the new millennium — has become one of the most anticipated and influential announcements in the creative industries — from floral and fashion to manufacturing and media. And of course, floral design, flower farming, weddings and events.

Announced with much fanfare on December 7, 2017, here’s more about this alluring hue, according  press material:

A dramatically provocative and thoughtful purple shade, PANTONE #18-3838 Ultra Violet communicates originality, ingenuity, and visionary thinking that points us toward the future.

Complex and contemplative, Ultra Violet suggests the mysteries of the cosmos, the intrigue of what lies ahead, and the discoveries beyond where we are now. The vast and limitless night sky is symbolic of what is possible and continues to inspire the desire to pursue a world beyond our own.

Enigmatic purples have also long been symbolic of counterculture, unconventionality, and artistic brilliance. Musical icons Prince, David Bowie, and Jimi Hendrix brought shades of Ultra Violet to the forefront of western pop culture as personal expressions of individuality. Nuanced and full of emotion, the depth of PANTONE’s Ultra Violet symbolizes experimentation and non-conformity, spurring individuals to imagine their unique mark on the world, and push boundaries through creative outlets.

Historically, there has been a mystical or spiritual quality attached to Ultra Violet. The color is often associated with mindfulness practices, which offer a higher ground to those seeking refuge from today’s over-stimulated world.

I’m incredibly excited to share my exclusive interview with Leatrice Eiseman, Executive Director of the Pantone Color Institute and the spokeswoman for the annual selection that for the third consecutive year has been revealed first in The New York Times.

I first met Leatrice, or Lee, as she is often called, when I attended a color trends presentation that she gave to interior and fashion professionals here in Seattle — probably in the late 1990s. Since then, I’ve interviewed her a few times, including for a story that ran in the Los Angeles Times Home section on Turquoise, the color pick for 2010.

Last week, Lee and I met on Bainbridge Island, a short ferry ride from Seattle, and over dinner we discussed Ultra Violet — and some of the psychological and sociological reasoning behind this epic selection. You’ll want to listen closely for the way Lee describes Ultra Violet as a “now” color, especially the emotional power it imbues on our moods, settings, design palettes and more.

Lee’s newest book is The Complete Color Harmony / Pantone Edition, which we also discussed — it is a perfect handbook to inspire and inform designers and artists, with Pantone color palettes and harmonies that express a variety of moods, among them Nurturing, Transcendent, Provocative, and Delectable.

Lee will also discuss the exclusive workshops she leads at the Eiseman Center for Color Information and Training, headquartered on Bainbridge Island outside Seattle — including the 4-Day Color Design Course, coming up April 26-29.

Here’s a bit more about Leatrice Eiseman:

She is a color specialist who has been called “the international color guru.” In fact, her color expertise is recognized worldwide, especially as a prime consultant to Pantone^®. She has helped many companies, from small one person start-ups to large corporations, make the best and most educated choice of color for product development, logos and identification, brand imaging, web sites, packaging, point of purchase, interior/exterior design or any other application where color choice is critical to the success of the product or environment.

Lee is the author of countless books on color, among them:  Colors For Your Every Mood which was chosen as a Book of the Month Club selection and received an award from the Independent Publisher’s Association, the Pantone^® Guide to Communicating With Color, Color Answer Book, More Alive With Color, and Color: Messages and Meanings a Pantone^® Color Resource which won the Create Awards’ Best of Industry award. Her most recent book, Pantone^® the 20th Century in Color, was co-authored with Keith Recker. She has also written chapters in one of web page flash guru Hillman Curtis’ works as well as in a book published in Japan titled the Power of Color, written by Kaori Mukawa.

Lee was included in the group of 50 top style makers for the fifth year in a row by Home Furnishings Now, the leading home furnishings trade publication. This year HFN divided the top 50 into four categories and Lee was 5th of 10 in the “Outside Influencers” category, ahead of both Steve Jobs and Rachel Ray.

In 2006 Fortune Magazine named Lee as one of the ten “Top Decision Makers” for her work in color and in 2009 Fortune again featured her in an article titled “The Color Committee Goes to Work” where it discussed her international leadership role in color forecasting.

