Zen in Bloom

Showcasing a single type of flower – here, it’s spring daffodils – this technique is easy and carefree.

Ingredients:

15 stems common daffodils, from my garden

Multiple lengths of coral-pink twig dogwood, cut approximately 2 inches wider than the vase opening. Any straight, woody branch will work, including vine maple, pussy willow or the colorful twig dogwood (Cornus sanguinea or C. sericea)

Vase:

6-inch tall x 6-inch square glass vase (this design adapts to any square or rectangular glass vase)

The daffodil stems are stabilized by a “raft” of twigs, lashed to cover the opening of the vase.

Other supplies:

Decorative pebbles

Twine-wrapped wire (available at craft stores in natural or green)

Design 101

Borrow inspiration: The idea for this bouquet came from a project featured in Design, a publication of The Flower Arranging Study Group of the Garden Club of America. Whenever you’re inspired by another designer’s technique, it’s important to give it your own twist rather than make a direct copy. For example, the original creation used florist’s foam inside the container, but I found it unnecessary, especially since the pebbles and twigs are enough to hold the daffodil stems in place.

NOTE: Each Sunday of this year, I will post my photographs, “recipe” and tip for that week’s floral arrangement, created for my new book, Slow Flowers.

Enjoy the floral journey through 52 weeks of the year~

MAGNOLIAS AND MORE

Evergreen magnolia (Magnolia grandiflora), parrot tulips, rosemary, Japanese fantail willow and bare magnolia branches in bud fill one of my favorite white vases.

A sweet detail of those luscious tulips – don’t they play nicely with the rusty side of the magnolia foliage?

Ingredients:

Design 101

Proportion and Scale: These two related principles are among the most challenging to pull off correctly – in interiors and garden design, as well as in a vase. Proportion usually refers to size relationships within a composition, such as how each of the botanicals in this tall vessel is visually powerful. There are no wispy ingredients and the height of the arrangement is equal to the height of the vase. Scale indicates size in comparison to some constant, such as the human body. That’s where the terms “small scale” or “large scale” come in, since they refer to the out-of-the-ordinary size of things. With that in mind, think about the ideal interior setting for this vase. I think it would look stunning as the welcoming urn in a grand foyer or at the center of a large buffet table.

TULIPS & TWIGS

My cover shot, a perfect way to kick off springtime! Tulips, willows and camellia branches – all contained in a brilliant, matte green urn.

Ingredients:

12 stems red tulips and 10 stems yellow tulips, grown by Alm Hill Gardens

6 stems curly willow (Salix matsudana ‘Tortuosa’), grown by Oregon Coastal Flowers

8 stems Camellia japonica, from my garden

Vase:

5-inch tall x 6-inch diameter matte green urn with handles

From the Farmer

Water lovers: Unlike most floral design ingredients, tulips and willow branches seem to keep growing in a vase of water. You’ll notice that the tulip stems elongate a little each day. Some designers prefer to take the arrangement apart and re-cut the lengthened stems, but I like to observe the changes that occur. Willow is a water-loving plant, so you may discover that it sprouts tiny white roots under water and that small green leaves will push open, as if it is growing in soil. Enjoy a few days of this ever-changing dynamic.

A detail of the colors and textures of springtime.

NOTE: Each Sunday of this year, I will post my photographs, “recipe” and tip for that week’s floral arrangement, created for my new book, Slow Flowers. Enjoy the floral journey through 52 weeks of the year~

 

Been busy here . . . in the midst of Flower & Garden Show season, so I missed last week’s bouquet. Let’s play catch up and here, I’ll feature Week 8 and Week 9:

 “JUST ADD LIME”

Oh how I love this combination of everyday garden blooms, including daffodils, forsythia and euphorbia – with a few sprigs of variegated geranium for contrast.

The spring green color of new growth is indescribably beautiful.

From the Farmer

Working with euphorbia: Most plants in the spurge family produce a milky-white substance when cut. It can be irritating to the skin, so be sure to wear gloves when handling the plant. While harvesting, I place the stems in a bucket of water, separating them from any other cut ingredients. Then I bring them into my kitchen where I dunk the tip of each euphorbia stem into a bowl filled with boiling water from the teakettle. This seals the stems.  Some experts recommend searing the tips in a stove top flame, but that has proven too messy for my liking.

“HEADY HYACINTH”

A simple length of linen twine gathers these garden hyacinths. They practically arrange themselves!