She conducts many color seminars and is widely quoted in publications such as Elle Decor, Home Magazine, House and Garden, Home Accents Today, HFN, Harper’s Bazaar, Allure, WWD, Glamour, Vogue, People Magazine, Self, Communication Arts, Graphic Design USA, Consumers Digest, US Magazine, Wall Street Journal, New York Times, Los Angeles Times, USA Today and Ad Age, as well as numerous other trade and consumer publications. Lee has made appearances on all major TV networks and cable channels in the U.S. as well as some abroad and has been interviewed by radio stations worldwide.

The Pantone Color Institute is a consulting service within Pantone that forecasts global color trends and advises companies on color in brand identity and product development, for the application and integration of color as a strategic asset. Recognized around the world as a leading source of color information through seasonal trend forecasts, custom color development, and palette recommendations for product and corporate identity, Pantone Color Institute partners with global brands to leverage the power, psychology and emotion of color in their design strategy.

Subscribe to Lee’s COLOR BLOG Here.

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Thanks for joining me today! I invite you to take the challenge that Lee and I discussed. In the coming few weeks, please send me images of your floral designs featuring Ultra Violet botanicals so I can share them with Lee Eiseman. She’s eager to include a few of your images on her social media channels – and of course you’ll be credited and tagged. You can send images to me at debra@slowflowers.com.

A bit of NEWS to Share: I want to let folks in the Seattle area know about an upcoming opportunity to meet and participate in a fun event I’m co-hosting as part of the We Fleurish Team, on Tuesday, January 30th in Bellevue.

It’s called Galentine’s Party and the focus is on you and your personal and business branding as a creative. You’ll experience an art-filled, nurturing and stimulating pre-Valentine’s Day party as We Fleurish handles all the details.

We’ll take away the stress of planning and provide you with all the ingredients for relevant, eye-catching, personalized content – images and words – that reflect your brand and connect with your audience in the lead up to Valentine’s Day. In addition to a delicious meal provided by our venue Fogo de Chao, we’ll make sure you have resources, materials, tools and other supplies to make a romantic floral arrangement, style a flat-lay vignette, photograph a number of visual stories and write the best captions to wow your followers. More than half the tickets have been sold, so if you want to get in on the fun, follow this link to the Galentine’s Party!

The Slow Flowers Podcast has been downloaded more than 271,000 by listeners like you. Thank you for downloading, listening, commenting and sharing — it means so much.

As the Slow Flowers Movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button at debraprinzing.com in the right column.

Thank you to our sponsors who have supported Slow Flowers and all of our programs including this podcast, American Flowers Week, the Slowflowers.com online directory to American grown flowers, as well as our new channels, Slow Flowers Journal and the 2018 Slow Flowers Summit.

 

Thank you to our lead sponsor for 2018, Florists’ Review magazine. I’m delighted to serve as Contributing Editor for the new monthly Slow Flowers Journal section, which you can find in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community.

Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at  kinetictreefitness.com.

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With the New Year upon us, I’m sensing that we’re all taking a huge, collective breath of fresh air as we turn toward the upcoming floral season and devote our energies to creating the best year ever in our floral businesses. In many regions across the country, flower farmers and florists are gathering to listen and learn, dream and collaborate, network and connect. I’m excited to learn how your events are coming together and if you have something on the calendar, please get in touch at debra@slowflowers.com so we can share the details with listeners of the Slow Flowers Podcast.

In just 10 days, folks in the central portion of the U.S. will gather at the third annual networking event hosted by the Midwest Farmer-Florist Collaborative. The day is filled with some inspiring and knowledgeable speakers, which ensures a great turnout in Omaha, Nebraska. I wish I could be there in person!

The instigator of this gathering is today’s guest, Jamie Rohda of Harvest Home Flowers, based in Waverly, Nebraska. Jamie and her husband Norman have farmed since 1994 and today their family-owned flower farm produces a wide variety of naturally grown, specialty cut flowers for local florists, designers and DIY brides. Harvest Home is located between the major cities of Lincoln and Omaha.

Jamie is also the new North and Central regional director for the Association of Specialty Cut Flower Growers, so she’s a great resource for members in a large geographic area with so much potential for floral agriculture.

The upcoming one-day workshop is open to anyone interested in learning more about flower farming and floral design. Jamie and I discuss the program schedule and I’ve also shared all the details below:

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Thanks for joining me today! The Slow Flowers Podcast has been downloaded more than 269,000 by listeners like you. Thank you for downloading, listening, commenting and sharing — it means so much.

As the Slow Flowers Movement gains more supporters and more passionate participants who believe in the importance of the American cut flower industry, the momentum is contagious. I know you feel it, too. I value your support and invite you to show your thanks and with a donation to support my ongoing advocacy, education and outreach activities. You can find the donate button in the right column of our home page.

I also want to announce the winners of our year-end giveaway. Tina Sawtelle of Pinewoods Yankee Farm in Lee, New Hampshire, and Art Flower & Gift Shoppe in Rockville Center, New York, will each receive a 2018 Flowers on Your Head Calendar featuring Mud Baron’s engaging portraits. Congratulations!

And thank you to our lead sponsor for 2018, Florists’ Review magazine. I’m delighted to serve as Contributing Editor for the new monthly Slow Flowers Journal section, which you can find in the pages of Florists’ Review. It’s the leading trade magazine in the floral industry and the only independent periodical for the retail, wholesale and supplier market. Take advantage of the special subscription offer for members of the Slow Flowers Community here.

Thank you to our family of sponsors who have supported Slow Flowers and all of our programs including this podcast, American Flowers Week, the Slowflowers.com online directory to American grown flowers, as well as our new channels, Slow Flowers Journal and the 2018 Slow Flowers Summit.

They include:

Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.

The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at  shellandtree.com.

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BOTANICAL DIVERSITY WITHOUT BOUNDARIES

The fourth annual Slow Flowers’ Floral Insights & Industry Forecast for 2018

I’m excited to announce that Florists’ Review has come onboard as Slow Flowers‘ lead sponsor for 2018, signifying a strategic partnership that acknowledges the many ways the Slow Flowers approach is moving into many facets of floristry — at all points along the farm to consumer pipeline. Florists’ Review is the only independent monthly magazine for the retail, wholesale and supplier market, reaching the largest number of floral professionals in the industry. I’m honored to be a Contributing Editor producing the monthly Slow Flowers Journal section, filled with unique content reflecting the cultural shift taking place in flower sourcing and design.

Since 2014, I have drawn from input from members of the Slow Flowers Community, past guests of the Slow Flowers Podcast and other progressive leaders in the floral industry — including farmers, florists and design creatives — to “predict” the future. While by no means a statistical survey, the Slow Flowers Floral Insights & Industry Forecast serves as a botanical crystal ball to identify emerging themes affecting the domestic floral industry. I’m excited to share these key insights for the first time in print form, here in the pages of Florists’ Review’s “Slow Flowers Journal” section.

Think of these topics as your inspiration checklist for 2018 — Your Next, New and Now Report. Some of you are already engaged in these up-and-coming developments, so consider yourself on-topic!

The overarching theme for 2018 is “Flowers without Borders,” which to me reflects the disappearance of silo-like barriers that previously separated growers of flowers from sellers of flowers from designers of flowers. Thanks to technology and social media, the ability of conventional “gatekeepers” to control the flow of information and product has greatly diminished. Transparency is power, making it easier than ever before to identify sources of fresh and uncommonly beautiful flowers and foliage. So here’s to a new floral landscape where accessibility is the driving force.

#1 Flower Farmers Diversify into Seeds, Bulbs and Plants

Beyond selling their crops to wholesale, retailer and independent florists, entrepreneurial flower farmers are finding new ways to turn expertise into cash flow. This phenomenon has moved far beyond seed-swapping and informal exchanges of plant cuttings.

One story of diversification comes from Bailey Hale of Ardelia Farm + Co. in Irasburg, Vermont. A trained horticulturist and two-time Philadelphia Flower Show gold medal floral designer (through his former studio MODA Botanica), Bailey now raises specialty cut flowers for farmers’ markets and florists and provides full-service wedding and event design. He turned his own hunger to find sources for uncommon “couture” flowers into a spin-off venture called Farmer Bailey, a custom plug brokerage.

When he’s not tending to his own farm, which is famous for producing sweet peas long into Vermont’s cool summer months, Bailey has become a cut flower hunter. He evaluates new varieties, contracts with a large wholesale nursery to custom grow “plugs” of must-have cultivars and markets his ever-expanding online catalog of irresistible choices to flower farmers and farmer-florists like himself. Bailey saw an un-served opportunity in the marketplace and used his connections and ingenuity to fill the demand. The result is a thriving new venture and the chance to influence the types of blooms — from Asters to Verbenas — entering the floral marketplace.