Ingredients:

8 stems hyacinths (Hyacinthus orientalis), grown by Alm Hill Gardens

Detail of the gathered bouquet

Seasonal Choices

About those long stems: The typical garden hyacinth blooms on a relatively short stem – maybe 4-5 inches at the most. This limits the way hyacinths can be used in floral arrangements. According to Gretchen Hoyt, the way to stretch those stems is to trick them into wanting more light. “The longer you can deny them light, the more they stretch,” she explains. At the commercial flower farm, this process begins in dark coolers where bulbs are pre-chilled. When they are transferred to the greenhouse, the hyacinth crates are placed (in the shadows) beneath tables where tulips grow. If Gretchen wants to elongate those stems even further, “I’ll throw newspaper over them,” she says. Leaving bulbs on the stems is optional, but some designers do so to give the arrangement a rustic appearance.

“Lilies, Two Ways”

Two “lily” elements fill my antique majolica cachepot, set in the dining room window to catch the rare winter rays of sunshine

A detail from inside the vase . . .

Eco-technique

Flower frogs: I’ve made it a personal goal to stabilize flower stems with organic methods rather than the conventional florist’s foam or “Oasis.” That product, I have learned, contains formaldehyde and does not break down in landfills. An old-fashioned flower frog (in ceramic, glass or metal) is a great alternative. You can find flower frogs at flea markets or tag sales for a few dollars (or raid your grandmother’s supply). One of my favorites is a half-dome cage. It sinks to the bottom of the container and has ¾-inch square openings, ideal for woody stems. This is an arranging tool of the past, seriously useful for the present-day!

NOTE: Each Sunday of this year, I will post my photographs, “recipe” and tip for that week’s floral arrangement, created for my new book, Slow Flowers. Enjoy the floral journey through 52 weeks of the year~

SPRING: Two types of pink tulips, Oregon grown; plus pelargonium foliage, white ranunculus & deep purple-blue anemones from California

I came home Sunday from a weekend in Portland, where I lectured about “Slow Flowers” and demonstrated eco-floral design techniques at the Yard, Garden and Patio Show. It was a great way to kick off the 2013 flower & garden show season, thanks to the very warm and supportive welcome of the Portland community.

I enjoyed a very special treat because some longtime family friends, including Donna Davey and her husband Bill Davey came to the event. In 1984, Donna designed the flowers for Bruce’s and my wedding. Pretty amazing for both Donna and me to reminisce about her influence on me . . . 28-plus years later! The bridal bouquet she designed used gardenias and I will always associate that wonderful fragrance with our marriage.

Live demos always have their surprises and this one was no different. My tulips had very floppy stems and they did not cooperate. It was my intention to recreate the bouquet on the cover of Slow Flowers, but the tulips I procured from a local Oregon grower the day before didn’t play nicely with my scheme.

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“A Display of Daffodils”

A trio of fresh, enticing elements creates this cheery arrangement

Start with a framework of twigs…then add other stems of flowers and foliage

Eco-technique

“Callas and Cherry Branches”

Simple, graceful, seasonal: Calla Lilies and Flowering Cherry Branches

Love the ombre-coloring on these calla lilies!

From the Farmer

Calla curve: When cut, your callas may have a tendency to curve. Patrick Zweifel says this is normal and can be minimized by storing the cut flowers (heads down) in a box overnight. Also, once they are cut and placed in a

vase, leave the curved flowers toward the container’s outside rim. The callas will naturally straighten up toward the center.

NOTE: Each Sunday of this year, I will post my photographs, “recipe” and tip for that week’s floral arrangement, created for my new book, Slow Flowers. Enjoy the floral journey through 52 weeks of the year~

 

“A nest for my orchids”

A classic indoor plant, each cymbidium stem holds several blooms – the antidote to a dreary winter day.

Ingredients:

Yes, I have her signature in my used copy of “Flowers in House and Garden,” published in 1937. Signed in pencil, the inscription is dated February 1939.

Lately, I’ve been reading a lot about the first celebrity floral designer, Constance Spry.

The famous Mrs. Constance Spry

If you haven’t heard about her, check out the newish biography called The Surprising Life of Constance Spry, by Sue Shephard (2011). Mrs. Spry was at her peak of popularity between the two World Wars, and I loved reading about her magnificent cutting garden that supplied her London studio and shop called Flower Decoration in the ’30s, ’40s and ’50s.

Speaking of Flower Decoration, that is the name of a volume that Mrs. Spry wrote in 1933. Re-issued in 1993, you can find it online used, filled with her strong opinions, witticisms, and black-and-white photographs of floral arrangements. These are a little dated, of course, but what stands out to me is the eclectic lineup of ingredients, which includes many flowers, foliage and edibles that today’s hip floral designers think they’ve popularized.

Guess what? Mrs. Spry did it first!

The rest of us have just discovered the ingredients with which she created lush, naturalistic, unfussy bouquets. Cherry tomatoes, grape clusters, gourds, fig leaves, sea-kale, agapanthus seed heads, amaranth, rhubarb and artichokes are wonderful floral elements showing up in couture bouquets and magazine spreads. But Constance Spry used them first – and that’s quite fun to RE-discover.

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