#2 Flower Farmers Launch Direct-Ship Wholesale Programs
Shipping to designers in markets that don’t otherwise have access to their unusual flowers, Gretel and Steve Adams of Sunny Meadows Flower Farm in Columbus, Ohio, “have opened door to get our product to florists without having to physically deliver it,” Gretel explains. Recently, their farm joined a shipping cooperative to take advantage of discounted overnight rates, an essential part of keeping their pricing competitive.

After a season of testing packaging methods and learning to navigate the FedEx system, Sunny Meadows expects to unveil The Columbus Flower Company’s national wholesale flower shipping program this spring, beginning with its huge ranunculus harvest. “We’d like to be able to send flowers to designers in New York, or Los Angeles, or places that don’t have access to a good flower market,” she says.

Gretel, also a wedding and event designer, feels she can add value for florists who order from the farm. “My favorite clients are florists who give me an inspiration board and a budget and I’ll pull a mix of ingredients that I myself would use.”

In Weyers Cave, Virginia, Jessica Hall and her family run two businesses, Harmony Harvest Farm (specialty cut flowers) and Floral Genius (pin frogs and other flower frogs). Jessica also reports of plans to ship flowers in 2018, borrowing lessons learned from shipping flower frogs across the U.S. to Floral Genius’s  wholesale accounts.

Harmony Harvest spent 2017 trialing packaging, stem hydration and shipping methods to determine best practices for a farm-to-florist wholesale program. “I believe there is a collective army (of smaller flower farms) that can take care of the U.S. need; they might be able to grow those flowers and see that it’s possible to ship. I’m going to figure it out and hopefully that will change the industry,” she says.

#3 Retail Garden Centers Add Floral Design Services

Last year’s Floral Insights report highlighted “Return of Brick and Mortar,” documenting a possible reversal of the decades-long decline in floral retail, as I witnessed studio florists with a distinct local and community focus open a new generation of retail flower shops. The next wave in this shift continues in retail nurseries and garden centers, which are opening or reviving in-house floral shops with a distinctly local emphasis.

Slow Flowers Journal featured The Flower Shop at O’Donal’s Nursery outside Portland, Maine — which recently introduced full-service floral design as a sister business to a 60-acre tree and shrub nursery. Manager Rayne Grace Hoke credits having a distinct aesthetic inspired by O’Donal’s extensive plant collection for much of the shop’s success.

On the opposite coast, Windmill Gardens, an independent garden center in Sumner, Washington, also debuted a new flower department. According to owner Ben DeGoede, Windmill brought floral design in-house for the first time since 2001, taking over space once occupied by a tenant and rebranding as Windmill Floral Studio. The beautiful, full-service shop has a commitment to providing only locally-grown and American-grown flowers. “The Slow Flowers movement and the buy local movement has inspired us to take floral back again,” he explains.

General manager Wendy Pedersen explains that the flower shop “wants customers to support local farmers.” There are obvious synergies for couples who book Windmill Gardens’ outdoor wedding venue and hire Windmill Floral Studio to design their flowers.

#4 Flower Farmers Shift into Retail

While it may seem “counter-trend,” a number of flower farms are opening retail spaces in prime locations where their flowers are marketed alongside related hard goods and artisan products. It’s a move welcomed by consumers who want to buy farm-direct in urban and suburban markets. I’ve identified Chicago, Boston and Albuquerque, among other cities where flower farmers have opened retail shops to sell their blooms.

In Boston, Field & Vase, a new venture of Stow Greenhouses, has opened two retail spaces at The Shops at Prudential Center, a major downtown retail hub. Barbara Rietscha and Dave Buchholz incubated their first retail venture two years ago at Boston Public Market, a year-round, indoor farmers’ market with 40 vendors and a New England-grown mandate. Success in that venue attracted the attention of developers at the tony Prudential Tower, and this past September, Field & Vase opened two locations there — a permanent kiosk in the heart of the mall’s central court and a full-service shop-studio that is large enough to accommodate custom design work, event production, client consultations and ongoing workshops.

Barbara says adding multiple retail channels to sell their farm’s value-added flowers was an intentional decision. By selling the flowers they grow direct to consumers through retail, Field & Vase enjoys larger margins and gets out of the wholesale environment dominated by price competition with imports. Additionally, at the Prudential locations, the business promotes other flower farms that aren’t set up to do retail themselves. “We source within the U.S. because we believe in local,” Barbara says. “We want to be a venue for flower farmers who don’t have retail outlets themselves.”

#5 Aromatherapy and Wellness Remedies

Botanically-inspired fragrances, body care remedies and other herbal and scented goods have a natural affinity for floral consumers, and I’ve noted some brilliant ways that florists are taking advantage of this. From developing their own candle and soap collections to offering aromatherapy-themed events, florists are tapping into ways to cross-promote flowers and aromatics.

Stacey Carlton, AIFD, of The Flora Culturist in Chicago has made the fragrance connection for her customers with an “Aromatherapy Bar” service. It’s a smart way to extend into a new revenue stream incorporated into parties and special events. Guests are invited to create a personal, custom fragrance blend — or to follow Stacey’s cleverly personalized scent recipes. From intimate gatherings like bridal showers to large interactive events, the Aromatherapy Bar gives guests a social experience and a new way to engage with fragrance.

Farmer-florist Hedda Brorstrom of Full Bloom Flower Farm in Groton, California, is a certified herbalist who studied at the California School of Herbal Studies. She extends her farm’s season by creating and selling “small batch, field to face” herbal and aromatherapy products.
Full Bloom Flower Farm’s skin care line includes rich hydrating creams made from roses, calendula and lavender grown on her farm. A rosemary hydrosol is an organic spray that can be used either on the face after sun exposure or used in cocktails after a long day of gardening. Hedda’s personal favorite product is the Injury Salve which she uses after a day of farming to soothe sore muscles. She sells her products online, alongside other farm-logo items like tank tops, sweatshirts and hats.

#6 Cause-Related Flowers

Flower farmers and florists alike are investing their talents in helping nonprofits and others in their communities. Floral philanthropy or “flowers with heart” efforts are inspiring, and I love seeing flowers used as a currency to change lives and advance important causes. A number of feel-good projects caught my attention in 2017 and I am certain they will continue in 2018.

The Bloom Project, profiled recently in Florists’ Review, is a 10-year-old volunteer-run program that upcycles donated flowers into bouquets for hospice and palliative care patients in Portland, Oregon.

On a national level, Christina Stembel’s Farmgirl Flowers selects and supports a monthly nonprofit partner by donating a portion of sales for a signature bouquet in its product mix.

“We started our ‘With Heart’ campaign because we wanted a way to give back to multiple organizations that are near and dear to our hearts throughout the year,” Christina explains. “It’s also a way we can support many organizations that our team members are passionate about.” Since it launched in April 2017, Farmgirl’s ‘With Heart’ program has contributed more than $70,000 to nine different charities.

I’m also impressed with charities using flower farming and floral design as a platform for change. It’s inspiring to watch nonprofit farms that help teens and adults train for the workplace or those that provide sustainable jobs for individuals with different abilities. Some notable efforts include Muir Ranch in Pasadena, WOW Farm in Oakland, Blawesome Farms in the Raleigh-Durham area, Blooming on the Inside in Portland, and other socially responsible enterprises.

The bottom line is that flowers can meet people where they are and be used as a positive tool to instigate change, stimulate progress and enhance lives.

READ MORE…

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Welcome to the final Slow Flowers Podcast Episode of 2017.

The Slow Flowers Community and listenership of this program have grown to be larger than ever, with more than 265,000 total downloads since launching in July 2013. That’s amazing news and I’m thrilled to share it with you.

Every single week this year; in fact, every single week for the past 230 weeks, it has been my privilege to feature the voices of our Slow Flowers community with you. Unlike any other internet radio show in existence, the Slow Flowers Podcast is tailored to you and your interests, making its “must-listen” programming a habit among flower farmers and floral designers alike.

In producing and hosting the Slow Flowers Podcast, I seek out pioneers and personalities, style-makers and influencers — as well as unsung or little known heroes — who together are changing the floral landscape, disrupting the status quo, and bringing flower sourcing and growing practices, not to mention eco-conscious design methods, to the center of the conversation.

And thanks for joining in. Whether you’ve just discovered this podcast or are a longtime fan, I encourage you to take advantage of the immense body of knowledge that can be found in the archives here. We’ve updated the “play” and “download” buttons at the show notes that accompany each episode, making it simpler than ever to listen.

Today we have a year-end listener giveaway, so listen to the end of this episode for details! We have two copies of floral activist and artist Mud Baron’s 2018 “Flowers on Your Head” calendar that he produced as a fundraiser for LA-based nonprofit 4 Women Ovary Where.

As I have done since the beginning of 2014, I would like to devote today to the Slow Flowers Highlights of this past year. Next week, on January 3th, I will present the much anticipated 2018 Slow Flowers’ Floral Insights and Industry Forecast with you.

Covering the Slow Flowers Community has put me in a lot of airplane seats this year. I’ve been able to meet with, interview and gather together with florists and flower farmers in thirteen states and one Canadian Province. That’s amazing and I thank friends and colleagues who hosted Slow Flowers workshops, potluck dinners, cocktail parties, events and meet-ups Alaska, Arizona, California, Connecticut, Iowa, Florida, Massachusetts, Montana, New York, Oregon, Pennsylvania, Virginia, Washington, and Ontario, Canada, for amazing and inspiring experiences. And so far, 2018 promises to bring me more travel as I’ve already confirmed Slow Flowers appearances in Texas, Washington, D.C., Colorado, North Carolina, Iowa, Illinois, and of course, the Pacific Northwest, so get in touch if you’re interested in booking something in your community.

This #slowflowers hashtag is the floral industry’s most widely used brand intended to convey seasonal, local and sustainable floriculture — and I am humbled by the impact and reach of a term that originated with a tiny, 144-page book measuring 7-1/2 inches square — as it has exploded far beyond my imagination in the five years since.

Thank you for being a part of this movement and If you haven’t, I hope you’ll make the next step by investing in the continued relevance and success of this brand and join Slow Flowers as a member.  Follow this link to learn more about the benefits and values of joining the Slow Flowers Movement.

So, let’s get started with my month-by-month recap of 2017!

January brought Slow Flowers to Tampa, Florida, and the Gulf Coast, including a lecture for the garden club of Boca Grande, one of the most beautiful beach spots on the planet. I loved connecting with Slow Flowers members while in the state and took great pleasure in touring a few botanical gardens to admire the diversity of the region’s flora. Later in the month, travel brought me to the other corner of the U.S. — to Fairbanks, Alaska, where I spent a few days attending and speaking at the Alaska Peony Growers Association winter conference. Two geographic and climactic extremes and two equally vital regions for local flowers and passionate growers.

Something else took place in January, an event that foreshadowed a major new collaboration for me — Florists’ Review published my article about a year-long creative project by Kelly Shore of Petals by the Shore. Called “Four Seasons of Floral Design,” the 11-page spread documented Kelly’s creative partnership with Maryland flower farmers Leon and Carol Carrier of PlantMasters. It was exciting to write the piece for a major floral industry trade magazine — one read regularly by mainstream and conventional audiences. For Kelly and her collaborators, as well as for the Slow Flowers community, the story illuminated often unheard voices of domestic agriculture and sustainable design in floristry. You can read more about that story here.

I found it pretty remarkable to see seasonal and local flowers designed so artistically, portrayed against the backdrop of a flower farm. I want to acknowledge and thank Travis Rigby, Florists’ Review‘s owner and publisher, for adding my storyteller’s voice and point of view to the magazine’s pages.

That first article led to my stories appearing in subsequent months’ issues, each of which continued the Slow Flowers narrative. And then . . . Travis invited me to join Florists’ Review on a permanent basis as a contributing editor. After much dialogue and consideration, the new collaboration launched in August with a dedicated editorial section called the “Slow Flowers Journal.”

Since the first issue, I’m delighted to say that we’ve featured dozens of floral designers, farmer-florists, retail flower shops, makers and artists inside the magazine, under the Slow Flowers Journal banner, and with the mission and message presented as inspiring small business success stories.

A footnote: I argued passionately to continue the Slow Flowers Journal name for this section. That’s because in January 2017, slowflowersjournal.com launched as an online magazine, designed to highlight and share this community’s members and their stories. Expanding to print has taken Slow Flowers Journal from a few thousand online readers to tens of thousands of print readers each month. That’s a big achievement for our brand!

Moving into 2018, these stories will continue — I’d love your input and ideas, so be sure to follow links at the show notes for more ways to engage and become involved. If you haven’t started reading the Slow Flowers Journal, I encourage you to contact Florists’ Review for a free sample copy or take advantage of the generous discounted subscription rate offered to my listeners. You can subscribe to Florists’ Review and read our bonus Slow Flowers Journal content at the special rate of $21 for 12 issues — 62 percent off the cover price! Click here or call 1-800-367-4708.

February was a busy month, personally, as my family and I finally ended our 18-month urban condo experiment and moved into a new home with a completely blank backyard – home to the new Slow Flowers Cutting Garden.

Over the remainder of 2017, I began building the cutting garden as a place to trial cut flowers and other botanicals, stage and produce DIY photo shoots, and create stories for gardening audiences and more. The support of sponsors who have shared everything from seeds (thanks Johnny’s Seeds) to bulbs (thanks Longfield Gardens) to my greater Garden Writers community, which supplied perennial and woody plants to trial, has been awesome. I promise that the garden’s evolution in the coming year will supply you with even more inspiration.

Also in February, we produced the Valentine’s Day LOOK BOOK, sharing it across PR Web, a news distribution service. The gallery of sustainable floral design ideas from Slow Flowers member farms and florists was picked up by online news sites, and posted to the web, at slowflowersjournal.com and in a public Flickr gallery. Stories like these help to put you in the news and if you’re a Slow Flowers member, you’ve received (and I hope read and taken advantage of) ongoing “calls” for submissions that allow you to participate in similar opportunities to be published. Currently, for example, we’re collecting your submissions for an upcoming American-grown wedding floral story ~ so if you’re not a part of these opportunities and you’d like to be ~ get in touch!

And I can’t end my February highlights without mentioning how gratifying it was to be an invited speaker at the third annual Pacific Northwest Cut Flower Growers meetup that month, held in Corvallis, Oregon. I shared the 2017 Floral Insights & Industry Forecast as part of my SLOW FLOWERS, AMERICAN STYLE presentation. I was thrilled to discuss what’s happening at all levels of the American-grown floral pipeline — from field to checkout counter, and to give the gathering of growers and farmer-florists insights into the opportunities they could can leverage for their businesses.

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For the past two years, I’ve shared special Holiday Music episodes, which seems festive and fitting for this season when we all need a break from work and responsibilities.

In 2015, musician-songwriter-flower farmer Dennis Westphall of Jello Mold Farm in Mt. Vernon, Washington, was my guest for Episode 225.

And in 2016, Ellen Zachos, vocalist, author, former Broadway singer-dancer, and foraged cocktails expert, sang botanical broadway show tunes for us on Episode 276.

Today, I’m delighted to present the third annual Slow Flowers’ Holiday Music Special, with EarthShine, the duo featuring Scott Prinzing and Kristen Rickels Prinzing, my brother and sister-in-law, who are based in Billings, Montana.

Scott and Kris and I met up this past September at the Rocky Mountain Gardening Live Conference, produced by Dan and Andra Spurr at Chico Hot Springs in Pray, Montana. It was so much fun for me to spend an extended bit of time with Scott and Kris, and I planned ahead and asked them to record this podcast in anticipation of our holiday special.

Here’s a little more about this dynamic couple:

Kris is a songwriter and player of acoustic guitar and flute! She grew up spending every summer in the Beartooth Mountains of south central Montana and spent school years in Minnesota. She has roots connecting her to Montana that date back to her great uncle Kent Moats’ 1913 homestead. In the early 50’s, her then very young father purchased property in the mountains of southeastern Montana, and as a result Kris has spent every summer of her life at this special place. In 1990 she and Scott were married there, and a few years later they relocated to Montana permanently, joining Kris’s parents and other family. Montana’s wild and beautiful landscape is responsible for her intense passion for the environment, which has led her to professional, academic and volunteer work in conservation.
Kris has also nurtured a lifelong interest in music and the arts. During college, after several years of flute, voice, classical dance and some piano, Kris made an effort to pursue singing as a career. She recorded a demo tape and sang lead on some sessions for a local jazz producer. In 1990 Kris married Scott Prinzing, who is also a musician, though it was not until 1997 that they began to collaborate and pursue music together. In 1999 Kris began playing the guitar seriously, and soon after began to write songs.

Scott Prinzing sings and plays bass, mandolin and more. He was born in Connecticut, moving a number of times during his childhood, ending up in Portland, Oregon at age 11. Scott took up the acoustic guitar in 5th grade and then the bass guitar in 7th grade. He formed his first band in the 8th grade. At church, in school singing groups and in the bands he sang and played in, Scott developed a strong baritone voice. In 1982 and 1988 he played and sang on studio recordings with his band Glacier. Throughout high school and college, Scott played in a total of six different bands (some concurrently.) Over the years Scott has learned to play several other instruments competently but continues to concentrate on the bass guitar. During college Scott became involved peace and justice issues, multicultural student activities and political campaigns. Scott majored in Sociology/Cross-cultural Studies in the small private college where he began his education and had the opportunity to travel and study in Israel, the Philippines, Rome, Mexico and elsewhere. His interest in politics and social justice also gave new depth to his life-long interest in the environment.

After marrying Kris Rickels in 1990, Scott transferred to the University of Minnesota to complete his college education and there chose to major in American Indian Studies – another life-long interest. In 1997, Scott and Kris finally began to work on music together, culminating in the collaborative efforts that have created the music they now perform together.

In 2003, Scott and Kris formed the MusEco Media and Education Project, an educational non-profit. They perform all around Billings and elsewhere in Montana with their duo, EarthShine, and they have produced three CDs featuring some of the music you’ll hear today.

I wish you a wonderful holiday, happy Solstice, Merry Christmas and Seasons Greetings — please enjoy my musical gift to you! Here are more ways you can listen and follow Scott and Kris:

See more GREEN MAN and MuseEco Videos here.

MusEco Media and Education Project:  www.MusEco.org

Earthshine   www.EarthshineMontana.com

Green Man’s site  www.GreenManTV.org

Listen & Buy more of EarthShine’s Music:

SoundCloud 

CD Baby

Follow Earthshine on Facebook

Thanks so much for joining us today! The Slow Flowers Podcast has been downloaded more than 264,000 times by listeners like you. Thank you to each one of you for downloading, listening, commenting and sharing. It means so much.

Next week, during the final episode of 2017, I will share our Year in Review. The Slow Flowers Movement and you, the community, have achieved and accomplished so much goodness this year and it’s time to celebrate our successes. Please Join me on Wednesday, December 27th for this special tribute to 2017.

If you value the content you receive each week, I invite you to show your thanks and support the Slow Flowers Podcast with a donation — the button can be found on our home page in the right column. Your contributions will help make it possible to transcribe future episodes of the Podcast.

Thank you to family of sponsors:

And thank you to our lead sponsor for 2017: Certified American Grown Flowers. The Certified American-Grown program and label provide a guarantee for designers and consumers on the source of their flowers. Take pride in your flowers and buy with confidence, ask for Certified American Grown Flowers.  To learn more visit americangrownflowers.org.

Arctic Alaska Peonies, a cooperative of 50 family farms in the heart of Alaska providing high quality, American Grown peony flowers during the months of July and August. Visit them today at arcticalaskapeonies.com.

Seattle Wholesale Growers Market, a farmer-owned cooperative committed to providing the very best the Pacific Northwest has to offer in cut flowers, foliage and plants. The Growers Market’s mission is to foster a vibrant marketplace that sustains local flower farms and provides top-quality products and service to the local floral industry. Find them at seattlewholesalegrowersmarket.com.

Longfield Gardens provides home gardeners with high quality flower bulbs and perennials. Their online store offers plants for every region and every season, from tulips and daffodils to dahlias, caladiums and amaryllis. Visit them at longfield-gardens.com.

Syndicate Sales, an American manufacturer of vases and accessories for the professional florist. Look for the American Flag Icon to find Syndicate’s USA-made products and join the Syndicate Stars loyalty program at syndicatesales.com.

Johnny’s Selected Seeds, an employee-owned company that provides our industry the best flower, herb and vegetable seeds — supplied to farms large and small and even backyard cutting gardens like mine. Check them out at johnnysseeds.com.

Association of Specialty Cut Flower Growers. Formed in 1988, ASCFG was created to educate, unite, and support commercial cut flower growers. It mission is to help growers produce high-quality floral material, and to foster and promote the local availability of that product. Learn more at ascfg.org.

I’m Debra Prinzing, host and producer of the Slow Flowers Podcast. Next week, you’re invited to join me in putting more American grown flowers on the table, one vase at a time. And If you like what you hear, please consider logging onto Itunes and posting a listener review.
The content and opinions expressed here are either mine alone or those of my guests alone, independent of any podcast sponsor or other person, company or organization.

The Slow Flowers Podcast is engineered and edited by Andrew Brenlan. Learn more about his work at KineticTreeFitness.com.

Music Credits:

EarthShine:
(c) Season’s Greetings 2000

(c) Kubota Garden 2002

(c) Blooms of Clover 2007

(c) Whirling Earth 2014

(c) Jack in the Green 2015

Lovely, by Tryad